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DTSTAMP:20251003T181516
DTSTART;TZID=America/Detroit:20251016T110000
DTEND;TZID=America/Detroit:20251016T170000
SUMMARY:Exhibition:Untold Stories\, Part II: A Stamps Faculty Exhibition
DESCRIPTION:Exhibition Dates: September 12 - December 13Opening Reception: September 18\, 6:30-8:30 p.m.\nUntold Stories: Part II is the second in a series of three exhibitions featuring the work of faculty members from the Stamps School of Art &amp\; Design. Organized thematically\, Part II explores timely and resonant themes related to the freedom of expression\, movement\, and civic rights. Drawing on personal narratives and public archives\, the artists offer inspiring ways of storytelling that make latent ideas visible and experiential - expanding the boundaries of their artistic research.\nUntold Stories: Part II is curated by Srimoyee Mitra\, and features work by Stamps faculty Ebitenyefa Baralaye\, Annica Cuppetelli\, Quinn A. Hunter\, Carol Jacobsen\, Andy Kirshner\, Rebekah Modrak\, and Ricky Weaver.
UID:137113-21879728@events.umich.edu
URL:https://events.umich.edu/event/137113
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251015T121513
DTSTART;TZID=America/Detroit:20251016T110100
DTEND;TZID=America/Detroit:20251016T190000
SUMMARY:Exhibition:Fore-Site (Phase 1): The Stamps Gallery Pillar Project
DESCRIPTION:Phase 1 Opening Reception: September 18\, 6:30 – 8:30 p.m.\nFrom September 2025 through August 2026\, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based\, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios\, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator\, MFA ’20) and Abhishek Narula (MFA ’20)\; and Sometimes Space\, directed by Nathan Byrne (Lecturer I\, MFA ’21). Each space hosts dozens of artists annually for exhibitions\, performances\, and events\, fostering experimental work and building community. For this project\, Byrne\, Clegg\, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response\, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory\, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist’s vision of the sacred. McKenna draws from the language of quilting\, organizing her photos of mushrooms\, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists\, Midwestern women attentive to the nuances of place\, weave personal imagery into collective meaning. Together\, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols\, denoting a capitalist world\, filled with tender moments and connections\, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms\, lichen\, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail\, the work honors Ohio’s yard art traditions. Like other local expressions\, from chainsaw-carved bears to the front porch goose\, it fosters a shared sense of pride of place\, and community.\nArtist Statements/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state\, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness\, humor\, beauty\, pain\, and joy that coexist within these spaces. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me\, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core\, my work explores the underworld of human experience\, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism\, the mysticism of my Irish Catholic upbringing\, and the profound solitude that fuels my process. The resulting images are landscapes of seeking\, filled with the pain\, glory\, and quiet resistance of life.\nAmelia Burns is a photographer\, collage artist\, curator and educator exploring the cultural and physical landscapes of the U.S.\, capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website / Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor\, playful misuse\, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens\, she explores the space where necessity meets excess\, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics\, generating tension between utility and ornament. Growing up in a perpetually unfinished home—a place of sawdust\, chop saws\, and improvisation—instilled in her a respect for visible labor\, inventive problem-solving\, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries\, stereotypes and associationsmisuse\, misapplyallow for variable arrangementsrepeat\, reiterate\, reuseconsider the subversive possibilities of the excessive\, fantastic\, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp\; Design in 2012 and later completed her MFA at Stamps School of Art &amp\; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio\, where she serves as Exhibitions Director at The Dairy Barn Arts Center\, hunts for mushrooms with her toddler\, and makes quilts. Website / Instagram
UID:138031-21881241@events.umich.edu
URL:https://events.umich.edu/event/138031
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Art
LOCATION:Off Campus Location
CONTACT:
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DTSTAMP:20251002T142353
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T180000
SUMMARY:Exhibition:By Means of a Pencil
DESCRIPTION:October 9 – November 5\, 2025\nOpening Reception October 9\, 5:00-8:00 pm\nClosing Reception: November 2\, 2:00-5:00 pm\n\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\n\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing\, collage\, and sculpture.\n\nFor years\, I have been intrigued by the author Robert Walser’s  mark making which he referred to as his “pencil method” where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser’s pencil method began when he was experiencing severe writer’s cramp and: “hideously and frightfully hated his pen.” He goes on in a letter written in 1927 describing the freeing nature of this process: “I suffered a real breakdown in my hand on account of the pen\, a sort of cramp from whose clutches I slowly\, laboriously freed myself by means of the pencil.”\n\nJust as it was with Walser “by means of a pencil” I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually\, this became processes like my transcription drawings\, in which I write out an entire novel as a form of mark making.\n\nWhile this exhibition mines the Walser archive and the spirit of this author\, this work is just as much about me and my immersion in this “world of Walser.” It is about my own engagement with relationships between language and mark making\, language and sculpture\, language and longing.\n\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\n\nPoster design by Sky Christoph.\n\nHours: 12 – 6 pm\, Tues. – Fri. & Sun.\n\nLocation: 2281 Bonisteel Blvd\, Ann Arbor\, MI 48109
UID:140228-21886765@events.umich.edu
URL:https://events.umich.edu/event/140228
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Visual Arts,Exhibition,Arts Initiative,Art
LOCATION:Duderstadt Center - Gallery 1019
CONTACT:
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DTSTAMP:20250909T181719
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T123000
SUMMARY:Class / Instruction:Carillon Lesson
DESCRIPTION:In place of a regular recital\, the public is welcome to visit and observe as students take a lesson on the carillon led by Prof. Tiffany Ng.\n\nThe Charles Baird Carillon is an instrument of 53 bronze bells located inside the Burton Memorial Tower. The largest bell\, which strikes the hour\, weighs 12 tons\, while the smallest bell\, 4½ octaves above\, weighs just 15 pounds.\n\nThe bell chamber may be accessed via a combination of elevator and stairs. Take the elevator to the highest floor possible (floor 8)\, and then climb two flights of stairs (39 steps) to the bell chamber (floor 10). Hearing protection earmuffs are provided for visitors. Be prepared to walk on ice and snow in the bell chamber during winter. Built in 1936\, the Charles Baird Carillon is not ADA accessible. Visitors with mobility concerns are invited to visit the Lurie Carillon.
UID:139100-21884908@events.umich.edu
URL:https://events.umich.edu/event/139100
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:Faculty,Talk,Music,Free
LOCATION:Burton Memorial Tower
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20250826T101105
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T133000
SUMMARY:Lecture / Discussion:CJS Noon Lecture Series | Island Societies and Maritime Networks between Ryukyu and Japan: The Amami Islands\, 1609-1878
DESCRIPTION:Please note: This lecture will be held in person in room 747\, Weiser Hall\, and virtually on Zoom. The webinar is free and open to the public\, but registration is required. Once you've registered\, joining information will be sent to your email. Register for the Zoom webinar at: https://myumi.ch/kPrbk.\n   \n   The Amami Islands were a transitional border zone between early modern Japan and Ryukyu. Following their invasion and annexation by the Satsuma domain in 1609\, they were transformed into sugar-producing colonies of the domain. This lecture will examine how Satsuma integrated the islands into its regional trading network\, extending from Naha to Osaka.\n   \n   Thomas Monaghan received his Ph.D. in History from Yale University in May 2025. His dissertation is titled “The Satsuma Empire and its Sugar Colonies at the Edges of Early Modern Japan.” He is currently a Center for Japanese Studies Postdoctoral Fellow at the University of Michigan.\n\nIf there is anything we can do to make this event accessible to you\, please contact us cjsevents@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.
UID:138158-21882413@events.umich.edu
URL:https://events.umich.edu/event/138158
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:japan,Japanese Studies,History,Asian Languages And Cultures,Agriculture
LOCATION:Weiser Hall - Room 747
CONTACT:
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BEGIN:VEVENT
DTSTAMP:20251031T123138
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T130000
SUMMARY:Careers / Jobs:Edu Studies Info Session for UMichigan Students - Northwestern's MSEd Program
DESCRIPTION:Attend a live-streamed information session about the Educational Studies concentration offered by the Master of Science in Education &amp\; Social Policy Program at Northwestern University. Presentations will include information about the curriculum\, the master's project\,field experiences for teachers\, the application process\, and financial aid. Attendees will have the opportunity to ask questions of program administrators. If you are registering to participate in the live-streamed information session about the program and admissions with our program directors\, go to https://northwestern.zoom.us/j/98047374075 at the scheduled time. When you log in to the session\, you must allow audio in order to hear us. The session is interactive. You will have the opportunity to ask questions\, and you will be asked to introduce yourself and specify which program you are interested in. You may either unmute yourself or type in the chat.
UID:138741-21883781@events.umich.edu
URL:https://events.umich.edu/event/138741
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:
LOCATION:
CONTACT:
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DTSTAMP:20251015T141939
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T160000
SUMMARY:Exhibition:For All Ages Exhibit
DESCRIPTION:In the 19th century\, new ideas about childhood and education\, along with advances in printing like chromolithography\, made it possible to mass-produce games and toys. These were not only fun to play with but also taught practical skills and moral lessons. Learn about familiar and unique toys and board games throughout American history in the William L. Clements Library’s new exhibit\, “For All Ages” on view weekdays from 12-4 pm between October 3-January 5.\n\nEven though the objects are behind glass\, the co-curators have created an interactive way to explore the display. Visit the exhibit to participate in a scavenger hunt and win a prize!
UID:138977-21884402@events.umich.edu
URL:https://events.umich.edu/event/138977
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:american history,Games,Exhibit,Free,Fun,Library,libraries,In Person
LOCATION:William Clements Library
CONTACT:
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DTSTAMP:20251013T093946
DTSTART;TZID=America/Detroit:20251016T120000
DTEND;TZID=America/Detroit:20251016T130000
SUMMARY:Well-being:Grad Students: Learn to Stress Less | Workshop 2
DESCRIPTION:Calling all stressed graduate students to join our monthly wellness group series to learn about the impacts of stress\, strategies to cope and enjoy a free lunch!  This FREE in-person educational wellness group is for graduate students only. Each month we will focus on different stress management techniques and provide a safe space for graduate students to share their stressors. Students are welcome to attend one wellness group or all four. \n\nThese wellness groups are facilitated by staff from the Eisenberg Family Depression Center and is a collaborative service with U-M Engineering's C.A.R.E. Center and the Newnan Academic Advising Center.\n\nRegistration is not required for in-person wellness groups\, but is recommended so there is enough lunch for all attendees. You can register at https://myumi.ch/P3wJ9.
UID:138059-21881611@events.umich.edu
URL:https://events.umich.edu/event/138059
CLASS:PUBLIC
STATUS:CONFIRMED
CATEGORIES:health and wellness,Health & Wellness,Graduate Students,Graduate and Professional Students,Graduate,Free,Food,In Person,Campus Mind Works,Well-being,Michigan Engineering,Wellness
LOCATION:Chrysler Center - 265
CONTACT:
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