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The program will begin with Jean-Michel DeFaye's *Suite Marine*, a depiction of various creatures from the sea. Jason Fettig, Director of Bands at the SMTD and budding thespian, will join us to narrate Anthony Plog's *Animal Ditties IX*, which is a colorful work based on short poems by Ogden Nash, widely considered to be America's Poet Laureate of Light Verse. Closing the first half will be the world premiere of *\"Woof!\"*, by hornist, composer, and SMTD alum James Naigus. This piece is a clever depiction of the characteristics of seven dog breeds.\n\nThe second half is dedicated to the evening's protagonist. Written in 1960, *Effie the Elephant, Suite no. 1* by Alec Wider is a relatively early work for solo tuba depicting Effie in pursuit of various human endeavors: singing a lullaby, going folk dancing, and falling in love, etc. David decided that Effie needed a rebrand, and perhaps to get out a little more: we present *Effie Swipes Left*, *Effie Goes Clubbing*, *Effie goes to Therapy*, *Effie Goes to the DMV*, *Effie Adopts a Puppy*, and *Effie Gets Tipsy*. We're grateful to the University of Michigan for funding this commission, and are thrilled to perform this world premiere of Jim Stephenson's *The Further Adventures of Effie the Elephant*. Jim is a wonderful composer and recovering brass player, and this caricature is as charming as it is clever.\n\nThis will be a multimedia event, as David's much more talented brother, Tim, has created an illustration for each of the 32 (short) movements on the program. \n\nThis will be a family friendly evening of storytelling and a delightfully innocuous introduction to the tuba as a solo voice. ", "occurrence_notes":null, "guid":"136391-21878607@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/136391", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. 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This guest artist recital will feature Rogers' Sonata for Piano and Violin, Cole's Sonata for Piano and Violin, and two transcribed songs by Goldmark - \"Ode\" and \"I have done, Put by the Lute\". \n\nRogers, daughter of English composer John Barnett, was a successful opera singer. She moved on to composing and teaching in Boston, MA, including serving as faculty at the New England Conservatory of Music. She also held frequent house concerts and gathered musicians and friends around her, including Amy Beach and George Chadwick. Cole, a native of Michigan state, likewise led a fruitful life, very much in the educational space - he was an advocate and leader in various compositional, educational and musical societies, including the Music Teachers National Association and the New York Manuscript Society. Born in New York, Goldmark was equally known as a composer and pianist, and notably was a student of Dvorak, and taught Aaron Copland and George Gershwin. 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In celebration of receiving a prestigious alumni award, DBR returns to campus to share his unique creative process, insights on music-making, and reflections on his innovative career blending classical, hip-hop, and other contemporary styles. This special seminar is open to the public \u2013 all students, faculty, and community members are welcome to attend and be inspired by one of the leading voices in American music today.\n\nABOUT THE GUEST ARTIST\n\nDr. Daniel Bernard Roumain\u2019s acclaimed work as a composer, performer, educator, and activist spans more than two decades, and he has been commissioned by venerable artists and institutions worldwide. Roumain is perhaps the only composer whose collaborations span Philip Glass, Bill T. Jones, Savion Glover and Lady Gaga.\n\nKnown for his signature violin sounds infused with myriad electronic, urban, and African-American music influences, Roumain takes his genre-bending music beyond the proscenium. He is a composer of chamber, orchestral, and operatic works; has won an Emmy for Outstanding Musical Composition for his collaborations with ESPN; featured as keynote performer at technology conferences; and created large scale, site-specific musical events for public spaces. Roumain earned his doctorate in Music Composition from the University of Michigan and is currently Institute Professor and Professor of Practice At Arizona State University where he founded and runs DBR LAB, a project-based development and producing space for ASU students.\n\nAn avid arts industry leader, Roumain serves as Vice Chair for the Board of Directors of the Association of Performing Arts Presenters; is a Board Member of the League of American Orchestras; is on the Advisory Committee of the Sphinx Organization and Music By Black Composers; and was co-chair of 2015 and 2016 APAP Conferences. 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Malm: Facilitating Global Musical Encounters,\u201d Christine R. Yano", "occurrence_title":"", "combined_title":"\u201cIn Honor of William P. Malm: Facilitating Global Musical Encounters,\u201d Christine R. Yano", "event_subtitle":"", "event_type":"Lecture \/ Discussion", "event_type_id":"13", "description":"*Presented as part of a series: \"A Celebration of Japanese Music and Dance: The Ethnomusicology Legacy of Professor William P. Malm.\" View the complete schedule at: https:\/\/myumi.ch\/79rM5*\n\nJoin us for a lecture by Christine R. Yano, Professor Emerita of Anthropology, University of Hawai\u02bbi and President of the Society for East Asian Anthropology.\n\nWhat does it mean to encounter one another through unfamiliar musics? How do relative power dynamics frame the encounter? What are the contexts for the encounter and its numerous aftermaths? This talk takes Professor William Malm\u2019s 1959 milestone book, *Traditional Japanese Music and Musical Instruments*, as a historical touchstone that allows us to consider various framings of the global musical encounter. Written while a graduate student in his fourth month of PhD fieldwork in Japan, this book became a classic, introducing the English-speaking world to various forms of Japanese music and its instruments, and remaining on the market from 1959 until 1993. In fact, it is still taught in many ethnomusicology classrooms.\n\nHere, I ask, what can we still learn from Malm\u2019s *Traditional Japanese Music and Musical Instruments*? What kind of cross-cultural phenomenon has it been and perhaps continues to be? What is the nature of such global musical encounters, then and now? In the introduction to the updated version of the book, Malm says that he wrote it \u201cwith innocence and youthful enthusiasm.\u201d What is the role of the na\u00efve encounter, the improvisational encounter, the creative encounter, even the colonial encounter between musical systems and new audiences? I propose that we consider our numerous musical encounters, then and now (including perhaps tonight\u2019s concert) as a juxtaposition of sound systems, aesthetic hierarchies, and affective frameworks. We are a jumble of differences striving for some tenuous legibility. Here is where Malm and other facilitators like him assist and even inspire in that bid to \u201cget it.\u201d Lastly, let us zoom forward to an era that pays rapt attention to both the message and the politics of the messenger, I suggest that we consider the contrastive and potentially dialogic role of the indigenous performer, the home audience, the knowing listener as our necessary interlocutors. In the process of considering these historicized musical meeting grounds, how do we embrace new and critical possibilities of global musical encounters?\n\nABOUT THE SPEAKER\n\nChristine R. Yano has conducted research on Japan and Japanese Americans with a focus on popular culture. Her publications include *Tears of Longing: Nostalgia and the Nation in Japanese Popular Song* (Harvard, 2002), *Crowning the Nice Girl; Gender, Ethnicity, and Culture in Hawaii\u2019s Cherry Blossom Festival* (Hawaii, 2006), *Airborne Dreams: \u201cNisei\u201d Stewardesses and Pan American World Airways* (Duke, 2011), and *Pink Globalization: Hello Kitty and its Trek Across the Pacific* (Duke, 2013). In 2020-2021, she served as the President of the Association for Asian Studies, and in 2024-2026, she serves as President of the Society for East Asian Anthropology.\n\n*Co-organized by: Center for Japanese Studies; Stearns Collection of Musical Instruments. Co-sponsorship from: School of Music, Theatre & Dance; International Institute; Kenneth G. Lieberthal and Richard H. Rogel Center for Chinese Studies; Nam Center for Korean Studies; Center for South Asian Studies; and Center for Southeast Asian Studies.* \n\n*Sponsored in part by the William P. Malm Stearns Collection Concert Series & Instrument Preservation Fund and the Virginia Martin Howard Lecture Series Endowment.* ", "occurrence_notes":null, "guid":"138004-21881134@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/138004", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. 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Malm.\" View the complete schedule at: https:\/\/myumi.ch\/79rM5*\n\nJoin us for a Pre-Concert Lecture with guest artists David Furumoto (Onoe Kikunobuhide), David Kansuke Wheeler, and Tsukasa Taiko.\n\nProfessor William P. Malm was one of the foremost ethnomusicologists of Japanese music and one of the founding figures of ethnomusicology in the United States. His pioneering work has influenced countless musicians, scholars, and students. A faculty member at the University of Michigan from 1960 to 1996, Professor Malm authored the first English-language study of Japanese music and instruments, and developed a distinguished graduate program that brought international perspectives to the field. As director of the university's Stearns Collection of Musical Instruments, he brought together high level scholarship, curation, and performance; acquired important instruments including the first commercially made Moog Synthesizer; and founded the U-M Gamelan Ensemble. He contributed significantly to the understanding of music across Asia through research and teaching, and was recognized with numerous honors, including the Fumio Koizumi Prize in Ethnomusicology and the Order of the Rising Sun from the Japanese government.\n\nABOUT THE GUEST ARTISTS\n\nDavid Furumoto is a professor emeritus from the Department of Theatre and Drama at the University Wisconsin-Madison, where he taught in the acting and directing program for 21 years. He earned both his A.B. and M.F.A. at the University of Hawai\u2019i-Manoa, focusing on traditional Asian theatre performance. While a student, he performed in numerous English-language premieres of Kabuki plays, including notable roles such as Benkei in *Kanjincho* and Yuranosuke in *Chushingura*. In 1982, he received the Crown Prince Akihito Scholarship to study as a special observer at the National Theatre of Japan\u2019s kabuki training class. He also holds a professional title from the Onoe School of Classical Japanese Dance.\n\nMusician and musicologist David Kansuke Wheeler spent twenty years in Japan studying and performing the shakuhachi with traditional masters and ensembles, beginning in Tokyo in 1977 under Kinko ry\u016b master Junsuke Kawase III (Kansuke I). In 2008, in recognition of three decades of performing, producing, and teaching, he received the performance name Kansuke II. Wheeler has played a central role in every major world shakuhachi festival since 1994. In 1999, he co-founded the Shakuhachi Summer Camp of the Rockies, which held its 26th camp in June 2024. Now based in Boulder, he aims to cross musical and artistic barriers both within and outside of the Japanese traditional performing arts world.\n\nTsukasa Taiko, a program of the nonprofit organization Asian Improv aRts Midwest, aims to preserve, develop, and pass on traditional concepts of Japanese art as a cultural legacy, while also expanding taiko as an art form. Its professional unit, Gintenkai, inherits compositions from Tokyo\u2019s 1970s underground theater and music scene, bringing them to the contemporary stage with complex, refined arrangements. These works emphasize musical phrasing over rhythmic patterns and feature choreographic dance to retain an authentic Japanese aesthetic. Tsukasa reincorporates geza music using shamisen and shinobue, reinforcing historical ties between music, dance, and theater. Performers include Kioto Aoki, Miyumi Aoki, and Neil Ducklow.", "occurrence_notes":null, "guid":"138005-21881135@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/138005", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Watkins Lecture Hall", "location_name":"Earl V. Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Concert","Culture","Dance","Free","Lecture","Music","North Campus","Talk"], "website":"https:\/\/smtd.umich.edu\/live-stream-watkins\/", "links":[ { "type":"other", "url":"https:\/\/smtd.umich.edu\/live-stream-watkins\/", "title":"Livestream Link" } ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" }, { "group_name":"Center for Japanese Studies", "group_id":"1003", "website":"" }, { "group_name":"Center for Southeast Asian Studies", "group_id":"1044", "website":"http:\/\/www.ii.umich.edu\/cseas" }, { "group_name":"International Institute", "group_id":"1968", "website":"http:\/\/www.ii.umich.edu" }, { "group_name":"Lieberthal-Rogel Center for Chinese Studies", "group_id":"2625", "website":"http:\/\/ii.umich.edu\/lrccs\/" }, { "group_name":"Nam Center for Korean Studies", "group_id":"2738", "website":"http:\/\/www.ii.umich.edu\/ncks" }, { "group_name":"Center for South Asian Studies", "group_id":"3273", "website":"http:\/\/www.ii.umich.edu\/csas" }, { "group_name":"Asian Languages and Cultures", "group_id":"3364", "website":"http:\/\/www.lsa.umich.edu\/asian" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "image_description":"Pre-Concert Lecture on Japanese Music & Dance", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/08\/event_138005_original-2.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/08\/event_138005_original-2.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/138005\/qrcode.png", "occurrence_count":1, "first_occurrence":21881135 } , { "id":"138006-21881136", "datetime_modified":"20250903T181710", "datetime_start":"20250920T190000", "datetime_end":"20250920T213000", "has_end_time":1, "date_start":"2025-09-20", "date_end":"2025-09-20", "time_start":"19:00:00", "time_end":"21:30:00", "time_zone":"America\/Detroit", "event_title":"Concert: \"A Celebration of Japanese Music and Dance: The Ethnomusicology Legacy of Professor William P. Malm\"", "occurrence_title":"", "combined_title":"Concert: \"A Celebration of Japanese Music and Dance: The Ethnomusicology Legacy of Professor William P. Malm\"", "event_subtitle":"", "event_type":"Performance", "event_type_id":"15", "description":"*Presented as part of a series: \"A Celebration of Japanese Music and Dance: The Ethnomusicology Legacy of Professor William P. Malm.\" View the complete schedule at: https:\/\/myumi.ch\/79rM5*\n\nCONCERT 7:00 - 9:30 pm\nJapanese Dance by David Furumoto (Onoe Kikunobuhide)\nShakuhachi, Koto, Shamisen, Voice by David Kansuke Wheeler & Yoko Hiraoka\nTaiko by Tsukasa Taiko\n\nRECEPTION in the Brehm Pavilion following the concert program.\n\nProfessor William P. Malm was one of the foremost ethnomusicologists of Japanese music and one of the founding figures of ethnomusicology in the United States. His pioneering work has influenced countless musicians, scholars, and students. A faculty member at the University of Michigan from 1960 to 1996, Professor Malm authored the first English-language study of Japanese music and instruments, and developed a distinguished graduate program that brought international perspectives to the field. As director of the university's Stearns Collection of Musical Instruments, he brought together high level scholarship, curation, and performance; acquired important instruments including the first commercially made Moog Synthesizer; and founded the U-M Gamelan Ensemble. He contributed significantly to the understanding of music across Asia through research and teaching, and was recognized with numerous honors, including the Fumio Koizumi Prize in Ethnomusicology and the Order of the Rising Sun from the Japanese government.\n\nABOUT THE GUEST ARTISTS\n\nDavid Furumoto is a professor emeritus from the Department of Theatre and Drama at the University Wisconsin-Madison, where he taught in the acting and directing program for 21 years. He earned both his A.B. and M.F.A. at the University of Hawai\u2019i-Manoa, focusing on traditional Asian theatre performance. While a student, he performed in numerous English-language premieres of Kabuki plays, including notable roles such as Benkei in *Kanjincho* and Yuranosuke in *Chushingura*. In 1982, he received the Crown Prince Akihito Scholarship to study as a special observer at the National Theatre of Japan\u2019s kabuki training class. He also holds a professional title from the Onoe School of Classical Japanese Dance.\n\nMusician and musicologist David Kansuke Wheeler spent twenty years in Japan studying and performing the shakuhachi with traditional masters and ensembles, beginning in Tokyo in 1977 under Kinko ry\u016b master Junsuke Kawase III (Kansuke I). In 2008, in recognition of three decades of performing, producing, and teaching, he received the performance name Kansuke II. Wheeler has played a central role in every major world shakuhachi festival since 1994. In 1999, he co-founded the Shakuhachi Summer Camp of the Rockies, which held its 26th camp in June 2024. Now based in Boulder, he aims to cross musical and artistic barriers both within and outside of the Japanese traditional performing arts world.\n\nYoko Hiraoka is a senior master performer of koto (13-string zither), shamisen (3-string lute), biwa (4- or 5-string lute), and voice. Born in Kyoto, she studied Ikuta-ry\u016b koto and shamisen music from an early age, earning the Dai-Shihan (Grand Master) title from S\u014dmei Ongaku-kai, Tokyo. She also studied Chikuzen biwa with K\u014dka Suga, a prominent leader of K\u014dmy\u014dji-ry\u016b and disciple of Yamazaki Kyokusui, the Living National Treasure. For over forty years, Ms. Hiraoka has performed, and lectured extensively on Japanese traditional music at leading universities, major festivals, on television and radio, and on studio recordings.\n\nTsukasa Taiko, a program of the nonprofit organization Asian Improv aRts Midwest, aims to preserve, develop, and pass on traditional concepts of Japanese art as a cultural legacy, while also expanding taiko as an art form. Its professional unit, Gintenkai, inherits compositions from Tokyo\u2019s 1970s underground theater and music scene, bringing them to the contemporary stage with complex, refined arrangements. These works emphasize musical phrasing over rhythmic patterns and feature choreographic dance to retain an authentic Japanese aesthetic. Tsukasa reincorporates geza music using shamisen and shinobue, reinforcing historical ties between music, dance, and theater. Performers include Kioto Aoki, Miyumi Aoki, and Neil Ducklow.\n\n*Co-organized by: Center for Japanese Studies; Stearns Collection of Musical Instruments. Co-sponsorship from: School of Music, Theatre & Dance; International Institute; Kenneth G. Lieberthal and Richard H. Rogel Center for Chinese Studies; Nam Center for Korean Studies; Center for South Asian Studies; and Center for Southeast Asian Studies.* \n\n*Sponsored in part by the William P. 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Free and open to the public.\n\nABOUT THE GUEST ARTISTS\n\nLEONARDO DE LISI has been active in both concert and opera repertoire in Italy and throughout Europe during a forty-years career, which began after winning several prestigious competitions, including the Grand Prize for Lied at the \u2019s-Hertogenbosch, Netherlands. His numerous CDs include the complete Respighi art songs, the leading tenor roles in Gasparini\u2019s *Bajazet*, Vivaldi\u2019s *Il Giustino*, and Monteverdi\u2019s *L\u2019Orfeo* and *Il Ritorno d'Ulisse in Patria*. In 2009, EMI included a Vivaldi aria performed by De Lisi in the box set *100 Best Tenor Voices*. He has been teaching at the Cherubini Conservatory in Florence, Italy, since 1998.\n\nANNA TOCCAFONDI, pianist and vocal coach, is Professor of Collaborative Piano at the Florence Cherubini Conservatory. She performs at major festivals and theaters in Italy, Europe, and Japan with celebrated singers (such as Alessandro Corbelli and Barbara DeMaio). She taught annual master classes on Italian vocal repertoire at the University of Michigan\u2019s former spring program in Sesto Fiorentino, Italy, and recently in South Korea. Committed to unpublished compositions of the Italian vocal repertoire, Toccafondi has done research, transcriptions, revisions, and recordings of important composers. She is the co-author, with Timothy Cheek, of *Perfect Italian Diction for Singers: An Authoritative Guide*.\n", "occurrence_notes":null, "guid":"137531-21880402@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/137531", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"McIntosh Theatre", "location_name":"Earl V. 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Free and open to the public.\n\nGUEST ARTIST BIO\n\nPianist SVETOZAR IVANOV has made numerous appearances as recitalist and orchestra soloist worldwide. Numerous publications have praised his recent solo CD\u2019s; the album *Naked Tango* was called \u201csuperbly original, quite moving, personal and musically absorbing\u201d while his CD *Vers la flamme* was celebrated for performances which were \u201cplayed with aplomb, panache and complete conviction\u201d and interpretation \u201cfilled with sensual longing, anguished yearning, anxious dread and provocative energy\u201d. Regarding his album *Echo* one reviewer wrote: \u201cIvanov\u2019s most distinctive gift as a pianist is his ability to draw us inward, which imparts the feeling that we\u2019re approaching a mystery\u201d. *Dream Images* was hailed for \u201cperformances of purified beauty that can leave you breathless\u201d and his most recent album *Intermissions* was praised for its \u201ccombination of maturity, deeply felt expression, and dignity.\u201d\n\nRecent performance venues include Carnegie, Merkin, and Steinway Halls in New York City, Salle Gaveau in Paris, Splendor in Amsterdam, Guildhall, Royal College, and Goldsmith in London, Mozarteum in Salzburg, Razumovsky Salon in Vienna, Salon Chritophori in Berlin, RNCM in Manchester, Royal Academy of Music in Denmark, RCS in Prague, as well as numerous concert series in the US. Recent festival appearances include \u201cPianomaster\u201d, \u201cPianoEchos\u201d, \u201cTerre d\u2019Arezzo\u201d, \u201cAutunno Musicale\u201d, and \u201cClassicariano\u201d in Italy, \u201cKrakow Piano Festival\u201d in Poland, \u201cM\u00fasica de Besal\u00fa\u201d in Spain, \u201cPianotune\u201d in Belgium, \u201cSeiler\u201d in Greece, \u201cWalled City\u201d in Northern Ireland, \u201cSalon des Arts\u201d and \u201cSofia Music Weeks\u201d in Bulgaria, \u201cChautauqua\u201d in New York, \u201cKillington\u201d in Vermont, and \u201cFox River\u201d in Wisconsin.\n\nIvanov is especially recognized for his creative work designing unusual concert formats combining music with other art forms (documentary footage, art films, animation, poetry, short stories, live dance improvisation, paintings, lighting design, live streaming). His DVD Perpetual Tango explores the synthesis between music, movement, multimedia, and was released by Naxos in 2018. His latest video projects include *Music of Shadows* and the *Poetry Series* - a poetry inspired collection of twelve short films that was described by *Fanfare Magazine* as \"heart-wrenching\".\n\nSvetozar Ivanov is Professor of Piano at University of South Florida, serves as Artist Faculty at Green Mountain Chamber Music Festival in Vermont, Brancaleoni Music Festival in Italy, Prague Piano Festival, Walled City Music Festival in Northern Ireland, and is the Artistic Director of the Steinway Piano Series in Florida. He is a Steinway Artist and holds a Doctor of Musical Arts degree from the University of Michigan.\n", "occurrence_notes":null, "guid":"139215-21885099@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/139215", "building_id":"1000440", "building_name":"Earl V. 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This event is free and open to the public, presented with the generous sponsorship of the University Musical Society.\n\nCooke will be a soloist in Verdi's *Requiem* in Hill Auditorium with the University Musical Society and Detroit Symphony Orchestra the previous evening, Friday, September 26. \n\nABOUT THE GUEST ARTIST\n\nTwo-time Grammy Award-winning mezzo-soprano SASHA COOKE has been called a \u201cluminous standout\u201d by the *New York Times* and \u201cequal parts poise, radiance and elegant directness\u201d by *Opera News*. Ms. Cooke has sung at the Metropolitan Opera, San Francisco Opera, English National Opera, Seattle Opera, Op\u00e9ra National de Bordeaux, and Gran Teatre del Liceu, among others, and with over 90 symphony orchestras worldwide frequently in the works of Mahler. In 2022 Ms. Cooke was appointed at the Music Academy of the West as Co-Director of the Lehrer Vocal Institute. Her album *how do I find you* was nominated for a 2022 Grammy Award for Best Vocal Solo Album. ", "occurrence_notes":null, "guid":"138723-21883763@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/138723", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Free","Music","North Campus","Talk","Workshop"], "website":"https:\/\/drive.google.com\/file\/d\/19lsULPhXgAAww00ojDcvAt0AUi906I-x\/view?usp=drivesdk", "links":[ { "type":"other", "url":"https:\/\/drive.google.com\/file\/d\/19lsULPhXgAAww00ojDcvAt0AUi906I-x\/view?usp=drivesdk", "title":"View Program" }, { "type":"other", "url":"https:\/\/smtd.umich.edu\/live-stream-britton\/", "title":"Livestream Link" } ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" }, { "group_name":"University Musical Society (UMS)", "group_id":"1141", "website":"" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "image_description":"Sasha Cooke, mezzo-soprano", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_2x\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb_square\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_large\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_crop\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_list\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_grid_2x\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_feature_large\/media\/attachments\/2025\/09\/event_138723_original-2.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_feature_thumb\/media\/attachments\/2025\/09\/event_138723_original-2.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/138723\/qrcode.png", "occurrence_count":1, "first_occurrence":21883763 } , { "id":"137413-21880214", "datetime_modified":"20250812T121614", "datetime_start":"20250927T200000", "datetime_end":"20250927T213000", "has_end_time":1, "date_start":"2025-09-27", "date_end":"2025-09-27", "time_start":"20:00:00", "time_end":"21:30:00", "time_zone":"America\/Detroit", "event_title":"Svetozar Ivanov, piano", "occurrence_title":"", "combined_title":"Svetozar Ivanov, piano: Berceuse", "event_subtitle":"Berceuse", "event_type":"Performance", "event_type_id":"15", "description":"Guest artist and U-M DMA alum Svetozar Ivanov presents \u201cBerceuse\u201d \u2013 twelve audio vignettes inspired by poetry. Each vignette intertwines live music with various pre-recorded audio elements. Music by Andriessen, Rzewski, Ippolito, Saariaho, Aminikia, Say, Crumb, Silvestrov, Cowell, Kopycinski, Khalaf, and Helps. Poetry by Sappho, Pizarnik, Pr\u00e9vert, Apollinaire, Cummings, Lorca, Poe, and Alareer. \n\nGUEST ARTIST BIO\n\nPianist SVETOZAR IVANOV has made numerous appearances as recitalist and orchestra soloist worldwide. Numerous publications have praised his recent solo CD\u2019s; the album *Naked Tango* was called \u201csuperbly original, quite moving, personal and musically absorbing\u201d while his CD *Vers la flamme* was celebrated for performances which were \u201cplayed with aplomb, panache and complete conviction\u201d and interpretation \u201cfilled with sensual longing, anguished yearning, anxious dread and provocative energy\u201d. Regarding his album *Echo* one reviewer wrote: \u201cIvanov\u2019s most distinctive gift as a pianist is his ability to draw us inward, which imparts the feeling that we\u2019re approaching a mystery\u201d. *Dream Images* was hailed for \u201cperformances of purified beauty that can leave you breathless\u201d and his most recent album *Intermissions* was praised for its \u201ccombination of maturity, deeply felt expression, and dignity.\u201d\n\nRecent performance venues include Carnegie, Merkin, and Steinway Halls in New York City, Salle Gaveau in Paris, Splendor in Amsterdam, Guildhall, Royal College, and Goldsmith in London, Mozarteum in Salzburg, Razumovsky Salon in Vienna, Salon Chritophori in Berlin, RNCM in Manchester, Royal Academy of Music in Denmark, RCS in Prague, as well as numerous concert series in the US. Recent festival appearances include \u201cPianomaster\u201d, \u201cPianoEchos\u201d, \u201cTerre d\u2019Arezzo\u201d, \u201cAutunno Musicale\u201d, and \u201cClassicariano\u201d in Italy, \u201cKrakow Piano Festival\u201d in Poland, \u201cM\u00fasica de Besal\u00fa\u201d in Spain, \u201cPianotune\u201d in Belgium, \u201cSeiler\u201d in Greece, \u201cWalled City\u201d in Northern Ireland, \u201cSalon des Arts\u201d and \u201cSofia Music Weeks\u201d in Bulgaria, \u201cChautauqua\u201d in New York, \u201cKillington\u201d in Vermont, and \u201cFox River\u201d in Wisconsin.\n\nIvanov is especially recognized for his creative work designing unusual concert formats combining music with other art forms (documentary footage, art films, animation, poetry, short stories, live dance improvisation, paintings, lighting design, live streaming). His DVD Perpetual Tango explores the synthesis between music, movement, multimedia, and was released by Naxos in 2018. His latest video projects include *Music of Shadows* and the *Poetry Series* - a poetry inspired collection of twelve short films that was described by *Fanfare Magazine* as \"heart-wrenching\".\n\nSvetozar Ivanov is Professor of Piano at University of South Florida, serves as Artist Faculty at Green Mountain Chamber Music Festival in Vermont, Brancaleoni Music Festival in Italy, Prague Piano Festival, Walled City Music Festival in Northern Ireland, and is the Artistic Director of the Steinway Piano Series in Florida. He is a Steinway Artist and holds a Doctor of Musical Arts degree from the University of Michigan.\n", "occurrence_notes":null, "guid":"137413-21880214@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/137413", "building_id":"1000440", "building_name":"Earl V. 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Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Alumni","Free","Music","North Campus"], "website":"https:\/\/smtd.umich.edu\/wp-content\/uploads\/2025\/08\/Svetozar-Ivanov-Berceuse-guest-program-9-27-25.pdf", "links":[ { "type":"other", "url":"https:\/\/smtd.umich.edu\/wp-content\/uploads\/2025\/08\/Svetozar-Ivanov-Berceuse-guest-program-9-27-25.pdf", "title":"View Program" } ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" }, { "group_name":"Arts Initiative", "group_id":"4583", "website":"" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "image_description":"Svetozar Ivanov, piano", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/08\/event_137413_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/08\/event_137413_original-1.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/137413\/qrcode.png", "occurrence_count":1, "first_occurrence":21880214 } , { "id":"139496-21885637", "datetime_modified":"20250917T181728", "datetime_start":"20250929T163000", "datetime_end":"20250929T183000", "has_end_time":1, "date_start":"2025-09-29", "date_end":"2025-09-29", "time_start":"16:30:00", "time_end":"18:30:00", "time_zone":"America\/Detroit", "event_title":"Ilan Morgenstern, bass trombone", "occurrence_title":"", "combined_title":"Ilan Morgenstern, bass trombone", "event_subtitle":"", "event_type":"Class \/ Instruction", "event_type_id":"8", "description":"Bass trombonist and SMTD alum Ilan Morgenstern (MM '08, bass trombone) presents a master class. Free and open to the public.\n\nOn Tuesday, September 30, Morgenstern will perform with the U-M Concert Band in Hill Auditorium as the guest soloist for the world premiere of Sterling Maffe\u2019s *Hollywood Concerto for Bass Trombone and Concert Band*.\n\nABOUT THE GUEST ARTIST\n\nA native of Rehovot, Israel, ILAN MORGENSTERN is currently the Bass Trombonist of the Vancouver Symphony. A former member of the San Antonio Symphony, Houston Grand Opera Orchestra, Jacksonville Symphony and Kansas City Symphony, Morgenstern has also performed with the Detroit Symphony, Philadelphia Orchestra, Atlanta Symphony, Dallas Symphony, Utah Symphony, Houston Symphony, Virginia Symphony, New Israeli Opera, and the Israel Philharmonic.\n\nIn addition, Morgenstern has won numerous awards for his playing including the Jeju International Brass and Percussion Competition, Zellmer-Minnesota Orchestra Competition, National Repertory Orchestra's Concerto Competition, and is a recipient of the Lewis Van Haney Bass Trombone Philharmonic Prize.\n\nMorgenstern received his MM in Bass Trombone from the University of Michigan in 2008.", "occurrence_notes":null, "guid":"139496-21885637@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/139496", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Free","Music","North Campus","Talk","Workshop"], "website":"", "links":[ ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "image_description":"Ilan Morgenstern, bass trombone", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/09\/event_139496_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/09\/event_139496_original-1.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/139496\/qrcode.png", "occurrence_count":1, "first_occurrence":21885637 } , { "id":"139032-21884663", "datetime_modified":"20251001T144601", "datetime_start":"20251002T163000", "datetime_end":"20251002T183000", "has_end_time":1, "date_start":"2025-10-02", "date_end":"2025-10-02", "time_start":"16:30:00", "time_end":"18:30:00", "time_zone":"America\/Detroit", "event_title":"\u201cThe Timbrelessness of the String Quartet,\u201d Emily Dolan, Brown University", "occurrence_title":"", "combined_title":"\u201cThe Timbrelessness of the String Quartet,\u201d Emily Dolan, Brown University: Carrigan Lecture Series in Music Theory", "event_subtitle":"Carrigan Lecture Series in Music Theory", "event_type":"Lecture \/ Discussion", "event_type_id":"13", "description":"In much contemporary work on timbre, attention to timbre is implicitly or explicitly framed as a disciplinary virtue. By this I mean that grappling with timbre is understood both to be a corrective to scholarship that has woefully ignored timbre and that attention to timbre is understood to bring us, as listeners and scholars, closer to some sort of sonic reality. The burgeoning subfield of timbre studies has been slow to reach chamber music, and especially the Enlightenment-era string quartet. This lacuna is revealing: it gestures to the ways in which the string quartet has pointedly bypassed questions of timbre. The quartet has been held up as one of the paragons of \u201cpure music\u201d while scholars and critics have stressed questions of the genre\u2019s \u201cinternal logic\u201d and the interrelatedness of its musical elements (Bent 1994). For many, the quartet is cerebral, absolute, and belongs to the \u201cnon-material world of the mind\u201d (Dahlhaus 1991). This is not simply the product of later nineteenth-century formalist thought but has a longer history that is bound up with early writing on the quartet as a genre. Petiscus, writing on the quartet in 1810, declared that \u201cthe essential beauty of music lies not in [the] mere physical power of tone\u201d (Petiscus 1810). Though this discourse does not necessarily name timbre, the quartet has long been defined against music\u2019s more material existence: it has been a space of \u201ctimbrelessness.\u201d One inviting musicological move here would be to unmask all of this as ineluctably timbral. One could argue that timbre was ultimately vital to the instrumental blend of the quartet and that the \u201ctimbrelessness\u201d of the quartet is intimately tied to ideas of timbral superiority and perfection associated with string instruments in the early nineteenth century. Tracing the quirky reception of Beethoven\u2019s String Quartet No. 10 in E-flat major, Op. 74, this essay considers how this particular quartet reveals the implicit timbral constraints that governed the behavior of string instruments in the genre of the string quartet, inviting us to consider how listening past timbre has its own valuable history and learned audile techniques.\n\nABOUT THE SPEAKER\n\nEMILY I. DOLAN is Department Chair and Professor of Music at Brown University, where she has taught since 2019; previously she held positions at UPenn and Harvard. Dolan works on the music of the late eighteenth and nineteenth centuries, focusing on issues of orchestration, timbre, aesthetics, and instrumentality. She is the author of *The Orchestral Revolution: Haydn and the Technologies of Timbre* (Cambridge University Press, 2013) and has published articles and essays in *Current Musicology*, *Eighteenth-Century Music*, *Studia Musicologica*, *Keyboard Perspectives*, *Representations*, *Journal of the American Musicological Society*, and *19th-Century Music*. In 2018, she guest edited a double issue of *Opera Quarterly* entitled \u201cVocal Organologies and Philologies.\u201d With Alexander Rehding, Dolan co-edited *The Oxford Handbook of Timbre* (2021), which won the 2022 Ruth A. Solie Prize from the American Musicological Society. With Arman Schwartz and Emily MacGregor, she co-edited *Sonic Circulations: Music, Modernism, and the Politics of Knowledge*, which was recently published by University of Pennsylvania Press. Currently she is completing her second monograph, *Instruments and Order*, from which her talk is drawn.", "occurrence_notes":null, "guid":"139032-21884663@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/139032", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Watkins Lecture Hall", "location_name":"Earl V. 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He will coach singers, discuss performance practices, and demonstrate various instrumental accompanying styles. Works from the famous *24 Italian Songs and Arias* will be the focus, but any repertoire from the 17th century will be welcome. \n\nPlease email Prof. Joseph Gascho (jgascho@umich.edu) to participate in this class and to ask questions.\n\nABOUT THE GUEST ARTIST\n\nLUCAS HARRIS leads a busy freelancer\u2019s life as a lutenist, conductor, continuo player, teacher, lecturer, coach, researcher, and audio\/video editor. His collection of nearly twenty plucked-string instruments includes various Renaissance & Baroque lutes\/guitars as well as a theorbo, cittern, bandora, an 1831 Guadagnini guitar, and a 7-string electric guitar with a Floyd-Rose tremolo bar. \n\nHe discovered the lute during his undergraduate studies at Pomona College, where he graduated *summa cum laude*. He then studied early music at the Civica scuola di musica di Milano and at the Hochschule f\u00fcr K\u00fcnste Bremen before beginning his freelancing career in New York City. For the past two decades he bases his activities in Toronto, where he serves as the regular lutenist for Tafelmusik Baroque Orchestra. He is a founding member of the Toronto Continuo Collective, the Vesuvius Ensemble (dedicated to Southern Italian folk music), as well as the Lute Legends Collective. Lucas plays with many ensembles in Canada and the USA and has worked in recent years with the Helicon Foundation, the Smithsonian Chamber Players, The Newberry Consort, Les D\u00e9lices, and Jordi Savall \/ Le Concert des Nations, and Early Music Vancouver. He teaches at the Tafelmusik Summer and Winter Baroque Institutes, Oberlin Conservatory\u2019s Baroque Performance Institute, and the Canadian Renaissance Music Summer School. Also a choral conductor, Lucas has been the Artistic Director of the Toronto Chamber Choir since 2014 and has developed and conducted nearly thirty themed concert programs for the TCC. He has also been a guest director for the Pacific Baroque Orchestra, the Ohio State University Opera Program, Les voix baroques, Atalante, and the Toronto Consort. Lucas\u2019s longstanding interest in women composers has resulted in many projects including the reconstruction of 12 solo-voice motets by Chiara Margarita Cozzolani (the edition is now available for free download at the Web Library for Seventeenth-Century Music).\n\nhttp:\/\/www.lucasharris.ca\n", "occurrence_notes":null, "guid":"140856-21887740@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/140856", "building_id":"1000440", "building_name":"Earl V. 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Hsieh, \"Hearing with the state: Noise and Technologies of Post-authoritarian State Apprehension in Taiwan\"", "occurrence_title":"", "combined_title":"Jennifer C. Hsieh, \"Hearing with the state: Noise and Technologies of Post-authoritarian State Apprehension in Taiwan\": Musicology Lecture Series", "event_subtitle":"Musicology Lecture Series", "event_type":"Lecture \/ Discussion", "event_type_id":"13", "description":"The Department of Musicology hosts a guest lecture by Jennifer C. Hsieh, assistant professor of anthropology at the University of Michigan.\n\nABSTRACT\n\nSince the earliest implementation of noise-control regulations in 1920s New York City, the governance of noise has exposed the gulf between the meaning and materiality of sound. Scholars of noise have argued that noise-control engineering ignores human hearing by measuring noise using quantitative values. While this assertion appears to close the chapter on the underlying contradictions of noise, an examination of Taiwan's management of low-frequency noise \u2013 sounds that are perceptible to the ear but undetectable by decibel meters \u2013 suggests that noise remains a contested object in terms of its classification in bureaucratic systems and the handling capacity of infrastructure. Drawing on ethnographic fieldwork in Taiwan's Environmental Protection Administration and legislative records around the time of the 1980s democratic transition, I analyze the techno-sensorial mediation between acoustic devices, an apprehensive state apparatus, and embodied citizen hearers that shift the socio-material relations of noise governance into a mode of \"hearing with the state,\u201d one that amplifies the postauthoritarian conditions of modern-day Taiwan.\n\nFACULTY BIO\n\nhttps:\/\/lsa.umich.edu\/anthro\/people\/faculty\/socio-cultural-faculty\/jchsieh.html", "occurrence_notes":null, "guid":"140757-21887579@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/140757", "building_id":"1000440", "building_name":"Earl V. 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Yet the performance explores the uncharted geographical and stylistic spaces between the points of that triangle. Through diverse repertoire such as haunting Uyghur folk tunes from Xinjiang, polyphonic songs from the Iberian Peninsula, and classical forms from the Ottoman court, we experience moments when these three musical traditions reached out to engage with one another. Guided by three plucked-string specialists joined in collaboration by mutual curiosity and friendship, listeners will hear musical dialogues that can only take place in real or imagined \"borderlands\" where cultural boundaries blur and creativity know no bounds.\n\nABOUT THE GUEST ENSEMBLE\n\nLucas Harris, lute; Ronnie Malley, oud; Wen Zhao, pipa\n \nEach member of THE LUTE LEGENDS COLLECTIVE is a committed carrier of an ancient musical tradition, whether it be the virtuosic modal improvisation of the Middle East, the intricate polyphony of the European Renaissance and Baroque, or the picturesque musical depiction of nature from China. Though instruments such as the oud, lute, & pipa each have evolved a distinct set of techniques and sounds, the recognition that our beloved instruments are \u201clong-lost cousins\u201d invites us into a new kind of musical conversation based on mutual curiosity and friendship. The Lute Legends Collective is our way of reuniting our instruments in a cross-traditional musical experiment for the twenty-first century.\n\nLucas Harris & Wen Zhao, directors\nhttp:\/\/www.lutelegends.com", "occurrence_notes":null, "guid":"137864-21880926@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/137864", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. 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With the support of the Chamber Music Guest Artist Mentor Residency, Sch\u00f6nberg scholar and violist, Henk Guittart, has worked extensively with the Telegraph Quartet and our guest artists to present the works on this program.\n\nWe'll explore two monumental works by the founder of that school, Arnold Sch\u00f6nberg, that span the full breadth of his musical journey \u2013 first with an early work form 1899, his late-romantic and deeply expressive *Verkl\u00e4rte Nacht* or \"Transfigured Night,\" a tone poem for string sextet inspired by the poem of the same name by Richard Dehmel. On the other side of his career, the *Ode to Napoleon Buonaparte* of 1942 is a dramatic chamber music recitation, setting Lord Byron's eponymous poem lambasting Napoleon's tyranny and defeat, but intended by Sch\u00f6nberg to be a defiant statement against at the despotism and horror of Hitler's tyranny. Starting the program will be the dazzling and colorful String Quartet No. 3 by Jamaican-British composer Eleanor Alberga, who in this specific work, experimented with the 12-tone method invented by Arnold Sch\u00f6nberg, melding that musical vocabulary into her own deeply individual aesthetic and adding yet another unique voice at the end of the century to a style that would become utterly pervasive during the 20th century.\n\nPROGRAM\nEleanor Alberga - String Quartet No. 3\nArnold Sch\u00f6nberg - *Ode to Napoleon Buonaparte* for String Quartet, Piano and Reciter\n-intermission-\nArnold Sch\u00f6nberg - *Verkl\u00e4rte Nacht* for String Sextet\n\nThe award-winning Telegraph String Quartet \u2013 featuring Eric Chin and Joseph Maile (violins), Pei-Ling Lin (viola), and Jeremiah Shaw (cello) \u2013 is engaged in a three-year artist residency at the U-M School of Music, Theatre & Dance.\n\nABOUT THE ENSEMBLE:\n\nhttps:\/\/www.telegraphquartet.com", "occurrence_notes":null, "guid":"137865-21880927@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/137865", "building_id":"1000440", "building_name":"Earl V. 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As second horn of the BSO, she occupies the John P. II and Nancy S. Eustis chair. Prior to the BSO, Childers was the acting assistant principal\/utility horn of the Colorado Symphony Orchestra. She also held several positions in orchestras throughout California. Childers was in the first class of horn players admitted to the Colburn School, in Los Angeles, where she studied with David Jolley and David Krehbiel. She received her bachelor\u2019s and master\u2019s degrees at SMTD, where she studied with S\u00f6ren Hermansson. During her time at U-M she enjoyed performing with both the University Symphony Orchestra and the Symphony Band, where she began her college career as horn 4B under director H. Robert Reynolds.\n\nChilders is devoted to education initiatives and is particularly proud of the implementation of the \u201cBSO in Residence\u201d project in her adopted community of Jamaica Plain, Massachusetts. Childers also develops and performs programs for the BSO\u2019s \u201cConcerts for Very Young People\u201d at local libraries and children\u2019s museums.\n\nChilders is currently on faculty at the Longy School of Music at Bard College and the New England Conservatory of Music, where she is also chair of winds, brass, and percussion chamber music. During the summers, she teaches at Interlochen Center for the Arts, the Tanglewood Music Center, and Boston University Tanglewood Institute. She and her husband Sam, a bassoonist, have two lovely children and one loud cat.", "occurrence_notes":null, "guid":"140575-21887363@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/140575", "building_id":"1000440", "building_name":"Earl V. 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Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Alumni","Faculty","Free","Music","North Campus"], "website":"", "links":[ ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "image_description":"Horn Faculty Recital with guest Rachel Childers (BM \u201903, MM \u201906, horn)", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/10\/event_140575_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/10\/event_140575_original-1.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/140575\/qrcode.png", "occurrence_count":1, "first_occurrence":21887363 } , { "id":"140729-21887540", "datetime_modified":"20251015T121651", "datetime_start":"20251103T103000", "datetime_end":"20251103T123000", "has_end_time":1, "date_start":"2025-11-03", "date_end":"2025-11-03", "time_start":"10:30:00", "time_end":"12:30:00", "time_zone":"America\/Detroit", "event_title":"Albert Cano Smit: Piano Master Class", "occurrence_title":"", "combined_title":"Albert Cano Smit: Piano Master Class", "event_subtitle":"", "event_type":"Class \/ Instruction", "event_type_id":"8", "description":"Spanish\/Dutch pianist Albert Cano Smit (Iva Dee Hiatt Visiting Artist in Piano & Lecturer in Music at Smith College) will present a guest master class for talented students from the SMTD piano program. Free and open to the public.\n\nABOUT THE GUEST ARTIST\n\nA musician who has been praised as \u201ca moving young poet\u201d (*Le Devoir* of Montreal), Spanish\/Dutch pianist ALBERT CANO SMIT enjoys a growing international career on the orchestral, recital, and chamber music stages. Noted for his captivating performances, storytelling quality and nuanced musicality, the First Prize winner of the 2019 Young Concert Artists Susan Wadsworth International Auditions has appeared as a soloist with the Seattle Symphony, Las Vegas Philharmonic, the San Diego Symphony, Montr\u00e9al Symphony, the Colorado Music Festival Orchestra, Chamber Orchestra of the Triangle, Orchestra of St Luke\u2019s, Barcelona Symphony, Catalonia National Orchestra, Manchester Camerata. \n\u200b\nRecital highlights have included his Carnegie Hall debut presented by The Naumburg Foundation, his Merkin Concert hall debut presented by Young Concert Artists, recitals at San Francisco\u2019s Herbst Theatre, Paris\u2019 Fondation Louis Vuitton (the performance was streamed live globally), the Kennedy Center\u2019s Terrace Theater in Washington, DC, Germany\u2019s Rheingau Music Festival, and return performances at the Steinway Society in San Jose and Auditori de Barcelona. He has been in residence at France\u2019s Festival de Musique de Wissembourg for seven years, a piano fellow at Bravo! Vail Music Festival and Tippet Rise Art Center, and has had his recital debut in Asia at Xiamen\u2019s Banlam Grand Theater. \n\nAlbert has been presented in recital by Festival Bach Montr\u00e9al, University of Florida Performing Arts, the Krannert Center (Urbana, IL), and Matin\u00e9e Musicale (Cincinnati, OH). He recently premiered Katherine Balch\u2019s *Spolia* with flutist Anthony Trionfo taking them to the Morgan Library and Carnegie Hall. Recent recitals with Trionfo have included the Alys Stephens Center, Kravis Center, Evergreen Museum & Library, and others. Cano Smit is set to continue touring with violinist William Hagen, with whom he has recorded the CD *Danse Russe*. \n\nDuring the 23-24 season Albert will appear in recital and chamber music performances returning to the Miami International Piano Festival, at the Cosmos Club (Washington, DC), Friends of Music Concerts (Sleepy Hollow, NY), Artist Series Concerts of Sarasota (Sarasota, FL), and Abbey Church Events (Lacey, WA), and will also participate in the inaugural chamber music ensemble of YCA on Tour. He will appear as soloist playing Mozart\u2019s Piano Concerto N.23 with the Rochester Philharmonic and Colorado Springs Philharmonic, Gershwin\u2019s *Rhapsody in Blue* with the Waterbury Symphony and Gulfport Symphony, and Beethoven\u2019s Piano Concerto No. 4 in G Major with the Greenwich Symphony and Albany Symphony, and Ravel Piano Concerto in G with the Gulf Coast Symphony Orchestra. \n\nAn advocate for new music, Albert has premiered numerous solo works on his recital programs, commissioned for him by Stephen Hough, Miquel Oliu, and Katherine Balch. He has given four hand performances with Jean-Yves Thibaudet at the Wallis Annenberg Center Hall and Zipper Hall, taken part in the Jupiter Chamber Players in New York and the Bridgehampton Chamber Festival, and performed with such artists as Gary Hoffman, Pinchas Zukerman, Lun Li, Zlatomir Fung, Kevin Zhu, Leonard Fu and Lev Sivkov. As a chamber musician, he has collaborated with such ensembles as the Ebene, Szymanowski, Casals, Cosmos, Gerhard, and Verona Quartets, and has released an album of Austrian viola music for Champs Hills with Emma Wernig. \n\nIn 2017, Albert was First Prize winner at the Walter W. Naumburg Piano Competition, and a Finalist and CMIM Grant winner at the Concours Musical International de Montr\u00e9al. Additional special prizes at the 2019 Young Concert Artists International Auditions include The Paul A. Fish Memorial Prize, the Alexander Kasza-Kasser Concert Prize for support of his Kennedy Center debut, the Friends of Music Concert Prize (NY), and the Sunday Musicale Prize (NJ). \n\nA polyglot who speaks five languages, Albert was born in Geneva, the son of a Dutch mother and Spanish father. He left home at 9 to join the Escolania de Montserrat choir school, where hours of rehearsal every day strongly affected his musical development. Albert recently completed an Artist Diploma and Masters Degree with Robert McDonald at the Juilliard School, where he was awarded the 2020 Rubinstein Prize for Piano. He also holds a BA in Piano Performance from the Colburn School with Ory Shihor, and studied at Chetham\u2019s School of Music with Marta Karbownicka and Graham Caskie. He is an alum of the Verbier Festival Academy and Ravinia Steans Institute. He currently resides in New York City.", "occurrence_notes":null, "guid":"140729-21887540@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/140729", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Free","Music","North Campus","Talk","Workshop"], "website":"", "links":[ ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "image_description":"Albert Cano Smit: Piano Master Class", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/10\/event_140729_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/10\/event_140729_original-1.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/140729\/qrcode.png", "occurrence_count":1, "first_occurrence":21887540 } , { "id":"138437-21883058", "datetime_modified":"20250828T181656", "datetime_start":"20251104T193000", "datetime_end":"20251104T213000", "has_end_time":1, "date_start":"2025-11-04", "date_end":"2025-11-04", "time_start":"19:30:00", "time_end":"21:30:00", "time_zone":"America\/Detroit", "event_title":"CWPS Lecture with Jennifer Kyker: \"Portrait of Zimbabwe: The Chicago Dzviti Photograph Collection\"", "occurrence_title":"", "combined_title":"CWPS Lecture with Jennifer Kyker: \"Portrait of Zimbabwe: The Chicago Dzviti Photograph Collection\"", "event_subtitle":"", "event_type":"Lecture \/ Discussion", "event_type_id":"13", "description":"The Center for World Performance Studies (CWPS) presents a guest scholar lecture by ethnomusicologist and curator Dr. Jennifer Kyker.\n\nThe Chicago Dzviti Photograph Collection presents the work of Chicago Dzviti (1961-1995), a pioneering Zimbabwean photographer whose archive offers an extensive visual record of Zimbabwean social, cultural, and musical life. In this talk, Dr. Kyker discusses her work as curator of the collection, including the touring exhibit \"Portrait of Zimbabwe.\" She focuses particularly on Chicago Dzviti's intimate portrayals of Zimbabwean musicians, which make up a significant portion of the collection. As curator, Dr. Kyker's ethnographic approach explores relationships between visual culture and sound, using collaborative methods such as feedback interviews with musicians, curated playlists, and live performances by contemporary artists. Throughout, Dr. Kyker emphasizes how the Zimbabwean philosophy of hunhu\/ubuntu, which articulates a vision of human identity predicated upon moral relationships between the self and others, is reflected in Chicago Dzviti's photographs as well as in the musical traditions they portray.\n\nJENNIFER W. KYKER is Professor of Ethnomusicology in the Alfred Satz Music Department at the University of Rochester. Kyker is a former ACLS Fellow and three-time Fulbright Fellow. As a Fulbright Scholar her most recent project, \u201cPortrait of Zimbabwe\/Mifananidzo yeZimbabwe,\u201d is a photographic exhibit co-curated with Fadzai Veronica Muchemwa at the National Gallery of Zimbabwe, and which is currently touring at venues throughout Zimbabwe. Her other work includes the digital humanities project Sekuru\u2019s Stories (sekuru.org), featuring the oral narratives of Zimbabwean mbira player Sekuru Tute Chigamba, and the digital albums \"Karirai Nhenda\" and \"Solo Mbira Songs,\" featuring members of the female mbira collective Mhare dzeNhare (ambuya.org). Her articles on listening and reception, music and gender, HIV\/AIDS, and Zimbabwean musical bows have appeared in Ethnomusicology, Ethnomusicology Forum, African Music, and the American Journal of Public Health. In 2003, Kyker founded the nonprofit organization Tariro, which educates teenaged girls in Zimbabwean communities affected by HIV\/AIDS and offers traditional music and dance instruction in low-income neighborhoods (tariro.org).", "occurrence_notes":null, "guid":"138437-21883058@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/138437", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Watkins Lecture Hall", "location_name":"Earl V. 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Winner of the gold medal at the San Antonio International [now \u2018The Gurwitz\u2019] Piano Competition, he has performed at Lincoln Center for the Performing Arts, the John F. Kennedy Center for the Performing Arts, and across America, Asia, Europe, and Australia. His debut at Carnegie Hall\u2019s Stern Auditorium as the soloist in Messiaen\u2019s Turangal\u00eela-Symphonie was hailed by *The New York Times* as \u201csensational.\u201d\n\nIn demand as a dedicated educator, Wei-Yi Yang has performed and taught in Scotland, Ireland, Austria, Germany, Italy, Spain, The Netherlands, Thailand, Hong Kong, Taiwan, China, South Korea, Mexico, Serbia, and Montenegro, among other countries around the world. Most recently, his master class teaching has taken him to Northwestern, Vanderbilt, and Drake Universities, Manhattan School of Music and New England Conservatory, Conservatorio Superior de M\u00fasica de las Islas Baleares in Spain, Conservatorio di Musica Luigi Boccherini in Italy, Tsinghua University and China Conservatory, among many other esteemed institutions on four continents.\n\nA dynamic musician with a diverse repertoire, Mr. Yang is a frequent guest artist at festivals in Lucca, Italy; Mallorca, Spain; Novi Sad, Serbia; Monterrey, Mexico; Konstanz, Germany; Kotor, Montenegro; Bergen, Holland; and La Jolla and Napa, California; as well as a regular residency at the Norfolk Chamber Music Festival. He enjoys frequent collaboration with such beloved ensembles as the Imani Winds, the Brentano, Mir\u00f3, Dover, Pacifica, and Tokyo string quartets. Mr. Yang\u2019s performances have been featured on NPR, PBS, RAI (Radiotelevisione Italiana), ARTE (Association Relative \u00e0 la T\u00e9l\u00e9vision Europ\u00e9enne), the ABC (Australian Broadcasting Company), and on recordings for Genuin (Leipzig), Hyperion (London), Naxos (Hong Kong), Albany Records, Renegade Classics, and the Holland-America Music Society labels.\n\nMr. Yang has been steadfast in his interests and efforts in advocating interdisciplinary projects; these include confluence of music with poetry\/theatre in collaboration with the illustrious English actress Miriam Margolyes, lecture-recitals on the intersection of Czech music and literature, and multimedia performances of Granados\u2019 monumental piano suite Goyescas under the influence of Goya\u2019s visual art. 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Free and open to the public.\n\nABOUT THE GUEST ARTIST\n\nPianist WEI-YI YANG has received worldwide acclaim for his captivating performances and imaginative programming. Winner of the gold medal at the San Antonio International [now \u2018The Gurwitz\u2019] Piano Competition, he has performed at Lincoln Center for the Performing Arts, the John F. Kennedy Center for the Performing Arts, and across America, Asia, Europe, and Australia. His debut at Carnegie Hall\u2019s Stern Auditorium as the soloist in Messiaen\u2019s Turangal\u00eela-Symphonie was hailed by *The New York Times* as \u201csensational.\u201d\n\nIn demand as a dedicated educator, Wei-Yi Yang has performed and taught in Scotland, Ireland, Austria, Germany, Italy, Spain, The Netherlands, Thailand, Hong Kong, Taiwan, China, South Korea, Mexico, Serbia, and Montenegro, among other countries around the world. Most recently, his master class teaching has taken him to Northwestern, Vanderbilt, and Drake Universities, Manhattan School of Music and New England Conservatory, Conservatorio Superior de M\u00fasica de las Islas Baleares in Spain, Conservatorio di Musica Luigi Boccherini in Italy, Tsinghua University and China Conservatory, among many other esteemed institutions on four continents.\n\nA dynamic musician with a diverse repertoire, Mr. Yang is a frequent guest artist at festivals in Lucca, Italy; Mallorca, Spain; Novi Sad, Serbia; Monterrey, Mexico; Konstanz, Germany; Kotor, Montenegro; Bergen, Holland; and La Jolla and Napa, California; as well as a regular residency at the Norfolk Chamber Music Festival. He enjoys frequent collaboration with such beloved ensembles as the Imani Winds, the Brentano, Mir\u00f3, Dover, Pacifica, and Tokyo string quartets. 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Moore Building.\n\nEach class will be led by a soloist from this year\u2019s UMS presentation of Handel\u2019s *Messiah*, each working with four of our SMTD voice students. The master clinicians are Sherezade Panthaki, soprano; Aryeh Nussbaum Cohen, counter-tenor; Miles Mykkanen, tenor; and Enrico Lagasca, bass-baritone.\n\nAll classes are open to the public to come and observe. Class locations are as follows:\n\nSherezade Panthaki, soprano - McIntosh Theatre\nAryeh Nussbaum Cohen, counter-tenor - Watkins Lecture Hall\nMiles Mykkanen, tenor - Hankinson Rehearsal Hall\nEnrico Lagasca, bass-baritone - Kevreson Rehearsal Hall\n\nGUEST ARTIST BIO\n\nCountertenor ARYEH NUSSBAUM COHEN brings his \u201castonishingly beautiful,\u201d \u201cgolden toned\u201d (*The Guardian*) instrument to a broad range of repertoire spanning the Baroque to the contemporary. Acclaimed as both a \u201cyoung star\u201d and \u201ccomplete artist\u201d by the *New York Times* and as \u201cextravagantly gifted\u2026 poised to redefine what\u2019s possible for singers of this distinctive voice type\u201d by the *San Francisco Chronicle*, Mr. Nussbaum Cohen\u2019s passion for creating performances of great vocal beauty and dramatic intensity have earned him a reputation as \u201ca redefining force in the countertenor field\u201d (*Limelight*).\n\nMr. Nussbaum Cohen finds a close affinity between the ancient musical traditions of his Jewish heritage and the Baroque works composing much of his operatic repertoire. Equally invigorated performing new works, Nussbaum Cohen\u2019s first commercial recording project \u2013 the world premiere of Kenneth Fuchs\u2019 *Poems of Life* performed with the London Symphony Orchestra under JoAnn Falletta \u2013 was honored with a GRAMMY\u00ae Award for Best Classical Compendium in 2019; and his interpretation of the Refugee\u2019s aria from Jonathan Dove\u2019s *Flight* provided the centerpiece for his extensive catalogue of competition successes, including winning the Grand Prize at the 2017\u202fMetropolitan Opera Laffont Competition, top prizes in Houston Grand Opera\u2019s Eleanor McCollum Competition and the Dallas Opera Guild Competition, a\u202fGeorge and Nora London Foundation Award, the Richard Tucker Study Grant and Career Grant, and in 2024, top prize in the Gerda Lissner Foundation\u2019s International Vocal Competition.", "occurrence_notes":null, "guid":"141702-21889203@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/141702", "building_id":"1000440", "building_name":"Earl V. 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Moore Building.\n\nEach class will be led by a soloist from this year\u2019s UMS presentation of Handel\u2019s *Messiah*, each working with four of our SMTD voice students. The master clinicians are Sherezade Panthaki, soprano; Aryeh Nussbaum Cohen, counter-tenor; Miles Mykkanen, tenor; and Enrico Lagasca, bass-baritone.\n\nAll classes are open to the public to come and observe. Class locations are as follows:\n\nSherezade Panthaki, soprano - McIntosh Theatre\nAryeh Nussbaum Cohen, counter-tenor - Watkins Lecture Hall\nMiles Mykkanen, tenor - Hankinson Rehearsal Hall\nEnrico Lagasca, bass-baritone - Kevreson Rehearsal Hall\n\nGUEST ARTIST BIO\n\nFilipino-American bass-baritone ENRICO LAGASCA is an in-demand vocalist \u2013 having performed more than a hundred oratorios, new-music works, opera roles, song cycles, and collections. His \u201csmooth, dark bass voice\u201d can be heard on six Grammy Award-nominated recordings.\n\nAmid the wide-ranging demands of his repertoire, critics note Enrico\u2019s larger-than-life presence. \u201cBass-baritone Enrico Lagasca summoned nearly as much volume as everyone else onstage put together.\u201d Storytelling is at the center of his artistry. He has been described as having \u201can oratorio voice that strikes fear of God in the hearts of the audience.\u201d His performance of St. Matthew\u2019s Passion at Saint Thomas\u2019s Church was described as \u201can outpouring of devotion and grief as elegant as it was moving.\u201d\n\nSoloist highlights of recent seasons include Haydn\u2019s *Lord Nelson Mass* with Voices of Ascension in New York, Handel\u2019s *Messiah* at Ann Arbor\u2019s University Musical Society and at Carnegie Hall with Musica Sacra, Bach\u2019s *Christmas Oratorio* at Washington Bach Consort, and Mendelssohn\u2019s *Walpurgisnacht* with the St. Louis Symphony. Enrico has collaborated with conductors such as Riccardo Muti, Zubin Mehta, Pablo Heras-Casado, Nicholas McGegan, Jane Glover, John Butt, John Nelson, Matthew Halls and Carl St. Clair.\n\nEnrico\u2019s passion extends beyond performing. He is dedicated to advocacy for the Queer community and Diversity, Equity and Inclusion. 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He has since impressed with a series of important debuts on the world\u2019s major stages, including the Metropolitan Opera, Bayerische Staatsoper, Canadian Opera Company, and Royal Opera House Covent Garden, where *The i* declared his performance \u201cthe most beautiful singing of the evening\u201d and *Opera Magazine* dubbed it \u201cso striking and brilliant\u201d that \u201che managed toturn the Steersman into a principal character.\u201d\n\nIn a pivotal 25\/26 season, Mykkanen stars as Sam Clay in *The Amazing Adventures of Kavalier & Clay* for the Metropolitan Opera\u2019s opening night gala and house premiere run, conducted by Met Music Director Yannick N\u00e9zet-S\u00e9guin. Mykkanen returns to the house after this season as The Groom in the first Met production of Kaija Saariaho\u2019s *Innocence*. 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Presented in association with the Ann Arbor Symphony.\n\nGUEST ARTIST BIO\n\nPianist ARISTO SHAM exudes astounding intellect and a deep emotional resonance; a cultivated sophistication and an immediately engaging presence; a penchant to take on the great monuments of the piano repertoire and a natural, infectious spontaneity. This makeup is fueled by a fascination with the world and its rich cultures: he was an international prodigy, is a voracious student of wide-ranging interests, and currently splits his time between three continents. \n\nAt the 2025 Van Cliburn International Piano Competition, Aristo found his breakthrough moment, taking home both the gold medal and the audience award. And the critics showered him with imaginative praise, calling him \u201ca marvel of deft characterization,\u201d \u201cconsistently authoritative,\u201d \u201ca card-carrying risk taker,\u201d \u201ca dapper, aristocratic figure on stage,\u201d \u201ca pianist I look forward to hearing again\u201d (*The Dallas Morning News*, *Gramophone*, *Texas Classical Voice*). In just two months\u2019 time, he was mentioned in more than 800 news articles, and his Cliburn performance videos were streamed 2 million times across 125 countries.\n\nAristo was featured in the 2009 documentary *The World\u2019s Greatest Musical Prodigies* on Channel 4 (UK), has performed for royalty including King Charles, and was hailed by The New York Times in 2020 as an artist \u201cwhose playing combines clarity, elegance and abundant technique.\u201d He has concertized across Asia, Europe, and the United States, with major highlights including the London Symphony Orchestra under Sir Simon Rattle, Hong Kong Philharmonic Orchestra under Edo de Waart, English Chamber Orchestra under the late Sir Raymond Leppard, Orchestre de Chambre de Lausanne, and Minnesota Orchestra. His 2025\u20132026 debut season as Cliburn winner includes a major tour of Asia through South Korea and China, and U.S. recitals for Aspen Music Festival, La Jolla Music Society\/The Conrad, UCSB Arts and Lectures, and the Skyline Piano Artist Series at Northwestern University.\n\nRecently, he recorded and hosted the complete Brahms solo piano music on RTHK4, Classical Radio in Hong Kong. Upcoming seasons will see the release of two albums on Platoon: a Cliburn live release, as well as his debut studio album.\n\nAristo Sham\u2019s mother taught piano in their Hong Kong home, so he says: \u201cI was enveloped in the environment of the piano even before I was born.\u201d His parents recall his immense curiosity towards the instrument when he was a toddler and started him in lessons when he was 3. At the age of 10, he began competing and concertizing. But he also went to regular schools, never making the conscious decision to focus solely on the piano or his other studies; this made the dual degree program at Harvard and the New England Conservatory a perfect fit when he went to college. He finished his Bachelor of Arts at Harvard in 2019 and master\u2019s at NEC under Victor Rosenbaum in 2020. He then went to the Ingesund School of Music in Sweden to study with Julia Mustonen-Dahlkvist before returning to the States to earn an artist diploma at The Juilliard School with Robert McDonald and Orli Shaham. In addition to the Cliburn, he\u2019s a laureate of international competitions, with first-prize wins at Young Concert Artists, Ettlingen, Gina Bachauer, and Monte Carlo Music Masters.", "occurrence_notes":null, "guid":"142284-21890363@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/142284", "building_id":"1000440", "building_name":"Earl V. 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We apologize for any inconvenience.*\n\nOn Martin Luther King Jr. Day, composer\/pianist Stephen Rush will lead a group of musicians performing music by significant Black American composers, including Cecil Taylor, John Coltrane, Sun Ra, Anthony Braxton and Roscoe Mitchell.", "occurrence_notes":null, "guid":"142830-21891722@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/142830", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Britton Recital Hall", "location_name":"Earl V. 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Generously sponsored by the Sally Fleming Master Class Fund.\n\nABOUT THE GUEST ARTIST\n\nLauded as \u201cexquisite\u201d by *The Philadelphia Inquirer* and \u201ca pianist of sterling artistry\u201d by *Gramophone*, GRAMMY Award winning pianist MICHELLE CANN is one of the most sought-after artists of her generation. Recent engagements include appearances with Chicago Symphony Orchestra, The Cleveland Orchestra, The Philadelphia Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, and Orquestra Sinf\u00f4nica Municipal de S\u00e3o Paulo. She is a recipient of the Sphinx Medal of Excellence and the Andrew Wolf Chamber Music Award, and she served as the inaugural Christel DeHaan Artistic Partner of the American Piano Awards.\n\nHighlights of Cann\u2019s 2025-26 season include appearances with the Colorado Symphony, New Jersey Symphony, Kansas City Symphony, and Ireland\u2019s National Symphony Orchestra. She also performs the world premiere of a new piano concerto by Valerie Coleman with the National Symphony Orchestra in Washington, D.C. Her recital appearances include Stanford Live, Music Toronto, Chamber Music Detroit, the Isabella Stewart Gardner Museum, Spivey Hall, and a recital tour in China.\n\nRecognized as a leading interpreter of the piano music of Florence Price, Cann performed the New York City premiere of Price\u2019s *Piano Concerto in One Movement* with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick N\u00e9zet-S\u00e9guin in February 2021. Her recording of the concerto with the New York Youth Symphony won a GRAMMY Award in 2023 for Best Orchestral Performance. She won a GRAMMY Award in 2025 for *Beyond the Years: Unpublished Songs of Florence Price*, recorded with soprano Karen Slack, which features 19 unpublished songs composed by Price. Her acclaimed debut solo album *Revival*, featuring music by Price and Margaret Bonds, was released in May 2023 on the Curtis Studio label. She has also recorded two Price piano quintets with the Catalyst Quartet as a part of the quartet\u2019s UNCOVERED series. A champion of emerging talent, Cann and cellist Tommy Mesa recorded *Our Stories*, an album of new works by five living composers of color, which was released in November 2023.\n\nA celebrated chamber musician, Cann has collaborated with leading artists including the Catalyst, Dover, and Juilliard string quartets, Imani Winds, violinists Timothy and Nikki Chooi, soprano Karen Slack, and mezzo-soprano J\u2019Nai Bridges. She regularly performs duo piano repertoire with her sister, pianist Kimberly Cann, as the Cann Duo. She has appeared as co-host and collaborative pianist with NPR\u2019s *From The Top*, collaborating with actor\/conductor Damon Gupton, violinist Leila Josefowicz, and violinist and MacArthur Fellow Vijay Gupta. Cann\u2019s numerous media appearances include *Performance Today*, PBS Great Performances\u2019 *Now Hear This*, and *Living the Classical Life*.\n\nEmbracing a dual role as performer and pedagogue, Cann is frequently invited to teach master classes, give lecture-demonstrations, and lead teaching residencies. Recent residencies include the Gilmore International Keyboard Festival and the National Conference of the Music Teachers National Association. She has recorded lessons for tonebase, the popular piano lesson platform. She has also served on the juries of the Cleveland International Piano Competition, the Kauffman Music Center International Youth Piano Competition, and the piano competition of the Music Academy of the West.\n\nCann holds bachelor\u2019s and master\u2019s degrees in piano performance from the Cleveland Institute of Music, where she studied with Paul Schenly and Dr. Daniel Shapiro, and an Artist\u2019s Diploma from Curtis Institute of Music, where she studied with Robert McDonald. She joined the Curtis piano faculty in 2020 as the inaugural Eleanor Sokoloff Chair in Piano Studies. She is also on the piano faculty of the Manhattan School of Music.", "occurrence_notes":null, "guid":"139266-21885210@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/139266", "building_id":"1000440", "building_name":"Earl V. 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The performance will include spoken commentary and storytelling about the fascinating lives and journeys of these trailblazing artists. Music of Nora Holt, Betty Jackson King, Florence Price, Irene Britton Smith, and Margaret Bonds. \n\nGenerously sponsored by the Sally Fleming Master Class Fund.\n\nABOUT THE GUEST ARTIST\n\nLauded as \u201cexquisite\u201d by *The Philadelphia Inquirer* and \u201ca pianist of sterling artistry\u201d by *Gramophone*, GRAMMY Award winning pianist MICHELLE CANN is one of the most sought-after artists of her generation. Recent engagements include appearances with Chicago Symphony Orchestra, The Cleveland Orchestra, The Philadelphia Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, and Orquestra Sinf\u00f4nica Municipal de S\u00e3o Paulo. She is a recipient of the Sphinx Medal of Excellence and the Andrew Wolf Chamber Music Award, and she served as the inaugural Christel DeHaan Artistic Partner of the American Piano Awards.\n\nHighlights of Cann\u2019s 2025-26 season include appearances with the Colorado Symphony, New Jersey Symphony, Kansas City Symphony, and Ireland\u2019s National Symphony Orchestra. She also performs the world premiere of a new piano concerto by Valerie Coleman with the National Symphony Orchestra in Washington, D.C. Her recital appearances include Stanford Live, Music Toronto, Chamber Music Detroit, the Isabella Stewart Gardner Museum, Spivey Hall, and a recital tour in China.\n\nRecognized as a leading interpreter of the piano music of Florence Price, Cann performed the New York City premiere of Price\u2019s *Piano Concerto in One Movement* with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick N\u00e9zet-S\u00e9guin in February 2021. Her recording of the concerto with the New York Youth Symphony won a GRAMMY Award in 2023 for Best Orchestral Performance. She won a GRAMMY Award in 2025 for *Beyond the Years: Unpublished Songs of Florence Price*, recorded with soprano Karen Slack, which features 19 unpublished songs composed by Price. Her acclaimed debut solo album *Revival*, featuring music by Price and Margaret Bonds, was released in May 2023 on the Curtis Studio label. She has also recorded two Price piano quintets with the Catalyst Quartet as a part of the quartet\u2019s UNCOVERED series. A champion of emerging talent, Cann and cellist Tommy Mesa recorded *Our Stories*, an album of new works by five living composers of color, which was released in November 2023.\n\nA celebrated chamber musician, Cann has collaborated with leading artists including the Catalyst, Dover, and Juilliard string quartets, Imani Winds, violinists Timothy and Nikki Chooi, soprano Karen Slack, and mezzo-soprano J\u2019Nai Bridges. She regularly performs duo piano repertoire with her sister, pianist Kimberly Cann, as the Cann Duo. She has appeared as co-host and collaborative pianist with NPR\u2019s *From The Top*, collaborating with actor\/conductor Damon Gupton, violinist Leila Josefowicz, and violinist and MacArthur Fellow Vijay Gupta. Cann\u2019s numerous media appearances include *Performance Today*, PBS Great Performances\u2019 *Now Hear This*, and *Living the Classical Life*.\n\nEmbracing a dual role as performer and pedagogue, Cann is frequently invited to teach master classes, give lecture-demonstrations, and lead teaching residencies. Recent residencies include the Gilmore International Keyboard Festival and the National Conference of the Music Teachers National Association. She has recorded lessons for tonebase, the popular piano lesson platform. She has also served on the juries of the Cleveland International Piano Competition, the Kauffman Music Center International Youth Piano Competition, and the piano competition of the Music Academy of the West.\n\nCann holds bachelor\u2019s and master\u2019s degrees in piano performance from the Cleveland Institute of Music, where she studied with Paul Schenly and Dr. Daniel Shapiro, and an Artist\u2019s Diploma from Curtis Institute of Music, where she studied with Robert McDonald. She joined the Curtis piano faculty in 2020 as the inaugural Eleanor Sokoloff Chair in Piano Studies. She is also on the piano faculty of the Manhattan School of Music.", "occurrence_notes":null, "guid":"139267-21885211@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/139267", "building_id":"1000440", "building_name":"Earl V. 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Moore Building", "has_livestream":0, "cost":"Free - no tickets required", "tags":["Free","Music","North Campus"], "website":"https:\/\/smtd.umich.edu\/wp-content\/uploads\/2026\/01\/Cann-program-1.25.26.pdf", "links":[ { "type":"other", "url":"https:\/\/smtd.umich.edu\/wp-content\/uploads\/2026\/01\/Cann-program-1.25.26.pdf", "title":"View Program" } ], "sponsors":[ { "group_name":"School of Music, Theatre & Dance (SMTD)", "group_id":"155", "website":"http:\/\/smtd.umich.edu\/events" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "image_description":"Michelle Cann, piano", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_thumb\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/event_large_2x\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/group_thumb\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/group_thumb_square\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/group_large\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/group_large_lightbox\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/event_large_crop\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/event_grid_2x\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/event_feature_large\/media\/attachments\/2025\/09\/event_139267_original-1.jpg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2025\/09\/event_139267_original-1.jpg" }, "qr_code_url":"http:\/\/events.umich.edu\/event\/139267\/qrcode.png", "occurrence_count":1, "first_occurrence":21885211 } , { "id":"142622-21891230", "datetime_modified":"20251211T181618", "datetime_start":"20260129T163000", "datetime_end":"20260129T183000", "has_end_time":1, "date_start":"2026-01-29", "date_end":"2026-01-29", "time_start":"16:30:00", "time_end":"18:30:00", "time_zone":"America\/Detroit", "event_title":"Roger Mathew Grant: \"The Colonial Galant Style: Eighteenth-Century Music from Chiquitania, Bolivia\"", "occurrence_title":"", "combined_title":"Roger Mathew Grant: \"The Colonial Galant Style: Eighteenth-Century Music from Chiquitania, Bolivia\": Carrigan Lecture in Music Theory", "event_subtitle":"Carrigan Lecture in Music Theory", "event_type":"Lecture \/ Discussion", "event_type_id":"13", "description":"The Department of Music Theory hosts guest scholar Roger Mathew Grant (Wesleyan University) as part of the Carrigan Lecture Series. Free and open to the public. \n\nABSTRACT: During the middle decades of the eighteenth century, Indigenous musicians in rural South America created a distinctive musical style music under conditions of Jesuit colonization. These musicians had been forcibly relocated to mission communities in the Spanish Viceroyalty of Peru, which is now eastern Bolivia. There, they participated in vibrant scenes of choral and orchestral performance; they trained and retrained each other in apprenticeship systems of singing, conducting, composition, and instrument building. Today a substantial corpus of their music is preserved in Bolivian archives. The extant repertoire includes several large-scale operas and liturgical compositions attributed to teams of Indigenous composers. In this talk, I offer a systematic analysis of this repertoire and its distinctive style, which I call \u201ccolonial galant.\u201d I argue, first, how the style of this repertoire is genuinely galant and very much a part of the eighteenth-century European intellectual and aesthetic movement that shares that name. I also define the colonial galant style as a distinct sub-set of the galant and demonstrate its particular features. I hope to show that close scrutiny of this colonial repertoire can help us reframe the historiography of eighteenth-century European music.\n\nABOUT THE SPEAKER\n\nROGER MATHEW GRANT is a music theorist and cultural historian whose research focuses on eighteenth-century music, affect theory, and the history of music theory. He is the author of two award-winning books, *Peculiar Attunements: How Affect Theory Turned Musical* and *Beating Time and Measuring Music in the Early Modern Era*. His journal articles have appeared in venues such as *Critical Inquiry*, *Representations*, *Music Theory Spectrum*, and the *Journal of the American Musicological Society*. Currently, he is at work on a new book examining eighteenth-century Indigenous compositions from Jesuit missions in Bolivia. At Wesleyan University, Roger serves as Professor of Music, Dean of Arts and Humanities, and Deputy Provost. He was also recently named a Guggenheim Fellow.", "occurrence_notes":null, "guid":"142622-21891230@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/142622", "building_id":"1000440", "building_name":"Earl V. Moore Building", "building_official_id":1000440, "campus_maps_id":"52", "campus_maps_link_path":"earl-v-moore-building", "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/earl-v-moore-building", "room":"Watkins Lecture Hall", "location_name":"Earl V. 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Free and open to the public.\n\nABOUT THE GUEST ARTIST\n\n\u201cBreathtakingly virtuosic and full of genuine life\u201d (The Organ\/GB). \u201cMartin Schmeding\u2019s playing is superlatively good \u2013 good enough to allow you to forget there is someone working the instrument\u201d (MusicWeb International)\n \nAs Professor for Organ and Artistic Director of the European Organ Academy at the University of Music and Theatre Leipzig, MARTIN SCHMEDING holds one of the most prestigious posts in the organists' world. In addition, he is Guest Professor at the Royal Conservatoire of Music Birmingham and since 2024 Professor of Organ at the Royal College of Music London.\n \nAs a student, Schmeding won many prizes in major international competitions. For his numerous CD recordings, among them the complete works of Max Reger, Felix Mendelssohn Bartholdy and Johannes Brahms, he was awarded the European music prize ECHO Classic as \u201cSoloist of the Year\u201d (2010) and the Prize of the German Record Critics 2009, 2017 and 2020. In 2017 he was named \u201cProfessor of the Year\u201d out of 2500 nominated German university teachers.\n \nBorn in 1975 in Minden, Westphalia, Schmeding studied in Hanover, Amsterdam and Dusseldorf. Through his teachers Ulrich Bremsteller, Lajos Rovatkay, Dr. Hans van Nieuwkoop, Jacques van Oortmerssen and Jean Boyer he is part of the important German organ tradition of Karl Straube, Guenther Ramin and Helmut Walcha, as well as of the French tradition and the Dutch historical organ movement.\n \nBetween 1999 and 2004, Schmeding filled two of the most important posts for church musicians in Germany. In 1999, he was appointed Music Director at the Neander Church in Dusseldorf. As titular organist at the Kreuzkirche in Dresden, a place with a more than 700-year-old tradition of church music, Schmeding worked from 2002 until 2004. After teaching in Hannover, Leipzig, Weimar, and Dresden, he worked as organ professor at the University of Music in Freiburg from 2004-2015 as the successor of Prof. Zsigmond Szathm\u00e1ry, where he was also the chair of the church-music and organ department. \n \nSchmeding is an active recitalist in important venues and in international festivals, a jury member for international competitions (Bach-Wettbewerb Leipzig, Bach competition Boston, Pachelbel Competition Nuremberg, Silbermann Competition Freiberg, International Organ Competition St Albans) and publisher of articles and music editions to complete his musical profile.\n \nIn 2021 he finished his PhD in musicology with a dissertation on Wolfgang Rihm\u2019s early and organ works (summa cum laude).", "occurrence_notes":null, "guid":"145773-21897798@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/145773", "building_id":"1000440", "building_name":"Earl V. 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Lucas as part of the Carrigan Lecture Series in Music Theory. Free and open to the public. \n\nABSTRACT\n\nWhat does it mean to love a song that expresses the brutality of intimate partner violence? And further, what does it mean to analyze such a song\u2014to discover its deep structure? \n\nIn this paper, I examine the experience of listening to and analyzing the music of the experimental musician Lingua Ignota. Taking her project name from Hildegard von Bingen\u2019s mystical constructed language, her music explores the intersections of Christianity, trauma, and intimate partner abuse. Sonically, her music traverses deconstructed elements of metal and noise music, vocal techniques that range from extended screams to classical mezzo-soprano, and extensively researched references to Catholic, Pentecostal, Mennonite, and Western art musical traditions. The resulting complexly layered musical texts deploy the subjectivity of Christian faith as a metaphor for intimate partner abuse. I trace how the timbral, textual, and vocal-expressive layers of Lingua Ignota\u2019s music shape deeply uncomfortable sonic experiences in which a victim\u2019s struggle to make her abuser love her is given the apocalyptic scale of a sinner struggling to avoid eternal hellfire. Building on recent work in critical music theory, I use these uncomfortable emotional experiences to explore moments when analytical writing seems to fail.\n\nABOUT THE SPEAKER\n\nOLIVIA R. LUCAS is an Associate Professor of Music Theory at Louisiana State University. Her work on metal music has been published in *Music Theory Online*, *Popular Music*, *The Journal of Sonic Studies*, and several edited volumes. Her article \u201cPerforming Analysis, Performing Metal\u201d won the 2023 SMT Emerging Scholar (Article) award. She also co-edited the volume *Teaching Difficult Topics: Reflections from the Undergraduate Music Classroom* (University of Michigan Press, 2024). 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