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        "event_title":"Cathy Barry Exhibition",
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        "event_title":"Cathy Barry Art Exhibition",
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These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. 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        "event_title":"Great Lakes Regional Nursing Innovation Conference",
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        "combined_title":"Great Lakes Regional Nursing Innovation Conference",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The Team from the Healthcare Innovation Impact Program (HiiP) at the University of Michigan School of Nursing invites you to our upcoming Great Lakes Regional Nursing Innovation Conference on October 2, 2025 from 8:30-5:00. The conference will be held at the North Campus Research Center (NCRC) on the University of Michigan's Ann Arbor campus. This event provides a unique opportunity for education, networking, and collaboration. It brings together nurses from all areas of healthcare\u2014clinical, research, science, education, leadership, and informatics\u2014in addition to nursing students, medical and healthcare providers, and other professionals, innovation ecosystem entrepreneurs, and more, from across the Great Lakes region.\r\n\r\nHiiP has a history of bringing these audiences together to learn more about what nursing innovation is, how to do it, and to inspire nursing professionals and students to innovate by hearing from those leading the way. This year's event, with its broader geographic focus, breakout sessions for clinical versus research, science, and academic nurses, as well as nursing students, national keynote speakers, and stories and experiences from real-life nurse innovators, promises to be even more impactful. It's a unique opportunity to gain insights and inspiration that can shape the future of healthcare for nurses, nursing faculty, and nursing students alike.\r\n\r\nThe conference is open to everyone.  You do not have to be a nurse or nursing student to attend.\r\n\r\nYou can register at:  https:\/\/rsvp.umich.edu\/0MmwnB",
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        "cost":"$150 for Professionals\/Graduate Students; $50 for Undergraduate Students",
        "tags":["Clinical","Innovation","Nursing","Nursing Students","Research","Science"],
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251003T080000",
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        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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        "event_title":"IOE 70th Anniversary Symposium",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "event_title":"Cathy Barry Art Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"MHealthy Winter Market at NCRC",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "room":"Rotunda Gallery",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. 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        "event_title":"2025 Blood Battle: On-Campus Blood Drive",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Parking Free after 5 pm  (for further information contact serrag@med.umich.edu)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Parking free after 5 pm, for further information contact: serrag@med.umich.edu",
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        "room":"Connections Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "room":"Connections Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "cost":"",
        "tags":["Art","ArtsEngine","Culture","Detroit","Exhibition","Free","North Campus","Visual Arts"],
        "website":"",
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "image_description":"Ambivalence (from Storyboard series) oil on panel by Lynn Galbreath",
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