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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "id":"142768-21891393",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260316T090000",
        "datetime_end":"20260316T170000",
        "has_end_time":1,
        "date_start":"2026-03-16",
        "date_end":"2026-03-16",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"143999-21894451",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260316T120000",
        "datetime_end":"20260316T160000",
        "has_end_time":1,
        "date_start":"2026-03-16",
        "date_end":"2026-03-16",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
                "guid":"143999-21894451@events.umich.edu",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
        "has_livestream":0,
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                "url":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
                "title":"Revolutionary Payne- UM Clements Library"
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    ,        {
        "id":"143388-21893025",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260317T080000",
        "datetime_end":"20260317T160000",
        "has_end_time":1,
        "date_start":"2026-03-17",
        "date_end":"2026-03-17",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_name":"Center for Armenian Studies",
                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"143403-21893082",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260317T080000",
        "datetime_end":"20260317T170000",
        "has_end_time":1,
        "date_start":"2026-03-17",
        "date_end":"2026-03-17",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "building_name":"Weiser Hall",
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        "room":"International Institute Gallery, Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition"],
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                "group_name":"Center for Armenian Studies",
                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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                "group_id":"1968",
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        "id":"142773-21891481",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260317T090000",
        "datetime_end":"20260317T170000",
        "has_end_time":1,
        "date_start":"2026-03-17",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "id":"142768-21891394",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260317T090000",
        "datetime_end":"20260317T170000",
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        "date_start":"2026-03-17",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260317T120000",
        "datetime_end":"20260317T160000",
        "has_end_time":1,
        "date_start":"2026-03-17",
        "date_end":"2026-03-17",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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    ,        {
        "id":"145409-21897261",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260317T180000",
        "datetime_end":"20260317T210000",
        "has_end_time":1,
        "date_start":"2026-03-17",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
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        "event_title":"30th Annual Exhibition Opening Reception and Celebration",
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        "description":"Join us for opening night of the 30th Annual Exhibition of Artists in Michigan Prisons!\n\n6:00 PM: Exhibit opens and artwork sales begin in Duderstadt Gallery. Enjoy light refreshments in the Chesebrough Lobby.\n7:00 PM: Celebration program in Chesebrough Auditorium.\n8:30 PM: Line closes for artwork sales.\n9:00 PM: Gallery closes.\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "id":"143403-21893083",
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        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142768-21891395",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260318T090000",
        "datetime_end":"20260318T170000",
        "has_end_time":1,
        "date_start":"2026-03-18",
        "date_end":"2026-03-18",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"145409-21897272",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260318T100000",
        "datetime_end":"20260318T190000",
        "has_end_time":1,
        "date_start":"2026-03-18",
        "date_end":"2026-03-18",
        "time_start":"10:00:00",
        "time_end":"19:00:00",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "website":"http:\/\/www.prisonarts.org",
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                "title":"Digital exhibit"
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                "group_id":"3478",
                "website":""                },             {
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                "group_id":"4583",
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                "group_id":"5222",
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260318T120000",
        "datetime_end":"20260318T160000",
        "has_end_time":1,
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        "date_end":"2026-03-18",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "datetime_start":"20260319T080000",
        "datetime_end":"20260319T160000",
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        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "id":"143403-21893084",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260319T080000",
        "datetime_end":"20260319T170000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891483",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260319T090000",
        "datetime_end":"20260319T170000",
        "has_end_time":1,
        "date_start":"2026-03-19",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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                "group_name":"North Campus Research Complex NCRC Art Program",
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    ,        {
        "id":"145409-21897273",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260319T100000",
        "datetime_end":"20260319T190000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"10:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":null,
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "tags":["Exhibition"],
        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"4583",
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                "group_id":"5222",
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260319T120000",
        "datetime_end":"20260319T160000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
                "guid":"143999-21894454@events.umich.edu",
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        "building_name":"William Clements Library",
        "building_official_id":1000159,
        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
        "has_livestream":0,
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        "tags":["Exhibition"],
        "website":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
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                "url":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
                "title":"Revolutionary Payne- UM Clements Library"
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    ,        {
        "id":"138950-21884307",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260319T120000",
        "datetime_end":"20260319T170000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
                "guid":"138950-21884307@events.umich.edu",
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        "building_name":"Detroit Observatory",
        "building_official_id":1000198,
        "campus_maps_id":"189",
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        "room":"",
        "location_name":"Detroit Observatory",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition"],
        "website":"https:\/\/detroitobservatory.umich.edu\/exhibit\/watcher-of-the-sky-making-and-remaking-the-detroit-observatory\/",
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                }                    ],
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                "group_name":"Judy and Stanley Frankel Detroit Observatory",
                "group_id":"5385",
                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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    ,        {
        "id":"145749-21897776",
        "datetime_modified":"20260302T171321",
        "datetime_start":"20260319T183000",
        "datetime_end":"20260319T193000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"18:30:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"New Art\/\/New Music: Gallery Tour",
        "occurrence_title":"",
        "combined_title":"New Art\/\/New Music: Gallery Tour: 30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_type":"Tours",
        "event_type_id":"25",
        "description":"Enjoy a tour of the 30th Annual Exhibition of Artists in Michigan Prisons and a concert featuring music created by University of Michigan School of Music, Theatre, and Dance student composers. These pieces will be performed by the contemporary music collective FLYDLPHN and the chamber ensemble Myriad Project and will be inspired by artwork featured at the exhibition. \n\nPublic tour of the 30th Annual Exhibition \n6:30 pm Duderstadt Gallery\n\nConcert\n8pm Stamps Auditorium\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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                "guid":"145749-21897776@events.umich.edu",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_start":"20260320T090000",
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        "event_title":"Lynn Galbreath Exhibition",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142768-21891397",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260320T090000",
        "datetime_end":"20260320T170000",
        "has_end_time":1,
        "date_start":"2026-03-20",
        "date_end":"2026-03-20",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"145409-21897274",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260320T100000",
        "datetime_end":"20260320T190000",
        "has_end_time":1,
        "date_start":"2026-03-20",
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        "time_start":"10:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"3478",
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                "group_id":"4583",
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                "group_id":"5222",
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        "datetime_start":"20260320T120000",
        "datetime_end":"20260320T160000",
        "has_end_time":1,
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        "date_end":"2026-03-20",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_start":"20260320T120000",
        "datetime_end":"20260320T170000",
        "has_end_time":1,
        "date_start":"2026-03-20",
        "date_end":"2026-03-20",
        "time_start":"12:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
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        "building_name":"Detroit Observatory",
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        "location_name":"Detroit Observatory",
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                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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    ,        {
        "id":"146309-21898860",
        "datetime_modified":"20260312T123102",
        "datetime_start":"20260320T235900",
        "datetime_end":"20260320T235900",
        "has_end_time":1,
        "date_start":"2026-03-20",
        "date_end":"2026-03-20",
        "time_start":"23:59:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"Indonesian Cultural Festival 2026",
        "occurrence_title":"Pre-Event: Cultural Photography Competition (Photo Submission)",
        "combined_title":"Indonesian Cultural Festival 2026: Pre-Event: Cultural Photography Competition (Photo Submission)",
        "event_subtitle":"",
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        "description":"INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year\u2019s theme, \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d highlights the diversity of Indonesia\u2019s cultural heritage, traditions, and artistic expressions. Through a series of engaging programs, ICF invites participants to explore the stories, creativity, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture, art, music, and celebration! \n\n\ud83d\udcf8 Photography Contest\nSubmission due: March 20, 2026 - 11:59pm\n\n\ud83c\udfac Movie Screening\nMarch 27, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n\ud83c\udfb5 Angklung Musical Workshop\nMarch 28, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor \/ IHAA (921 Church St)\n\n\ud83c\udfa8 Batik Coloring Workshop\nApril 2, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n\ud83c\udf89 Festival Night\nApril 3, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students, faculty, staff, alumni, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia",
        "occurrence_notes":"Submission due for Photography Contest!",
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        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/16766",
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                "url":"https:\/\/instagram.com\/indonesia.umich",
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                "group_id":"1060",
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                "group_id":"3267",
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                "group_id":"3471",
                "website":"http:\/\/www.instagram.com\/mesaumich"                },             {
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                "group_id":"3974",
                "website":""                },             {
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                "group_id":"4583",
                "website":""                }                    ],
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        "image_description":"Flyer for Indonesian Cultural Festival 2026 featuring Indonesian cultural imagery and the theme \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d promoting a month of cultural events including photography, film, music, batik, and festival night.",
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    ,        {
        "id":"143388-21893029",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260321T080000",
        "datetime_end":"20260321T160000",
        "has_end_time":1,
        "date_start":"2026-03-21",
        "date_end":"2026-03-21",
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        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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                "group_id":"1968",
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"143403-21893086",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260321T080000",
        "datetime_end":"20260321T170000",
        "has_end_time":1,
        "date_start":"2026-03-21",
        "date_end":"2026-03-21",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "building_name":"Weiser Hall",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "id":"145409-21897275",
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        "datetime_start":"20260321T100000",
        "datetime_end":"20260321T190000",
        "has_end_time":1,
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        "date_end":"2026-03-21",
        "time_start":"10:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "id":"143403-21893088",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260323T080000",
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        "date_start":"2026-03-23",
        "date_end":"2026-03-23",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891487",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260323T090000",
        "datetime_end":"20260323T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142768-21891400",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260323T090000",
        "datetime_end":"20260323T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
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        "datetime_modified":"20260322T094645",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260323T120000",
        "datetime_end":"20260323T160000",
        "has_end_time":1,
        "date_start":"2026-03-23",
        "date_end":"2026-03-23",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
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                "title":"Revolutionary Payne- UM Clements Library"
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        "id":"143388-21893032",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260324T080000",
        "datetime_end":"20260324T160000",
        "has_end_time":1,
        "date_start":"2026-03-24",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"143403-21893089",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260324T080000",
        "datetime_end":"20260324T170000",
        "has_end_time":1,
        "date_start":"2026-03-24",
        "date_end":"2026-03-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
        "occurrence_notes":null,
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        "room":"International Institute Gallery, Room 547",
        "location_name":"Weiser Hall",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "room":"Institute for the Humanities Gallery",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260324T120000",
        "datetime_end":"20260324T160000",
        "has_end_time":1,
        "date_start":"2026-03-24",
        "date_end":"2026-03-24",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260325T080000",
        "datetime_end":"20260325T160000",
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        "date_start":"2026-03-25",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"143403-21893090",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260325T080000",
        "datetime_end":"20260325T170000",
        "has_end_time":1,
        "date_start":"2026-03-25",
        "date_end":"2026-03-25",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "campus_maps_id":"47",
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        "room":"International Institute Gallery, Room 547",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "datetime_modified":"20260210T131912",
        "datetime_start":"20260325T090000",
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        "date_start":"2026-03-25",
        "date_end":"2026-03-25",
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        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_modified":"20251215T165341",
        "datetime_start":"20260325T090000",
        "datetime_end":"20260325T170000",
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        "date_start":"2026-03-25",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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    ,        {
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        "datetime_modified":"20260322T094645",
        "datetime_start":"20260325T100000",
        "datetime_end":"20260325T190000",
        "has_end_time":1,
        "date_start":"2026-03-25",
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        "time_end":"19:00:00",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "location_name":"Duderstadt Center",
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        "website":"http:\/\/www.prisonarts.org",
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        "id":"143999-21894460",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260325T120000",
        "datetime_end":"20260325T160000",
        "has_end_time":1,
        "date_start":"2026-03-25",
        "date_end":"2026-03-25",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260326T080000",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "id":"143403-21893091",
        "datetime_modified":"20260306T115746",
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        "datetime_end":"20260326T170000",
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        "date_start":"2026-03-26",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "datetime_modified":"20260210T131912",
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        "date_start":"2026-03-26",
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        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891490",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260326T090000",
        "datetime_end":"20260326T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "permalink":"http:\/\/events.umich.edu\/event\/142773",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142768-21891403",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260326T090000",
        "datetime_end":"20260326T170000",
        "has_end_time":1,
        "date_start":"2026-03-26",
        "date_end":"2026-03-26",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"145409-21897280",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260326T100000",
        "datetime_end":"20260326T190000",
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        "date_start":"2026-03-26",
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        "time_start":"10:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_type":"Exhibition",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"3478",
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                "group_id":"4583",
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                "group_id":"5222",
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        "datetime_start":"20260326T120000",
        "datetime_end":"20260326T160000",
        "has_end_time":1,
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        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_start":"20260326T120000",
        "datetime_end":"20260326T170000",
        "has_end_time":1,
        "date_start":"2026-03-26",
        "date_end":"2026-03-26",
        "time_start":"12:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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        "id":"143388-21893035",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260327T080000",
        "datetime_end":"20260327T160000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"143403-21893092",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260327T080000",
        "datetime_end":"20260327T170000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_type":"Exhibition",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "room":"International Institute Gallery, Room 547",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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    ,        {
        "id":"142798-21891613",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260327T090000",
        "datetime_end":"20260327T170000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
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        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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                "guid":"142798-21891613@events.umich.edu",
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        "building_name":"202 S. Thayer",
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        "campus_maps_id":"524",
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        "location_name":"202 S. Thayer",
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        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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                "group_id":"1130",
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    ,        {
        "id":"142773-21891491",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260327T090000",
        "datetime_end":"20260327T170000",
        "has_end_time":1,
        "date_start":"2026-03-27",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142768-21891404",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260327T090000",
        "datetime_end":"20260327T170000",
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        "date_start":"2026-03-27",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
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    ,        {
        "id":"146213-21898663",
        "datetime_modified":"20260317T120314",
        "datetime_start":"20260327T093000",
        "datetime_end":"20260327T180000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
        "time_start":"09:30:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Inclusive History Project Summit 2026",
        "occurrence_title":"",
        "combined_title":"Inclusive History Project Summit 2026",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Registration: http:\/\/myumi.ch\/QwEbz\n\nJoin us for the Inclusive History Project Summit on Friday, March 27, 2026, which will bring together students, faculty, staff, alumni, and the public to explore histories of inclusion and exclusion at the University of Michigan.\n\nAt the Summit, engage in dialogue about the work of inclusive history; learn about research, engagement, and teaching taking place across the three campuses; and see student-led projects in a variety of forms. There will also be opportunities for you to share your stories about the University of Michigan.\n\nThe Inclusive History Project Summit is an annual event that is hosted on a different campus each year. Join us for the summit at UM-Flint in 2026!\n\nThe IHP Summit is free and open to all. Registration is encouraged but not required. We will send out reminder emails and event updates when you register. Check back for speakers.\n\nFor more information or questions, please contact inclusivehistory@umich.edu.\n\n--\nSessions\n\nSession 1: Whose History, Whose University? Power, Memory, and Narrative Panel Discussion \n9:30am \u2013 10:45am\n\nPanelists: Camron Michael Amin, Jay Cook, and Lisa M. Lapeyrouse.\nModerated by Earl Lewis.\n\nThis panel explores how the Inclusive History Project moves beyond traditional origin stories and what some of its Origins and Trajectories project sites have revealed through the research process. Emphasizing the importance of multiple voices, perspectives, oral traditions, and diverse ways of knowing, the conversation aims to highlight inclusive history as both a practice and a responsibility, with each project being discussed illustrating how it does those things. The panel will conclude with a public Q&A.\n\n--\nSession 2: Geographies of Justice and the Changing City Roundtable Discussion\n11:00am \u2013 12\/noon\n\nPanelists: Callum Carr-Marquis, Rodney Brown, and Benjamin Gaydos.\nTalk and moderation by Shana M. griffin.\n\nThis roundtable discussion will explore the history and impact of urban renewal in Flint, examining the role of UM-Flint, patterns of displacement, and the experiences and voices of affected communities. Participants will also reflect on the power of archives in documenting these histories and discuss the collaborative process behind organizing the Blueprints of Power exhibition. The conversation will conclude by considering future directions for research, community engagement, and public storytelling on these issues. The roundtable will conclude with a public Q&A.\n\n--\nSession 3: Make, Meet, Learn: Free LUNCH + Drop-in Workshop, Reflection Activities, and Community Tabling Fair\n12\/noon \u2013 2:00pm\n\nJoin us for a free, catered lunch and a unique opportunity to build connections, strengthen networks, and inspire collective action within the Inclusive History Project community and beyond. Visit the Community Tabling Fair featuring tri-campus university departments, local Flint community organizations, and Inclusive History Project initiatives. Participate in hands-on workshops and activities, including button-making with Flint artists, tactile community brainstorming sessions, and opportunities to share your stories, ideas, and reflections. Attendees can also contribute to interactive installations created by U-M undergraduate and graduate students, such as the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee. Guided tours and a postering session for the Origins of the UM-Flint\u2019s Student Support Services Center Project will be available throughout the event, offering additional insight into ongoing work and future directions.\n\nFeatured Events:\n\nFrom Protest to Pride: Button-Making as Storytelling\nMake a button at this drop-in button-making workshop led by Flint-based artist and educator My Proulx. Materials, supplies, and onsite instruction will be provided.\n\nBelonging Interactive Photo Mural\nJoin us to make your mark and help ensure that our collective history reflects all of us by participating in the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee.\n\nGuided History Tour of UM-Flint\u2019s Student Support Services Centers\nEmbark on a guided history tour of the Student Support Services Centers located throughout the Harding Mott University Center, the architectural and social heart of UM-Flint\u2019s campus. This tour offers participants the opportunity to move through the building, explore its design, and reflect on how student advocacy, institutional change, and campus space intersect.\n\nCommunity Tabling Fair\nParticipants include: Arab American Heritage Council (AAHC), Emma Davis- Cultivating Communities of Belonging class table, Flint Alliance for Immigrant Rights (FAIR), Great Lakes Stewardship Initiative (GLSI), IHP Student Advisory Committee, International Center of Greater Flint (ICGF), Mott Warsh Gallery, Riverbank Arts, Ruth Mott Foundation, Sloan Museum of Discovery and Longway Planetarium, and UM-Flint Student Government. The fair is designed as an open, drop-in space to learn about community initiatives, meet organizers and students, and discover opportunities for engagement and collaboration.\n\n--\nSessions 4, 5, and 6: Making Our Stories Heard: Talk, Question, and Engage Lightning Talks and Q&A\u2019s by and with IHP practitioners\n1:45pm \u2013 4:30pm (Multiple Sessions):\n\nSession 4\u30211:45pm \u2013 2:45pm\n\nSpeakers: Christina Blitchok (The 1956 Project, UM-Flint); Rose Wellman and Amny Shuraydi (Centering Arab American Studies and Students: Past and Present Place-making, Identity, and Inclusion at the UM-Dearborn); Jodi Mae and David Mori (Towards Community-based Shared Stewardship), Wallace Bowie III, Karen Burton, Saundra Little, and Craig Wilkins (Architects of Change: Documenting the Legacy of White & Griffin (Michigan\u2019s First Black Architects)).\n\nModerated by Melvin Barnes.\n\nSession 5\u30213:00pm \u2013 4:00pm\n\nSpeakers: Ivy Forsythe-Brown and Terri Laws (The African and African American Studies Oral History Project); Mark Clague, Cayenne Harris, and Emily Lyon (Hill Auditorium); Yodit Mesfin Johnson and Matthew Countryman (Liberated Land Use); Emma Davis (Cultivating Communities of Belonging).\n\nModerated by Leyla Sanker.\n\nSession 6 \u30214:00pm \u2013 4:30pm\n\nWrap-up and Reflection\n\nSpeakers: Lisa M. Lapeyrouse and Earl Lewis.\n\n--\nSession 7: Spoken Word by Poet, Activist, and Flint Native Shea Phire Cobb\n4:30pm \u2013 5:00pm\n\nJoin us for a spoken word performance by poet, activist, mother, musician, and Flint native Shea Phire Cobb.\n\n--\nSession 8: Blueprints of Power Exhibition Celebration and Inclusive History Project Summit Afterparty\n5:00pm \u2013 6:00pm\n\nGet up close and personal with the Blueprints of Power exhibition and enjoy light fare and music as we wrap up and celebrate the day.\n\n--\nEngage throughout the day:\nBlueprints of Power: The University and Urban Renewal in Flint Exhibition\n8:00am \u2013 6:00pm\n\nThe Shape of Repair: An Interactive Installation\n9:30am \u2013 5:30pm\n\nA participatory engagement to spark critical thinking, imagination, reflection, and the exchange of ideas about the outcomes the Inclusive History Project (IHP) is working toward.\n\nWolverine Stories Video Booth by the Inclusive Storytelling Hub\n11:00am \u2013 3:00pm\n\nStep into a video recording booth to tell YOUR story about the University of Michigan.",
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        "building_name":"Off Campus Location",
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        "location_name":"Harding Mott University Center, University of Michigan-Flint, 400 Mill St., Flint, MI 48503",
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        "website":"http:\/\/myumi.ch\/QwEbz",
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    ,        {
        "id":"145409-21897281",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260327T100000",
        "datetime_end":"20260327T190000",
        "has_end_time":1,
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "building_name":"Duderstadt Center",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
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        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"5222",
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                "group_id":"5319",
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        "datetime_start":"20260327T120000",
        "datetime_end":"20260327T160000",
        "has_end_time":1,
        "date_start":"2026-03-27",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
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        "tags":["Exhibition"],
        "website":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
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                "title":"Revolutionary Payne- UM Clements Library"
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    ,        {
        "id":"138950-21884341",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260327T120000",
        "datetime_end":"20260327T170000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
        "time_start":"12:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
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        "building_name":"Detroit Observatory",
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        "campus_maps_id":"189",
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        "location_name":"Detroit Observatory",
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                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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    ,        {
        "id":"146309-21898861",
        "datetime_modified":"20260312T123102",
        "datetime_start":"20260327T170000",
        "datetime_end":"20260327T190000",
        "has_end_time":1,
        "date_start":"2026-03-27",
        "date_end":"2026-03-27",
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        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Indonesian Cultural Festival 2026",
        "occurrence_title":"Pre-Event: Indonesian Movie Screening",
        "combined_title":"Indonesian Cultural Festival 2026: Pre-Event: Indonesian Movie Screening",
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        "description":"INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year\u2019s theme, \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d highlights the diversity of Indonesia\u2019s cultural heritage, traditions, and artistic expressions. Through a series of engaging programs, ICF invites participants to explore the stories, creativity, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture, art, music, and celebration! \n\n\ud83d\udcf8 Photography Contest\nSubmission due: March 20, 2026 - 11:59pm\n\n\ud83c\udfac Movie Screening\nMarch 27, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n\ud83c\udfb5 Angklung Musical Workshop\nMarch 28, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor \/ IHAA (921 Church St)\n\n\ud83c\udfa8 Batik Coloring Workshop\nApril 2, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n\ud83c\udf89 Festival Night\nApril 3, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students, faculty, staff, alumni, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia",
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        "building_name":"Weiser Hall",
        "building_official_id":1000165,
        "campus_maps_id":"47",
        "campus_maps_link_path":"weiser-hall",
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        "room":"110",
        "location_name":"Weiser Hall",
        "has_livestream":0,
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                "url":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/16766",
                "title":"Register On Sessions @ Michigan"
                },             {
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                "url":"https:\/\/instagram.com\/indonesia.umich",
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                "group_id":"4791",
                "website":"https:\/\/sessions.studentlife.umich.edu\/"                },             {
                "group_name":"Office of Academic Multicultural Initiatives (OAMI)",
                "group_id":"1012",
                "website":""                },             {
                "group_name":"International Center",
                "group_id":"1060",
                "website":""                },             {
                "group_name":"University of Michigan Sustainable Food Program (UMSFP)",
                "group_id":"3267",
                "website":"http:\/\/umsustainablefood"                },             {
                "group_name":"Multi Ethnic Student Affairs - MESA",
                "group_id":"3471",
                "website":"http:\/\/www.instagram.com\/mesaumich"                },             {
                "group_name":"PERMIAS (Indonesian Student Association)",
                "group_id":"3974",
                "website":""                },             {
                "group_name":"Arts Initiative",
                "group_id":"4583",
                "website":""                }                    ],
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        "image_description":"Flyer for Indonesian Cultural Festival 2026 featuring Indonesian cultural imagery and the theme \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d promoting a month of cultural events including photography, film, music, batik, and festival night.",
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    ,        {
        "id":"143388-21893036",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260328T080000",
        "datetime_end":"20260328T160000",
        "has_end_time":1,
        "date_start":"2026-03-28",
        "date_end":"2026-03-28",
        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "tags":["Exhibition"],
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        "sponsors":[
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
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        "id":"143403-21893093",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260328T080000",
        "datetime_end":"20260328T170000",
        "has_end_time":1,
        "date_start":"2026-03-28",
        "date_end":"2026-03-28",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "location_name":"Duderstadt Center",
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        "website":"http:\/\/www.prisonarts.org",
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                "group_name":"Center for World Performance Studies",
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                "website":""                },             {
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                "group_id":"4583",
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                "group_id":"5222",
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        "datetime_modified":"20260312T123102",
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        "datetime_end":"20260328T150000",
        "has_end_time":1,
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        "time_start":"14:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Indonesian Cultural Festival 2026",
        "occurrence_title":"Pre-Event: Angklung Musical Workshop",
        "combined_title":"Indonesian Cultural Festival 2026: Pre-Event: Angklung Musical Workshop",
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        "description":"INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year\u2019s theme, \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d highlights the diversity of Indonesia\u2019s cultural heritage, traditions, and artistic expressions. Through a series of engaging programs, ICF invites participants to explore the stories, creativity, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture, art, music, and celebration! \n\n\ud83d\udcf8 Photography Contest\nSubmission due: March 20, 2026 - 11:59pm\n\n\ud83c\udfac Movie Screening\nMarch 27, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n\ud83c\udfb5 Angklung Musical Workshop\nMarch 28, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor \/ IHAA (921 Church St)\n\n\ud83c\udfa8 Batik Coloring Workshop\nApril 2, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n\ud83c\udf89 Festival Night\nApril 3, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students, faculty, staff, alumni, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia",
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                "group_id":"1060",
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                "group_name":"University of Michigan Sustainable Food Program (UMSFP)",
                "group_id":"3267",
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                "group_id":"3471",
                "website":"http:\/\/www.instagram.com\/mesaumich"                },             {
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                "group_id":"3974",
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        "id":"145693-21897703",
        "datetime_modified":"20260224T115218",
        "datetime_start":"20260328T154500",
        "datetime_end":"20260328T173000",
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        "date_start":"2026-03-28",
        "date_end":"2026-03-28",
        "time_start":"15:45:00",
        "time_end":"17:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"University of Michigan Figure Skating Team Spring Show: Back to Y2K",
        "occurrence_title":"",
        "combined_title":"University of Michigan Figure Skating Team Spring Show: Back to Y2K",
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        "description":"Join the University of Michigan Figure Skating Team for their 2026 Spring Show: Back to Y2K!\n\nEvent Details:\n- Saturday, March 28th from 3:45-5:30pm at Yost Ice Arena\n- Free admission to UofM student ($5 fee for non-students)\n- Guest Performance by Ann Arbor Ice Cube's Unified Hockettes\n- Free pink lemonade and flower sale!",
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        "campus_maps_id":"170",
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        "location_name":"Yost Ice Arena",
        "has_livestream":0,
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        "website":"https:\/\/www.instagram.com\/umichskating?igsh=aHg1Z211M3Bwdjl1",
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                "url":"https:\/\/www.instagram.com\/umichskating?igsh=aHg1Z211M3Bwdjl1",
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                "url":"https:\/\/sites.google.com\/umich.edu\/umichskating\/home",
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                "type":"other",
                "url":"https:\/\/linktr.ee\/umichskating",
                "title":"Team Linktree"
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "id":"143403-21893095",
        "datetime_modified":"20260306T115746",
        "datetime_start":"20260330T080000",
        "datetime_end":"20260330T170000",
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        "date_start":"2026-03-30",
        "date_end":"2026-03-30",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "combined_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist): International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
        "event_subtitle":"International Institute Gallery, 547 Weiser Hall from March 12-30, 2026; Exhibit Opening: March 12, 2026",
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        "description":"Exhibit Opening: March 12, 2026\nExhibit Dates: March 12-30, 2026, International Institute Gallery, 547 Weiser Hall\n\nSet within Kafafian's speculative future world Azadistan\u2014a place of magic and spirits beyond a digital collapse, \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran is an immersive shrine housing a series of soft-sculptural artifacts reimagining objects Armenians have traditionally crafted for spiritual power and protection.\n \n     Kafafian's focus in this exhibition is on the marks Armenians carve into stone, clay and wood to imbue meaning, memory and magic into their lived environments, particularly as part of folk traditions outside of the realms of church and state.\n   \n     Channeled from the collective Armenian diasporic imaginary, Kafafian's Portal Fire series depicts a narrative story that emerges from the materials as they are brought into relationship through weaving, dyeing, embellishment and thread. In this story world hybrid cultural practices and alternative spiritual modes develop from embodied traditions in response to the changing physical and cultural landscape of Southwest Asia in a future where technological catastrophe has severed global communications and erased digital archives. The multi-ethnic society of Azadistan takes shape through installations, objects, texts and performances manifesting the multiplicity of Aremenian-ness through the dimensions of a complicated past and its potential for a vibrant, evolving futurity.\n\nCosponsor: Institute for the Humanities",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891494",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260330T090000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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    ,        {
        "id":"142768-21891407",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260330T090000",
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        "date_start":"2026-03-30",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "datetime_start":"20260331T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "id":"143403-21893096",
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        "event_title":"CAS Exhibit. \u0540\u0574\u0561\u0575\u0561\u0580\u0561\u0576 \/ Hmayaran by Levon Kafafian (Detroit-based Artist)",
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        "id":"142798-21891617",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260331T090000",
        "datetime_end":"20260331T170000",
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        "date_start":"2026-03-31",
        "date_end":"2026-03-31",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
                "guid":"142773-21891495@events.umich.edu",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142768-21891408",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260331T090000",
        "datetime_end":"20260331T170000",
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        "date_start":"2026-03-31",
        "date_end":"2026-03-31",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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    ,        {
        "id":"145409-21897285",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260331T100000",
        "datetime_end":"20260331T170000",
        "has_end_time":1,
        "date_start":"2026-03-31",
        "date_end":"2026-03-31",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "website":"http:\/\/www.prisonarts.org",
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                "title":"PCAP website"
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                "url":"https:\/\/myumi.ch\/mRD14",
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                "group_name":"Department of Sociology",
                "group_id":"3478",
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                "group_id":"4583",
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                "group_name":"School of Social Work Community Engagement",
                "group_id":"5222",
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                "group_id":"5319",
                "website":""                }                    ],
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        "image_description":"A detailed drawing shows a hanging light bulb containing water and a small plant, with a branch and a bird flying nearby. Blue and yellow event text highlights the 30th Annual Exhibition of Artists in Michigan Prisons.",
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        "date_start":"2026-03-31",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260401T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_start":"20260401T090000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891409",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260401T090000",
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        "date_start":"2026-04-01",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260402T080000",
        "datetime_end":"20260402T160000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891497",
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        "datetime_start":"20260402T090000",
        "datetime_end":"20260402T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "id":"142768-21891410",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260402T090000",
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        "date_start":"2026-04-02",
        "date_end":"2026-04-02",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260402T120000",
        "datetime_end":"20260402T160000",
        "has_end_time":1,
        "date_start":"2026-04-02",
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "id":"138950-21884309",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260402T120000",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "event_title":"Indonesian Cultural Festival 2026",
        "occurrence_title":"Pre-Event: Batik Coloring Workshop",
        "combined_title":"Indonesian Cultural Festival 2026: Pre-Event: Batik Coloring Workshop",
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        "event_type":"Exhibition",
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        "description":"INDONESIAN CULTURAL FESTIVAL 2026\nIslands of Rhythm, Oceans of Stories: Experience Indonesia\n\nThe Indonesian Cultural Festival (ICF) 2026 is an annual cultural celebration organized by the Indonesian Student Association at the University of Michigan (ISA-UM). The festival aims to introduce and celebrate the richness of Indonesian culture while fostering cross-cultural exchange within the University of Michigan community. This year\u2019s theme, \u201cIslands of Rhythm, Oceans of Stories: Experience Indonesia,\u201d highlights the diversity of Indonesia\u2019s cultural heritage, traditions, and artistic expressions. Through a series of engaging programs, ICF invites participants to explore the stories, creativity, and vibrant spirit of Indonesia.\n\nJoin us for a month of culture, art, music, and celebration! \n\n\ud83d\udcf8 Photography Contest\nSubmission due: March 20, 2026 - 11:59pm\n\n\ud83c\udfac Movie Screening\nMarch 27, 2026 (5:00pm - 7:00pm)\nWeiser Hall - 110\n\n\ud83c\udfb5 Angklung Musical Workshop\nMarch 28, 2026 (2:00pm - 3:00pm)\nInternational House Ann Arbor \/ IHAA (921 Church St)\n\n\ud83c\udfa8 Batik Coloring Workshop\nApril 2, 2026 (3:00pm - 5:00pm)\nWeiser Hall Level 1\n\n\ud83c\udf89 Festival Night\nApril 3, 2026 (5:00pm - 8:00pm)\nMichigan League Ballroom\n\nICF 2026 welcomes all students, faculty, staff, alumni, and the broader community to experience Indonesian culture. Let's celebrate Indonesian heritage together! Stay tuned for the event details! #ICF2026ExperienceIndonesia",
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                "group_id":"3267",
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                "group_id":"3471",
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                "group_id":"3974",
                "website":""                },             {
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                "group_id":"4583",
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        "id":"143388-21893042",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260403T080000",
        "datetime_end":"20260403T160000",
        "has_end_time":1,
        "date_start":"2026-04-03",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_name":"Center for Armenian Studies",
                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"142798-21891620",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260403T090000",
        "datetime_end":"20260403T170000",
        "has_end_time":1,
        "date_start":"2026-04-03",
        "date_end":"2026-04-03",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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    ,        {
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        "datetime_start":"20260403T120000",
        "datetime_end":"20260403T160000",
        "has_end_time":1,
        "date_start":"2026-04-03",
        "date_end":"2026-04-03",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
                "guid":"143999-21894469@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/143999",
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        "building_name":"William Clements Library",
        "building_official_id":1000159,
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        "campus_maps_link_path":"william-l-clements-library",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
        "has_livestream":0,
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        "tags":["Exhibition"],
        "website":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
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                "url":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
                "title":"Revolutionary Payne- UM Clements Library"
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                "group_id":"1727",
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        "id":"138950-21884342",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260403T120000",
        "datetime_end":"20260403T170000",
        "has_end_time":1,
        "date_start":"2026-04-03",
        "date_end":"2026-04-03",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "location_name":"Detroit Observatory",
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                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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        "datetime_modified":"20260210T131912",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "building_name":"202 S. Thayer",
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        "location_name":"202 S. Thayer",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891414",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260406T090000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"143999-21894472",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260406T120000",
        "datetime_end":"20260406T160000",
        "has_end_time":1,
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        "date_end":"2026-04-06",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "id":"143388-21893046",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260407T080000",
        "datetime_end":"20260407T160000",
        "has_end_time":1,
        "date_start":"2026-04-07",
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        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891415",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260407T090000",
        "datetime_end":"20260407T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
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        "datetime_start":"20260407T120000",
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        "time_start":"12:00:00",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260408T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_start":"20260408T090000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891416",
        "datetime_modified":"20251215T163232",
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        "date_start":"2026-04-08",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_start":"20260408T120000",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260409T080000",
        "datetime_end":"20260409T160000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_end":"20260409T170000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
                "guid":"142773-21891504@events.umich.edu",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142768-21891417",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260409T090000",
        "datetime_end":"20260409T170000",
        "has_end_time":1,
        "date_start":"2026-04-09",
        "date_end":"2026-04-09",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"143999-21894475",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260409T120000",
        "datetime_end":"20260409T160000",
        "has_end_time":1,
        "date_start":"2026-04-09",
        "date_end":"2026-04-09",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
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                "title":"Revolutionary Payne- UM Clements Library"
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    ,        {
        "id":"138950-21884310",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260409T120000",
        "datetime_end":"20260409T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "location_name":"Detroit Observatory",
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        "datetime_start":"20260410T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "room":"Institute for the Humanities Gallery",
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        "datetime_start":"20260410T090000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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    ,        {
        "id":"142768-21891418",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260410T090000",
        "datetime_end":"20260410T170000",
        "has_end_time":1,
        "date_start":"2026-04-10",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"143999-21894476",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260410T120000",
        "datetime_end":"20260410T160000",
        "has_end_time":1,
        "date_start":"2026-04-10",
        "date_end":"2026-04-10",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
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        "website":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
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        "id":"138950-21884343",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260410T120000",
        "datetime_end":"20260410T170000",
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        "date_start":"2026-04-10",
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        "time_start":"12:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "date_end":"2026-04-11",
        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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    ,        {
        "id":"147059-21900332",
        "datetime_modified":"20260325T154805",
        "datetime_start":"20260411T100000",
        "datetime_end":"20260411T113000",
        "has_end_time":1,
        "date_start":"2026-04-11",
        "date_end":"2026-04-11",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Gallery Tour & Bird Walk at Nichols Arboretum",
        "occurrence_title":"",
        "combined_title":"Gallery Tour & Bird Walk at Nichols Arboretum",
        "event_subtitle":"",
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        "event_type_id":"22",
        "description":"Join the Institute for the Humanities and LSA Sustainability for a curator-led (Amanda Krugliak) Gallery tour of Sheida Soleimani\u2019s exhibition *Flyways *(10 AM - 10:30 AM), followed by a quick bus ride over to Nichols Arboretum for a bird walk (10:45 AM -  11:30 AM). Event attendees will have the opportunity to explore Soleimani\u2019s photography in the Institute for the Humanities Gallery and\/or to go on a bird-watching tour at the Arb. For either portion of the event, please meet at the Institute for the Humanities at 202 South Thayer.\n\nSheida Soleimani is an artist, educator, and licensed wildlife rehabilitator whose work examines power, environmental crisis, queerness, migration, and care. The daughter of political refugees who escaped Iran in the early 1980s, Soleimani draws on archival materials, props, and sculptural elements to create visually lush, politically incisive tableaux. She works across various mediums, investigating themes such as oil politics and human rights abuses, confronting the systems of violence linking the SWANA region and the United States, unraveling their implications in American culture. Though her images are dreamlike, they are grounded in lived experience: her parents frequently appear as subjects, in compositions made from elements of their (sometimes harrowing) tales. Increasingly, wildlife enters the frame \u2013 injured and orphaned birds, with their own quiet stories of migration and survival. Before the lens, these animals encapsulate Soleimani's multifaceted practice: care as art, storytelling as resistance.\n\nThe bird walk will be led by members of the Michigan Bird Club. This will serve as training for volunteers interested in helping collect data for an ongoing migratory bird safety project and as well as an opportunity to get familiar with local campus birds.\n\nDonuts, hot chocolate, and hot tea will be available while supplies last.\n\nIf you cannot make this event but are interested in viewing Soleimani\u2019s exhibition, you can visit the Gallery anytime Monday through Friday from 9AM to 5PM, March 19th - May 1st, 2026.",
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                "group_id":"5068",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "id":"143388-21893052",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260413T080000",
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        "date_start":"2026-04-13",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_modified":"20251215T165341",
        "datetime_start":"20260413T090000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891421",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260413T090000",
        "datetime_end":"20260413T170000",
        "has_end_time":1,
        "date_start":"2026-04-13",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_start":"20260413T120000",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260414T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_start":"20260414T090000",
        "datetime_end":"20260414T170000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "datetime_modified":"20251215T163232",
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        "date_start":"2026-04-14",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260415T080000",
        "datetime_end":"20260415T160000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891510",
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        "datetime_start":"20260415T090000",
        "datetime_end":"20260415T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "id":"142768-21891423",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260415T090000",
        "datetime_end":"20260415T170000",
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        "date_start":"2026-04-15",
        "date_end":"2026-04-15",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"143999-21894481",
        "datetime_modified":"20260224T101438",
        "datetime_start":"20260415T120000",
        "datetime_end":"20260415T160000",
        "has_end_time":1,
        "date_start":"2026-04-15",
        "date_end":"2026-04-15",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
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    ,        {
        "id":"143388-21893055",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260416T080000",
        "datetime_end":"20260416T160000",
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        "date_start":"2026-04-16",
        "date_end":"2026-04-16",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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                "group_id":"1968",
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "id":"142798-21891633",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260416T090000",
        "datetime_end":"20260416T170000",
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        "date_start":"2026-04-16",
        "date_end":"2026-04-16",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891424",
        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
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        "datetime_start":"20260416T120000",
        "datetime_end":"20260416T160000",
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        "time_start":"12:00:00",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "building_name":"Detroit Observatory",
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        "website":"https:\/\/detroitobservatory.umich.edu\/exhibit\/watcher-of-the-sky-making-and-remaking-the-detroit-observatory\/",
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                "website":"https:\/\/detroitobservatory.umich.edu\/"                },             {
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    ,        {
        "id":"143388-21893056",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260417T080000",
        "datetime_end":"20260417T160000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
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        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
        "occurrence_notes":null,
                "guid":"143388-21893056@events.umich.edu",
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                "group_name":"Center for Armenian Studies",
                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                }                    ],
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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    ,        {
        "id":"142798-21891634",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260417T090000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
        "occurrence_notes":null,
                "guid":"142798-21891634@events.umich.edu",
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        "building_name":"202 S. Thayer",
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        "campus_maps_id":"524",
        "campus_maps_link_path":"202-south-thayer-building",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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                "group_id":"1130",
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        "image_description":"A hand gently holds a small bird amidst blue-tinted vertical strips resembling a fragmented image, with red handwritten script on the left side,",
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    ,        {
        "id":"142773-21891512",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260417T090000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
                "guid":"142773-21891512@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142773",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "image_description":"Ambivalence (from Storyboard series) oil on panel by Lynn Galbreath",
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    ,        {
        "id":"142768-21891425",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260417T090000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
                "guid":"142768-21891425@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142768",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_start":"20260417T120000",
        "datetime_end":"20260417T160000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
        "location_name":"William Clements Library",
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        "website":"https:\/\/clements.umich.edu\/exhibit\/revolutionary-paine\/",
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                "title":"Revolutionary Payne- UM Clements Library"
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        "id":"138950-21884344",
        "datetime_modified":"20260401T160240",
        "datetime_start":"20260417T120000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. Presented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours:\r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
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        "location_name":"Detroit Observatory",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260418T080000",
        "datetime_end":"20260418T160000",
        "has_end_time":1,
        "date_start":"2026-04-18",
        "date_end":"2026-04-18",
        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
        "occurrence_notes":null,
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "id":"143388-21893058",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260419T080000",
        "datetime_end":"20260419T160000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "id":"143388-21893059",
        "datetime_modified":"20260120T163718",
        "datetime_start":"20260420T080000",
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        "has_end_time":1,
        "date_start":"2026-04-20",
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        "time_start":"08:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_subtitle":"10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "datetime_modified":"20251215T165341",
        "datetime_start":"20260420T090000",
        "datetime_end":"20260420T170000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142768-21891428",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260420T090000",
        "datetime_end":"20260420T170000",
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        "date_start":"2026-04-20",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "room":"Avenir Foundation Reading Room",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260421T080000",
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        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
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        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "id":"142768-21891429",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260421T090000",
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        "date_start":"2026-04-21",
        "date_end":"2026-04-21",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_start":"20260421T120000",
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        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
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        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
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        "datetime_modified":"20260120T163718",
        "datetime_start":"20260422T080000",
        "datetime_end":"20260422T160000",
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        "date_start":"2026-04-22",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project",
        "occurrence_title":"",
        "combined_title":"CAS Exhibit. Making Armenian Americans - Project Save Photograph Archive\/Archive Alive Project: 10th Floor Gallery, Weiser Hall from February 2 to April 30, 2026",
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        "event_type":"Exhibition",
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        "description":"Making Armenian Americans  \nCurators: Michael Pifer (U-M| MES) and Kathryn Babayan (U-M|History)\nProject Save Photograph Archive\/Archive Alive Project\n\nMaking Armenian Americans invites viewers into a moment of possibility in the early 20th century, when Armenians fleeing violence at the end of the Ottoman Empire came to reinvent themselves in the promise of America. Drawn from the archives of Project Save, these photographs capture different valences of American life, as experienced, performed, and imagined by Armenian immigrants. From naturalization classes to festivals of nations, from breaking new ground for churches to mundane tableaus of Thanksgiving and Christmas, this range of photographs offers a glimpse of a community in the making, one that sought to preserve a memory of its Ottoman past even while anticipating an American future.",
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                "group_id":"3124",
                "website":"http:\/\/www.ii.umich.edu\/armenian"                },             {
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        "image_description":"Kharpertzis (those with Kharpert ancestry) Sarkis and Mary Kazanjian Boyajian with their children, Andrew and Elizabeth, at home in front of a wall decorated with the United States flag and photographs of Sarkis\u2019 parents, Gabriel and Elizabeth Boyajian.",
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        "datetime_start":"20260422T090000",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891517",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260422T090000",
        "datetime_end":"20260422T170000",
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        "date_end":"2026-04-22",
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        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142904-21901575",
        "datetime_modified":"20260414T092049",
        "datetime_start":"20260422T090000",
        "datetime_end":"20260422T170000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Momentary Landscape",
        "occurrence_title":"",
        "combined_title":"Momentary Landscape: A public art installation by Diane Lavoie",
        "event_subtitle":"A public art installation by Diane Lavoie",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"About the exhibition\nDiane Lavoie\u2019s large-scale textile artworks are made entirely from up-cycled materials and are often placed in direct visual conversation with the natural landscape. Through the artist's choice of materials and visual subject matter, the springtime installation *Momentary Landscape* is intended to emphasize important work surrounding sustainability, climate change, and environmental issues through the arts. The project is scheduled to unfold in the lobby of the South Thayer Building during exam week, offering students and visitors a restorative, reflective, and joyful experience through public art installation.\n\nAbout the artist\nDiane Lavoie is a North American visual artist based in Berlin, Germany. Her art represents a dialogue between the natural and artificial world, and explores the boundaries between reality and perception. In her practice, Lavoie creates large-scale, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.",
        "occurrence_notes":null,
                "guid":"142904-21901575@events.umich.edu",
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        "room":"Institute for the Humanities Atrium",
        "location_name":"202 S. Thayer",
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    ,        {
        "id":"142768-21891430",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260422T090000",
        "datetime_end":"20260422T170000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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    ,        {
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        "datetime_modified":"20260224T101438",
        "datetime_start":"20260422T120000",
        "datetime_end":"20260422T160000",
        "has_end_time":1,
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "occurrence_title":"",
        "combined_title":"Revolutionary Paine: Andy Murphy Student-Curated Class Exhibit Common Sense",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Thomas Paine\u2019s \u201cCommon Sense\u201d was one of the most influential works of the American Revolution. The first edition was published on January 10, 1776, with an initial print run of just 1,000 copies; but within weeks demand soared. The students of Andy Murphy\u2019s POLISCI 495 course co-curated the exhibition \u201cRevolutionary Paine\u201d to document the whirlwind caused by its publication. On view at the Clements January 16-May 8, weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "room":"Avenir Foundation Reading Room",
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        "id":"146801-21899635",
        "datetime_modified":"20260319T121320",
        "datetime_start":"20260422T170000",
        "datetime_end":"20260422T210000",
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        "time_zone":"America\/Detroit",
        "event_title":"After Hours Study Session",
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        "combined_title":"After Hours Study Session",
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        "event_type":"Well-being",
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        "description":"Switch up your study plans and lock in for finals at the Clements Library! The beautiful Avenir Foundation Reading Room is the perfect place to get lost in your notes and books. Take a break from cramming to view our student-curated exhibit \u201cRevolutionary Paine,\u201d have a snack, and relax with therapy dogs. Therapy dog schedule to be announced, check our website for more details.",
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        "building_name":"William Clements Library",
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        "cost":"",
        "tags":["Exhibition"],
        "website":"https:\/\/clements.umich.edu\/",
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                "url":"https:\/\/clements.umich.edu\/",
                "title":"Clements Library"
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