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        "event_title":"Yiddish Labor Shabbos",
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        "description":"Learn Yiddish workers' songs that reflect the role of Jewish immigrant workers in establishing the labor laws we benefit up until this day!",
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        "description":"In early modern Islamic history, women are often excluded from the historical record, leaving gaps in our understanding of gendered experiences. Professor Babayan explores gendered literacy and female friendship through a seventeenth-century anthology preserved in the library of the Urdubadi family, a household of poets and bureaucrats in Safavid, Iran. She argues that this anthology functions as a family archive, making visible the social world of the household in which it was compiled. Central to this archive is the role of a female family member, a widow of the Urdubadi, household whose pilgrimage to Mecca is documented alongside expressions of love for a female companion who was forced to leave Isfahan due to circulating rumors about their relationship. Through this case, Professor Babayan highlights how a ritual of sisterhood reveals an empathetic community and expands our understanding of premodern female friendships.\r\n   \r\nKathryn Babayan specializes in the social history and culture of the early-modern Persianate world, gender studies, and the history of sexuality. She has been awarded a National Endowment for the Humanities Fellowship for 2024-25. Babayan is the author of two award-winning books, *Mystics, Monarchs and Messiahs: Cultural Landscapes of Early Modern Iran* (Cambridge, MA: Harvard University Press, 2003), and *The City as Anthology: Eroticism & Urbanity in Early Modern Isfahan* (Stanford: Stanford University Press, 2021). Babayan has also co-authored *Slaves of the Shah: New Elites of Safavid Iran*, with Sussan Babaie, Ina Baghdiantz-McCabe, and Massumeh Farhad (London: I.B. Tauris, 2004), and co-edited two books: *Islamicate Sexualities: Translations Across Temporal Geographies of Desire* with Afsaneh Najmabadi (Cambridge, MA: Harvard University Press, 2008), and *An Armenian Mediterranean: Words and Worlds in Motion* with Michael Pifer (Cham, Switzerland: Palgarve Macmillan, 2018).\r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email: -- warsansa@umich.edu",
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        "event_title":"Jewish Sound in 4 Objects: A Roundtable Discussion",
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        "combined_title":"Jewish Sound in 4 Objects: A Roundtable Discussion: Assaf Shelleg (pictured), Jeremiah Lockwood, Uri Schreter, and Tamar Sella",
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        "description":"Between the two world wars, millions of Egyptians experienced industrial work and urban life for the first time, transitioning from rural, handcraft traditions to factory systems. *Industrial Sexuality* by Hanan Hammad explores this transformation through the lives of working-class men, women, and children in al-Mahalla al-Kubra, home to Egypt\u2019s largest textile factory. Drawing from previously untapped archival sources, Hammad reveals how industrialization reshaped gender roles, sexuality, and public morality. The factory environment intensified issues like harassment, exploitation, and the public exposure of private relationships. Yet, these workers played an active role in shaping modern Egyptian urban life, challenging elite-centered narratives of modernity.\r\n   \r\n   Hanan Hammad is a social and cultural historian of modern Egypt whose work focuses on gender, sexuality, working classes, and popular culture. She is the author of enormous academic publications, most notably *Industrial Sexuality: Gender, Urbanization, and Social Transformation in Egypt* from the UT Press 2016 and *Unknown Past: Layla Murad, The Jewish-Muslim Star of Egypt* from Stanford University Press. Her work has won prizes from the National Women's Studies Association, the Association for Middle East Women's Studies, MESA, the Arab American Book Awards, and the Journal of Social History. Hammad is The Arab-American Educational Foundation Chair in Modern Arab History and Director of the AAEF Center of Arab Studies at the University of Houston.\r\n   \r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email: -- warsansa@umich.edu",
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        "event_title":"Yiddish Card-Making Workshop",
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        "event_title":"CMENAS Colloquium Series. Confronting Silence and Invisibility: The Forgotten Genocide in Libya",
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        "combined_title":"CMENAS Colloquium Series. Confronting Silence and Invisibility: The Forgotten Genocide in Libya: Ali Ahmida, University of New England",
        "event_subtitle":"Ali Ahmida, University of New England",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Professor Ali Abdullatif Ahmida presents a powerful subaltern narrative of genocide in Libya, grounded in survivor testimonies, oral history, and archival research. His recent book uncovers a suppressed chapter of Italian Fascism, challenging Eurocentric scholarship and official memory in Libya, Italy, and the U.S. Through multilingual fieldwork across three continents, he redefines how colonial violence and its silences are studied. This work offers a new paradigm for understanding genocide, memory, and modern North African history.\r\n\r\nAli Abdullatif Ahmida, a Libyan-born scholar and founding chair of Political Science at the University of New England, focuses on power, resistance, and colonial violence in North Africa. He is the author of The Making of Modern Libya and the award-winning Genocide in Libya: Shar, A Hidden Colonial History (2021). His work bridges political theory, historical sociology, and postcolonial studies.\r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange. Email: -- warsansa@umich.edu",
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        "event_title":"2025 Halaloween: A Muslim Horror Film Festival",
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        "combined_title":"2025 Halaloween: A Muslim Horror Film Festival: Online Screening of XOFTEX (Greece, Palestine\/Syria, 2024) \u2013 Stream online from October 1-15",
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        "description":"Xoftex tells the story of a Palestinian-Syrian teenager waiting for asylum in a Greek refugee camp.\r\nAvailable to stream from Oct 1-15\r\n\r\nPre-order the film anytime, and check out the rest of the month\u2019s Halaloween Horror Film selection!\r\nhttp:\/\/watch.eventive.org\/halaloween.\r\n\r\n\r\nWelcome to the 7th annual Halaloween: A Muslim Horror Film Festival 2025!\r\n\r\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by, for, or about Muslims, to understand: \u201cWhat scares Muslim audiences? Are horror movies halal?\u201d\r\n\r\nThis year\u2019s 2025 film festival runs throughout October on Tuesdays. Halaloween will showcase one film streaming online from October 1-15; a montage of short films in-person at the Arab American National Museum in Dearborn on Tuesday, October 14 at 7pm; and two in-person screenings at the State Theatre, on Tuesday October 21 and 28 at 7pm.\r\n\r\nThe festival is free in-person and online\u2013but make sure to reserve tickets! In-person screenings will be first-come, first-served with RSVPs strongly encouraged.\r\n\r\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies, to those who love the gore\u2013we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\r\n\r\n\r\nThe 2025 Halaloween Lineup:\r\n\r\nOctober 1-15: Xoftex | Greece\/Palestine\/Syria | 2024 | Online Screening\r\nOctober 14: Short Films | Saudi Arabia, Syria, Mauritania, Morocco, Tunisia | 7:00pm | Arab American National Museum (Dearborn)  \r\nOctober 21: Agora | Tunisia | 2024 | 7:00 PM | State Theatre\r\nOctober 28: Algiers | Algeria | 2024 | 7:00 PM | State Theatre\r\n\r\nRSVP & stream our online selection: https:\/\/watch.eventive.org\/halaloween\r\n\r\n\r\nSTREAM ONLINE FROM OCTOBER 1-15\r\nXOFTEX | 2024 | 99 mins | Directed by Noez Deshe\r\n\r\nPalestinian-Syrian teenager Nasser and his older brother Yassin have been living in a Greek refugee camp, awaiting a decision on their asylum application. They pass the time recording comedy sketches and fantasizing about making zombie films and moving to Sweden. Nasser, however, feels increasingly trapped in this No Man\u2019s Land. With nowhere to escape, boiling tensions in the camp push Nasser to another reality. Highly experimental filmmaking.\r\n\r\nDirector Noaz Deshe works as a director and musician. He composed the soundtrack of Babak Jalali\u2019s FRONTIER BLUES (2009), and was the cinematographer of the Tiger winner RADIO DREAMS (2016). His debut feature film WHITE SHADOW (2013) about a young albino person won the Lion of the Future Award at Venice Film Festival and was showcased at Sundance Film Festival. XOFTEX (2024) is his second feature film, selected for FilmFest M\u00fcnchen. In addition to his artistic work, he has worked as a volunteer on sea rescue missions and in refugee camps.\r\n\r\nHalaloween Horror Rating: 2\/5 Pumpkins \r\n\r\nRating explanation: Not very scary, but eerie, experimental, and suspenseful. Purposefully experimental to capture the difficulty of being in a refugee camp. Content warnings: drowning death, monsters, zombie references, refugee camps, hunger, and fleeing war. Religious content: Islamic prayer.\r\n\r\n\r\n----\r\n\r\nHalaloween: A Muslim Horror Film Festival, is brought to you by the Global Islamic Studies Center and cosponsored by the Center for Middle Eastern and North African Studies, the Digital Islamic Studies Curriculum, & the Middle Eastern Studies Department. This event is free and open to all. To watch the remaining Halaloween films, visit watch.eventive.org\/halaloween. \r\n\r\n\r\nFor more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\r\n\r\nJoin our Email newsletter: https:\/\/myumi.ch\/nbW83\r\nIslamic Studies Minor: https:\/\/myumi.ch\/R5YnQ \r\nEmail islamicstudies@umich.edu\r\nMasters Program: https:\/\/myumi.ch\/v2gVP\r\nEmail MIRS-info@umich.edu\r\n\r\nStay updated on our upcoming events by following our socials here:\r\n\r\nFacebook: UmichGISC\r\nhttps:\/\/www.facebook.com\/UmichGISC\/\r\n\r\nTwitter: @umichgisc\r\nhttps:\/\/twitter.com\/umichGISC\r\n\r\nIf you have any questions, feel free to reach out to islamicstudies@umich.edu.",
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        "datetime_modified":"20250926T123839",
        "datetime_start":"20251001T143000",
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        "event_title":"CMENAS Colloquium Series.    When Enslaved Men Could Sue Their Masters and Win: A Case from Nineteenth-Century Egypt",
        "occurrence_title":"",
        "combined_title":"CMENAS Colloquium Series.    When Enslaved Men Could Sue Their Masters and Win: A Case from Nineteenth-Century Egypt: Khaled Fahmy, Tufts University",
        "event_subtitle":"Khaled Fahmy, Tufts University",
        "event_type":"Lecture \/ Discussion",
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        "description":"This presentation deals with a case preserved in the Egyptian National Archives that dates from 1858. The case deals with a dramatic case of twenty-seven enslaved men working in an estate belonging to a member of Egypt\u2019s ruling family suing one of the high officials of the estate for beating to death one of the colleagues. The case offers fascinating details of the familiarity of these enslaved men with the law, and specifically with the decisive role forensic medicine played in the budding Egyptian criminal legal system. The case also casts light on the enslaved men\u2019s conception of justice, the law and the state.\r\n   \r\n   Khaled Fahmy is Edward Keller Professor of North Africa and the Middle East at Tufts University. He is a historian of the modern Middle East with specifical emphasis on nineteenth- and twentieth-century Egypt. His academic publications deal with the history of the Egyptian army in the first half of the nineteenth century, as well as the history of medicine, law, and urban planning in Egypt. He also works on the history of Egypt\u2019s wars with Israel: Suez 1956, June 1967, the War of Attrition, 1969-70 and the October 1973 Wars.\r\n\r\nCo-sponsor: PICS\r\n\r\nRegister at https:\/\/myumi.ch\/79nyD\r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\r\n   Email: -- warsansa@umich.edu",
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        "event_title":"2025 Halaloween: A Muslim Horror Film Festival",
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        "combined_title":"2025 Halaloween: A Muslim Horror Film Festival: Online Screening of XOFTEX (Greece, Palestine\/Syria, 2024) \u2013 Stream online from October 1-15",
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        "combined_title":"2025 Halaloween: A Muslim Horror Film Festival: In-person screening of Short Films from Saudi Arabia, Syria, Mauritania, Morocco, Tunisia at 7 PM, at the Arab American National Museum",
        "event_subtitle":"In-person screening of Short Films from Saudi Arabia, Syria, Mauritania, Morocco, Tunisia at 7 PM, at the Arab American National Museum",
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        "description":"Join us on Tuesday, October 14, 7pm at the Arab American National Museum for Muslim Horror Short Films from Saudi Arabia, Syria, Mauritania, Morocco, Tunisia. \r\n\r\nThis screening is ONLY in person at the Arab American National Museum. Reserve your free tickets at https:\/\/forms.gle\/D8GFwvGSzhQTj7s46.\r\nA short talkback with Halaloween curators & refreshments will follow. RSVP encouraged.\r\n\r\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by, for, or about Muslims, to understand: \u201cWhat scares Muslim audiences? Are horror movies halal?\u201d\r\n\r\nThis year\u2019s 2025 film festival runs throughout October on Tuesdays. Halaloween will showcase one film streaming online from October 1-15; a montage of short films in-person at the Arab American National Museum in Dearborn on Tuesday, October 14 at 7pm; and two in-person screenings at the State Theatre, on Tuesday October 21 and 28 at 7pm.\r\n\r\nThe festival is free in-person and online\u2013but make sure to reserve tickets! In-person screenings will be first-come, first-served with RSVPs strongly encouraged.\r\n\r\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies, to those who love the gore\u2013we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\r\n\r\n\r\nThe 2025 Halaloween Lineup:\r\n\r\nOctober 1-15: Xoftex | Greece\/Palestine\/Syria | 2024 | Online Screening\r\nOctober 14: Short Films | Saudi Arabia, Syria, Mauritania, Morocco, Tunisia | 7:00pm | Arab American National Museum (Dearborn)  \r\nOctober 21: Agora | Tunisia | 2024 | 7:00 PM | State Theatre\r\nOctober 28: Algiers | Algeria | 2024 | 7:00 PM | State Theatre\r\n\r\nRSVP & stream our online selection: http:\/\/watch.eventive.org\/halaloween\r\n__________________________\r\n\r\n\r\nIN-PERSON FILM SCREENING:\r\nMuslim Horror Short Films from Saudi Arabia, Syria, Mauritania, Morocco, Tunisia\r\nTuesday, October 14, 7 PM, Arab American National Museum (AANM)\r\n\r\nBuilding 13 (Meshal Almutairi, Saudi Arabia)\r\nEnmity Djinn (Mohamed Echkouna, Mauritania)\r\nLadies Coffee (Amal Al-Agroobi, UK\/Syria\/UAE)\r\nAicha (Sanaa El Alaoui, Morocco)\r\nA Lullaby Unlike Any Other (Amani Jaafer, Tunisia\/Sweden)\r\n\r\nA short talkback with Halaloween curators & refreshments will follow. RSVP encouraged. Check out the rest of the month\u2019s Halaloween Horror selection: http:\/\/watch.eventive.org\/halaloween. \r\n\r\n\r\nBuilding 13 | 2024 | 9 min | Saudi Arabia\r\nDirected by Meshal Al-Mutairi\r\n\r\nIntrigued by the mysterious Building 13, horror enthusiast Safwan defies warnings and enters, only to be trapped inside by supernatural forces. Through cryptic clues, he must solve riddles involving the number 13 to escape, all while being pursued by a bloodied figure with deadly intent.\r\n\r\nMeshal Al-Mutairi is an award-winning film director and video editor in Jeddah who graduated from King Abdulaziz University\u2019s College of Communication and Media, Department of Audiovisual Production.\r\n\r\nHalaloween Horror Rating: 2.5\/5 Pumpkins\r\nRating explanation: Not too scary. Content warning: jump scares, blood, mysterious figure, implied death.\r\nReligious content: Verbal religious invocations. \r\n\r\n- - -\r\n\r\nEnmity Djinn | 2023 | 19 mins | Mauritania\r\nDirected by Mohamed Echkouna\r\n\r\nBased on local Mauritanian djinn folktales, the story follows an elderly woman confronting an ancient, malevolent djinn that haunted her childhood and brings out the worst in human beings. \r\nMohamed Echkouna is a filmmaker and VFX Technical Director from Mauritania. His passion for film and belief in its power to guide emotions and reshape perspectives within and about African cultures are the main drivers of his career. He co-wrote and directed Enmity Djinn for Netflix & UNESCO\u2019s \u201cAfrican Folktales Reimagined\u201d anthology. Echkouna is currently working on a variety of shows, commercials, and VR projects for Framestore clients including HBO, Netflix and Showtime.\r\nHalaloween Horror Rating: 2\/5 Pumpkins \r\n\r\nRating explanation: Creepy slow burn, but no gore. Content warning: references to sihr, black magic, jinn; implied killing of women and manipulation of children by jinn.\r\nReligious content: Islamic prayer, jinn. \r\n\r\n- - -\r\n\r\nLadies Coffee | 2024 | 10 mins | UK\/Syria\/UAE\r\nDirected by Amal Al-Agroobi\r\n\r\nMatchmaking busybody Roula invites Zeina and her daughter Reem over for Arabic coffee. When young Reem is encouraged to participate in a coffee cup-reading ritual, she gets more than she bargained for. In true Lovecraftian fashion, the ritual goes awry\u2013she can no longer unsee what she now sees, she can no longer un-hear what she now hears, and things will never be the same again.\r\n\r\nAmal Al-Agroobi is a London-based Arab filmmaker who comes from a biomedical sciences and neurosciences background. Her passion lies in social, character-driven stories that discuss identity and social injustice, often in the context of science fiction. Al-Agroobi\u2019s film career began in 2012 when her short documentary HALF EMIRATI premiered at the Dubai Film Festival. She followed up in 2013 with a feature documentary about autism, disability, and special needs in the Middle East titled THE BRAIN THAT SINGS, which won the People\u2019s Choice Award at the Dubai International Film Festival and changed government legislation in the UAE, creating positive social impact for special needs children in education. Her other films include UNDER THE HAT, VANISH IN SMOKE, and THE PROTOCOL.\r\n\r\nHalaloween Horror Rating: 1\/5 Pumpkins\r\nRating explanation: Ominous and creepy, but not scary. Content warning: jump scare, patriarchy. Religious content: minimal.\r\n\r\n- - -\r\n\r\nAicha | 2025 | 25 mins | Morocco\r\nDirected by Sanaa El Alaoui\r\n\r\nA 17-year-old girl grapples with her emotionally distant mother as her life takes a tragic turn. In an effort to confront her grief and the fractured bond with her daughter, the mother participates in a mystic Amazigh gnawa ceremony.\r\n\r\nMoroccan director and screenwriter Sanaa El Alaoui made her directorial debut with ICARUS, a Hungarian short documentary that received the Bronze Award for Best Short Documentary at the 4th Quarter of the Queen Palm International Film Festival in California; Best Short Documentary at the International Film Festival of Oued Noun;  the Grand Prize for Best Short Film at the National Film Festival of Cinema of the Margin in Guercif; and the Jury Award for Best Short Film at the International Film Festival of Casablanca.\r\n\r\nHalaloween Horror Rating: 3\/5 Pumpkins\r\nRating explanation: The true horror is other human beings, rather than the supernatural. Violence and implied violence. Features folkloric figure Aicha Kandicha, possession, sacrificed animals, and jinn. Content warning: sexual assault and murder of a teen girl, dead animals, giving birth, menstruation, patriarchy.\r\nReligious content: Islamic du\u2018a, prayer, ghusl of female body, mention of jinn, Qur\u2019an\r\n\r\n- - -\r\n\r\nA Lullaby Unlike Any Other | 2024 | 10 mins | Tunisia and Sweden\r\nDirected by Amani Jaafer\r\n\r\nNour, a young Palestinian woman refugee, wanders the streets of Stockholm, Sweden, haunted by those left behind in Gaza. She hears her sister\u2019s voice recounting their life in Gaza with their brother Shady and their grandmother.\r\n\r\nAmani Jaafer is a Tunisian artist and scientist based in Stockholm. While studying engineering, she attended the Stockholm Film School and participated in various screenwriting workshops. Soon after that, she made her directorial debut with the film JE TE FERAI UN FILM, which has been selected by more than 15 festivals worldwide and won the Best Short Crystal Pine at the International Sound & Film Music Festival (ISFMF). Jaafer\u2019s project A CURIOUS BOY was selected for the Short Script Lab at the Doha Film Institute. A LULLABY UNLIKE ANY OTHER is her second short, an unscripted and improvised experimental work. Currently, she is developing her first feature film, IN SEARCH OF A RHAPSODY.\r\n\r\nHalaloween Horror Rating: 1.5\/5 Pumpkins\r\nRating explanation: Raw, sad. Not horror, but captures the horrors of war and occupation. Content Warning: audio violence against child and family, psychological survivor trauma.\r\nReligious content: invokes prayer. \r\n\r\n__________________\r\n\r\nHalaloween: A Muslim Horror Film Festival, is brought to you by the Global Islamic Studies Center and cosponsored by the Center for Middle Eastern and North African Studies, the Digital Islamic Studies Curriculum, & the Middle Eastern Studies Department. This event is free and open to all. 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        "event_title":"2025 Halaloween: A Muslim Horror Film Festival",
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        "combined_title":"2025 Halaloween: A Muslim Horror Film Festival: Online Screening of XOFTEX (Greece, Palestine\/Syria, 2024) \u2013 Stream online from October 1-15",
        "event_subtitle":"Online Screening of XOFTEX (Greece, Palestine\/Syria, 2024) \u2013 Stream online from October 1-15",
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        "description":"Xoftex tells the story of a Palestinian-Syrian teenager waiting for asylum in a Greek refugee camp.\r\nAvailable to stream from Oct 1-15\r\n\r\nPre-order the film anytime, and check out the rest of the month\u2019s Halaloween Horror Film selection!\r\nhttp:\/\/watch.eventive.org\/halaloween.\r\n\r\n\r\nWelcome to the 7th annual Halaloween: A Muslim Horror Film Festival 2025!\r\n\r\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by, for, or about Muslims, to understand: \u201cWhat scares Muslim audiences? Are horror movies halal?\u201d\r\n\r\nThis year\u2019s 2025 film festival runs throughout October on Tuesdays. Halaloween will showcase one film streaming online from October 1-15; a montage of short films in-person at the Arab American National Museum in Dearborn on Tuesday, October 14 at 7pm; and two in-person screenings at the State Theatre, on Tuesday October 21 and 28 at 7pm.\r\n\r\nThe festival is free in-person and online\u2013but make sure to reserve tickets! In-person screenings will be first-come, first-served with RSVPs strongly encouraged.\r\n\r\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies, to those who love the gore\u2013we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\r\n\r\n\r\nThe 2025 Halaloween Lineup:\r\n\r\nOctober 1-15: Xoftex | Greece\/Palestine\/Syria | 2024 | Online Screening\r\nOctober 14: Short Films | Saudi Arabia, Syria, Mauritania, Morocco, Tunisia | 7:00pm | Arab American National Museum (Dearborn)  \r\nOctober 21: Agora | Tunisia | 2024 | 7:00 PM | State Theatre\r\nOctober 28: Algiers | Algeria | 2024 | 7:00 PM | State Theatre\r\n\r\nRSVP & stream our online selection: https:\/\/watch.eventive.org\/halaloween\r\n\r\n\r\nSTREAM ONLINE FROM OCTOBER 1-15\r\nXOFTEX | 2024 | 99 mins | Directed by Noez Deshe\r\n\r\nPalestinian-Syrian teenager Nasser and his older brother Yassin have been living in a Greek refugee camp, awaiting a decision on their asylum application. They pass the time recording comedy sketches and fantasizing about making zombie films and moving to Sweden. Nasser, however, feels increasingly trapped in this No Man\u2019s Land. With nowhere to escape, boiling tensions in the camp push Nasser to another reality. Highly experimental filmmaking.\r\n\r\nDirector Noaz Deshe works as a director and musician. He composed the soundtrack of Babak Jalali\u2019s FRONTIER BLUES (2009), and was the cinematographer of the Tiger winner RADIO DREAMS (2016). His debut feature film WHITE SHADOW (2013) about a young albino person won the Lion of the Future Award at Venice Film Festival and was showcased at Sundance Film Festival. XOFTEX (2024) is his second feature film, selected for FilmFest M\u00fcnchen. In addition to his artistic work, he has worked as a volunteer on sea rescue missions and in refugee camps.\r\n\r\nHalaloween Horror Rating: 2\/5 Pumpkins \r\n\r\nRating explanation: Not very scary, but eerie, experimental, and suspenseful. Purposefully experimental to capture the difficulty of being in a refugee camp. Content warnings: drowning death, monsters, zombie references, refugee camps, hunger, and fleeing war. Religious content: Islamic prayer.\r\n\r\n\r\n----\r\n\r\nHalaloween: A Muslim Horror Film Festival, is brought to you by the Global Islamic Studies Center and cosponsored by the Center for Middle Eastern and North African Studies, the Digital Islamic Studies Curriculum, & the Middle Eastern Studies Department. This event is free and open to all. To watch the remaining Halaloween films, visit watch.eventive.org\/halaloween. \r\n\r\n\r\nFor more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\r\n\r\nJoin our Email newsletter: https:\/\/myumi.ch\/nbW83\r\nIslamic Studies Minor: https:\/\/myumi.ch\/R5YnQ \r\nEmail islamicstudies@umich.edu\r\nMasters Program: https:\/\/myumi.ch\/v2gVP\r\nEmail MIRS-info@umich.edu\r\n\r\nStay updated on our upcoming events by following our socials here:\r\n\r\nFacebook: UmichGISC\r\nhttps:\/\/www.facebook.com\/UmichGISC\/\r\n\r\nTwitter: @umichgisc\r\nhttps:\/\/twitter.com\/umichGISC\r\n\r\nIf you have any questions, feel free to reach out to islamicstudies@umich.edu.",
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        "datetime_modified":"20250912T085719",
        "datetime_start":"20251015T140000",
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        "time_start":"14:00:00",
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        "event_title":"CMENAS Colloquium. The Revolution Within: Islamic Media and the Struggle for a New Egypt",
        "occurrence_title":"",
        "combined_title":"CMENAS Colloquium. The Revolution Within: Islamic Media and the Struggle for a New Egypt: Yasmin Moll, University of Michigan",
        "event_subtitle":"Yasmin Moll, University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"This talk explores the social life of theology in relation to both Islamic television production and the 2011 Tahrir Square uprising. Based on fieldwork in the Cairo branch of the world\u2019s first Islamic television channel, it traces the ways in which pious struggles over the forms and ends of Islamic media articulated with broader struggles over the forms and ends of a \u201cNew Egypt,\u201d radically reconfiguring both the religious and the revolutionary for millions of ordinary people. Taking seriously the internal fractures of Egypt\u2019s Islamic Revival offers new insight on the intersections of religion, culture and politics in the region beyond the conventional \u201cIslamism versus secularism\" frameworks that dominate analysis of authoritarianism in the Arab world.\r\n   \r\n   Yasmin Moll is an Assistant Professor in the Department of Anthropology at the University of Michigan. A socio-cultural anthropologist, Dr. Moll\u2019s research interests span the intersections of religion, media, and politics as well as questions of race, indigeneity and heritage activism in the Middle East and North Africa. Her work explores what a methodological attunement to theological contestations reveals about everyday dynamics of ethical belonging and moral boundary-making in highly polarized contexts.\r\n\r\n   RSVP: https:\/\/myumi.ch\/9p321\r\n\r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\r\n   Email: -- warsansa@umich.edu",
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        "datetime_modified":"20250929T103806",
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        "event_title":"Land, Language, and People: Arab and Jewish Imagination in the Late Ottoman Empire",
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        "combined_title":"Land, Language, and People: Arab and Jewish Imagination in the Late Ottoman Empire: The 5th Annual Padnos Public Engagement Lecture on Jewish Learning, featuring Mostafa Hussein",
        "event_subtitle":"The 5th Annual Padnos Public Engagement Lecture on Jewish Learning, featuring Mostafa Hussein",
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        "description":"Join us for a conversation between Professors Mostafa Hussein and Eric Covey (Grand Valley State University), facilitated by Frankel Center's Interim Director for 2025-26, Deborah Dash Moore. Their discussion will be followed by a dessert reception. Virtual attendance option available for Ann Arbor audience. \r\n\r\nDrawing from his upcoming book, \"Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine\", Dr. Hussein will explore how Jewish writers in late Ottoman and British Mandate Palestine utilized Arabo-Islamic culture. In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced their aims.\r\n\r\nFrom Dr. Hussein: I am a historian specializing in modern Israel-Palestine and the neighboring Arabic-speaking countries of the Middle East (19th-21st centuries), with a focus on the subfield of Jewish-Arab\/Muslim studies. Trained in Judaic and Near Eastern Studies, I employ intellectual history, cultural history, and literary analysis to examine the multifaceted relations\u2014religious, cultural, intellectual, and social\u2014between Jews and Arabs\/Muslims from medieval to modern times. A central aim of my research is to illuminate how Arab and Jewish scholars in the modern Middle East have reappropriated and repurposed their communities\u2019 shared histories and interwoven legacies. Engaging with these historical interactions provides a rich context for understanding the enduring influence of tradition, history, and language on contemporary concerns in the region. My scholarship thus spans multiple fields and disciplines, reflecting its interdisciplinary and comparative nature.",
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        "event_title":"The Gridiron Gospel",
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        "event_title":"The Great Yiddish Parade: Culture, Activism, and Song",
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        "event_title":"2025 Halaloween: A Muslim Horror Film Festival",
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        "combined_title":"2025 Halaloween: A Muslim Horror Film Festival: In-person Screening of Agora (Tunisia, 2024) on Tuesday, October 21, 7 PM at the State Theatre",
        "event_subtitle":"In-person Screening of Agora (Tunisia, 2024) on Tuesday, October 21, 7 PM at the State Theatre",
        "event_type":"Film Screening",
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        "description":"Join us for a free screening of Tunisian horror film Agora (2024) on October 21, 7:00 PM at the State Theatre.\r\n\r\nThis screening is ONLY in person at the State Theatre in Ann Arbor. Reserve your free tickets: https:\/\/forms.gle\/TLyHQuUpQfyxTza4A\r\n\r\nWelcome to the 7th annual Halaloween: A Muslim Horror Film Festival 2025!\r\n\r\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by, for, or about Muslims, to understand: \u201cWhat scares Muslim audiences? Are horror movies halal?\u201d\r\n\r\nThis year\u2019s 2025 film festival runs throughout October on Tuesdays. Halaloween will showcase one film streaming online from October 1-15; a montage of short films in-person at the Arab American National Museum in Dearborn on Tuesday, October 14 at 7pm; and two in-person screenings at the State Theatre, on Tuesday October 21 and 28 at 7pm.\r\n\r\nThe festival is free in-person and online\u2013but make sure to reserve tickets! In-person screenings will be first-come, first-served with RSVPs strongly encouraged.\r\n\r\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies, to those who love the gore\u2013we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\r\n\r\n\r\nThe 2025 Halaloween Lineup:\r\n\r\nOctober 1-15: Xoftex | Greece\/Palestine\/Syria | 2024 | Online Screening\r\nOctober 14: Short Films | Saudi Arabia, Syria, Mauritania, Morocco, Tunisia | 7:00pm | Arab American National Museum (Dearborn)  \r\nOctober 21: Agora | Tunisia | 2024 | 7:00 PM | State Theatre\r\nOctober 28: Algiers | Algeria | 2024 | 7:00 PM | State Theatre\r\n\r\nRSVP & stream our online selection: http:\/\/watch.eventive.org\/halaloween\r\n\r\n\r\n\r\n__________________\r\n\r\nIN-PERSON FILM SCREENING:\r\nAGORA (2024) at the State Theatre Tunisian on October 21 at 7:00 PM\r\n\r\nAgora | 2024 | 102 min | Tunisia\r\nDirected by Ala Eddine Slim\r\n\r\nDescription: In a remote Tunisian town, missing persons suddenly return, causing growing tensions within families, community, and local police. As a result, police inspector Fathi, with the help of his doctor friend Amine, tries to understand the enigmatic and bizarre circumstances that led to the missing people\u2019s initial disappearances and unexpected return. As the investigation deepens, a police inspector from the capital, Omar, arrives to solve the mystery. Will Omar and his accomplices bring understanding or further complicate matters? \r\n\r\nAla Eddine Slim is a Tunisian filmmaker. He has directed several short films, art videos, and feature films, selected and multi-awarded in many international film festivals: Clermont-Ferrand, Grand Prix FID Marseille for BABYLON (2012), Lion of the Future, Best Technical Contribution at the Venice Film Festival in 2016, and Tanit d\u2019Or at JCC for THE LAST OF US (2016). TLAMESS (2019), his second fiction film, had its world premiere at Quinzaine des R\u00e9alisateurs. His most recent feature film AGORA has been selected for Locarno IFF. \r\n\r\nHalaloween Horror Rating: 2\/5 Pumpkins\r\n\r\nRating explanation: Somewhat scary. The undead return, but they don\u2019t do very much themselves. Content Warning: dead animals, guns, blood, suggestions of murder, animal births, reference to terrorism.\r\n\r\n\r\nReligious content: Adhaan, Quran, mosques, prayer, khutbah to drive away curse. \r\n\r\n__________________\r\n\r\nHalaloween: A Muslim Horror Film Festival, is brought to you by the Global Islamic Studies Center and cosponsored by the Center for Middle Eastern and North African Studies, the Digital Islamic Studies Curriculum, & the Middle Eastern Studies Department. This event is free and open to all. To watch the remaining Halaloween films, visit watch.eventive.org\/halaloween. \r\n\r\n\r\nFor more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\r\n\r\nJoin our Email newsletter: https:\/\/myumi.ch\/nbW83\r\nIslamic Studies Minor: https:\/\/myumi.ch\/R5YnQ \r\nEmail islamicstudies@umich.edu\r\nMasters Program: https:\/\/myumi.ch\/v2gVP\r\nEmail MIRS-info@umich.edu\r\n\r\nStay updated on our upcoming events by following our socials here:\r\n\r\nFacebook: UmichGISC\r\nhttps:\/\/www.facebook.com\/UmichGISC\/\r\n\r\nTwitter: @umichgisc\r\nhttps:\/\/twitter.com\/umichGISC\r\n\r\nIf you have any questions, feel free to reach out to islamicstudies@umich.edu.",
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        "time_start":"17:30:00",
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        "event_title":"Transnational Yiddish Press: A Roundtable Discussion",
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        "combined_title":"Transnational Yiddish Press: A Roundtable Discussion: Guest Speaker: Vivi Lachs",
        "event_subtitle":"Guest Speaker: Vivi Lachs",
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        "description":"A scholarly discussion of \"East End Jews: Sketches from the London Yiddish Press\", specifically focused on Yiddish print media, with 2025-26 Frankel Institute Fellows Ayelet Brinn, Julian Levinson, and Shachar Pinsker.\r\n\r\nDr. Vivi Lachs is a social and cultural historian and a Yiddish performer and translator. Her books include \"Whitechapel Noise\" and \"London Yiddishtown\" (both Wayne State University Press). Lachs records with the band Klezmer Klub, leads tours of the Jewish East End, and runs London's Great Yiddish Parade.\r\n\r\nThe University of Michigan College of Literature, Science and the Arts greatly values inclusion and access for all. We are pleased to provide reasonable accommodations to enable full participation in this event. Please contact js-event-coord@umich.edu to request disability accommodations or with any questions\/concerns. Please provide advance notice to ensure sufficient time to meet requested accommodations.",
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        "event_title":"2025 Halaloween: A Muslim Horror Film Festival",
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        "description":"This screening is ONLY in person at the State Theatre in Ann Arbor. Reserve your free tickets: https:\/\/forms.gle\/pq1ZQehJrzuFa1V38\r\n\r\nWelcome to the 7th annual Halaloween: A Muslim Horror Film Festival 2025!\r\n\r\nWhat is Halaloween? Halaloween screens horror films from across the globe that were made by, for, or about Muslims, to understand: \u201cWhat scares Muslim audiences? Are horror movies halal?\u201d\r\n\r\nThis year\u2019s 2025 film festival runs throughout October on Tuesdays. Halaloween will showcase one film streaming online from October 1-15; a montage of short films in-person at the Arab American National Museum in Dearborn on Tuesday, October 14 at 7pm; and two in-person screenings at the State Theatre, on Tuesday October 21 and 28 at 7pm.\r\n\r\nThe festival is free in-person and online\u2013but make sure to reserve tickets! In-person screenings will be first-come, first-served with RSVPs strongly encouraged.\r\n\r\nWe are inclusive of everyone's film needs: from new horror fans who close their eyes through most scary movies, to those who love the gore\u2013we've got films for everyone! Check the Halaloween Horror Rating in the description of each film for its scariness rating and other details.\r\n\r\n\r\nThe 2025 Halaloween Lineup:\r\n\r\nOctober 1-15: Xoftex | Greece\/Palestine\/Syria | 2024 | Online Screening\r\nOctober 14: Short Films | Saudi Arabia, Syria, Mauritania, Morocco, Tunisia | 7:00pm | Arab American National Museum (Dearborn)  \r\nOctober 21: Agora | Tunisia | 2024 | 7:00 PM | State Theatre\r\nOctober 28: Algiers | Algeria | 2024 | 7:00 PM | State Theatre\r\n\r\nRSVP & stream our online selection: http:\/\/watch.eventive.org\/halaloween\r\n\r\n\r\nIN-PERSON FILM SCREENING:\r\nAlgiers (2024) at the State Theatre Tunisian on October 28 at 7:00 PM.\r\n\r\nAlgiers | 2024 | 93 min | Algeria\r\nDirected by Chakib Taleb-Bendiab\r\n\r\nAfter a little girl\u2019s kidnapping ignites a whirlwind of tension and suspicion within the city of Algiers, Dounia, a brilliant psychiatrist, and Sami, a dedicated police inspector, attempt to uncover the demons of the city\u2019s past and solve the perplexing mystery while the clock ticks. This police procedural film was Algeria's submission at the 2025 Academy Awards in the International Feature category. \r\n\r\nChakib Taleb-Bendiab is an Algerian writer, director, and musician. He has won numerous prizes at global festivals for his scripts and short films SANG FROID (2013) and BLACK SPIRIT (2018) an African Samurai tale in the Sahara. \r\n\r\nHalaloween Horror Rating: 1\/5 Pumpkins  \r\n\r\nRating Explanation: creepy police procedural and violence against children and adults, but no supernatural horror. Content warning: child kidnappings, violence against women and children, mob violence, mention of terrorism, murder, implied suicide, implied shooting, guns, Stockholm Syndrome, discussion of sexual assault.\r\n\r\nReligious content: minimal.\r\n\r\n\r\n\r\n__________________\r\n\r\nHalaloween: A Muslim Horror Film Festival, is brought to you by the Global Islamic Studies Center and cosponsored by the Center for Middle Eastern and North African Studies, the Digital Islamic Studies Curriculum, & the Middle Eastern Studies Department. This event is free and open to all. To watch the remaining Halaloween films, visit watch.eventive.org\/halaloween. \r\n\r\n\r\nFor more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\r\n\r\nJoin our Email newsletter: https:\/\/myumi.ch\/nbW83\r\nIslamic Studies Minor: https:\/\/myumi.ch\/R5YnQ \r\nEmail islamicstudies@umich.edu\r\nMasters Program: https:\/\/myumi.ch\/v2gVP\r\nEmail MIRS-info@umich.edu\r\n\r\nStay updated on our upcoming events by following our socials here:\r\n\r\nFacebook: UmichGISC\r\nhttps:\/\/www.facebook.com\/UmichGISC\/\r\n\r\nTwitter: @umichgisc\r\nhttps:\/\/twitter.com\/umichGISC\r\n\r\nIf you have any questions, feel free to reach out to islamicstudies@umich.edu.",
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        "event_title":"Dybbukim: Yiddish Spooky Movies",
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        "combined_title":"CMENAS Colloquium Series. The Storied Gulf: Storytelling, Migration, and Masculinities: Salman Adil Hussain, Miami University",
        "event_subtitle":"Salman Adil Hussain, Miami University",
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        "description":"The injustices of the Gulf visa sponsorship system and the harsh aspects of migrant life there are well documented. And yet, the heavy influx of migrant labor from particular regions in South Asia to the Gulf states remains unabated. This leads to the question: If things are so bad, then why do migrants keep coming? Some scholars have answered this question by putting forth an argument that migrants paint a rosy picture of Gulf life in their home cities, and, in so doing, funnel their compatriots into exploitative labor arrangements abroad. Do migrants not tell stories of hardship in home cities? If they do, why do those stories not dissuade aspiring migrants? I contend that centering prospective emigrant as discerning listeners helps us understand both the nuanced motivations for migration and why returnees tell the kinds of stories they do. I attend to the circulatory contexts of migrants\u2019 Gulf stories in a small city in Pakistan, and the gendered repertoire of characterological figures through which listeners evaluate them. Decades of circulation of men from this Pakistani city to the Gulf and back has produced going through the storied trials of Gulf life as a rite of passage to the status of adult manhood and masculine respectability. The storytelling about Gulf life in Pakistan is thereby structured by a masculinist discourse with the following idea at its core: since Gulf work is harsh, only hard men are suited for it. This Gulf gauntlet subsumes stories of hardship within its own lore. The harder the rite, the higher mettled the passenger.\r\n   \r\n   Salman Adil Hussain is a historical anthropologist of Indian Ocean mobilities, and South Asian diasporas. His research specializations include borders and belonging, masculinity, transnational labor, migrant racialization, autoethnography, storytelling, humor, and kinship. His dissertation, Migrants at Home: Gulf Migrations, Masculinities, and the Politics of Return in Pakistan, is the first monograph on Pakistani migrations to the Gulf in the past 30 years. It studies how masculinity structures key processes of migrations: migration brokerage, sociality, self-fashioning, and return mobilities. His next project explores the racialization and surveillance of migrants\u2014South Asians in the Gulf and U.S. Muslims\u2014in a comparative framework.\r\n\r\nRSVP: https:\/\/myumi.ch\/w9QNx\r\n\r\n   Co-sponsor:   GISC\r\n   \r\n\r\nAccommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\r\n   Email: -- warsansa@umich.edu",
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        "event_title":"The Media of Holocaust Memory",
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        "description":"How do we remember the Holocaust in 2025? \"The Media of Holocaust Memory\" brings together two leading Holocaust scholars to discuss the role of \"high tech\" computer algorithms and AI and \"low tech\" monuments and material artifacts as technologies for memorializing. In conversation with each other and the audience, Levitt and Presner will discuss how the ethical possibilities and challenges Holocaust memory have and will continue to evolve in the twenty-first century.\r\n\r\nTodd Presner is Chair of UCLA\u2019s\u202fDepartment of European Languages and Transcultural Studies and serves as Special Advisor to Vice Chancellor Roger Wakimoto in the Office for Research and Creative Activities (2018-present). His research focuses on European intellectual and cultural history, Holocaust studies, visual culture, and digital humanities. Presner\u2019s newest book is with Princeton University Press: \"Ethics of the Algorithm: Digital Humanities and Holocaust Memory\" ( Fall 2024). \r\n\r\nLaura Levitt is Professor of Religion, Jewish Studies, and Gender at Temple University and the author \"The Objects that Remain\" (2020), \"American Jewish Loss after the Holocaust\" (2007), and \"Jews and Feminism: The Ambivalent Search for Home\" (1997).",
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        "event_title":"Tea with Hakim Belabbes",
        "occurrence_title":"",
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        "description":"Join us for a cup of tea and treats and great conversation! We've invited Moraccan director Hakim Belabbes to campus for a screening of his film *Collapsed Walls *(Nov. 12, 6pm at the State Theatre). In conjunction with the screening, Hakim will be at Mynt House, Ann Arbor's new authentic Moraccan cafe, on Nov. 11 for informal conversation with students and the community at large. All are welcome to stop by, share refreshments, and join the conversation!",
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        "event_title":"Yiddish Shabbos & Sign Along",
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        "event_type_id":"21",
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        "event_title":"Overlapping Jurisdictions: How Islamic Courts Upheld Jewish Law in Colonial Egypt",
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        "event_title":"Picturing Jews: An Interactive Photobook Workshop",
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        "combined_title":"Picturing Jews: An Interactive Photobook Workshop: Led by Nadya Bair, Frankel Institute Fellow, and Deborah Dash Moore, Interim Director of the Frankel Center",
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        "description":"For many, the best-known photobook about the Jewish experience is Roman Vishniac\u2019s \"A Vanished World\" (1983) \u2013 a melancholic document of Jewish life in Poland before the Holocaust. Yet countless photographers turned to the medium of the photobook after World War II to capture vibrant Jewish life as well as to document Jewish communities they felt were on the brink of extinction. In this interactive workshop, participants will examine a range of photo books and discuss them on the level of form (image selection, sequencing, layout), content, and materiality. As we consider the legacies of Vishniac\u2019s paradigm of \u201cvanishing Jews,\u201d we will also explore what alternative questions photobooks raise about picturing Jews in the 20th-century diaspora.\r\n\r\nSpace is limited; please RSVP to secure your spot here: https:\/\/myumi.ch\/z93My",
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        "event_title":"Iran, Explained: A CMENAS Roundtable",
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        "combined_title":"Iran, Explained: A CMENAS Roundtable: Juan Cole, University of Michigan; Pedram Baldari, University of Michigan; and Fatemeh Jamalpour, Journalist",
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        "event_title":"How to Move from October 7 and the War in Gaza to Peacemaking?",
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        "event_title":"When Hebrew Met the Machine",
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        "combined_title":"When Hebrew Met the Machine: \"Lingua Ex Machina: Media and the Revitalization of Hebrew\" Book Talk with Author Ido Ramati",
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        "description":"What happens when an ancient language meets modern technology? This lecture will discuss the role played by media technologies\u2014such as the phonograph, typewriters, the telegraph, and computers\u2014in the revitalization and modernization of Hebrew since the end of the nineteenth century. After lying dormant for two millennia as a mainly written language, Hebrew awoke from its literary slumber and became a living modern vernacular. The revitalization of Hebrew is unique and unprecedented in world history, and it has been studied in various fields; but the role of modern media technologies in mediating this revival has not yet been considered. This lecture will delve into questions such as: what was the role of sound recording technologies in shaping the reemerging modern Hebrew speech? And how did the Hebraized typewrite pushed for the modernization of writing in Hebrew?. It will show how these media, whose emergence ran in historical parallel to the revitalization of Hebrew, were an active force in shaping the language as a modern communicative medium. Hebrew was a historical media lab: written from right to left and in unique script, it posed technical as well as conceptual challenges to media which were originally designed for Latin script and Western writing systems. The adaptation of these technologies to Hebrew required various adaptations that shaped lingual mechanisms, which had social and political ramifications on the emerging Hebrew culture. \r\n\r\nIdo Ramati is a senior lecturer at The Noah Mozes Department of Communication and Journalism and the Program in Cultural Studies at the Hebrew University of Jerusalem. He studies the relation between media technologies, language and culture, from historical and philosophical perspectives. Ramati is the author of Lingua Ex Machina: Media in the Revitalization of Modern Hebrew, out now in University of Pennsylvania press. His current project is on AI voices, focusing on the shaping of the human voice by historical and contemporary machines.",
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        "datetime_start":"20260216T160000",
        "datetime_end":"20260216T173000",
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        "event_title":"Workshop - On Revival: Hebrew Literature between Life and Death",
        "occurrence_title":"",
        "combined_title":"Workshop - On Revival: Hebrew Literature between Life and Death: Roni Henig",
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        "description":"We warmly invite you to attend a special workshop with visiting scholar Roni Henig (Assistant Professor of Modern Hebrew Literature at New York University) on Monday, February 16, from 4:00 - 5:30 PM, in Thayer 2000. \n\nRoni Henig will share, in dialogue with Prof. Maya Barzilai, her critical approach to the Hebrew language revival and its uncanny and even monstrous metaphoric. This workshop is based on Henig's recent book publication, \"On Revival: Hebrew Literature between Life and Death\" (UPenn Press, 2025), and we will circulate the Introduction ahead of the event. The book can also be accessed through our library.",
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        "tags":["Middle East Studies"],
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        "event_title":"Jews & Other Minorities in the 20th-Century Middle East",
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        "description":"Lior Sternfeld is an assistant professor of History and Jewish Studies at Penn State University. He is a social historian of the modern Middle East with particular interests in the histories of the Jewish people and other minorities of the region. In this lecture, Sternfeld focuses on how the study of minorities, especially Jewish communities, to better understand the histories of Middle Eastern societies in the transformative period of the twentieth century.",
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        "datetime_modified":"20260316T154520",
        "datetime_start":"20260323T130000",
        "datetime_end":"20260323T140000",
        "has_end_time":1,
        "date_start":"2026-03-23",
        "date_end":"2026-03-23",
        "time_start":"13:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"FORMS: Etiquette and Piety in Safavid Marriage",
        "occurrence_title":"",
        "combined_title":"FORMS: Etiquette and Piety in Safavid Marriage: Glenn Ellis (Middle East Studies)",
        "event_subtitle":"Glenn Ellis (Middle East Studies)",
        "event_type":"Presentation",
        "event_type_id":"16",
        "description":"Please join The Forum for Research in Medieval Studies (FoRMS) on Monday, March 23rd, in 1014 Tisch for a presentation from Glenn Ellis (Middle East Studies) titled \"Etiquette and Piety in Safavid Marriage\". This presentation will explore the etiquette of marriage as seen in a Safavid Sh\u012b\u2019\u012b compendium of hadith, \u1e24ilyat al-Mottaq\u012bn or The Adornment of the Pious, written by Mo\u1e25ammad-B\u0101qir Majlis\u012b, a significant scholar. Published in 1671 in Persian, Majlis\u012b\u2019s book was intended for an everyday audience and describes quotidian customs in great detail. One of the most striking hadith in the chapter on marriage notes prohibited and exhorted times of day for sexual intercourse, and it further reveals medical ideas of generation and ways to ensure the morality of one\u2019s offspring and thus society as a whole. This chapter is a useful case study on the expectations held of marriage, and indicates the specificity of religious instruction for one who wanted to be an exemplary Muslim. By studying this text, we can gain a richer picture of the expectations, ideals, and boundaries of Safavid marriage as well as ideals of reproduction.\n\nGlenn Ellis is a first year PhD student in Middle Eastern Studies. They graduated from Hampshire College in 2022 with a concentration in Medieval Middle Eastern History, and their thesis focused on race and race-making in Persian mirrors for princes and epic poems. Interested in Persian literature very broadly, they also Judeo-Persian, Judeo-Arabic, and Arabic, and use these languages to better contextualize Persian poetry. Their interests include race and race-making, romance and epic, and comparative poetics. In their spare time they enjoy cooking, baking without a recipe, and fiber arts.",
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        "datetime_modified":"20260304T145011",
        "datetime_start":"20260324T163000",
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        "date_start":"2026-03-24",
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        "time_start":"16:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CMENAS Lecture. Oh the Places they will Go: Qatari High School Students and their College Choices",
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        "combined_title":"CMENAS Lecture. Oh the Places they will Go: Qatari High School Students and their College Choices: Mohammad Al-Ansari , University of Iowa",
        "event_subtitle":"Mohammad Al-Ansari , University of Iowa",
        "event_type":"Lecture \/ Discussion",
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        "description":"Qatari high school students have many choices and freedom when it comes to deciding on where to pursue their undergraduate degrees. Using the push-pull framework, this research presentation explores why Qatari high school students choose to study abroad rather than pursue their post-secondary education in Qatar, and what push-pull factors influence their decision to study abroad or locally. The research will also look at students' parents to see where they would like their child to apply for a comparison. The research questions are: What factors are associated with Qatari high school students\u2019 decision to apply to college\/university abroad or locally? What factors are associated with Qatari parents in helping their child\u2019s decision to apply to college\/university abroad or locally? This presentation will be a sneak peek at Mohammad's dissertation.\n   \n   Mohammad Al-Ansari (he\/him) is a fifth-year doctoral candidate in the Higher Education and Student Affairs program at the University of Iowa. He is also a Senior Research Assistant at Qatar University's Social & Economic Survey Research Institute. His research interests include the purpose of higher education, students' aspirations and motivations for pursuing a college degree, and the development of education policy in Qatar.\n\nRegister at https:\/\/myumi.ch\/Nrg5Q\n\n*Accommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n   Email: -- warsansa@umich.edu",
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    ,        {
        "id":"147330-21900792",
        "datetime_modified":"20260401T172722",
        "datetime_start":"20260409T170000",
        "datetime_end":"20260409T190000",
        "has_end_time":1,
        "date_start":"2026-04-09",
        "date_end":"2026-04-09",
        "time_start":"17:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"GISC Event. Senses of Mourning: Moharram Performances in Shi\u02bfi Iran from the Qajar to the Covid Era",
        "occurrence_title":"",
        "combined_title":"GISC Event. Senses of Mourning: Moharram Performances in Shi\u02bfi Iran from the Qajar to the Covid Era: Dr. Babak Rahimi, University of California, San Diego",
        "event_subtitle":"Dr. Babak Rahimi, University of California, San Diego",
        "event_type":"Lecture \/ Discussion",
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        "description":"Thursday, April 9, 2026, 5:00 PM\n   Location: 110 Weiser Hall (1st floor), 500 Church St, Ann Arbor, MI\n   RSVP: http:\/\/myumi.ch\/79WRE\n   \n   Join the University of Michigan Global Islamic Studies Center (GISC) on Thursday, April 9, 2026, in 110 Weiser Hall at 5:00 PM for a talk by Dr. Babak Rahimi (University of California, San Diego) on his new book *Senses of Mourning: Moharram Performances in Shi\u02bfi Iran from the Qajar to the Covid Era* (University of Pennsylvania Press, 2026).\n   \n   Through a tactile, affective, and sensory lens, this talk examines how devotional Moharram performances in Shi\u02bfi Iran have changed over time. Dr. Rahimi analyzes Moharram in Iran through the five senses\u2014sight, sound, touch, smell, and taste\u2014highlighting how religious practices function as evolving embodied experiences. Senses of Mourning illuminates the changing embodied dimensions of religious practice and situates Moharram rituals within the broader sociopolitical and global transformations of Shi\u02bfi Iran\u2013an especially important site of study in the current time of conflict.\n   \n   \n   Meet the speaker:\n   \n   Dr. Babak Rahimi is Professor of Culture, Religion, and Technology at the University of California, San Diego. He is also Director of the Program for the Study of Religion and Director of the Middle East Studies Program. Rahimi\u2019s first monograph, *Theater-State and the Formation of the Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals, 1590\u20131641 C.E. *(Brill, 2011), offers a historical-sociological exploration of the interplay between public rituals, state power, and social dynamics in the Safavid era.\n   \n   His latest book, *Senses of Mourning: Moharram Performances in Shi\u2018i Iran from the Qajar to the Covid Era *(University of Pennsylvania Press, 2026), examines the role of sensory religion in Iranian historical contexts. Rahimi is also the editor of *Theatre in the Middle East: Between Performance and Politics* (Anthem Press, 2020) and *Performing Iran: Culture, Performance, Theatre *(I.B. Tauris, 2021). In addition, he co-edited *Social Media in Iran* (with David Faris, SUNY Press, 2015), *The Wiley Blackwell History of Islam* (with Armando Salvatore and Roberto Tottoli, Wiley Blackwell, 2018), and *Muslim Pilgrimage in the Modern World* (with Peyman Eshaghi, University of North Carolina Press, 2019).\n   \n   His research focuses on the intersections of culture, religion, and technology, with particular attention to the historical and social contexts of early modern Islamicate societies and the Global South.\n\nThe University of Pennsylvania Press is offering a 30% press discount on Dr. Rahimi's book to our audience members and friends with the code PENN-RAHIMI30. Visit: https:\/\/www.pennpress.org\/9781512828344\/senses-of-mourning\/ to purchase. \n   \n   This event is brought to you by the University of Michigan Global Islamic Studies Center as part of our ongoing \"Qahwah & Authors\" series.\n   \n   For more events from the Global Islamic Studies Center at the University of Michigan, please visit ii.umich.edu\/islamicstudies.\n\n*Accommodation: If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n   Email: -- islamicstudies@umich.edu",
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                "guid":"147330-21900792@events.umich.edu",
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