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        "time_end":"20:00:00",
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        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "image_description":"Suchitra Mattai, Bodies and souls, 2021, fabric (salwar kameez and saris), metallic thread, and sequins on vintage frame. Museum Purchase made possible by the Director's Acquisition Committee, 2022, 2022\/1.55E. \u00a9 Suchitra Mattai\r\n\u00a0\r\n",
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        "datetime_start":"20250213T100000",
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        "time_start":"10:00:00",
        "time_end":"20:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "id":"131373-21868310",
        "datetime_modified":"20250212T160837",
        "datetime_start":"20250213T180000",
        "datetime_end":"20250213T193000",
        "has_end_time":1,
        "date_start":"2025-02-13",
        "date_end":"2025-02-13",
        "time_start":"18:00:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"TO BE RESCHEDULED | Digging Deeper: Thursday Night Lecture Series | Archaeology in Motion: Karanis Silent Film Showing and Panel Discussion",
        "occurrence_title":"",
        "combined_title":"TO BE RESCHEDULED | Digging Deeper: Thursday Night Lecture Series | Archaeology in Motion: Karanis Silent Film Showing and Panel Discussion: Laura Motta, Nic Terrenato, Arthur Verhoogt, and Markus Nornes, Panelists",
        "event_subtitle":"Laura Motta, Nic Terrenato, Arthur Verhoogt, and Markus Nornes, Panelists",
        "event_type":"Film Screening",
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        "description":"*UPDATE: We are rescheduling this lecture due to inclement weather and out of respect for the safety of the Kelsey Museum and UMMA staff. We thank you for your understanding!*\r\n\r\nDuring excavations at Karanis, Egypt, the University of Michigan employed the relatively new medium of motion pictures to document its project. Several hours of film footage show scenes of daily village life, the surrounding landscape, and of course, Michigan archaeologists and Egyptian laborers at work at Karanis. \r\n\r\nJoin us at the U-M Museum of Art\u2019s Helmut Stern Auditorium (525 S. State Street, Ann Arbor, MI 48109) to watch some of the silent film footage from the 1920s excavations, followed by a panel discussion providing insight into this bygone movie medium. The speakers will also discuss excavation practices from this era as compared to the community-centered field projects in which the Kelsey Museum engages today.\r\n\r\nThis event is free and open to all visitors. If you have any questions or concerns regarding accessing this event, please visit our accessibility page at https:\/\/myumi.ch\/zwPkd or contact the education office by calling (734) 647-4167. We ask for advance notice as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250214T100000",
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        "date_end":"2025-02-14",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_modified":"20240130T121550",
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        "event_title":"A Gathering",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250216T110000",
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        "time_end":"20:00:00",
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        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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    ,        {
        "id":"84303-21621521",
        "datetime_modified":"20240130T121551",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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    ,        {
        "id":"130031-21865160",
        "datetime_modified":"20250216T181536",
        "datetime_start":"20250216T120000",
        "datetime_end":"20250216T133000",
        "has_end_time":1,
        "date_start":"2025-02-16",
        "date_end":"2025-02-16",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Book Club \u2014 Hosted by the UMMA Student Advisory Board",
        "occurrence_title":"",
        "combined_title":"Book Club \u2014 Hosted by the UMMA Student Advisory Board: University of Michigan Museum of Art ",
        "event_subtitle":"University of Michigan Museum of Art ",
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        "event_type_id":"22",
        "description":"Join the UMMA Student Advisory Board in conversation with book selections inspired by the UMMA exhibition La Raza Art & Media Collective, 1975 - Today. Books were selected by the exhibition curator Dave Choberka, Melon Curator for University Learning and Programs.\u00a0\n \nOver coffee, tea, and pastries, explore ideas from \"Contemporary Chicano Art: Color and Culture for a New America\" by George Vargas and \"The House on Mango Street\" by Sandra Cisneros. Come having read both, one, or none. Find new meaning in the exhibition, connect the literature to the media, and make some friends.\n \nFree and open to the public.\n ",
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        "id":"130756-21866816",
        "datetime_modified":"20250108T161925",
        "datetime_start":"20250217T100000",
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        "has_end_time":1,
        "date_start":"2025-02-17",
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        "event_title":"\"What the Presidents Read\" - Brunch Reception and Lightning Talks",
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        "event_title":"A Gathering",
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        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20250218T110000",
        "datetime_end":"20250218T170000",
        "has_end_time":1,
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        "date_end":"2025-02-18",
        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_start":"20250218T173000",
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        "time_start":"17:30:00",
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        "event_title":"\"What the Presidents Read\" - Book Launch Reception",
        "occurrence_title":"",
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        "description":"Join Editors Elizabeth Goodenough and Marilynn Olson for a reception celebration for the launch of their book \"What the Presidents Read: Childhood Stories and Family Favorites.\" In addition to food, drink, and merriment with book contributors, attendees will have the opportunity for a special tour of the Ford Presidential Library. Register at https:\/\/myumi.ch\/W5jdR.",
        "occurrence_notes":null,
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        "datetime_start":"20250219T110000",
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        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_start":"20250220T160000",
        "datetime_end":"20250220T190000",
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        "event_title":"Chicanas Changing History: The First 100 Symposium Opening Event with Dr. Natalia Molina",
        "occurrence_title":"",
        "combined_title":"Chicanas Changing History: The First 100 Symposium Opening Event with Dr. Natalia Molina: University of Michigan Museum of Art ",
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        "description":"Join us at UMMA for the opening event of Chicanas Changing History: The First 100 Symposium, a two-day event that will explore how Chicana historians have transformed the way we do and understand history, as well as who is included in U.S. history. The symposium will highlight the challenges Chicana historians have faced and continue to confront in the academy while we celebrate their outstanding accomplishments and contributions to the field of history, with a particular focus on alumni and faculty from U-M.\u00a0\n \nThe opening event kicks off with remarks by Dean of the College of Literature, Science, & the Arts Rosario Ceballo, a keynote lecture by U-M alum Dr. Natalia Molina, and a tour of the UMMA exhibition La Raza Art and Media Collective, 1975 \u2013 Today with curator Dave Choberka. Refreshments and time for socializing also included.\n ",
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        "event_title":"Reading with Q&A with Jane Wong",
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        "combined_title":"Reading with Q&A with Jane Wong: *Zell Visiting Writers Series*",
        "event_subtitle":"*Zell Visiting Writers Series*",
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        "description":"Login here (no pre-registration needed): https:\/\/tinyurl.com\/ZellWriters24\r\n\r\nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\r\n\r\nJane Wong is the author of the memoir *Meet Me Tonight in Atlantic City* (Tin House, 2023). She is also the author of two books of poetry: *How to Not Be Afraid of Everything* (Alice James, 2021) and *Overpour* (Action Books, 2016). \r\n\r\nShe holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as *Best American Nonrequired Reading 2019*, *Best American Poetry 2015*, *The New York Times*, *American Poetry Review*, *POETRY*, *The Kenyon Review*, *New England Review*, and others. Her essays have appeared in places such as *McSweeney's*, *Black Warrior Review*, *Ecotone*, *The Common*, *The Georgia Review*, *Shenandoah*, and *Want: Women Writing About Desire* (Catapult).\r\n\r\nA Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard\u2019s Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, Ucross, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. The recipient of the James W. Ray Distinguished Artist Award for Washington artists, her first solo art show \u201cAfter Preparing the Altar, the Ghosts Feast Feverishly\u201d was exhibited at the Frye Art Museum in 2019. Her performance and installation work has also been exhibited at the Richmond Art Gallery and the Asian Art Museum. She grew up in a Chinese American restaurant on the Jersey shore and lives in Seattle.\r\n\r\nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services at in-person events are available upon request; please email kimjulie@umich.edu at least two weeks prior to the event, whenever possible, to allow time to arrange services.\r\n\r\nU-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.",
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        "event_title":"Zell\u00a0Visiting Writers Series: Reading and Q&A with Jane Wong",
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        "description":"Join us in welcoming author and poet Jane Wong for a reading and Q+A as part of the Zell Visiting Writers Series, presented by the Helen Zell Writer\u2019s Program in partnership with UMMA, with support from the Department of English Language & Literature.\u00a0\n \nJane Wong is the author of the memoir Meet Me Tonight in Atlantic City (Tin House, 2023). She is also the author of two books of poetry: How to Not Be Afraid of Everything (Alice James, 2021) and Overpour (Action Books, 2016).\n \nShe holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and Want: Women Writing About Desire (Catapult).\n \nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\n \nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu\u2013we are eager to help ensure this event is inclusive to you.\n ",
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        "time_start":"10:00:00",
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        "event_title":"A Gathering",
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        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Webster MFA Reading Series:\u00a0Nora Sullivan and Caroline Porter",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Exhibition Tour \u2014 Jarod Lew: Strange You Never Knew with Curator Jennifer Friess",
        "occurrence_title":"",
        "combined_title":"Exhibition Tour \u2014 Jarod Lew: Strange You Never Knew with Curator Jennifer Friess: University of Michigan Museum of Art ",
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        "description":"Join exhibition curator Jennifer Friess for a tour of Jarod Lew\u2019s first solo museum exhibition, \"Strange You Never Knew.\" Jarod Lew explores the limits and potential of knowing\u2014knowing who you are, knowing your family history, and knowing your place in a community. \"Strange You Never Knew\" explores how photography can function as a repository of personal and communal histories. By weaving together connections between personal histories and broader social contexts, Lew draws connections between the past and present, examining how identity is shaped by both individual and collective memory, while challenging viewers to reflect on the ongoing impact of racial discrimination and cultural stereotyping.\u00a0\n \nFree and open to the public. Registration required.\n ",
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        "datetime_modified":"20250224T181538",
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        "event_title":"Hey, We Need to Talk \u2014 Final Class Projects",
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        "description":"This semester, UMMA\u2019s visiting artist for art & civic engagement Philippa Hughes led a course in the Ford School of Public Policy. In the course, \u201cWe Should Talk: Using Art and Culture as a Tool for Repairing the Social Fabric,\u201d Hughes worked with students to develop programs that invite relational conversations. In this culminating event, students will implement their ideas in three locations across campus, creating spaces in which people who disagree with one another can enter into meaningful, respectful, and honest dialogue.\u00a0\n \nJoin Hughes and her students at UMMA, the Ross School of Business, and the Ford School for a series of art-inspired experiences. All events are free and open to the public.\n ",
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        "date_end":"2025-02-25",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "description":"Join UMMA Curator Ashley Miller in a tour of \u201cPost No Bills.\u201d This exhibition highlights the works of Turkish diplomat Burhan Do\u011fan\u00e7ay (1929\u20132013) and his fascination with the messy cacophony of urban bulletin boards\u2014produced by chance and absorbing the chaos of everyday life. Urban walls struck him as beautiful abstract paintings composed by humans, nature, and time. He abandoned his consular post and dedicated the rest of his life to creating artworks inspired by public walls around the world. Over fifty years he traveled to more than one hundred cities, documenting the ever-changing advertisements, graffiti, and discourses recorded on thousands of walls. They became the inspiration for his own mixed media works that often incorporate raw materials from the street.\n \nFree and open to the public. Registration required.\n ",
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        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20250304T110000",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "event_title":"A Gathering",
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        "id":"131301-21868156",
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        "datetime_end":"20250308T130000",
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        "event_title":"UMMA Family Day: Planting Seeds feat. a Concert with Joe Reilly",
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        "description":"Join us as we plant seeds for cultural appreciation! UMMA Family Day: Planting Seeds is a family-centered program based on fostering inter-generational conversations about our relationship with the land, art, and each other. This event features a performance by Joe Reilly (Cherokee\/Choctaw), a one-stop gallery talk, interactive activity, coloring, and book reading.\u00a0\n \nFree and open to the public, registration required.\n ",
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        "datetime_modified":"20250311T181538",
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        "event_title":"Film Screening and Discussion: Gulmira\u2019s Fairy Tales by Gluklya",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"A Gathering",
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    ,        {
        "id":"131085-21867731",
        "datetime_modified":"20250316T121523",
        "datetime_start":"20250316T120000",
        "datetime_end":"20250316T133000",
        "has_end_time":1,
        "date_start":"2025-03-16",
        "date_end":"2025-03-16",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Book Club \u2014 Hosted by the UMMA Student Advisory Board",
        "occurrence_title":"",
        "combined_title":"Book Club \u2014 Hosted by the UMMA Student Advisory Board: University of Michigan Museum of Art ",
        "event_subtitle":"University of Michigan Museum of Art ",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Join the UMMA Student Advisory Board in discussing books selected by Associate Director of Curatorial Affairs and Associate Curator of Photography, Jennifer Friess. Selections are inspired by the UMMA exhibition \u201cJarod Lew: Strange You Never Knew.\u201d\u00a0\n \nOver coffee, tea, and pastries, explore ideas from \u201cStay True: A Memoir\u201d by Hua Hsu and \u201cOn Earth We're Briefly Gorgeous\u201d by Ocean Vuong. Come having read one, none, or both. Find new meaning in the exhibition and connect the literature to the media.\u00a0\n \nFree and open to the public.\n ",
        "occurrence_notes":null,
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        "room":"Living Room",
        "location_name":"Museum of Art",
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        "website":"https:\/\/inside.umma.umich.edu\/event-instances\/97679\/book-club-%E2%80%94-hosted-umma-student-advisory-board-sunday-mar-16-2025-1200-pm",
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    ,        {
        "id":"131086-21867732",
        "datetime_modified":"20250316T181524",
        "datetime_start":"20250316T140000",
        "datetime_end":"20250316T150000",
        "has_end_time":1,
        "date_start":"2025-03-16",
        "date_end":"2025-03-16",
        "time_start":"14:00:00",
        "time_end":"15:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Exhibition Tour: La Raza Art and Media Collective with Curator David Choberka",
        "occurrence_title":"",
        "combined_title":"Exhibition Tour: La Raza Art and Media Collective with Curator David Choberka: University of Michigan Museum of Art ",
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        "event_type_id":"22",
        "description":"Join curator David Choberka for a look at \u201cLa\u00a0Raza\u00a0Art and Media Collective, 1975 - Today.\u201d This exhibition revisits the 50th anniversary of the RAM Collective\u2014formed by a pioneering group of Latina\/o students to voice the cultural and political expression of Chicano, Hispanic, and Latin American communities\u2014by presenting the four original issues of its multimedia journal produced between 1976 and 1977. The journals are exhibited for the first time. They are framed by original art commissions from three generations of Latinx alumni artists \u2014George Vargas, Nicole Marroquin, and Michelle Hinojosa.\n ",
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        "room":"Irving Stenn, Jr. Family Gallery",
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    ,        {
        "id":"107870-21818067",
        "datetime_modified":"20240130T121550",
        "datetime_start":"20250318T110000",
        "datetime_end":"20250318T170000",
        "has_end_time":1,
        "date_start":"2025-03-18",
        "date_end":"2025-03-18",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "event_type_id":"7",
        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
        "occurrence_notes":null,
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "has_livestream":0,
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        "image_description":"Suchitra Mattai, Bodies and souls, 2021, fabric (salwar kameez and saris), metallic thread, and sequins on vintage frame. Museum Purchase made possible by the Director's Acquisition Committee, 2022, 2022\/1.55E. \u00a9 Suchitra Mattai\r\n\u00a0\r\n",
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    ,        {
        "id":"84303-21621546",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250318T110000",
        "datetime_end":"20250318T170000",
        "has_end_time":1,
        "date_start":"2025-03-18",
        "date_end":"2025-03-18",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/alumni-memorial-hall",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "tags":["UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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    ,        {
        "id":"133470-21873140",
        "datetime_modified":"20250318T181525",
        "datetime_start":"20250318T173000",
        "datetime_end":"20250318T190000",
        "has_end_time":1,
        "date_start":"2025-03-18",
        "date_end":"2025-03-18",
        "time_start":"17:30:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Mothers of Gynecology - An Evening with Artist Michelle Browder and Friends",
        "occurrence_title":"",
        "combined_title":"Mothers of Gynecology - An Evening with Artist Michelle Browder and Friends: Biomedical Science Research Building ",
        "event_subtitle":"Biomedical Science Research Building ",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"This event is organized around the upcoming loan of a Robert Thom painting from Michigan Medicine\u2019s collection to artist Michelle Browder. The painting depicts surgeon J. Marion Sims (generally lionized as the \"father of modern gynecology\") and three of the enslaved Black women on whom he experimented in his effort to treat vesicovaginal fistula.\u00a0\n \nBrowder founded a museum honoring the women depicted in the painting. Her art reimagined the painting by centering the women who made modern gynecology possible \u2014 the \"mothers of gynecology\" \u2014 and has spurred needed conversations about the history of gynecology and medical racism. In addition to Ms. Browder, Drs. Aletha Maybank and Veronica Pimentel will speak, as will descendants of one of the women depicted in the painting.\n \nThe event will mark the occasion of this painting getting a fitting home, consider Michigan Medicine's dilemmas over whether\/how to display it, and examine the history of gynecology and medicine more broadly.\u00a0\n \nRegistration required, seating is limited. A livestream link will also be available after registration.\u00a0\n \nQuestions? Please contact Heidi Mueller at (734) 647-6914 or muellerh@umich.edu\u00a0\n ",
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        "campus_maps_link_path":"alumni-memorial-hall",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/alumni-memorial-hall",
        "room":"Kahn Auditorium",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "id":"84303-21621547",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_modified":"20250305T170747",
        "datetime_start":"20250319T183000",
        "datetime_end":"20250319T193000",
        "has_end_time":1,
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        "date_end":"2025-03-19",
        "time_start":"18:30:00",
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        "event_title":"Museums, Technologies and Civic Transformations",
        "occurrence_title":"",
        "combined_title":"Museums, Technologies and Civic Transformations: Seb Chan, Director & CEO of ACMI (Australian Center for the Moving Image), Melbourne, Australia",
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        "event_type":"Presentation",
        "event_type_id":"16",
        "description":"Predictably, the first quarter of the 21st century has seen museums significantly transformed by media technology and networked society, yet often this has been viewed as institutions reacting to, rather than leading change. Institutions are now deeply enmeshed in complex technological systems, platforms, and services across all parts of a museum\u2019s operations and practices. Today, the nature of collections themselves is implicated as they are increasingly \u2018born digital.\u2019 These shifts all require highly skilled labor, new strategies, policies, and debate to ensure that the transformations serve the museum\u2019s community and long-term interests.\r\n\r\nThis talk will explore trust, attention, digital memory, ephemerality, and the fragility of new cultural artefacts, and conversely, maintenance, longevity, and the need for bold pan-institutional and sector-wide initiatives, new skills, and literacies.\r\n\r\nhttps:\/\/ummsp.rackham.umich.edu\/tribe-event\/museums-technologies-and-civic-transformations\/",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250320T100000",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "event_title":"Zell\u00a0Visiting Writers Series: Reading and Q&A with Monica Youn",
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        "description":"Join us in welcoming author and poet Monica Youn for a reading and Q+A as part of the Zell Visiting Writers Series, presented by the Helen Zell Writer's Program in partnership with UMMA, with support from the Department of English Language & Literature.\u00a0\n \nYoun is the author of four poetry collections, most recently\u00a0FROM FROM, which won the Anisfield-Wolf Award and was a finalist for the 2023 National Book Award. It was also named a\u00a0New York Times Book Review Notable Book\u00a0and Best Poetry Book of 2023 and was a\u00a0Time,\u00a0NPR,\u00a0Publishers Weekly,\u00a0Library Journal, and\u00a0Electric Literature\u00a0Best Book of 2023. She has been awarded the Levinson Prize from the Poetry Foundation, the William Carlos Williams Award of the Poetry Society of America, a Guggenheim Fellowship, a Witter Bytter Fellowship from the Library of Congress, and a Stegner Fellowship. Her previous books have been shortlisted for the National Book Award, the National Book Critics Circle Award and the Kingsley Tufts Award. A former constitutional lawyer, she is a member of the curatorial collective the Racial Imaginary Institute and is a professor of English at UC Irvine.\n \nZell\u00a0Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in\u00a0UMMA's\u00a0Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\n \nFor any questions about the event or to share accommodation needs, please email\u00a0kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you.\u00a0\n \n\u00a0\n ",
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        "datetime_modified":"20240130T121550",
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        "event_title":"A Gathering",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "event_title":"Mark Webster Reading Series:\u00a0Malia Maxwell and Rebecca Hawkes",
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        "description":"Organized by the Helen Zell Writers' Program and presented in partnership with the University of Michigan Museum of Art, the Mark Webster Reading Series showcases the work of second-year MFA students in fiction and poetry.\n \nFriends, family, and members of the Ann Arbor community are welcome to attend the readings both in-person (in Stern Auditorium at the University of Michigan Museum of Art) or synchronously on Zoom.\u00a0\n \nMalia Maxwell (Kanaka Maoli) is a writer from Seattle, WA. Her poems appear or are forthcoming in Black Warrior Review, Poetry Northwest, No Tokens, Frozen Sea, and elsewhere. Visit her at www.maliamaxwell.com.\u00a0\n \nRebecca Hawkes is a painter-poet from rural Aotearoa \/ New Zealand. Her book Meat Lovers was awarded Best First International Collection in the UK Poet Laureate\u2019s 2022 Laurel Prize, and shortlisted for a Lambda Literary Award. She is an editor of Sweet Mammalian and the Pacific climate crisis poetics anthology No Other Place To Stand. Her work can be found in the likes of\u00a0 Salt Hill, Hobart, and Cordite, or via her vanity www.rebeccahawkesart.com.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 This series is free and open to the public. For questions, accommodation needs, or the password, please contact co-hosts, Rebecca Hawkes (hawkes@umich.edu) and Malia Maxwell (maliacm@umich.edu) \u00a0\n ",
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        "event_title":"A Gathering",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"A Gathering",
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        "datetime_modified":"20250314T102406",
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        "date_start":"2025-03-25",
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        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"13th Annual Shirley Verrett Award Ceremony",
        "occurrence_title":"",
        "combined_title":"13th Annual Shirley Verrett Award Ceremony: Honoring Professor Christi-Anne Castro",
        "event_subtitle":"Honoring Professor Christi-Anne Castro",
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        "description":"The University of Michigan Women of Color in the Academy Project (WOCAP) will present its 12th Annual Shirley Verrett Award on March 25, 2025 at the University of Michigan Museum of Art on 525 S State St, honoring Professor Christi-Anne Castro.\r\n\r\nPlease join us for an evening of celebration beginning at 5:30 P.M with a reception to follow.\r\n\r\nThe event is free and open to the public, however, registration is requested.\r\n\r\nThe Shirley Verrett Award was created in 2011 by the Office of the Senior Vice Provost in honor of the late Shirley Verrett, a U-M professor who \u201cwould have walked the world over for her students,\u201d organizers say. It is administered by WOCAP and is supported by SMTD, UMMA, and ODEI.",
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        "event_title":"A Gathering",
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        "datetime_start":"20250326T110000",
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        "has_end_time":1,
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        "date_end":"2025-03-26",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
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        "event_title":"\u200b[Art]roductions\u00a0and [Art]breakers: An Interactive Workshop",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250328T100000",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_modified":"20250325T124644",
        "datetime_start":"20250328T163000",
        "datetime_end":"20250328T180000",
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        "date_start":"2025-03-28",
        "date_end":"2025-03-28",
        "time_start":"16:30:00",
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        "event_title":"Artist's Reception: Breaking with Tradition",
        "occurrence_title":"",
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        "event_type_id":"19",
        "description":"Artist John Rizzo is exhibiting individual mixed-media sculptures that bridge across art, design, and craft. Using a combination of materials that are historically perceived as precious John's work distorts, disrupts, and re-contextualizes perceptions of materials and their values. His work is at once , colorful , playful , layered and deeply self-reflective in its personal narrative.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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    ,        {
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        "datetime_start":"20250328T170000",
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        "event_title":"Behind the Zines",
        "occurrence_title":"",
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        "description":"Behind the Zines is an engaging zine festival event for anyone curious about zines, creativity, and community! Held in conjunction with the exhibition La Raza Art and Media Collective this event celebrates the legacy of DIY art, publishing, and\u2026 you guessed it: zines.\u00a0\n \nThe event will feature live demonstrations, a show-and-tell of historic zine collections, and hands-on workshops, where you can learn skills to make your own zines. We are thrilled to highlight the work of several Midwest zine and DIY-artists, including Atlan Arceo-Witzl, Leah Crosby, Marc Fischer, Cat Cassel, and Eric Von Haynes, who will share their knowledge and experiences.\u00a0\n \nWhether you're a long-time zine fan or just starting to explore this creative culture, this event offers a chance to learn, connect, and celebrate the spirit of independent publishing in a welcoming space for all.\n \nFree and open to the public. No registration required.\n ",
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        "datetime_start":"20250329T110000",
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        "date_start":"2025-03-29",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
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        "datetime_start":"20250329T110000",
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        "has_end_time":1,
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Exhibition Tour \u2014 Jarod Lew: Strange You Never Knew with Artist Angela Chen and Curator Jennifer Friess",
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        "description":"Join artist Angela Chen and exhibition curator Jennifer Friess for a tour of Jarod Lew\u2019s\u00a0 first solo museum exhibition, \"Strange You Never Knew.\" Jarod Lew explores the limits and potential of knowing\u2014knowing who you are, knowing your family history, and knowing your place in a community. \"Strange You Never Knew\" explores how photography can function as a repository of personal and communal histories. By weaving together connections between personal histories and broader social contexts, Lew draws connections between the past and present, examining how identity is shaped by both individual and collective memory, while challenging viewers to reflect on the ongoing impact of racial discrimination and cultural stereotyping.\n \nFree and open to the public. Registration required.\u00a0\n ",
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        "time_start":"10:00:00",
        "time_end":"20:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_modified":"20240815T125101",
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        "event_title":"Reading and Q&A with Weike Wang",
        "occurrence_title":"",
        "combined_title":"Reading and Q&A with Weike Wang: *Zell Visiting Writers Series*",
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        "description":"Login here (no pre-registration needed): https:\/\/tinyurl.com\/ZellWriters24\r\n\r\nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\r\n\r\nWeike Wang is the author of *CHEMISTRY* (Knopf 2017), *JOAN IS OKAY* (Random House 2022) and the forthcoming *RENTAL HOUSE* (Riverhead 2024).  She is the recipient of a Pen Hemingway, a Whiting award and a National Book Foundation 5 under 35.  Her work has appeared in *Ploughshares*, *The New Yorker*, *Best American Short Stories* and has won an O. Henry Prize. She earned her MFA from Boston University and her other degrees from Harvard. She currently lives in New York City and teaches at the University of Pennsylvania, Columbia University and Barnard College.\r\n\r\nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services at in-person events are available upon request; please email kimjulie@umich.edu at least two weeks prior to the event, whenever possible, to allow time to arrange services.\r\n\r\nU-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.",
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        "room":"The Robert Hayden Conference Room, #3222",
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    ,        {
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        "datetime_modified":"20250403T181521",
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        "event_title":"Zell\u00a0Visiting Writers Series: Reading and Q&A with \u200bWeike Wang",
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        "description":"Join us in welcoming author Weike Wang for a reading and Q+A as part of the Zell Visiting Writers Series, presented by the Helen Zell Writer's Program in partnership with UMMA, with support from the Department of English Language & Literature.\n \nWang is the author of CHEMISTRY (Knopf 2017), JOAN IS OKAY (Random House 2022) and the forthcoming RENTAL HOUSE (Riverhead 2024). She is the recipient of a Pen Hemingway, a Whiting award and a National Book Foundation 5 under 35.\u00a0\n \nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\n \nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you.\n ",
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "datetime_modified":"20240815T125115",
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        "event_title":"Craft Lecture: The burden and responsibility of representation in literary craft",
        "occurrence_title":"",
        "combined_title":"Craft Lecture: The burden and responsibility of representation in literary craft: *Zell Visiting Writers Series*",
        "event_subtitle":"*Zell Visiting Writers Series*",
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        "description":"Login here (no pre-registration needed): https:\/\/tinyurl.com\/ZellWriters24\r\n\r\nSeats are limited and are offered on a first come, first served basis; please arrive early to secure a spot.\r\n\r\nZell Visiting Writers Series craft lectures are free and open to the public, and will be offered both virtually (via Zoom) and in person (in The Robert Hayden Conference Room, Angell Hall #3222). Please contact kimjulie@umich.edu with any questions or accommodation needs.\r\n\r\nWeike Wang is the author of *CHEMISTRY* (Knopf 2017), *JOAN IS OKAY* (Random House 2022) and the forthcoming *RENTAL HOUSE* (Riverhead 2024).  She is the recipient of a Pen Hemingway, a Whiting award and a National Book Foundation 5 under 35.  Her work has appeared in *Ploughshares*, *The New Yorker*, *Best American Short Stories* and has won an O. Henry Prize. She earned her MFA from Boston University and her other degrees from Harvard. She currently lives in New York City and teaches at the University of Pennsylvania, Columbia University and Barnard College.\r\n\r\nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. A lactation room (Angell Hall #5209), reflection room (Haven Hall #1506), and gender-inclusive restroom (Angell Hall 5th floor) are available on site. ASL interpreters and CART services at in-person events are available upon request; please email kimjulie@umich.edu at least two weeks prior to the event, whenever possible, to allow time to arrange services.\r\n\r\nU-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.",
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    ,        {
        "id":"84303-21621561",
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        "datetime_start":"20250404T100000",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "datetime_modified":"20250404T121520",
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        "event_title":"\u200b[Art]roductions\u00a0and [Art]breakers: An Interactive Workshop",
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        "combined_title":"\u200b[Art]roductions\u00a0and [Art]breakers: An Interactive Workshop: University of Michigan Museum of Art ",
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        "description":"\u200b\u201c[Art]roductions and [Art]breakers\u201d is an interactive workshop designed to introduce new methods for cultivating inclusive, creative communities through innovative art and writing activities. Aimed at breaking away from traditional icebreakers, this session will introduce 10\u201320-minute, fun collaborative art activities that foster peer relationships and risk-taking in both college classrooms and broader community settings.\u00a0\n \nParticipants will engage in activities using crayons, improv, playdough, and kazoos, allowing them to experience firsthand how art can dissolve barriers to communication and trust. Research supports the cognitive, educational, and communal benefits of \u201cplay,\u201d making this workshop both a reflective and actionable opportunity to enrich student engagement.\n \nFacilitated by Jonathan Holland, Department of English Language and Literature.\n ",
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    ,        {
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250405T110000",
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        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "image_description":"Suchitra Mattai, Bodies and souls, 2021, fabric (salwar kameez and saris), metallic thread, and sequins on vintage frame. Museum Purchase made possible by the Director's Acquisition Committee, 2022, 2022\/1.55E. \u00a9 Suchitra Mattai\r\n\u00a0\r\n",
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        "id":"84303-21621566",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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    ,        {
        "id":"123277-21850719",
        "datetime_modified":"20240815T125130",
        "datetime_start":"20250410T173000",
        "datetime_end":"20250410T183000",
        "has_end_time":1,
        "date_start":"2025-04-10",
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        "time_start":"17:30:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Reading and Q&A with Distinguished Poet in Residence Ilya Kaminisky",
        "occurrence_title":"",
        "combined_title":"Reading and Q&A with Distinguished Poet in Residence Ilya Kaminisky: *Zell Visiting Writers Series*",
        "event_subtitle":"*Zell Visiting Writers Series*",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Login here (no pre-registration needed): https:\/\/tinyurl.com\/ZellWriters24\r\n\r\nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\r\n\r\nIlya Kaminsky was born in Odessa, former Soviet Union, in 1977, and arrived to the U.S. in 1993, when his family was granted asylum by the government. He is the author of *Deaf* Republic (Graywolf Press, 2019) and *Dancing In Odessa* (Tupelo Press, 2004) and co-editor and co-translator of many other books. His work was a finalist for the National Book Award and won the *Los Angeles Times* Book Award, the Anisfield-Wolf Book Award, the National Jewish Book Award, the Whiting Award, the American Academy of Arts and Letters\u2019 Metcalf Award, and *Poetry* magazine\u2019s Levinson Prize, and was also shortlisted for the National Book Critics Circle Award, Neustadt International Literature Prize, and T.S. Eliot Prize (UK). He is the recipient of a Guggenheim Fellowship, a Lannan Fellowship, an Academy of American Poets\u2019 Fellowship, and an NEA Fellowship. He currently teaches in Princeton and lives in New Jersey\r\n\r\nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. Diaper changing tables are available in nearby restrooms. Gender-inclusive restrooms are available on the second floor of the Museum, accessible via the stairs, or in nearby Hatcher Graduate Library (Floors 3, 4, 5, and 6). The Hatcher Library also offers a reflection room (4th Floor South Stacks), and a lactation room (Room 13W, an anteroom to the basement women's staff restroom, or Room 108B, an anteroom of the first floor women's restroom). ASL interpreters and CART services at in-person events are available upon request; please email kimjulie@umich.edu at least two weeks prior to the event, whenever possible, to allow time to arrange services.\r\n\r\nU-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.",
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        "event_title":"\u200bZell\u00a0Visiting Writers Series: Reading and Q&A with \u200bIlya Kaminsky",
        "occurrence_title":"",
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        "description":"Join us in welcoming author and editor Ilya Kaminsky for a reading and Q+A as part of the Zell Visiting Writers Series, presented by the Helen Zell Writer's Program in partnership with UMMA, with support from the Department of English Language & Literature.\n \nIlya Kaminsky is the author of Deaf Republic (Graywolf Press, 2019) and Dancing In Odessa (Tupelo Press, 2004) and co-editor and co-translator of many other books. His work was a finalist for the National Book Award and won the Los Angeles Times Book Award, the Anisfield-Wolf Book Award, the National Jewish Book Award, the Whiting Award, the American Academy of Arts and Letters\u2019 Metcalf Award, and Poetry magazine\u2019s Levinson Prize.\n \nZell Visiting Writers Series readings and Q&As are free and open to the public and will be offered both virtually (via Zoom) and in person (in UMMA's Stern Auditorium). Seats are offered on a first come, first served basis; please arrive early to secure a spot.\n \nFor any questions about the event or to share accommodation needs, please email kimjulie@umich.edu--we are eager to help ensure this event is inclusive to you.\n ",
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        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "image_description":"Suchitra Mattai, Bodies and souls, 2021, fabric (salwar kameez and saris), metallic thread, and sequins on vintage frame. Museum Purchase made possible by the Director's Acquisition Committee, 2022, 2022\/1.55E. \u00a9 Suchitra Mattai\r\n\u00a0\r\n",
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    ,        {
        "id":"84303-21621567",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250411T100000",
        "datetime_end":"20250411T200000",
        "has_end_time":1,
        "date_start":"2025-04-11",
        "date_end":"2025-04-11",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/alumni-memorial-hall",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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    ,        {
        "id":"133726-21873487",
        "datetime_modified":"20250411T181516",
        "datetime_start":"20250411T110000",
        "datetime_end":"20250411T193000",
        "has_end_time":1,
        "date_start":"2025-04-11",
        "date_end":"2025-04-11",
        "time_start":"11:00:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Latinx Midwest History Symposium",
        "occurrence_title":"",
        "combined_title":"Latinx Midwest History Symposium: University of Michigan Museum of Art ",
        "event_subtitle":"University of Michigan Museum of Art ",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Join us at UMMA for an engaging exploration of Latinx history in the Midwest through the lens of zines, DIY art, and printmaking. In conjunction with the exhibition La Raza Art and Media Collective, 1975-Today, this symposium features a series of thought-provoking discussions with scholars and creators who will delve into the intersection of art, community-building, and activism within the Latinx Midwest, while situating it within broader national and transnational movements. The keynote panel will feature three of the founding members of La Raza Art and Media Collective\u2014Ana Cardona, George Vargas, and Jesse Gonzalez\u2014offering a unique perspective on the collective\u2019s impactful work.\n \nFree and open to the public, registration required.\n ",
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    ,        {
        "id":"131306-21868161",
        "datetime_modified":"20250411T181515",
        "datetime_start":"20250411T180000",
        "datetime_end":"20250411T193000",
        "has_end_time":1,
        "date_start":"2025-04-11",
        "date_end":"2025-04-11",
        "time_start":"18:00:00",
        "time_end":"19:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Artist Talk: George Vargas, Ana Luisa Cardona, and Jesse Gonzalez",
        "occurrence_title":"",
        "combined_title":"Artist Talk: George Vargas, Ana Luisa Cardona, and Jesse Gonzalez: University of Michigan Museum of Art ",
        "event_subtitle":"University of Michigan Museum of Art ",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"During the fervent years of the 1970s at the University of Michigan, a pioneering group of Latina\/o students formed La Raza Art and Media Collective. Through self-organized exhibitions, cultural gatherings, and its journal, the collective gathered artists, art historians, poets, and journalists to voice the cultural and political expression of Chicano, Hispanic, and Latinx communities on campus and beyond. Members of the organization went on to become regional and national leaders in Latinx art and activism, education, community and political advocacy, and public arts.\n \nRAM Collective co-founders George Vargas, Ana Luisa Cardona, and Jesse Gonzalez will discuss the lasting impact of this seminal moment in Latinx history at the University and their connections to the broader Latinx Midwest. They will share perspectives on Chicanx and Latinx student activism, DIY publications and new media in the 1970s, and the development of a network of like-minded organizations around the country that centered art as an act of politics and self-definition.\n \nThis program is presented in connection with the UMMA exhibition \u201cLa Raza Art and Media Collective, 1975 \u2013 Today\u201d and serves as the keynote event of Latinx Midwest History, a 2-day symposium taking place April 11-12, 2025.\u00a0 The exhibition revisits the 50th anniversary of the foundation of RAM Collective to reflect on the profound impact of these visionary creators and the vital contributions of Latinx artists to Michigan\u2019s cultural landscape on campus and beyond.\n \nFree and open to the public. No registration required.\n ",
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    ,        {
        "id":"133727-21873488",
        "datetime_modified":"20250412T181514",
        "datetime_start":"20250412T090000",
        "datetime_end":"20250412T160000",
        "has_end_time":1,
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        "time_start":"09:00:00",
        "time_end":"16:00:00",
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        "event_title":"CitySpirit: A Walking Tour of Murals in Southwest Detroit",
        "occurrence_title":"",
        "combined_title":"CitySpirit: A Walking Tour of Murals in Southwest Detroit:  ",
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        "description":"Join us for a walking tour of historic and new murals in Southwest Detroit. Vito Valdez, long-term resident and local mural expert, will lead the event along with George Vargas, founding member of La Raza Art and Media Collective and active artist and organizer in the public mural projects nationwide. Buses will take participants from UMMA to Detroit for this day-long event. Highlights will include CitySpirit, a mural created by George Vargas and Martin Moreno in 1978 and the Legends graffiti wall of Vernor Highway.\n \nFree, registration required.\u00a0\n ",
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        "datetime_modified":"20240130T121550",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Music Showcase: End of Semester Student Performances",
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        "description":"Students from across the University of Michigan\u2019s campus will perform in an end-of-semester showcase concert representing the diverse classes from the Music Studies Department at the School of Music, Theatre & Dance. An eclectic range of pop and classical works will be performed by student groups and soloists from the introductory, intermediate, advanced and guitar ensemble classes, the pop and hip-hop songwriting classes, as well as soloists from the Michigan Guitar Society (MGS) and Michigan Songwriters Collective (MISC) Student Organizations.\u00a0\n \nFree and open to the public. No registration required.\n ",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_modified":"20250413T181515",
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        "event_title":"Reading and Conversation: \u201cUnder the Campus, the Land\u201d",
        "occurrence_title":"",
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        "description":"Join us for a conversation on Anishinaabe Futuring, Colonial Non-Memory and the Origin of the University of Michigan.\n \nIn the 1817 Treaty of Fort Meigs, Anishinaabe leaders granted land to a college where their children could be educated. At the time, the colonial settlement of Anishinaabe homeland hardly extended beyond Detroit in what settlers called the \u201cMichigan Territory.\u201d Four days after the Treaty of Fort Meigs was signed, the First College of Michigania was founded to claim the Anishinaabe land grant. Four years later, the newly-chartered University of Michigan would claim this land. By the time the University of Michigan moved to Ann Arbor in 1837, Anishinaabe people had been forced to cede almost all their land in what had become the state of Michigan, now inhabited by almost 200,000 settlers.\u00a0\n \nAndrew Herscher\u2019s recent book, Under the Campus, the Land (University of Michigan Press, March, 2025), narrates the University of Michigan\u2019s place in both Anishinaabe and colonial history, tracing the University\u2019s participation in the colonization of Anishinaabe homeland, Anishinaabe efforts to claim their right to an education, and the university\u2019s history of disavowing its responsibilities to Anishinaabe people.\u00a0\n \nAndrew Herscher, joined by Matthew Fletcher and Bethany Hughes, will discuss the book and the questions it raises about the University of Michigan\u2019s history and future. \u00a0\n \nFree and open to the public, no registration required.\n ",
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "event_title":"A Gathering",
        "occurrence_title":"",
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        "datetime_modified":"20250419T181512",
        "datetime_start":"20250419T140000",
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        "date_end":"2025-04-19",
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        "event_title":"Film Screening: New Wave",
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        "description":"The U-M Office of Multi-Ethnic Student Affairs presents a screening of the award winning documentary film New Wave (1 hr, 28 min), a coming-of-age story about young Vietnamese American teen refugees who were pioneering a musical phenomenon known as 1980\u2019s new wave.\u00a0\n \nYou are invited to join a community screening of the Tribeca Festival 2024 Official Selection documentary, New Wave. Mile-high hair. Synthesized music. Underground parties. Elizabeth Ai was on a mission to excavate an untold story of rebellious punks in the chaotic world of 80s Vietnamese new wave until she rediscovered a hidden past.\n \nJoin us for a special screening afternoon followed by a reception in the Museum of Art. Brought to you by Song United and American Citizens for Justice with additional support from UMMA, the University of Michigan Office of Multi-Ethnic Student Affairs (MESA), LSA American Culture, MAAPAC, and the Ford Foundation Just Films.\n \nFree and open to the public, RSVP required.\n \n\u00a0\n ",
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        "datetime_modified":"20250406T145922",
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        "event_title":"Mission Improv-ible",
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        "combined_title":"Mission Improv-ible: A free improv comedy show!!",
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    ,        {
        "id":"107870-21818096",
        "datetime_modified":"20240130T121550",
        "datetime_start":"20250420T110000",
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        "has_end_time":1,
        "date_start":"2025-04-20",
        "date_end":"2025-04-20",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "image_description":"Suchitra Mattai, Bodies and souls, 2021, fabric (salwar kameez and saris), metallic thread, and sequins on vintage frame. Museum Purchase made possible by the Director's Acquisition Committee, 2022, 2022\/1.55E. \u00a9 Suchitra Mattai\r\n\u00a0\r\n",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20250420T110000",
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        "date_end":"2025-04-20",
        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "id":"134686-21874713",
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        "event_title":"Study Break at UMMA",
        "occurrence_title":"",
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        "description":"Take a break from the grind and chill out at UMMA with free coffee, snacks, and activities that\u2019ll help you recharge. Hang out with therapy dogs, get creative making slime, challenge friends to giant Chess or Connect Four, and catch some short films to spark new ideas. Whether you need a mental reset or just a fun escape, this event has something for everyone. Best part? It\u2019s totally free and open to all\u2014come through and refresh!\n ",
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        "datetime_modified":"20250511T181505",
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        "date_end":"2025-05-11",
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        "event_title":"Exhibition Tour: La Raza Art and Media Collective with Curator David Choberka",
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        "description":"Join curator David Choberka for a look at La Raza Art and Media Collective, 1975-Today. This exhibition revisits the 50th anniversary of the RAM Collective\u2014formed by a pioneering group of Latina\/o students to voice the cultural and political expression of Chicano, Hispanic, and Latin American communities\u2014by presenting the four original issues of its multimedia journal produced between 1976 and 1977. The journals are exhibited for the first time. They are framed by original art commissions from three generations of Latinx alumni artists \u2014George Vargas, Nicole Marroquin, and Michelle Hinojosa.\n \nFree and open to the public. Registration required.\n ",
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        "event_title":"A Gathering",
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        "id":"84303-21621594",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250513T110000",
        "datetime_end":"20250513T170000",
        "has_end_time":1,
        "date_start":"2025-05-13",
        "date_end":"2025-05-13",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
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        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250514T110000",
        "datetime_end":"20250514T170000",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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