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        {
        "id":"142768-21891422",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260414T090000",
        "datetime_end":"20260414T170000",
        "has_end_time":1,
        "date_start":"2026-04-14",
        "date_end":"2026-04-14",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
                "guid":"142768-21891422@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142768",
        "building_id":"",
        "building_name":"North Campus Research Complex Building 18",
        "building_official_id":0,
        "campus_maps_id":"595",
        "campus_maps_link_path":"north-campus-research-complex-building-18",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/north-campus-research-complex-building-18",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"",
        "links":[
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "image_description":"Canal House, 2016, Oil on panel, by Terence Swafford",
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    ,        {
        "id":"145433-21897348",
        "datetime_modified":"20260302T171502",
        "datetime_start":"20260414T100000",
        "datetime_end":"20260414T160000",
        "has_end_time":1,
        "date_start":"2026-04-14",
        "date_end":"2026-04-14",
        "time_start":"10:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Artwork Pickup: 30th Annual Exhibition",
        "occurrence_title":"",
        "combined_title":"Artwork Pickup: 30th Annual Exhibition: 30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14, 16, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n\u25cf GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n\u25cf Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n\u25cf Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n\u25cf The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":"The PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance. To find the studio:  GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance. Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\" Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk. The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.",
                "guid":"145433-21897348@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/145433",
        "building_id":"1000742",
        "building_name":"Campus Safety Services Building",
        "building_official_id":1000742,
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        "room":"1400",
        "location_name":"Campus Safety Services Building",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"http:\/\/www.prisonarts.org",
        "links":[
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                "type":"other",
                "url":"http:\/\/www.prisonarts.org",
                "title":"PCAP Website"
                }                    ],
        "sponsors":[
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                "group_name":"Prison Creative Arts Project",
                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                },             {
                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                },             {
                "group_name":"Department of Afroamerican and African Studies",
                "group_id":"1144",
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                "group_name":"School of Social Work",
                "group_id":"1158",
                "website":""                },             {
                "group_name":"Center for World Performance Studies",
                "group_id":"3275",
                "website":"http:\/\/lsa.umich.edu\/world-performance"                },             {
                "group_name":"Department of Sociology",
                "group_id":"3478",
                "website":""                },             {
                "group_name":"Arts Initiative",
                "group_id":"4583",
                "website":""                },             {
                "group_name":"School of Social Work Community Engagement",
                "group_id":"5222",
                "website":""                },             {
                "group_name":"The Carceral State Project",
                "group_id":"5319",
                "website":""                }                    ],
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        "image_description":"A detailed drawing shows a hanging light bulb containing water and a small plant, with a branch and a bird flying nearby. Blue and yellow event text highlights the 30th Annual Exhibition of Artists in Michigan Prisons.",
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    ,        {
        "id":"142798-21891632",
        "datetime_modified":"20260210T131912",
        "datetime_start":"20260415T090000",
        "datetime_end":"20260415T170000",
        "has_end_time":1,
        "date_start":"2026-04-15",
        "date_end":"2026-04-15",
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        "time_zone":"America\/Detroit",
        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
        "occurrence_notes":null,
                "guid":"142798-21891632@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142798",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "building_official_id":1005179,
        "campus_maps_id":"524",
        "campus_maps_link_path":"202-south-thayer-building",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/202-south-thayer-building",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
        "links":[
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                "group_id":"1130",
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        "image_description":"A hand gently holds a small bird amidst blue-tinted vertical strips resembling a fragmented image, with red handwritten script on the left side,",
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    ,        {
        "id":"142773-21891510",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260415T090000",
        "datetime_end":"20260415T170000",
        "has_end_time":1,
        "date_start":"2026-04-15",
        "date_end":"2026-04-15",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
                "guid":"142773-21891510@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142773",
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        "building_name":"North Campus Research Complex Building 18",
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        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/north-campus-research-complex-building-18",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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                    ],
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "image_description":"Ambivalence (from Storyboard series) oil on panel by Lynn Galbreath",
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        "id":"142768-21891423",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260415T090000",
        "datetime_end":"20260415T170000",
        "has_end_time":1,
        "date_start":"2026-04-15",
        "date_end":"2026-04-15",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_modified":"20260123T131417",
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        "event_title":"CREES Noon Lecture. The Last Soviet Artist",
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        "combined_title":"CREES Noon Lecture. The Last Soviet Artist: Victoria Lomasko, artist and writer",
        "event_subtitle":"Victoria Lomasko, artist and writer",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The Last Soviet Artist (n+1, 2025), finished by Victoria Lomasko three weeks before Russia\u2019s invasion of Ukraine, is a collection of graphic reportages created during trips across the former Soviet republics. The first part describes society in Kyrgyzstan, Armenia, Georgia, and the North Caucasus, covering gender rights, grassroots initiatives, remnants of the Soviet heritage, and emerging trends. The book's second part focuses on the Belarusian Revolution of 2022 and the last major protests in Russia on the eve of the invasion of Ukraine: what happens to the lives of ordinary people in times of historical change. The third part of the book was written in exile. All three parts are united by the main subject: generational conflict in the post-Soviet space. The book won the 2022 Free Voice award from PEN Catalan and Prix Couilles au Cul pour le Courage Artistique, Festival de BD d\u2019Angoul\u00eame.\n   \n   Victoria Lomasko\u2019s practice of graphic reportage synthesizes image and text, taking the form of novels, journalism, comics, paintings, and monumental murals. A renowned dissident voice in the highly censored environment of contemporary Russia, Lomasko\u2019s seminal graphic novels, including Other Russias and Forbidden Art, have an honest style exposing the country\u2019s inequalities and injustices whilst amplifying and defending the plight of Russia\u2019s many voiceless and unseen communities.\n   \nIf there is anything we can do to make this event accessible to you, please contact us. at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20260210T131912",
        "datetime_start":"20260416T090000",
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        "date_start":"2026-04-16",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "location_name":"202 S. Thayer",
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        "id":"142773-21891511",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260416T090000",
        "datetime_end":"20260416T170000",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20260302T171502",
        "datetime_start":"20260416T120000",
        "datetime_end":"20260416T180000",
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        "date_start":"2026-04-16",
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        "event_title":"Artwork Pickup: 30th Annual Exhibition",
        "occurrence_title":"",
        "combined_title":"Artwork Pickup: 30th Annual Exhibition: 30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14, 16, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n\u25cf GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n\u25cf Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n\u25cf Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n\u25cf The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":"The PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance. To find the studio:  GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance. Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\" Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk. The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.",
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        "tags":["Visual Arts"],
        "website":"http:\/\/www.prisonarts.org",
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        "datetime_modified":"20260210T131912",
        "datetime_start":"20260417T090000",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891512",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260417T090000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
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        "date_end":"2026-04-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
                "guid":"142773-21891512@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142773",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"",
        "links":[
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        "sponsors":[
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "image_description":"Ambivalence (from Storyboard series) oil on panel by Lynn Galbreath",
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        "id":"142768-21891425",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260417T090000",
        "datetime_end":"20260417T170000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
                "guid":"142768-21891425@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/142768",
        "building_id":"",
        "building_name":"North Campus Research Complex Building 18",
        "building_official_id":0,
        "campus_maps_id":"595",
        "campus_maps_link_path":"north-campus-research-complex-building-18",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/north-campus-research-complex-building-18",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"",
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                    ],
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    ,        {
        "id":"145433-21897350",
        "datetime_modified":"20260302T171502",
        "datetime_start":"20260417T100000",
        "datetime_end":"20260417T140000",
        "has_end_time":1,
        "date_start":"2026-04-17",
        "date_end":"2026-04-17",
        "time_start":"10:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Artwork Pickup: 30th Annual Exhibition",
        "occurrence_title":"",
        "combined_title":"Artwork Pickup: 30th Annual Exhibition: 30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Join us at the Duderstadt Gallery or the PCAP Studio to collect your artwork from the 30th Annual Exhibition. Please bring your receipt or notification letter. \n\nMarch 31 and April 1 artwork pickup is at the Duderstadt Center Gallery. \n\nApril 14, 16, and 17 artwork pickup is at the PCAP Studio.\n\nThe PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance.\n\n\u25cf GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance.\n\u25cf Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\"\n\u25cf Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk.\n\u25cf The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.\n\nSponsors\nThe 30th Annual Exhibition is presented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":"The PCAP Studio is located in the rear hallway of the Campus Safety Services Building (1239 Kipke Dr), located across the parking lot from the Crisler Center. Short-term guest parking is available in the designated \"DPSS Visitor\" spots near the building entrance. To find the studio:  GPS Tip: Use the physical address (1239 Kipke Dr) for GPS. Searching for the building name may route you to the wrong entrance. Entrance: Enter through the double doors marked \"Division of Public Safety and Security.\" Inside the Building: Walk straight past the main desk toward the door leading to a long hallway. Note: You do not need to check in at the DPSS desk. The Studio: Walk to the very end of the hallway and turn right. The PCAP Studio is immediately on your right in Room 1400.",
                "guid":"145433-21897350@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/145433",
        "building_id":"1000742",
        "building_name":"Campus Safety Services Building",
        "building_official_id":1000742,
        "campus_maps_id":"30",
        "campus_maps_link_path":"campus-safety-services-building",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/campus-safety-services-building",
        "room":"1400",
        "location_name":"Campus Safety Services Building",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"http:\/\/www.prisonarts.org",
        "links":[
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                "type":"other",
                "url":"http:\/\/www.prisonarts.org",
                "title":"PCAP Website"
                }                    ],
        "sponsors":[
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                "group_name":"Prison Creative Arts Project",
                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                },             {
                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                },             {
                "group_name":"Department of Afroamerican and African Studies",
                "group_id":"1144",
                "website":"http:\/\/www.lsa.umich.edu\/daas\/"                },             {
                "group_name":"School of Social Work",
                "group_id":"1158",
                "website":""                },             {
                "group_name":"Center for World Performance Studies",
                "group_id":"3275",
                "website":"http:\/\/lsa.umich.edu\/world-performance"                },             {
                "group_name":"Department of Sociology",
                "group_id":"3478",
                "website":""                },             {
                "group_name":"Arts Initiative",
                "group_id":"4583",
                "website":""                },             {
                "group_name":"School of Social Work Community Engagement",
                "group_id":"5222",
                "website":""                },             {
                "group_name":"The Carceral State Project",
                "group_id":"5319",
                "website":""                }                    ],
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        "image_description":"A detailed drawing shows a hanging light bulb containing water and a small plant, with a branch and a bird flying nearby. Blue and yellow event text highlights the 30th Annual Exhibition of Artists in Michigan Prisons.",
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    ,        {
        "id":"143267-21892604",
        "datetime_modified":"20260218T094424",
        "datetime_start":"20260419T100000",
        "datetime_end":"20260419T180000",
        "has_end_time":1,
        "date_start":"2026-04-19",
        "date_end":"2026-04-19",
        "time_start":"10:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Symposium on Judaism and Film",
        "occurrence_title":"",
        "combined_title":"Symposium on Judaism and Film: Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
        "event_subtitle":"Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long, the field has circled around a narrow set of places and stories, about immigration, assimilation, antisemitism, and the Holocaust. This Handbook proposes a broader, more capacious understanding of Jewish film\u2014one that moves past the assumption that Jewishness on screen must be mimetic, historical, or tied to the US, Europe, and Israel. Highlighting new research on Jews on and off screen in India, Ethiopia, Turkey, Mexico, the Arab world, and beyond, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking, cultural practices, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations, we will have three kinds of sessions: Salons, Classrooms, and Screenings.\n\nSUNDAY, APRIL 19\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:30 AM\t\tWelcome\n10:30-11:15 AM\t\tSession 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM \tSession 2: Jews in Indian Cinemas\n12:30 - 2:15 PM\t\tLunch Break\n2:15 - 3:00 PM\t\tSession 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM\t\tSession 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM\t\tSession 5: Pedagogy, Judaism, and Film\n\n\nMONDAY, APRIL 20\nMichigan League, Room D (3rd Floor)\n10:00 - 10:45 AM\t\tSession 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM\tSession 7: Judaism on Screen: from \u201cOff the Derech\u201d to Haredi \n12:15 - 2:00 PM\t\tLunch Break \n2:00 - 2:45 PM\t\tSession 8: Erwin Leiser\u2019s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM\t\tSession 9: Jewish Film Festivals\n4:15 - 5:00 PM\t\tSession 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t        Film Screening: \"Sabbath Queen\" (2024, dir. Sandi Simcha DuBowski, USA, 105 min)\n8:30 - 9:00 PM\t\tSession 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel, a queer bio-dad and the founder of Lab\/Shul, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual, challenges patriarchy and supremacy, champions interfaith love, and stands up for peace and an end to the Occupation in Israel\/Palestine.\nTrailer\n\n\nTUESDAY, APRIL 21\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:45 AM\t\tSession 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM\tSession 13: Jews in Arab Cinemas\n12:15 - 2:00 PM\t\tLunch Break\n2:00 - 2:45 PM\t\tSession 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM\t\tSession 15:  Jewish British Cinema\n\t\t\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t\tFilm Screening:  \"My One and Only\" (2025, dir. David Tauber, Israel, 104 min.)\n8:30 - 9:00 PM\t\tSession 16: Post-screening Discussion\n\nWeeks after giving birth to her first child, a young ultra-Orthodox woman arrives at her rabbi's wife's home, claiming her husband has been replaced. He looks identical, but she insists he's a double. Does she need psychiatric care, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film, Television, and Media\nAnn Arbor Jewish Film Festival",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "event_type_id":"7",
        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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    ,        {
        "id":"142773-21891515",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260420T090000",
        "datetime_end":"20260420T170000",
        "has_end_time":1,
        "date_start":"2026-04-20",
        "date_end":"2026-04-20",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142768-21891428",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260420T090000",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "datetime_modified":"20251215T163232",
        "datetime_start":"20260421T090000",
        "datetime_end":"20260421T170000",
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        "date_start":"2026-04-21",
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        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"143267-21892606",
        "datetime_modified":"20260218T094424",
        "datetime_start":"20260421T100000",
        "datetime_end":"20260421T180000",
        "has_end_time":1,
        "date_start":"2026-04-21",
        "date_end":"2026-04-21",
        "time_start":"10:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Symposium on Judaism and Film",
        "occurrence_title":"",
        "combined_title":"Symposium on Judaism and Film: Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
        "event_subtitle":"Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long, the field has circled around a narrow set of places and stories, about immigration, assimilation, antisemitism, and the Holocaust. This Handbook proposes a broader, more capacious understanding of Jewish film\u2014one that moves past the assumption that Jewishness on screen must be mimetic, historical, or tied to the US, Europe, and Israel. Highlighting new research on Jews on and off screen in India, Ethiopia, Turkey, Mexico, the Arab world, and beyond, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking, cultural practices, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations, we will have three kinds of sessions: Salons, Classrooms, and Screenings.\n\nSUNDAY, APRIL 19\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:30 AM\t\tWelcome\n10:30-11:15 AM\t\tSession 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM \tSession 2: Jews in Indian Cinemas\n12:30 - 2:15 PM\t\tLunch Break\n2:15 - 3:00 PM\t\tSession 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM\t\tSession 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM\t\tSession 5: Pedagogy, Judaism, and Film\n\n\nMONDAY, APRIL 20\nMichigan League, Room D (3rd Floor)\n10:00 - 10:45 AM\t\tSession 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM\tSession 7: Judaism on Screen: from \u201cOff the Derech\u201d to Haredi \n12:15 - 2:00 PM\t\tLunch Break \n2:00 - 2:45 PM\t\tSession 8: Erwin Leiser\u2019s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM\t\tSession 9: Jewish Film Festivals\n4:15 - 5:00 PM\t\tSession 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t        Film Screening: \"Sabbath Queen\" (2024, dir. Sandi Simcha DuBowski, USA, 105 min)\n8:30 - 9:00 PM\t\tSession 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel, a queer bio-dad and the founder of Lab\/Shul, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual, challenges patriarchy and supremacy, champions interfaith love, and stands up for peace and an end to the Occupation in Israel\/Palestine.\nTrailer\n\n\nTUESDAY, APRIL 21\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:45 AM\t\tSession 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM\tSession 13: Jews in Arab Cinemas\n12:15 - 2:00 PM\t\tLunch Break\n2:00 - 2:45 PM\t\tSession 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM\t\tSession 15:  Jewish British Cinema\n\t\t\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t\tFilm Screening:  \"My One and Only\" (2025, dir. David Tauber, Israel, 104 min.)\n8:30 - 9:00 PM\t\tSession 16: Post-screening Discussion\n\nWeeks after giving birth to her first child, a young ultra-Orthodox woman arrives at her rabbi's wife's home, claiming her husband has been replaced. He looks identical, but she insists he's a double. Does she need psychiatric care, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film, Television, and Media\nAnn Arbor Jewish Film Festival",
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        "room":"Koessler Room",
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        "datetime_modified":"20260210T131912",
        "datetime_start":"20260422T090000",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "id":"142773-21891517",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260422T090000",
        "datetime_end":"20260422T170000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142904-21891781",
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        "datetime_start":"20260422T090000",
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        "date_end":"2026-04-22",
        "time_start":"09:00:00",
        "time_end":"12:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Momentary Landscape",
        "occurrence_title":"",
        "combined_title":"Momentary Landscape: A public art installation by Diane Lavoie",
        "event_subtitle":"A public art installation by Diane Lavoie",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Diane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.",
        "occurrence_notes":null,
                "guid":"142904-21891781@events.umich.edu",
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        "building_id":"1000189",
        "building_name":"Dana Natural Resources  Building",
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        "room":"Outdoors between the Dana Building and the 1100 North University Building",
        "location_name":"Dana Natural Resources  Building",
        "has_livestream":0,
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        "tags":["Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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        "image_description":"Colorful textile art installation in a lush outdoor setting. Vibrant blues, greens, and yellows depict abstract forest and nature scenes under leafy trees.",
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    ,        {
        "id":"142768-21891430",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260422T090000",
        "datetime_end":"20260422T170000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "tags":["Visual Arts"],
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        "id":"142905-21891795",
        "datetime_modified":"20251218T114754",
        "datetime_start":"20260422T160000",
        "datetime_end":"20260422T173000",
        "has_end_time":1,
        "date_start":"2026-04-22",
        "date_end":"2026-04-22",
        "time_start":"16:00:00",
        "time_end":"17:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Momentary Landscape Artist Talk & Opening Reception",
        "occurrence_title":"",
        "combined_title":"Momentary Landscape Artist Talk & Opening Reception: A public art installation by Diane Lavoie",
        "event_subtitle":"A public art installation by Diane Lavoie",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please join us for the opening reception of Diane Lavoie\u2019s debut Michigan exhibition *Momentary Landscapes*.  Lavoie will be in conversation with curator Amanda Krugliak about her art practice. Following the talk, there will a be a guided walk with the artist to view the installation.\r\n\r\nAbout the installation:\r\nDiane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.\r\n\r\nAbout the artist:\r\nDiane Lavoie is a North American visual artist based in Berlin, Germany. Her art represents a dialogue between the natural and artificial world, and explores the boundaries between reality and perception. In her practice, Lavoie creates large-scale, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room",
        "location_name":"202 S. Thayer",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "id":"142904-21891782",
        "datetime_modified":"20251218T114133",
        "datetime_start":"20260423T090000",
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        "time_zone":"America\/Detroit",
        "event_title":"Momentary Landscape",
        "occurrence_title":"",
        "combined_title":"Momentary Landscape: A public art installation by Diane Lavoie",
        "event_subtitle":"A public art installation by Diane Lavoie",
        "event_type":"Exhibition",
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        "description":"Diane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.",
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    ,        {
        "id":"142768-21891431",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260423T090000",
        "datetime_end":"20260423T170000",
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        "date_start":"2026-04-23",
        "date_end":"2026-04-23",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
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        "event_title":"Momentary Landscape",
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        "combined_title":"Momentary Landscape: A public art installation by Diane Lavoie",
        "event_subtitle":"A public art installation by Diane Lavoie",
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        "description":"Diane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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