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        "id":"135894-21877403",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250622T100000",
        "datetime_end":"20250622T170000",
        "has_end_time":1,
        "date_start":"2025-06-22",
        "date_end":"2025-06-22",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "building_name":"Off Campus Location",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_name":"Prison Creative Arts Project",
                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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        "image_description":"\"Beyond survival\" printed in yellow font bellow an image of 2 figures, one is laying against a rock playing the guitar the other is standing in a pond with ducks holding a stick",
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    ,        {
        "id":"133414-21873040",
        "datetime_modified":"20250304T131847",
        "datetime_start":"20250622T100000",
        "datetime_end":"20250622T163000",
        "has_end_time":1,
        "date_start":"2025-06-22",
        "date_end":"2025-06-22",
        "time_start":"10:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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                "guid":"133414-21873040@events.umich.edu",
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        "building_name":"Matthaei Botanical Gardens",
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        "location_name":"Matthaei Botanical Gardens",
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        "website":"https:\/\/mbgna.umich.edu\/event\/moth-eden-anne-erlewine-solo-exhibition",
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                "group_id":"1072",
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        "image_description":"Anne Erlewine painting \"Two Trees\" shows two trees in purples, greens, creams and reds",
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    ,        {
        "id":"84303-21621629",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250622T110000",
        "datetime_end":"20250622T200000",
        "has_end_time":1,
        "date_start":"2025-06-22",
        "date_end":"2025-06-22",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
        "has_livestream":0,
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        "tags":["Exhibition"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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    ,        {
        "id":"134757-21874915",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250623T090000",
        "datetime_end":"20250623T170000",
        "has_end_time":1,
        "date_start":"2025-06-23",
        "date_end":"2025-06-23",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874915@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
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                    ],
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_end":"20250623T170000",
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        "date_end":"2025-06-23",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["Exhibition"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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                "group_id":"1177",
                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "id":"134875-21875572",
        "datetime_modified":"20250421T113230",
        "datetime_start":"20250624T120000",
        "datetime_end":"20250624T160000",
        "has_end_time":1,
        "date_start":"2025-06-24",
        "date_end":"2025-06-24",
        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "location_name":"William Clements Library",
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    ,        {
        "id":"134757-21874917",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250625T090000",
        "datetime_end":"20250625T170000",
        "has_end_time":1,
        "date_start":"2025-06-25",
        "date_end":"2025-06-25",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874917@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    ,        {
        "id":"135894-21877406",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250625T100000",
        "datetime_end":"20250625T170000",
        "has_end_time":1,
        "date_start":"2025-06-25",
        "date_end":"2025-06-25",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
                "guid":"135894-21877406@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "type":"facebook",
                "url":"https:\/\/www.facebook.com\/prisonarts\/",
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                "url":"https:\/\/www.instagram.com\/prisonarts\/",
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                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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        "image_description":"\"Beyond survival\" printed in yellow font bellow an image of 2 figures, one is laying against a rock playing the guitar the other is standing in a pond with ducks holding a stick",
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    ,        {
        "id":"133414-21873043",
        "datetime_modified":"20250304T131847",
        "datetime_start":"20250625T100000",
        "datetime_end":"20250625T163000",
        "has_end_time":1,
        "date_start":"2025-06-25",
        "date_end":"2025-06-25",
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        "event_title":"Moth Eden",
        "occurrence_title":"",
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        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "building_name":"Matthaei Botanical Gardens",
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        "location_name":"Matthaei Botanical Gardens",
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        "website":"https:\/\/mbgna.umich.edu\/event\/moth-eden-anne-erlewine-solo-exhibition",
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        "id":"84303-21621631",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250625T110000",
        "datetime_end":"20250625T170000",
        "has_end_time":1,
        "date_start":"2025-06-25",
        "date_end":"2025-06-25",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "datetime_start":"20250625T120000",
        "datetime_end":"20250625T160000",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "datetime_start":"20250626T090000",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "datetime_end":"20250626T170000",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
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        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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        "datetime_modified":"20250304T131847",
        "datetime_start":"20250626T100000",
        "datetime_end":"20250626T163000",
        "has_end_time":1,
        "date_start":"2025-06-26",
        "date_end":"2025-06-26",
        "time_start":"10:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
        "occurrence_notes":null,
                "guid":"133414-21873044@events.umich.edu",
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        "building_name":"Matthaei Botanical Gardens",
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        "location_name":"Matthaei Botanical Gardens",
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        "website":"https:\/\/mbgna.umich.edu\/event\/moth-eden-anne-erlewine-solo-exhibition",
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        "id":"84303-21621632",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250626T100000",
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        "has_end_time":1,
        "date_start":"2025-06-26",
        "date_end":"2025-06-26",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["Exhibition"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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    ,        {
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250626T120000",
        "datetime_end":"20250626T160000",
        "has_end_time":1,
        "date_start":"2025-06-26",
        "date_end":"2025-06-26",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "location_name":"William Clements Library",
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                "group_id":"1727",
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    ,        {
        "id":"135958-21877546",
        "datetime_modified":"20250908T080307",
        "datetime_start":"20250626T120000",
        "datetime_end":"20250626T170000",
        "has_end_time":1,
        "date_start":"2025-06-26",
        "date_end":"2025-06-26",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit, which will debut in fall 2025. We invite you to check out what they've done so far.\r\n\r\nPresented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours: \r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
                "guid":"135958-21877546@events.umich.edu",
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        "building_id":"1000198",
        "building_name":"Detroit Observatory",
        "building_official_id":1000198,
        "campus_maps_id":"189",
        "campus_maps_link_path":"detroit-observatory",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/detroit-observatory",
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        "location_name":"Detroit Observatory",
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                "group_id":"2901",
                "website":"http:\/\/bentley.umich.edu"                },             {
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                "group_id":"5385",
                "website":"https:\/\/detroitobservatory.umich.edu\/"                }                    ],
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        "id":"134757-21874919",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250627T090000",
        "datetime_end":"20250627T170000",
        "has_end_time":1,
        "date_start":"2025-06-27",
        "date_end":"2025-06-27",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874919@events.umich.edu",
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        "building_id":"",
        "building_name":"North Campus Research Complex Building 18",
        "building_official_id":0,
        "campus_maps_id":"595",
        "campus_maps_link_path":"north-campus-research-complex-building-18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "sponsors":[
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                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "id":"135894-21877408",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250627T100000",
        "datetime_end":"20250627T170000",
        "has_end_time":1,
        "date_start":"2025-06-27",
        "date_end":"2025-06-27",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "datetime_modified":"20250304T131847",
        "datetime_start":"20250627T100000",
        "datetime_end":"20250627T163000",
        "has_end_time":1,
        "date_start":"2025-06-27",
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        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20250627T100000",
        "datetime_end":"20250627T200000",
        "has_end_time":1,
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        "date_end":"2025-06-27",
        "time_start":"10:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_name":"Museum of Art",
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        "location_name":"Museum of Art",
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        "tags":["Exhibition"],
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                "url":"https:\/\/www.facebook.com\/ummamuseum\/",
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        "datetime_start":"20250627T120000",
        "datetime_end":"20250627T160000",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "campus_maps_id":"165",
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        "date_end":"2025-06-27",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
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        "datetime_modified":"20250304T131847",
        "datetime_start":"20250628T100000",
        "datetime_end":"20250628T163000",
        "has_end_time":1,
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        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
        "occurrence_notes":null,
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        "image_description":"Anne Erlewine painting \"Two Trees\" shows two trees in purples, greens, creams and reds",
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        "datetime_start":"20250628T110000",
        "datetime_end":"20250628T200000",
        "has_end_time":1,
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        "date_end":"2025-06-28",
        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "location_name":"Museum of Art",
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        "tags":["Exhibition"],
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
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        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
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        "id":"133414-21873047",
        "datetime_modified":"20250304T131847",
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        "datetime_end":"20250629T163000",
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        "event_title":"Moth Eden",
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        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "time_end":"17:00:00",
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        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874922@events.umich.edu",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "datetime_start":"20250630T120000",
        "datetime_end":"20250630T160000",
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        "date_start":"2025-06-30",
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        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "id":"135894-21877412",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250701T100000",
        "datetime_end":"20250701T170000",
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        "date_start":"2025-07-01",
        "date_end":"2025-07-01",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
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        "image_description":"\"Beyond survival\" printed in yellow font bellow an image of 2 figures, one is laying against a rock playing the guitar the other is standing in a pond with ducks holding a stick",
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        "datetime_modified":"20250304T131847",
        "datetime_start":"20250701T100000",
        "datetime_end":"20250701T163000",
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        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "datetime_modified":"20240130T121551",
        "datetime_start":"20250701T110000",
        "datetime_end":"20250701T170000",
        "has_end_time":1,
        "date_start":"2025-07-01",
        "date_end":"2025-07-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Beyond Survival",
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        "id":"84303-21621637",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250702T110000",
        "datetime_end":"20250702T170000",
        "has_end_time":1,
        "date_start":"2025-07-02",
        "date_end":"2025-07-02",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250702T120000",
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        "has_end_time":1,
        "date_start":"2025-07-02",
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        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "id":"134757-21874925",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250703T090000",
        "datetime_end":"20250703T170000",
        "has_end_time":1,
        "date_start":"2025-07-03",
        "date_end":"2025-07-03",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874925@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
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    ,        {
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        "datetime_modified":"20250529T110505",
        "datetime_start":"20250703T100000",
        "datetime_end":"20250703T170000",
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        "date_start":"2025-07-03",
        "date_end":"2025-07-03",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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        "datetime_modified":"20250304T131847",
        "datetime_start":"20250703T100000",
        "datetime_end":"20250703T163000",
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        "event_title":"Moth Eden",
        "occurrence_title":"",
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        "event_subtitle":"Anne Erlewine Solo Exhibition",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "event_title":"Beyond Survival",
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        "event_title":"Moth Eden",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_start":"20250707T090000",
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        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
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    ,        {
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        "datetime_modified":"20250529T110505",
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        "date_start":"2025-07-07",
        "date_end":"2025-07-07",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250707T120000",
        "datetime_end":"20250707T160000",
        "has_end_time":1,
        "date_start":"2025-07-07",
        "date_end":"2025-07-07",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "building_name":"William Clements Library",
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        "datetime_start":"20250708T090000",
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        "has_end_time":1,
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        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "id":"135894-21877419",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250708T100000",
        "datetime_end":"20250708T170000",
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        "date_start":"2025-07-08",
        "date_end":"2025-07-08",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "datetime_modified":"20240130T121551",
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        "has_end_time":1,
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_start":"20250708T120000",
        "datetime_end":"20250708T160000",
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        "date_end":"2025-07-08",
        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "location_name":"William Clements Library",
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        "datetime_modified":"20250407T111911",
        "datetime_start":"20250709T090000",
        "datetime_end":"20250709T170000",
        "has_end_time":1,
        "date_start":"2025-07-09",
        "date_end":"2025-07-09",
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        "time_end":"17:00:00",
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        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874931@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"135894-21877420",
        "datetime_modified":"20250529T110505",
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        "datetime_end":"20250709T170000",
        "has_end_time":1,
        "date_start":"2025-07-09",
        "date_end":"2025-07-09",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "building_name":"Off Campus Location",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "id":"84303-21621642",
        "datetime_modified":"20240130T121551",
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        "has_end_time":1,
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        "time_start":"11:00:00",
        "time_end":"17:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250709T120000",
        "datetime_end":"20250709T160000",
        "has_end_time":1,
        "date_start":"2025-07-09",
        "date_end":"2025-07-09",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "building_id":"1000159",
        "building_name":"William Clements Library",
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        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "location_name":"William Clements Library",
        "has_livestream":0,
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                "group_id":"1727",
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        "id":"134757-21874932",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250710T090000",
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        "has_end_time":1,
        "date_start":"2025-07-10",
        "date_end":"2025-07-10",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874932@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    ,        {
        "id":"135894-21877421",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250710T100000",
        "datetime_end":"20250710T170000",
        "has_end_time":1,
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        "date_end":"2025-07-10",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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    ,        {
        "id":"134757-21874933",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250711T090000",
        "datetime_end":"20250711T170000",
        "has_end_time":1,
        "date_start":"2025-07-11",
        "date_end":"2025-07-11",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "id":"135894-21877422",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250711T100000",
        "datetime_end":"20250711T170000",
        "has_end_time":1,
        "date_start":"2025-07-11",
        "date_end":"2025-07-11",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "id":"84303-21621644",
        "datetime_modified":"20240130T121551",
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        "datetime_end":"20250711T200000",
        "has_end_time":1,
        "date_start":"2025-07-11",
        "date_end":"2025-07-11",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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                "group_id":"1177",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250711T120000",
        "datetime_end":"20250711T160000",
        "has_end_time":1,
        "date_start":"2025-07-11",
        "date_end":"2025-07-11",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "building_id":"1000159",
        "building_name":"William Clements Library",
        "building_official_id":1000159,
        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "room":"",
        "location_name":"William Clements Library",
        "has_livestream":0,
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                "group_id":"1727",
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        "id":"135958-21877565",
        "datetime_modified":"20250908T080307",
        "datetime_start":"20250711T120000",
        "datetime_end":"20250711T170000",
        "has_end_time":1,
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        "date_end":"2025-07-11",
        "time_start":"12:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit, which will debut in fall 2025. We invite you to check out what they've done so far.\r\n\r\nPresented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours: \r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
                "guid":"135958-21877565@events.umich.edu",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "datetime_modified":"20250529T110505",
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        "has_end_time":1,
        "date_start":"2025-07-12",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "id":"136401-21878619",
        "datetime_modified":"20250709T122805",
        "datetime_start":"20250712T103000",
        "datetime_end":"20250712T233000",
        "has_end_time":1,
        "date_start":"2025-07-12",
        "date_end":"2025-07-12",
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        "time_end":"23:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Guided Tour of the Clements Library",
        "occurrence_title":"",
        "combined_title":"Guided Tour of the Clements Library",
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        "occurrence_notes":"Arrive at our North Entrance to check in for your tour. This entrance is accessible and an elevator is available to move between floors.",
                "guid":"136401-21878619@events.umich.edu",
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        "building_name":"William Clements Library",
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        "id":"84303-21621645",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250712T110000",
        "datetime_end":"20250712T200000",
        "has_end_time":1,
        "date_start":"2025-07-12",
        "date_end":"2025-07-12",
        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "location_name":"Museum of Art",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "date_end":"2025-07-13",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
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        "event_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Exhibition Tour: Post No Bills with Curator Ashley Miller",
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        "combined_title":"Exhibition Tour: Post No Bills with Curator Ashley Miller: University of Michigan Museum of Art ",
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        "description":"Join UMMA Curator Ashley Miller for a tour of \u201cPost No Bills\u201d. This exhibition highlights the works of Turkish diplomat Burhan Do\u011fan\u00e7ay (1929\u20132013) and his fascination with the messy cacophony of urban bulletin boards\u2014produced by chance and absorbing the chaos of everyday life. Urban walls struck him as beautiful abstract paintings composed by humans, nature, and time. He abandoned his consular post and dedicated the rest of his life to creating artworks inspired by public walls around the world. Over fifty years he traveled to more than one hundred cities, documenting the ever-changing advertisements, graffiti, and discourses recorded on thousands of walls. They became the inspiration for his own mixed media works that often incorporate raw materials from the street.\n \nFree and open to the public, pre-registration is required.\n ",
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        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "id":"135894-21877425",
        "datetime_modified":"20250529T110505",
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        "has_end_time":1,
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        "date_end":"2025-07-14",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
                "guid":"135894-21877425@events.umich.edu",
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        "datetime_start":"20250714T120000",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "datetime_start":"20250715T090000",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "datetime_start":"20250715T100000",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "event_title":"Beyond Survival",
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        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "id":"134757-21874939",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250717T090000",
        "datetime_end":"20250717T170000",
        "has_end_time":1,
        "date_start":"2025-07-17",
        "date_end":"2025-07-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "id":"135894-21877428",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250717T100000",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "id":"84303-21621649",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250717T100000",
        "datetime_end":"20250717T200000",
        "has_end_time":1,
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["Exhibition"],
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                "group_id":"1177",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250717T120000",
        "datetime_end":"20250717T160000",
        "has_end_time":1,
        "date_start":"2025-07-17",
        "date_end":"2025-07-17",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "location_name":"William Clements Library",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
        "occurrence_notes":null,
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        "room":"European and American Decorative Art",
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        "tags":["Exhibition"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "id":"134875-21875596",
        "datetime_modified":"20250421T113230",
        "datetime_start":"20250718T120000",
        "datetime_end":"20250718T160000",
        "has_end_time":1,
        "date_start":"2025-07-18",
        "date_end":"2025-07-18",
        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "id":"135958-21877566",
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        "datetime_start":"20250718T120000",
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        "has_end_time":1,
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit, which will debut in fall 2025. We invite you to check out what they've done so far.\r\n\r\nPresented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours: \r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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    ,        {
        "id":"135894-21877430",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250719T100000",
        "datetime_end":"20250719T170000",
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        "date_start":"2025-07-19",
        "date_end":"2025-07-19",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
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        "event_title":"Exhibition Tour: La\u00a0Raza\u00a0Art and Media Collective with curator F\u00e9lix Zamora\u00a0G\u00f3mez",
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        "combined_title":"Exhibition Tour: La\u00a0Raza\u00a0Art and Media Collective with curator F\u00e9lix Zamora\u00a0G\u00f3mez: University of Michigan Museum of Art ",
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        "description":"Join exhibition co-curator F\u00e9lix Zamora G\u00f3mez for a look at \u201cLa Raza Art and Media Collective, 1975-Today.\u201d This exhibition revisits the 50th anniversary of the RAM Collective\u2014formed by a pioneering group of Latina\/o students to voice the cultural and political expression of Chicano, Hispanic, and Latin American communities\u2014by presenting the four original issues of its multimedia journal produced between 1976 and 1977. The journals are exhibited here for the first time, framed by original art commissions from three generations of Latinx alumni artists \u2014George Vargas, Nicole Marroquin, and Michelle Hinojosa.\n \nFree and open to the public. Pre-registration required\n ",
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        "id":"84303-21621653",
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        "datetime_start":"20250722T110000",
        "datetime_end":"20250722T170000",
        "has_end_time":1,
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        "date_end":"2025-07-22",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_start":"20250722T120000",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "datetime_start":"20250723T090000",
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        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "datetime_start":"20250723T100000",
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        "date_end":"2025-07-23",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["Exhibition"],
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "id":"134875-21875601",
        "datetime_modified":"20250421T113230",
        "datetime_start":"20250723T120000",
        "datetime_end":"20250723T160000",
        "has_end_time":1,
        "date_start":"2025-07-23",
        "date_end":"2025-07-23",
        "time_start":"12:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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    ,        {
        "id":"134757-21874946",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250724T090000",
        "datetime_end":"20250724T170000",
        "has_end_time":1,
        "date_start":"2025-07-24",
        "date_end":"2025-07-24",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874946@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    ,        {
        "id":"135894-21877435",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250724T100000",
        "datetime_end":"20250724T170000",
        "has_end_time":1,
        "date_start":"2025-07-24",
        "date_end":"2025-07-24",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
                "guid":"135894-21877435@events.umich.edu",
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        "building_name":"Off Campus Location",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "url":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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        "image_description":"\"Beyond survival\" printed in yellow font bellow an image of 2 figures, one is laying against a rock playing the guitar the other is standing in a pond with ducks holding a stick",
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    ,        {
        "id":"84303-21621655",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250724T100000",
        "datetime_end":"20250724T200000",
        "has_end_time":1,
        "date_start":"2025-07-24",
        "date_end":"2025-07-24",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_name":"Museum of Art",
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        "campus_maps_link_path":"alumni-memorial-hall",
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        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "date_start":"2025-07-25",
        "date_end":"2025-07-25",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "id":"84303-21621656",
        "datetime_modified":"20240130T121551",
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        "datetime_end":"20250725T200000",
        "has_end_time":1,
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        "time_end":"20:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_start":"20250725T120000",
        "datetime_end":"20250725T160000",
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        "date_end":"2025-07-25",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "location_name":"William Clements Library",
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                "group_id":"1727",
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        "datetime_start":"20250725T120000",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "event_subtitle":"",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit, which will debut in fall 2025. We invite you to check out what they've done so far.\r\n\r\nPresented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours: \r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
        "occurrence_notes":null,
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        "building_official_id":1000198,
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        "event_title":"Beyond Survival",
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        "id":"84303-21621658",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250727T110000",
        "datetime_end":"20250727T200000",
        "has_end_time":1,
        "date_start":"2025-07-27",
        "date_end":"2025-07-27",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
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        "date_start":"2025-07-28",
        "date_end":"2025-07-28",
        "time_start":"10:00:00",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "datetime_start":"20250728T120000",
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        "date_start":"2025-07-28",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "combined_title":"Bloody Work: Lexington and Concord 1775",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
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        "datetime_start":"20250729T090000",
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        "date_end":"2025-07-29",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "id":"135894-21877440",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250729T100000",
        "datetime_end":"20250729T170000",
        "has_end_time":1,
        "date_start":"2025-07-29",
        "date_end":"2025-07-29",
        "time_start":"10:00:00",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "id":"84303-21621659",
        "datetime_modified":"20240130T121551",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250729T120000",
        "datetime_end":"20250729T160000",
        "has_end_time":1,
        "date_start":"2025-07-29",
        "date_end":"2025-07-29",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "building_name":"William Clements Library",
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        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "location_name":"William Clements Library",
        "has_livestream":0,
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                "group_id":"1727",
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        "id":"134757-21874952",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250730T090000",
        "datetime_end":"20250730T170000",
        "has_end_time":1,
        "date_start":"2025-07-30",
        "date_end":"2025-07-30",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874952@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "location_name":"North Campus Research Complex Building 18",
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        "id":"135894-21877441",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250730T100000",
        "datetime_end":"20250730T170000",
        "has_end_time":1,
        "date_start":"2025-07-30",
        "date_end":"2025-07-30",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
        "occurrence_notes":null,
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        "building_name":"Off Campus Location",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["Exhibition"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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                "group_id":"2376",
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        "id":"84303-21621660",
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        "has_end_time":1,
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        "date_end":"2025-07-30",
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        "time_end":"17:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "datetime_modified":"20250421T113230",
        "datetime_start":"20250730T120000",
        "datetime_end":"20250730T160000",
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        "date_end":"2025-07-30",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "building_id":"1000159",
        "building_name":"William Clements Library",
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        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "location_name":"William Clements Library",
        "has_livestream":0,
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                "group_id":"1727",
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        "id":"134757-21874953",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250731T090000",
        "datetime_end":"20250731T170000",
        "has_end_time":1,
        "date_start":"2025-07-31",
        "date_end":"2025-07-31",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
                "guid":"134757-21874953@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
        "location_name":"North Campus Research Complex Building 18",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    ,        {
        "id":"135894-21877442",
        "datetime_modified":"20250529T110505",
        "datetime_start":"20250731T100000",
        "datetime_end":"20250731T170000",
        "has_end_time":1,
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        "date_end":"2025-07-31",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
        "occurrence_title":"",
        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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    ,        {
        "id":"134757-21874954",
        "datetime_modified":"20250407T111911",
        "datetime_start":"20250801T090000",
        "datetime_end":"20250801T170000",
        "has_end_time":1,
        "date_start":"2025-08-01",
        "date_end":"2025-08-01",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"NCRC Galleries",
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        "datetime_modified":"20250529T110505",
        "datetime_start":"20250801T100000",
        "datetime_end":"20250801T170000",
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        "date_start":"2025-08-01",
        "date_end":"2025-08-01",
        "time_start":"10:00:00",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "cost":"$10 for the public $8 for students",
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        "datetime_modified":"20240130T121551",
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        "datetime_end":"20250801T200000",
        "has_end_time":1,
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "image_description":"Titus Kaphar, Flay (James Madison), 2019, oil on canvas with nails. University of Michigan Museum of Art, Museum purchase made possible by Joseph and Annette Allen, 2019\/2.184. Courtesy Maruani Mercer and the artist. \u00a9 Titus Kaphar\r\n",
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        "datetime_start":"20250801T120000",
        "datetime_end":"20250801T160000",
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        "date_end":"2025-08-01",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
        "occurrence_title":"",
        "combined_title":"Bloody Work: Lexington and Concord 1775",
        "event_subtitle":"",
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        "description":"The William L. Clements Library is pleased to announce a forthcoming exhibition in recognition of the 250th Anniversary of the military hostilities that began the American Revolutionary War. The Battles of Lexington and Concord are firmly established in American memory as the culmination of a range of governmental, political, economic, and social tensions that amplified in the decade leading up to 1775. In this exhibit, visitors will have the opportunity to see original historical manuscript letters, documents, newspapers, and artwork that reveal aspects of the bloody work of Empire and individual alike in April 1775.\r\n\r\nAmong the items on display will be Commander in Chief of the British Army, General Thomas Gage's draft orders for the Concord Expedition, April 18, 1775; a bundle of letters collected by former Sons of Liberty supporter Dr. Benjamin Church, which he secretly turned over to British Army intelligence; letters by Silas Deane, John Hancock, and Rachel Revere; and much more.\r\n\r\nOpen weekdays from 12-4 pm.",
        "occurrence_notes":null,
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        "campus_maps_id":"165",
        "campus_maps_link_path":"william-l-clements-library",
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        "location_name":"William Clements Library",
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                "group_id":"1727",
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        "id":"135958-21877568",
        "datetime_modified":"20250908T080307",
        "datetime_start":"20250801T120000",
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        "date_end":"2025-08-01",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Beyond Survival",
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        "id":"84303-21621664",
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250803T110000",
        "datetime_end":"20250803T200000",
        "has_end_time":1,
        "date_start":"2025-08-03",
        "date_end":"2025-08-03",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "event_title":"Carlo Vitale Exhibition",
        "occurrence_title":"",
        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
        "event_subtitle":"The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
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        "event_title":"Bloody Work: Lexington and Concord 1775",
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        "event_title":"Carlo Vitale Exhibition",
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        "id":"135958-21877650",
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        "event_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "combined_title":"Watcher of the Sky: Making and Remaking the Detroit Observatory",
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        "description":"The Detroit Observatory was once a hub of astronomical discovery that put the University of Michigan on the map as a world-class research institution. A century later, it was an abandoned building with an uncertain future. From cornerstone to keystone, from the first director to the people who saved it from destruction, explore the life of a historic observatory 170 years in the making.\r\n\r\n\"Watcher of the Sky\" is being developed by student docents at the Detroit Observatory. They are currently collaborating with a museum design firm on the final version of the exhibit, which will debut in fall 2025. We invite you to check out what they've done so far.\r\n\r\nPresented by the Judy and Stanley Frankel Detroit Observatory, part of the Bentley Historical Library.\r\n\r\n\"Watcher of the Sky\" is now on display at the Detroit Observatory (1398 Ann Street, Ann Arbor, 48109). View the exhibit during the Observatory's open hours: \r\nThursdays, 12-5 pm\r\nFridays, 12-5 pm",
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        "event_title":"Carlo Vitale Exhibition",
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        "combined_title":"Carlo Vitale Exhibition: The First Thing That I Saw",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
        "occurrence_notes":"Hours Monday - Friday, 9 am 50 5 pm or by appointment, serrag@med.umich.edu",
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        "datetime_start":"20250808T090000",
        "datetime_end":"20250808T130000",
        "has_end_time":1,
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        "date_end":"2025-08-08",
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        "event_title":"ITS Internship Program Showcase",
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        "event_title":"Beyond Survival",
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        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "website":"https:\/\/www.facebook.com\/prisonarts\/",
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        "datetime_start":"20250808T120000",
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        "has_end_time":1,
        "date_start":"2025-08-08",
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        "description":"Carlo Vitale is a distinguished Michigan-based artist whose vibrant contributions to the Detroit art scene have flourished since the 1970s. A native of Detroit, Vitale's work is celebrated as part of the second generation of the Cass Corridor Art Movement, Detroit\u2019s first avante garde. His art draws inspiration from the sweeping vistas of farmland seen from above, the intricate patterns of quilt-making, the dynamic energy of cityscapes, and the rich tapestry of daily life. Vitale eloquently characterizes his mesmerizing oil paintings and prints as \u201ckinetic, metaphysical abstractions,\u201d inviting viewers to engage with the depth and vitality of his creative vision.\r\n\r\nVitale received his Bachelor of Fine Arts and Masters of Fine Arts from Wayne State University in Detroit.  His work can be found in many collections including The Whitney Museum of Fine Art in New York, The Detroit Institute of Art, Cranbrook Art Museum, Wayne State University Collection, University of Michigan Museum of Art and corporate, hospital, and private collections throughout the country.",
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        "date_start":"2025-08-11",
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