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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CSEAS Friday Lecture Series | The Sins of Their Fathers: Can Political Families in the Philippines be Held Accountable?",
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        "combined_title":"CSEAS Friday Lecture Series | The Sins of Their Fathers: Can Political Families in the Philippines be Held Accountable?: Sheila Coronel, Toni Stabile Professor of Professional Practice in Investigative Journalism; Director, Toni Stabile Center for Investigative Journalism Columbia University",
        "event_subtitle":"Sheila Coronel, Toni Stabile Professor of Professional Practice in Investigative Journalism; Director, Toni Stabile Center for Investigative Journalism Columbia University",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/AWree\r\n\r\nThe 2022 elections saw the rise to the commanding heights of power in the Philippines  of scions of two prominent political families: Ferdinand Marcos Jr. and Sara Duterte, who were voted president and vice president, respectively. They are the children of two former presidents who have been accused of the most grievous offenses committed by a Philippine  head of state since 1935, when first presidential elections were held during the Philippine Commonwealth, under the aegis of U.S. colonial rule. Ferdinand Marcos Sr. has been accused of grievous human rights abuses and of plundering as much as $20 billion dollars during his 20-year rule (1965-1986). Rodrigo Duterte (2016-2022) presided over a bloody war on drugs that killed thousands, many of them small-time drug peddlers or drug users in urban slums.\r\n\r\nAre Philippine elections therefore not accountability mechanisms but more like laundromats that wash away the sins of the past? A cycle of wash, rinse, repeat, whereby political families like the Marcoses and the Dutertes can cleanse themselves of the taint of past wrongdoing and be fresh again?\r\n\r\nThis talk will examine the enduring hold of political families in the Philippines and the mechanisms that they employ to appeal to the electorate and to control the levers of political power at the local and national levels.\r\n\r\nSHEILA S. CORONEL is director of the Stabile Center for Investigative Journalism and the Stabile Professor of Professional Practice in Investigative Journalism at Columbia University. She worked for many years as a journalist in the Philippines and was a co-founder and director of the Philippine Center for Investigative Journalism. She is the author and editor of more than a dozen books. She has received numerous awards for her work, including the Ramon Magsaysay Award, Asia\u2019s highest prize.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Feeling like a fraud: The Impact of the Impostor Phenomenon on the Mental Health of Minoritized College Students",
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        "combined_title":"Feeling like a fraud: The Impact of the Impostor Phenomenon on the Mental Health of Minoritized College Students: Kevin Cokley",
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        "description":"In this talk, Dr. Kevin Cokley will engage participants in a discussion around effectively confronting the impostor phenomenon. He will discuss how the impostor phenomenon is created, share clinical observations, and describe the impostor cycle. Next, he will discuss the nature of impostor feelings and its mental health implications. He will address how impostor feelings differ among minoritized individuals. He will end by providing individual and institutional strategies to combat impostor feelings.",
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        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Fulbright Alumni Panel",
        "occurrence_title":"",
        "combined_title":"Fulbright Alumni Panel: Heather M. Johnson, Fellowships and Fulbright Program Advisor",
        "event_subtitle":"Heather M. Johnson, Fellowships and Fulbright Program Advisor",
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        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/wyqk1\r\n\r\nThe Institute of International Education (IIE), on behalf of the U.S. State Department, administers the Fulbright U.S. Student Program, which offers research, study, and teaching opportunities in over 140 countries to recent graduates and graduate students. This competition is administered on campus by the International Institute (II).\r\n   \r\n   During this panel, Fulbright alumni and advisors will be sharing advice on preparing applications, as well as offering details on future opportunities. All U-M students and alumni interested in Fulbright are welcome!\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"LRCCS Noon Lecture Series | Seeing the World Like a Sage: Mengzi on Cultivating Perception",
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        "combined_title":"LRCCS Noon Lecture Series | Seeing the World Like a Sage: Mengzi on Cultivating Perception: Franklin Perkins, Professor of Philosophy, University of Hawai\u2019i at Manoa",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/MrNjW\r\n\r\nMengzi claims that human beings have natural affective responses that lead them toward being good, but virtue requires extending and modifying these feeling so that they arise in all of the appropriate circumstances. In this talk, I argue that, for Mengzi, the cultivation of emotions is based not on judgment or analogy but on perception. The goal of cultivation is to shape oneself so that the world appears in a certain way.\r\n   \r\nFranklin Perkins is Professor of Philosophy at the University of Hawai\u2019i at M\u0101noa and editor of the journal Philosophy East and West. His main research interests are in classical Chinese philosophy, early modern European philosophy, and in the challenges of doing philosophy in a comparative or intercultural context. He is the author of \"Heaven and Earth are not Humane: The Problem of Evil in Classical Chinese Philosophy\" (Indiana, 2014), \"Leibniz: A Guide for the Perplexed\" (Bloomsbury, 2007), and \"Leibniz and China: A Commerce of Light\" (Cambridge, 2004), and was co-editor of \"Chinese Metaphysics and Its Problems\" (Cambridge, 2015), with Chenyang Li. His most recent book is \"Doing What You Really Want: An Introduction to the Philosophy of Mengzi\" (Oxford University Press, 2021).\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Nam Center Colloquium Series | Accessing Korean Art Song: An Under Appreciated Gem",
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        "combined_title":"Nam Center Colloquium Series | Accessing Korean Art Song: An Under Appreciated Gem: Matthew Thompson, Assistant Professor, School of Music, Theatre & Dance, University of Michigan",
        "event_subtitle":"Matthew Thompson, Assistant Professor, School of Music, Theatre & Dance, University of Michigan",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/pkDjq\r\n\r\nWith a history spanning just over 100 years, Korean art song (Gagok), is an equally sophisticated and beautiful genre as German Lieder or French m\u00e9lodies. The repertoire has received almost no attention by performers and scholars, however. The majority of those who do study and perform it tend to be of Korean background and already have mastery of the language.\r\n   \r\n   Since 2020, Dr. Matthew Thompson has run a FEAST research team at U-M dedicated to making Korean art song more accessible to English speakers. What are the challenges of encountering this repertoire as a non-native speaker? What materials and resources exist to aid those interested in further study? Dr. Thompson will present both on his research and on the materials that he is developing to help more people engage with this amazing repertoire.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"ELI Backpacking + Pizza Party!",
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        "event_type_id":"19",
        "description":"Meet with ELI faculty, learn about ELI\u2019s Academic English courses for international students, and enjoy some pizza!\r\n\r\nWednesday, April 3 | 5:00\u20136:30 p.m.\r\n955 Weiser Hall",
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        "event_title":"Signe Karlstr\u00f6m Lecture: A Dwarf Among Giants",
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        "combined_title":"Signe Karlstr\u00f6m Lecture: A Dwarf Among Giants: How can a small language survive in the world's literature?",
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        "description":"Iceland \u0301s population of 370,000 people has a rich literary tradition, renewed by a current expansion in creative writing. The Scandinavian Program Writer in Residence Hl\u00edn Agnarsd\u00f3ttir will discuss the importance of literature in saving a small language, and the importance of translation for those writing in their mother tongue.\r\nA versatile author and seasoned theater director, dramaturg and playwright, Hl\u00edn Agnarsd\u00f3ttir has published four novels, two memoirs, various plays and a bilingual poetry collection Deer Hunting. Her latest book Celibacy, Love Research was published in October 2023. Hl\u00edn has been teaching creative writing at the University of Iceland and Iceland University of the Arts for several years. She now lives in Sweden and mainly works as a writer.\r\nSponsored by the Detroit Swedish Foundation and the Signe Karlstr\u00f6m Fund.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_start":"20240404T090000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CJS Thursday Noon Lecture Series | For Whom and for What Purposes?: Peace and War Museums in Japan and Its Neighbors",
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        "combined_title":"CJS Thursday Noon Lecture Series | For Whom and for What Purposes?: Peace and War Museums in Japan and Its Neighbors: Takashi Yoshida, Professor of History, Western Michigan University",
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        "description":"This lecture will be in-person only and will not be recorded.\r\n\r\nJapan and its neighboring nations invaded by its military during WWII host numerous history museums dedicated to the WWII period. Each museum seems to have its political goals to convey its visitors. This talk analyzes Japan's so-called war and peace museums in the context of East Asia.\r\n   \r\n   Takashi Yoshida is a professor of history at Western Michigan University. His publications include *From Cultures of War to Cultures of Peace: War and Peace Museums in Japan, China, and South Korea* (Merwin Asia, 2014) and *The Making of the \u201cRape of Nanking\u201d: History and Memory in Japan, China, and the United States* (Oxford University Press, 2006).\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "date_end":"2024-04-04",
        "time_start":"15:00:00",
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        "event_title":"American Council for Southern Asian Art XXIST Biennial Symposium",
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        "combined_title":"American Council for Southern Asian Art XXIST Biennial Symposium",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Full details and registration link at https:\/\/sites.lsa.umich.edu\/acsaa2024\/\r\n\r\nACSAA symposia occur in alternating years and serve as opportunities to meet colleagues, reconnect with mentors and graduate school cohorts, and share one\u2019s current research with the field. From senior scholars to graduate students, ACSAA symposia are one of the primary ways ACSAA members gather and support one another, share ideas with a group of like-minded colleagues, and participate in the ACSAA community. We are looking forward to welcoming you all to Ann Arbor, Michigan!\r\n   \r\n   All the scholarly talks and panels are free and open to all students, faculty, and staff at the University of Michigan.\r\n   \r\n   The symposium is made possible thanks to the generous support of various departments and units at the University of Michigan including the Department of the History of Art and the Museum of Art.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CJS Winter 2024 Film Series | *Kasane*",
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        "combined_title":"CJS Winter 2024 Film Series | *Kasane*: dir. Y\u016bichi Sat\u014d, 1 hr. 52 min., 2018",
        "event_subtitle":"dir. Y\u016bichi Sat\u014d, 1 hr. 52 min., 2018",
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        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/ezrqX\r\n   \r\n   An ugly but talented actress gains the power to copy the bodies of beautiful actresses temporarily. But how long can she maintain the facade?\r\n   \r\n   Curator's note by Markus Nornes: Sat\u014d's *Kasane* is an edgy and stylish adaptation of Daruma Matsunaga's *manga*. It links two actresses of varying looks and talent through a magical lipstick, which enables the swapping of appearance and being. They attempt to, as it were, combine their talents; but a male acquaintance has ulterior motives.\r\n   \r\n   Presented in Japanese with English subtitles. Read more about the film, including ratings, at https:\/\/imdb.com\/title\/tt7058612\/\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Off Campus Location",
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        "location_name":"Michigan Theater, Liberty Street",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "time_start":"08:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"American Council for Southern Asian Art XXIST Biennial Symposium",
        "occurrence_title":"",
        "combined_title":"American Council for Southern Asian Art XXIST Biennial Symposium",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Full details and registration link at https:\/\/sites.lsa.umich.edu\/acsaa2024\/\r\n\r\nACSAA symposia occur in alternating years and serve as opportunities to meet colleagues, reconnect with mentors and graduate school cohorts, and share one\u2019s current research with the field. From senior scholars to graduate students, ACSAA symposia are one of the primary ways ACSAA members gather and support one another, share ideas with a group of like-minded colleagues, and participate in the ACSAA community. We are looking forward to welcoming you all to Ann Arbor, Michigan!\r\n   \r\n   All the scholarly talks and panels are free and open to all students, faculty, and staff at the University of Michigan.\r\n   \r\n   The symposium is made possible thanks to the generous support of various departments and units at the University of Michigan including the Department of the History of Art and the Museum of Art.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "id":"116487-21837102",
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        "datetime_start":"20240405T090000",
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        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_id":"1031",
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    ,        {
        "id":"117312-21839158",
        "datetime_modified":"20240117T160614",
        "datetime_start":"20240405T120000",
        "datetime_end":"20240405T130000",
        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"CSEAS Friday Lecture Series | Women Issuing Fatwas in Indonesia: Gender, Authority, and Everyday Legal Practice",
        "occurrence_title":"",
        "combined_title":"CSEAS Friday Lecture Series | Women Issuing Fatwas in Indonesia: Gender, Authority, and Everyday Legal Practice: Nor Ismah, Deputy Director of the Institute of Southeast Asian Islam at Sunan Kalijaga State Islamic University in Indonesia and 2023-2024 Gosling-Lim Fellow at the University of Michigan",
        "event_subtitle":"Nor Ismah, Deputy Director of the Institute of Southeast Asian Islam at Sunan Kalijaga State Islamic University in Indonesia and 2023-2024 Gosling-Lim Fellow at the University of Michigan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/W281w\r\n\r\nNor Ismah introduces a novel approach to examining fatwas (Islamic legal opinions) within the context of Indonesia, with the aim of contributing to the broader field of Islamic Studies on fatwa-making. It advocates for a redirection of research attention towards women's fatwa-making, emphasizing their lived experiences and the specific locales where they issue fatwas. By integrating Islamic studies frameworks with anthropological research and gender studies, my presentation challenges the conventional concentration on male-dominated institutions, highlighting the grassroots level practice of issuing fatwas, particularly by women.\r\n   \r\n   She contends that fatwa-issuing institutions exhibit gendered structures that marginalize women from significant roles and recognition as Islamic scholars. Consequently, an exploration of women's fatwa-making necessitates an examination of various interaction sites between female muftis and those seeking fatwas. These interactions unveil dynamic shifts in women's experiences, religious authority, and everyday fatwa-making practices influenced by context-specific resources. The active participation of women disrupts traditional norms, challenging gendered structures within fatwa-making institutions.\r\n   \r\n   Additionally, it signifies the evolution of doctrinal changes and ethical practices, transforming fatwas from static outcomes into a dynamic and inclusive realm of interaction, innovation, and Islamic authority. The presentation argues that the success observed in Indonesia holds paramount importance for a comprehensive understanding of Muslim women's experiences in contemporary Muslim society. To achieve a holistic perspective, the study recommends shifting the focus away from the Middle East and expanding research to encompass Muslims in other regions, particularly Southeast Asia, where the most populous Muslim country is situated. This shift is envisioned to offer a well-rounded depiction of the diverse experiences of Muslim women beyond the conventional geographical center of Islam.\r\n   \r\n   Nor Ismah is Deputy Director of the Institute of Southeast Asian Islam at Sunan Kalijaga State Islamic University in Indonesia. She holds a Master\u2019s degree in Southeast Asian Studies from the School of Pacific and Asian Studies at the University of Hawaii at Manoa, completing her studies in 2012 with the support of the Ford Foundation International Fellowship Program. From 2016 to 2023, she pursued her PhD studies at the Leiden University Institute for Area Studies (LIAS), sponsored by the Indonesia Endowment Fund for Education under the Ministry of Finance of the Republic of Indonesia. Nor Ismah\u2019s research focuses on Islam, women's knowledge production, and media. In recognition of her scholarly achievements, Nor Ismah was awarded the Co2libri Early Career Researcher Fellowship at the Institute of Asian and African Studies, Humboldt-Universit\u00e4t zu Berlin in 2023. She received the prestigious 2023-2024 Association of Asian Studies Gosling-Lim Postdoctoral Fellowship in Southeast Asian Studies, which is hosted by and has brought her to the Center for Southeast Asian Studies (CSEAS) at the University of Michigan, Ann Arbor.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"117312-21839158@events.umich.edu",
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        "event_title":"Study Abroad in Granada - Winter 2025",
        "occurrence_title":"",
        "combined_title":"Study Abroad in Granada - Winter 2025",
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        "event_type_id":"22",
        "description":"Join CGIS Advisor, Juliana Mesa, to learn more about the CGIS: Advanced Language and Culture in Granada (Spain) program, the application process, the academics, and life in Granada.\r\nThis Winter 2025 intensive Michigan program combines classes with a U-M faculty and local Spanish professors at a local study abroad center. Students have the option to take a class at the Universidad de Granada or partake in a for-credit internship.\r\nThe Department of Romance Languages and Literatures has pre-approved this program for fulfilling Spanish major\/minor requirements while abroad.",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
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        "datetime_start":"20240408T090000",
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        "event_title":"Social Media and Society in India Symposium",
        "occurrence_title":"",
        "combined_title":"Social Media and Society in India Symposium: The 4th International Conference",
        "event_subtitle":"The 4th International Conference",
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        "event_type_id":"5",
        "description":"The University of Michigan is hosting a hybrid conference on social media and society in India April 8-9, 2024, featuring an array of speakers to discuss various ways in which social media is impacting contemporary life in India. \r\n\r\nFull conference details at https:\/\/myumi.ch\/zXXNy\r\n\r\nPlease register to attend the symposium in person or via Zoom at https:\/\/myumi.ch\/W55D1\r\n\r\nView the speakers and program for the symposium.\r\n\r\nThe event is in its fourth iteration at U-M and is a premier venue for conversations around social media and society in India.\r\n\r\nThe Social Media and Society in India Symposium is organized by Joyojeet Pal, associate professor of information at UMSI. \r\n\r\nFunding for the symposium is provided by: the School of Information (UMSI); LSA Center for South Asia Studies; Martha Boaz Distinguished Lectureship Fund at UMSI; LSA Communication & Media; Center for Ethics, Society and Computing (ESC); Wallace House Center for Journalists; and Digital Studies Institute.",
        "occurrence_notes":null,
                "guid":"121144-21845876@events.umich.edu",
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        "location_name":"North Quad",
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        "tags":["Asia"],
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    ,        {
        "id":"119768-21843551",
        "datetime_modified":"20240319T104407",
        "datetime_start":"20240408T130000",
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        "event_title":"The Lombroso Galaxy in South America",
        "occurrence_title":"",
        "combined_title":"The Lombroso Galaxy in South America: Lecture by Livio Sansone (UFBA)",
        "event_subtitle":"Lecture by Livio Sansone (UFBA)",
        "event_type":"Lecture \/ Discussion",
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        "description":"In this talk Professor Sansonse will present his book, *La Galassia Lombroso: l\u2019Africa e l\u2019America Latina* (The Lombroso Galaxy) in which he shows the academic and intellectual exchanges between relatively marginal national anthropologies, such as the Italian and the various Latin American schools. In Brazil, Cuba and Argentina ethnography was powerfully informed by the methods and philosophy of the Italian Scuola Positiva, whose central figure was Cesare Lombroso \u2013 physician, psychiatrist, criminologist, anthropologist, collector, hygienist, socialist, Jew, positivist, racist, a\r\nsupporter of miscegenation, anti-colonialist and Spiritualist. The talk will mostly focus\r\non the Brazilian context.\r\n\r\nLivio Sansone is full professor of anthropology at the Federal University of\r\nBahia (UFBA). He is the head of the Factory of Ideas Program \u2013 an advanced international course in ethnic and African studies \u2013 and coordinates the Digital\r\nMuseum of African and Afro-Brazilian Heritage. He has published extensively on youth culture, ethnicity, inequalities, international transit of ideas of race and antiracism, anthropology and colonialism, globalization and heritage with research based in the UK, Holland, Suriname, Brazil, Italy and, recently, Cape Verde, Senegal, Mozambique and Guinea Bissau.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837106",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240409T090000",
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        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "id":"121144-21845877",
        "datetime_modified":"20240404T103444",
        "datetime_start":"20240409T090000",
        "datetime_end":"20240409T180000",
        "has_end_time":1,
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        "event_title":"Social Media and Society in India Symposium",
        "occurrence_title":"",
        "combined_title":"Social Media and Society in India Symposium: The 4th International Conference",
        "event_subtitle":"The 4th International Conference",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"The University of Michigan is hosting a hybrid conference on social media and society in India April 8-9, 2024, featuring an array of speakers to discuss various ways in which social media is impacting contemporary life in India. \r\n\r\nFull conference details at https:\/\/myumi.ch\/zXXNy\r\n\r\nPlease register to attend the symposium in person or via Zoom at https:\/\/myumi.ch\/W55D1\r\n\r\nView the speakers and program for the symposium.\r\n\r\nThe event is in its fourth iteration at U-M and is a premier venue for conversations around social media and society in India.\r\n\r\nThe Social Media and Society in India Symposium is organized by Joyojeet Pal, associate professor of information at UMSI. \r\n\r\nFunding for the symposium is provided by: the School of Information (UMSI); LSA Center for South Asia Studies; Martha Boaz Distinguished Lectureship Fund at UMSI; LSA Communication & Media; Center for Ethics, Society and Computing (ESC); Wallace House Center for Journalists; and Digital Studies Institute.",
        "occurrence_notes":null,
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        "room":"Space 2435",
        "location_name":"North Quad",
        "has_livestream":0,
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        "tags":["Asia"],
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                "group_id":"3273",
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                "group_id":"1188",
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        "datetime_modified":"20240120T134101",
        "datetime_start":"20240409T120000",
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        "event_title":"LRCCS Noon Lecture Series | Scent from Afar: Aromatics, Healing, and the Making of Olfactory Knowledge in Tang and Song China",
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        "combined_title":"LRCCS Noon Lecture Series | Scent from Afar: Aromatics, Healing, and the Making of Olfactory Knowledge in Tang and Song China: Yan Liu, Associate Professor of History, SUNY Buffalo",
        "event_subtitle":"Yan Liu, Associate Professor of History, SUNY Buffalo",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/QqyjD\r\n\r\nAmong the rich variety of substances that flowed into Middle Period China, aromatics (Chi. xiang) figured prominently, including saffron from Kashmir, camphor from Sumatra, and frankincense from Arabia. Introduced by envoys, monks, and traders via both overland and maritime routes, these fragrant materials acquired diverse virtues in Chinese medical, religious, and culinary culture. By focusing on the medicinal uses of these articles in Tang and Song China with attention to the role of smell in healing, this talk reveals the dynamic process of producing new olfactory knowledge and sensorial experience upon cross-cultural exchange.\r\n   \r\n   Yan Liu is an associate professor in History at SUNY, Buffalo. He specializes in the history of medicine in premodern China, with a focus on material practices of medicine, religious healing, the history of the senses, and the global circulation of knowledge. His first book, \"Healing with Poisons: Potent Medicines in Medieval China,\" was published by the University of Washington Press in 2021 (open access available), and won the 2023 William H. Welch Medal from the American Association for the History of Medicine. His second book explores a transcultural history of aromatics and the production of olfactory knowledge in Tang and Song China.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Emerging Democracies Book Launch: \"State Institutions, Civic Associations, and Identity Demands\"",
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        "combined_title":"Emerging Democracies Book Launch: \"State Institutions, Civic Associations, and Identity Demands\": Amy H. Liu, Professor of Government, University of Texas at Austin. Joel Sawat Selway, Associate Professor of Political Science, Brigham Young University.",
        "event_subtitle":"Amy H. Liu, Professor of Government, University of Texas at Austin. Joel Sawat Selway, Associate Professor of Political Science, Brigham Young University.",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at http:\/\/myumi.ch\/G4k3E \r\n\r\nWhile the media tends to pay the most attention to violent secessionist movements or peaceful independence movements, it is just as important to understand why there are regions where political movements for autonomy fail to develop. In neglecting regions without political movements or full-blown independence demands, theories may be partial at best and incorrect at worst.\r\n   \r\n   State Institutions, Civic Associations, and Identity Demands examines over a dozen regions, comparing and contrasting successful cases to abandoned, unsuccessful, or dormant cases. The cases range from successful secession (East Timor, Singapore) and ongoing secessionist movements (Southern Philippines), to internally divided regional movements (Kachin State), low-level regionalist stirrings (Lanna, Taiwan), and local but not regional mobilization of identity (Bali, Minahasan), all the way to failed movements (Bataks, South Maluku) and regions that remain politically inert (East and North Malaysia, Northeast Thailand). While each chapter is written by a country expert, the contributions rely on a range of methods, from comparative historical analysis, to ethnography, field interviews, and data from public opinion surveys. Together, they contribute important new knowledge on little-known cases that nevertheless illuminate the history of regions and ethnic groups in Southeast Asia. Although focused on Southeast Asia, the book identifies the factors that can explain why movements emerge and successfully develop and concludes with a chapter by Henry Hale that illustrates how this can be applied globally.\r\n   \r\n   Amy H. Liu (PhD Emory University) is an Associate Professor in the Government Department and codirector of the Politics of Race and Ethnicity Lab at the University of Texas at Austin. Her research and teaching focus on the intersection of ethnic politics, language politics, and migration politics \u2013 often through the lens of Great China, the Chinese language, or the Chinese diaspora. Amy\u2019s first book Standardizing Diversity: The Political Economy of Language Regimes (University of Pennsylvania Press 2015) examines how the recognition of lingua francas can be conducive for economic growth \u2013 in Asia generally and in Southeast Asia specifically. The second book The Language of Political Incorporation: Chinese Migrants in Europe (Temple University Press 2021) looks at the linguistic networks of Chinese migrants and the implications for engagement with local authorities in Europe. She also has coauthored a monograph (Cambridge University Press 2022 ) explaining the treatment of ethnic minorities in Southeast Asia. Amy is also currently working on a new book project examining the diversity and representation of government cabinets in Asia.\r\n   \r\n   Joel Sawat Selway (PhD University of Michigan) is an Associate Professor of Political Science at Brigham Young University. His research and teaching focus on ethnicity, nationalism, and political institutions. His first book Coalitions of the Wellbeing: How Electoral Rules and Ethnic Politics Shape Health Policy in Developing Countries (Cambridge University Press 2015) examines how the both electoral rules and a country\u2019s ethnic diversity structure incentives for the delivery of public goods, with a particular focus on Southeast Asia. His second book (in progress) looks at the competing identities of nationalism and regionalism in Thailand, explaining why some ethno-regional groups have experienced separatist activity, while others have not. Joel\u2019s work has also appeared in journals such as World Politics, Political Analysis, Comparative Political Studies, British Journal of Political Science, and Journal of Conflict Resolution.\r\n   \r\n   Purchase the book via: https:\/\/press.umich.edu\/Books\/S\/State-Institutions-Civic-Associations-and-Identity-Demands2\r\n   Order online and save 30% with discount code UMS24!\r\n   \r\n   This event is free and open to the public, but registration is required if you intend to participate virtually.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "event_title":"GETSEA Simulcast Film Screening | Bophana Center Short Films - Language and Indigeneity",
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        "combined_title":"GETSEA Simulcast Film Screening | Bophana Center Short Films - Language and Indigeneity: Bophana Center Filmmakers",
        "event_subtitle":"Bophana Center Filmmakers",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"Attend in person at Weiser Hall, or viz Zoom. If you wish to attend via Zoom, please register at https:\/\/bit.ly\/GETSEASimulcastZoom\r\n\r\nIn conjunction with the International Decade of Indigenous Languages, Graduate Education and Training in Southeast Asian Studies (GETSEA), and the Bophana Center present four short films by indigenous Cambodian filmmakers on the themes of \"Healing, Memory, and Care.\"\r\n   \r\n   Each university will connect via Zoom with the film makers located at the Bophana Center in Phnom Penh, Cambodia for introductions and a post-screening discussion of the films. Meanwhile, a virtual screening will be available for viewers across the globe at KhmerTV.com. Virtual-only viewers will also be able to join the in-person screening locations for the post-screening discussion with the film makers via Zoom at https:\/\/bit.ly\/GETSEASimulcastZoom.\r\n   \r\n   Dull Trail (2020) Directed by Khon, Raksa, Peou Mono, and Choey Rickydavid. Bunong language.\r\n   \r\n   My Wish (2021) Directed by Kasol Sinoun. Jarai language.\r\n   \r\n   Trung (2022) Directed by Khamnhei Hea. Karvet Language.\r\n   \r\n   Alive Skin (2022) Directed by Veasna Oem and Vantha Rat. Khmer language.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20230915T170734",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837107",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240410T090000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "date_end":"2024-04-10",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Mart\u00edn Arboleda: Development & Nature",
        "occurrence_title":"",
        "combined_title":"Mart\u00edn Arboleda: Development & Nature: Rethinking Ecosocialism Beyond Western Marxism",
        "event_subtitle":"Rethinking Ecosocialism Beyond Western Marxism",
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        "event_title":"Winter 2025 Study Abroad Advising with CGIS",
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        "combined_title":"Winter 2025 Study Abroad Advising with CGIS",
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        "description":"Are you thinking of studying abroad during the winter term but have questions?\r\n\r\nPop in to the CGIS office on April 12th anytime between 11am and 1pm for open advising on Winter 2025 study abroad options with CGIS!\r\nWe can answer questions about Winter 2025 programs, the application process, scholarships and financial aid, and more! LSA Scholarships, the Office of Financial Aid, Newnan, PICS, and RLL will also be in attendance.\r\n\r\nVisit our site to explore virtual info sessions offered April 15th-19th about major-specific programs such as Spanish, programs in the environment, and Humanities\/Social Sciences, as well as interest-specific sessions, such as studying abroad in the UK and English-taught programs in Asia.\r\n\r\nPopcorn will be provided!",
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        "description":"Two nights of film viewing showcasing documentaries about China through the lens of European and Chinese directors--with stories spanning the 1950s, 1970s, and 1990s.  Discussants are U-M Postdoctoral Fellows Gavin Healy and Yukun Zeng.  Refreshments, Q\/A following the films.\r\n\r\nFree and open to the public.  Sponsored by the U-M Library and the Lieberthal-Rogel Center for Chinese Studies.  CHOP (China Ongoing Perspectives) film series.\r\n\r\n*Wednesday, April 10*\r\n\r\n*Sunday in Peking \u2018Dimanche \u00e0 Pekin\u2019*\r\nDirector: Chris Marker\r\n1956, 18.5m\r\nFrench avant-garde filmmaker Chris Marker takes the viewer on a journey through Peking--its traditions, history, and banalities of everyday life.\r\n\r\n*Chung Kuo, Cina*\r\nDirector: Michelangelo Antonioni\r\n1972, first 32 m\r\nItalian director Michelangelo Antonioni was invited to China in 1972, where he produced a film presenting his impressions of a five-week tour of cities, historical sites, and monuments of socialist construction. Later denounced by the Chinese government as an \u201canti-China clown\u201d who employed \u201cdespicable tricks\u201d to defame the Chinese people, the following decades have come to see a reassessment of Antonioni and his film.\r\n\r\n*How Yukong Moved the Mountains*\r\nDirector: Joris Ivens\r\n1974 (The Ball), 17.5m\r\nA supporter and documentarian of Chinese socialism since the 1930s, Joris Ivens returned to China in the last days of the Cultural Revolution to produce a multi-part chronicle of ordinary people and their place in the Chinese revolution.\r\n\r\n*Thursday, April 11*\r\n\r\n*A Young Patriot*\r\nDirector: Haibin Du\r\n2015 1h 45m\r\nA Chinese documentary that explores China's youths born after 1990 through 19-year-old \"patriotic exhibitionist\" Zhao as he begins to question nationalism and is challenged by Western influences.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
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        "time_start":"09:00:00",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Labor Market Power, Self-Employment, and Development (joint (with F. Amodio and M. Morlacco).",
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        "description":"This paper shows that self-employment shapes labor market power in low-income countries, with implications for industrial development. Using Peruvian data, we show that wage-setting power increases with concentration, but less so where self-employment is more prevalent. We build a general equilibrium model of oligopsony with worker sorting between wage work and self-employment. Concentration depresses wages, but self-employment increases workers\u2019 sensitivity to wage changes, curbing labor market power. Policies to create salaried jobs make self-employment less attractive, reducing labor supply elasticity and increasing markdowns. Counterfactual analyses show that eliminating labor market power can boost industrial policy effectiveness by up to 60%.\r\n\r\n\r\nThis talk is presented by the International Economics Seminar, sponsored by the Department of Economics with generous gifts given through the Economics Strategic Fund.",
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        "event_title":"CANCELED - CJS Thursday Noon Lecture Series | Japanese Traders in Seventeenth-Century Mexico City",
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        "combined_title":"CANCELED - CJS Thursday Noon Lecture Series | Japanese Traders in Seventeenth-Century Mexico City: Tatiana Seijas, Associate Professor of History, Rutgers University",
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        "description":"We apologize that we have had to cancel this event.\r\n\r\nFranco Xuo \u201cof the Japanese nation\u201d was living in Mexico City in the 1630s, working as a trader. How did he come to be there and why did he stay? This talk examines his experiences along with those of other Japanese men to answer these questions. Their stories reveal that global trade in the early modern period depended on working men who moved thousands of miles away to take advantage of commercial centers knowing they might never return to their homelands.\r\n   \r\n   Tatiana Seijas is Associate Professor of History at Rutgers University. She writes about global migrations, long-distance trade, urban economies, and the joined history of freedom and slavery. Her latest monograph \u201cAmerican Metropolis: The Making of Mexico City in the Seventeenth Century\u201d is a new history of one of the early modern world's greatest entrep\u00f4ts centered on the economic lives of ordinary people.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n   \r\n   *Image source: \u201cNova Mexico, Die Nieuwe en onbekende Weereld\u201d (Amsterdam, 1671). Courtesy of the John Carter Brown Library.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "combined_title":"Mart\u00edn Arboleda: Development & Nature: Rethinking Ecosocialism Beyond Western Marxism",
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        "datetime_modified":"20240404T150949",
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        "date_start":"2024-04-11",
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        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CHOP | China Ongoing Perspectives Film Series",
        "occurrence_title":"",
        "combined_title":"CHOP | China Ongoing Perspectives Film Series: Outside\/Inside: China Through Different Decades and Different Frames A Mini-Film Festival",
        "event_subtitle":"Outside\/Inside: China Through Different Decades and Different Frames A Mini-Film Festival",
        "event_type":"Film Screening",
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        "description":"Two nights of film viewing showcasing documentaries about China through the lens of European and Chinese directors--with stories spanning the 1950s, 1970s, and 1990s. Discussants are U-M Postdoctoral Fellows Gavin Healy and Yukun Zeng. Refreshments, Q\/A following the films.\r\n\r\nFree and open to the public. Sponsored by the U-M Library and the Lieberthal-Rogel Center for Chinese Studies. CHOP (China Ongoing Perspectives) film series.\r\n\r\nWednesday, April 10\r\n\r\nSunday in Peking \u2018Dimanche \u00e0 Pekin\u2019\r\nDirector: Chris Marker\r\n1956, 18.5m\r\nFrench avant-garde filmmaker Chris Marker takes the viewer on a journey through Peking--its traditions, history, and banalities of everyday life.\r\n\r\nChung Kuo, Cina\r\nDirector: Michelangelo Antonioni\r\n1972, first 32 m\r\nItalian director Michelangelo Antonioni was invited to China in 1972, where he produced a film presenting his impressions of a five-week tour of cities, historical sites, and monuments of socialist construction. Later denounced by the Chinese government as an \u201canti-China clown\u201d who employed \u201cdespicable tricks\u201d to defame the Chinese people, the following decades have come to see a reassessment of Antonioni and his film.\r\n\r\nHow Yukong Moved the Mountains\r\nDirector: Joris Ivens\r\n1974 (The Ball), 17.5m\r\nA supporter and documentarian of Chinese socialism since the 1930s, Joris Ivens returned to China in the last days of the Cultural Revolution to produce a multi-part chronicle of ordinary people and their place in the Chinese revolution.\r\n\r\nThursday, April 11\r\n\r\nA Young Patriot\r\nDirector: Haibin Du\r\n2015 1h 45m\r\nA Chinese documentary that explores China's youths born after 1990 through 19-year-old \"patriotic exhibitionist\" Zhao as he begins to question nationalism and is challenged by Western influences.",
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        "date_end":"2024-04-11",
        "time_start":"19:15:00",
        "time_end":"22:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Winter 2024 Film Series | *Kwaidan*",
        "occurrence_title":"",
        "combined_title":"CJS Winter 2024 Film Series | *Kwaidan*: dir. Masaki Kobayashi, 2 hr. 44 min., 1965",
        "event_subtitle":"dir. Masaki Kobayashi, 2 hr. 44 min., 1965",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/JpMG5\r\n   \r\n   Taking its title from an archaic Japanese word meaning \"ghost story,\" this anthology adapts four folk tales. A penniless samurai (Rentar\u014d Mikuni) marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden (Keiko Kishi), but his rescue comes at a cost. Blind musician H\u014dichi (Katsuo Nakamura) is forced to perform for an audience of ghosts. An author (Osamu Takizawa) relates the story of a samurai who sees another warrior's reflection in his teacup.\r\n   \r\n   Curators note by Markus Nornes: Masaki Kobayashi omnibus-adapts four stories from Lafcadio Hearn's collections of ghost stories. With an all-star cast, refined photography, and a stunning soundtrack by T\u014dru Takemitsu, *Kwaidan* won a special jury prize at Cannes and garnered a nomination for Best Foreign Language Film at the Oscars.\r\n   \r\n   Presented in Japanese with English subtitles. Read more about the film, including ratings, at https:\/\/imdb.com\/title\/tt0058279\/\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
                "guid":"111352-21834818@events.umich.edu",
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        "id":"116487-21837109",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240412T090000",
        "datetime_end":"20240412T160000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Front Burner: How Business Model Innovation is Driving the Clean Cooking Industry",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "id":"117593-21839560",
        "datetime_modified":"20240329T085955",
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        "datetime_end":"20240416T130000",
        "has_end_time":1,
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        "event_title":"CANCELED - LRCCS Noon Lecture Series | Tariff Wall Jumping at the China-Vietnam Border",
        "occurrence_title":"",
        "combined_title":"CANCELED - LRCCS Noon Lecture Series | Tariff Wall Jumping at the China-Vietnam Border: Siqi Zheng, STL Champion Professor of Urban and Real Estate Sustainability CRE, DUSP and SA+P, Faculty Director, MIT Center for Real Estate (CRE), Director, MIT Sustainable Urbanization Lab, Massachusetts Institute of Technology",
        "event_subtitle":"Siqi Zheng, STL Champion Professor of Urban and Real Estate Sustainability CRE, DUSP and SA+P, Faculty Director, MIT Center for Real Estate (CRE), Director, MIT Sustainable Urbanization Lab, Massachusetts Institute of Technology",
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        "description":"We regret that we have had to cancel this lecture but will plan to reschedule during the coming fall semester.\r\n\r\nCo-authored by Matthew E. Kahn and Wen-Chi Liao\r\n   \r\n   The Trump Administration's tariffs created a wedge between mutually beneficial trades between China's producers and US consumers. Moving production to nearby Vietnam allows firms to jump the tariff wall. Locations within Vietnam differ in their proximity to China, industrial mix, and existing transport infrastructures such as roads, rails, and ports. We exploit these exogenous attributes to explore Vietnam's new emerging economic geography induced by the US\/China Trade War. Using data from 2015 to 2021 on Vietnamese cities and provinces, we conduct a Bartik shift-share analysis to study the effects of the S310 China tariffs. Locations within Vietnam closer to China gain more\u2014a border effect\u2014in output and new FDI, particularly for industries producing goods the US demands. A multiplier effect benefits the local sector, evidenced by retail sales. The border effect relates to global-value-chain restructuring and manufacturing reallocation. We study how the urban lights at night and local air pollution PM2.5 evolve as Vietnam's cities grow. We compare the lessons between Vietnam's urban growth through tacit integration with China during the US\/China Trade War and Mexico's growth through joining NAFTA.\r\n   \r\n   Siqi Zheng\u2019s field of specialization is urban and environmental economics and policy, including sustainable urbanization, sustainable real estate, and urbanization in emerging economies. She published in many peer reviewed international journals including the Proceedings of the National Academy of Sciences, Nature Human Behaviour, and the Journal of Economic Literature, Journal of Economic Perspectives, Journal of Economic Geography, European Economic Review, Journal of Urban Economics, Regional Science and Urban Economics, Transportation Research Part A, Environment and Planning A, Ecological Economics, Journal of Regional Science, Real Estate Economics, Journal of Real Estate Finance and Economics. A book she has co-authored with Matthew Kahn, \"Blue Skies over Beijing: Economic Growth and the Environment in China\" (Princeton University Press) was published in 2016. Dr. Zheng has completed or been undertaking research projects granted or entrusted by the World Bank, the MassCPR, MITEI, MIT Portugal, MIT MCSC, the Asian Development Bank, the Lincoln Institute of Land Policy, among others. She won the MIT Frank E. Perkins Award for Excellence in Graduate Advising in 2022; and Asian Real Estate Academic & Professional (AsREAP) Woman Achievement Award (by Asian Real Estate Society) in 2023. She received her PhD in urban development and real estate from Tsinghua University in 2005, and did her post-doc research at the Graduate School of Design at Harvard University. Prior to coming to MIT, she was a professor and the director of Hang Lung Center for Real Estate at Tsinghua University, China. Her research website is http:\/\/www.siqizheng.com.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 110",
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        "datetime_modified":"20240401T155806",
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        "event_title":"LRCCS Noon Lecture Series | Untamed Shrews: Negotiating New Womanhood in Modern China",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | Untamed Shrews: Negotiating New Womanhood in Modern China: Shu Yang, Associate Professor, Department of World Languages and Literatures, Western Michigan University",
        "event_subtitle":"Shu Yang, Associate Professor, Department of World Languages and Literatures, Western Michigan University",
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        "description":"We regret that Siqi Zheng, MIT, had to cancel her talk for April 16th due to unforeseen circumstances. She will be rescheduling to the Fall Term 2024 lecture series.\r\n\r\nIf you would like to attend this lecture via Zoom, please register at https:\/\/myumi.ch\/zXwJd\r\n\r\nThis lecture traces the evolution of unruly women in Chinese literature and culture, from the reviled \u201cshrew\u201d to the celebrated \u201cnew woman.\u201d Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. This lecture focuses on the yinfu (wanton woman) and revolution from the women\u2019s suffrage movement to Jiang Qing and the Yan\u2019an campaign.\r\n\r\nShu Yang is an Associate Professor in the Department of World Languages and Literatures at Western Michigan University, specializing in literary, cultural and gender studies on modern China. She has published in leading journals including *Gender & History*, *Nan Nu\u0308*, *CLEAR*, and *Modern Chinese Literature and Culture*. Her recent book *Untamed Shrews* came out under the Cornell East Asia Series by Cornell University Press (July 2023). Now Shu Yang is continuing her exploration of gender and modernity by writing on the discourse of hysteria in Republican China.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"2024 Frankel Center Annual Book Party",
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        "combined_title":"2024 Frankel Center Annual Book Party",
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        "description":"Join our annual celebration of recent publications by Frankel Center Faculty and Fellows. This year we are honoring: \r\n\r\nAdi Saleem\r\nDeborah Dash Moore\r\nCatherine M. Soussloff\r\nMikhail Krutikov\r\nJeffrey Abt\r\nJindrich Toman\r\nAdam Lowenstein\r\nRichard I. Cohen and Mirjam Rajner\r\nMarina Mayorski and Maya Barzilai\r\nLouis Kaplan\r\n\r\nThe University of Michigan College of Literature, Science and the Arts greatly values inclusion and access for all. We are pleased to provide reasonable accommodations to enable full participation in this event. Please contact js-event-coord@umich.edu to request disability accommodations or with any questions\/concerns. Please provide advance notice to ensure sufficient time to meet requested accommodations.",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Hirshhorn Museum and Sculpture Garden in partnership with LRCCS present: Artist Talk: Contemporary Photography in China",
        "occurrence_title":"",
        "combined_title":"Hirshhorn Museum and Sculpture Garden in partnership with LRCCS present: Artist Talk: Contemporary Photography in China: A live webinar in Chinese and English with chat function for Q&A",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Fulbright U.S. Student Program General Info Session",
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        "combined_title":"Fulbright U.S. Student Program General Info Session: Heather M. Johnson, Fellowships and Fulbright Program Advisor",
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        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/RmkJ9\r\n\r\nCome learn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   Heather Johnson, U-M Fulbright Program Adviser, will introduce you to the Fulbright U.S. Student Program competition. Heather will give an overview of the U-M Fulbright campus process, which has made U-M a leading public university in Fulbright awardees. We have worked to make our application process accessible for every U-M student, and Heather's presentation will get you started!\r\n   \r\n   Faculty and staff are also invited to this event. Our ability to support students in their applications to Fulbright hinges on the wisdom and experience of U-M's professors, advisers, and U-M Fulbright Alumni.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "date_end":"2024-04-18",
        "time_start":"18:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Japanese Rakugo with Sanyutei Ponta  \u4e09\u904a\u4ead\u307d\u3093\u592a",
        "occurrence_title":"",
        "combined_title":"Japanese Rakugo with Sanyutei Ponta  \u4e09\u904a\u4ead\u307d\u3093\u592a",
        "event_subtitle":"",
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        "event_type_id":"15",
        "description":"Free & Open to the Public at the Ann Arbor District Library, Downtown, 1st-floor Lobby (343 South Fifth Avenue, Ann Arbor)\r\n\r\nJoin us for an exciting evening of Japanese storytelling, rakugo, featuring visiting rakugo performer, Sanyutei Ponta! This event will be in Japanese with English subtitles.\r\n\r\nPerformed by a single storyteller who brings multiple characters to life through gesture and voice, rakugo is a dynamic storytelling tradition with hundreds of years of history in Japan. \r\n\r\nSanyutei Ponta (\u4e09\u904a\u4ead\u307d\u3093\u592a) was born in Japan in 1985 and graduated from the Department of Sociology at Hosei University in Tokyo. In 2015 he became a disciple of rakugo performer Sanyutei Koraku and was promoted to futatsume, the second-highest rank for rakugo performers, in 2018. His stage name, Sanyutei Ponta II, comes from Sanyutei Ponta I, who was a disciple of rakugo master Sanyutei Encho I, an influential performer of the late nineteenth century. Ponta revived this stage name for the first time in over 100 years and is an up-and-coming rakugo performer.\r\n\r\n*This event is hosted by the Ann Arbor District Library and cosponsored by the Japan Business Society of Detroit and the U-M Center for Japanese Studies. *",
        "occurrence_notes":null,
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
        "id":"116487-21837116",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240419T090000",
        "datetime_end":"20240419T160000",
        "has_end_time":1,
        "date_start":"2024-04-19",
        "date_end":"2024-04-19",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_id":"1031",
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        "datetime_end":"20240419T160000",
        "has_end_time":1,
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        "time_start":"13:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Global Engagement Symposium",
        "occurrence_title":"",
        "combined_title":"Global Engagement Symposium",
        "event_subtitle":"",
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        "description":"The Global Scholars Program's  annual Global Engagement\r\nSymposium. The event features presentations and posters by our GSP\r\nCollaborative Group (CG) members reflecting on their academic year-long project based learning with global NGO collaborators. We are also pleased to welcome back alum Aidan Sova as our keynote speaker.",
        "occurrence_notes":null,
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        "datetime_modified":"20240906T085450",
        "datetime_start":"20240419T133000",
        "datetime_end":"20240419T153000",
        "has_end_time":1,
        "date_start":"2024-04-19",
        "date_end":"2024-04-19",
        "time_start":"13:30:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
        "occurrence_title":"",
        "combined_title":"IPE Friday Free Passport Photos for Engineering Students",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Need a passport photo for a passport or visa application? International Programs in Engineering (IPE) has got you covered! \r\n\r\n-Fall & Winter Semester Only\r\n-Fridays 1:30-3:30pm at the IPE Office (245 Chrysler Center)\r\n-No Appointment Needed\r\n-Not During Exam Week or Holidays\r\n\r\nThis service is for CoE undergraduate and graduate students. \r\nFor best results, wear darker colored, solid (non patterned) shirt\/top",
        "occurrence_notes":null,
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        "date_start":"2024-04-22",
        "date_end":"2024-04-22",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837119",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240422T090000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
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    ,        {
        "id":"119925-21843827",
        "datetime_modified":"20240308T162919",
        "datetime_start":"20240422T120000",
        "datetime_end":"20240422T130000",
        "has_end_time":1,
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"PSC Brownbag Series: Digital Financial Services and Women\u2019s Empowerment: Experimental Evidence from Tanzania",
        "occurrence_title":"",
        "combined_title":"PSC Brownbag Series: Digital Financial Services and Women\u2019s Empowerment: Experimental Evidence from Tanzania: Emma Riley",
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        "description":"The PSC Brown Bag Seminar runs live and on Zoom from noon to 1.\r\n\r\nSpeaker: Emma Riley, University of Michigan\r\n\r\nSeminar Date: 4\/22\/24\r\n\r\nDigital Financial Services and Women\u2019s Empowerment: Experimental Evidence from Tanzania\r\n\r\nCan increasing women\u2019s use of digital financial services improve their empowerment? We test this using a randomized control trial with 152 female microfinance groups in Tanzania where treated groups were randomly switched to repay their loan using mobile money instead of the usual method of cash. We find that this exogenous shift in the way that women use mobile money for loan repayment increases their use of mobile money for other transactions. Women\u2019s control over their finances increases, they have higher levels of empowerment in the household and expenditures shift towards goods aligned with their preferences. We see small positive effects of the shift to mobile money repayment on loan repayment behavior and social cohesion within the microfinance group. These findings highlight the benefits that encouraging greater use of digital technologies can bring to women.\r\nJoin us in person at ISR (Thompson Street) Room 1430.\r\n\r\nOr online: Join Zoom Meeting\r\nhttps:\/\/umich.zoom.us\/j\/95418610585?pwd=Z0cvdkF1T0R2cG1lRDEvVmlnbVdlZz09\r\n\r\nMeeting ID: 954 1861 0585\r\nPasscode: 818420\r\nOne tap mobile\r\n+13017158592,,95418610585# US (Washington DC)\r\n+13092053325,,95418610585# US\r\n\r\nDial by your location\r\n+1 301 715 8592 US (Washington DC)\r\n+1 309 205 3325 US\r\n+1 312 626 6799 US (Chicago)\r\n+1 646 876 9923 US (New York)\r\n+1 646 931 3860 US\r\n+1 564 217 2000 US\r\n+1 669 444 9171 US\r\n+1 669 900 6833 US (San Jose)\r\n+1 719 359 4580 US\r\n+1 253 215 8782 US (Tacoma)\r\n+1 346 248 7799 US (Houston)\r\n+1 386 347 5053 US\r\n+1 647 374 4685 Canada\r\n+1 647 558 0588 Canada\r\n+1 778 907 2071 Canada\r\n+1 780 666 0144 Canada\r\n+1 204 272 7920 Canada\r\n+1 438 809 7799 Canada\r\n+1 587 328 1099 Canada\r\nMeeting ID: 954 1861 0585\r\nFind your local number: https:\/\/umich.zoom.us\/u\/aCRAyuQaT\r\n\r\nJoin by SIP\r\n95418610585@zoomcrc.com\r\n\r\nJoin by H.323\r\n162.255.37.11 (US West)\r\n162.255.36.11 (US East)\r\n115.114.131.7 (India Mumbai)\r\n115.114.115.7 (India Hyderabad)\r\n213.19.144.110 (Amsterdam Netherlands)\r\n213.244.140.110 (Germany)\r\n103.122.166.55 (Australia Sydney)\r\n103.122.167.55 (Australia Melbourne)\r\n149.137.40.110 (Singapore)\r\n64.211.144.160 (Brazil)\r\n149.137.68.253 (Mexico)\r\n69.174.57.160 (Canada Toronto)\r\n65.39.152.160 (Canada Vancouver)\r\n207.226.132.110 (Japan Tokyo)\r\n149.137.24.110 (Japan Osaka)\r\nMeeting ID: 954 1861 0585\r\nPasscode: 818420",
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        "id":"119324-21842569",
        "datetime_modified":"20240223T160802",
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        "event_title":"Fulbright Info Session: Finding Affiliations",
        "occurrence_title":"",
        "combined_title":"Fulbright Info Session: Finding Affiliations: Dr. Azumi Ann Takata, Fellowships & Grants Advisor",
        "event_subtitle":"Dr. Azumi Ann Takata, Fellowships & Grants Advisor",
        "event_type":"Presentation",
        "event_type_id":"16",
        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/Pknwn\r\n\r\nCome learn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   This info session, geared towards Study\/Research Applicants, will cover how to identify and secure an affiliation with a host institution.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837120",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240423T090000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "id":"117594-21839561",
        "datetime_modified":"20240409T155358",
        "datetime_start":"20240423T120000",
        "datetime_end":"20240423T130000",
        "has_end_time":1,
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        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | China\u2019s Age of Abundance: Origins, Ascendance, and Aftermath",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | China\u2019s Age of Abundance: Origins, Ascendance, and Aftermath: Wang Feng, Professor of Sociology, University of California, Irvine",
        "event_subtitle":"Wang Feng, Professor of Sociology, University of California, Irvine",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/7PPZy\r\n\r\n In four decades since the late 1970s, China has experienced one of the most consequential economic transformations in world history. One-fifth of the Earth\u2019s population has left behind a life of scarcity and subsistence for one of abundance and material comfort. Based on his newly published book, Wang Feng revisits the origins, forces, and processes of the meteoric rise in living standards of the Chinese population, and offers a systematic historical and sociological analysis of this unique historical juncture. Anticipating headwinds, including an aging population, increasing inequality, and intensifying political control, Wang Feng discusses why China\u2019s age of abundance has come to an end, and the challenges China faces in its aftermath.\r\n   \r\n   WANG Feng currently holds the position of professor of sociology at the University of California, Irvine. He is a scholar with expertise in China\u2019s social and demographic changes, of social inequality, and of comparative population and social history. He is the author of multiple books and many articles in professional journals, books, and other media outlets. His work and views have appeared frequently in major global media outlets. He has served as an expert for the United Nations, the World Bank, and the World Economic Forum, among many others. His multifaceted professional service includes terms as Chair of the Department of Sociology at the University of California, Irvine (2007-2010), Senior Fellow in Foreign Relations and in Global Development at the Brookings Institution, a leading think-tank in the United States, and the Director of the Brookings-Tsinghua Center for Public Policy in Beijing (2010-2013). He is an elected member of the Sociological Research Association, an honor society of sociologists in the United States. He is also an elected foreign member of the Accademia Nazionale dei Lincei (National Academy of Italy). Professor Wang Feng is a graduate of the University of Michigan, the first from the PRC receiving a PhD degree in social sciences at U-M.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "guid":"117594-21839561@events.umich.edu",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asia"],
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                    ],
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                "group_name":"Lieberthal-Rogel Center for Chinese Studies",
                "group_id":"2625",
                "website":"http:\/\/ii.umich.edu\/lrccs\/"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Asian Languages and Cultures",
                "group_id":"3364",
                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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        "id":"121276-21846114",
        "datetime_modified":"20240409T131833",
        "datetime_start":"20240423T160000",
        "datetime_end":"20240423T180000",
        "has_end_time":1,
        "date_start":"2024-04-23",
        "date_end":"2024-04-23",
        "time_start":"16:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A view from Kyiv - U.S. Ambassador Bridget Brink",
        "occurrence_title":"",
        "combined_title":"A view from Kyiv - U.S. Ambassador Bridget Brink: Vandenberg Lecture, Policy Talks @ The Ford School",
        "event_subtitle":"Vandenberg Lecture, Policy Talks @ The Ford School",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The Ford School is pleased to present U.S. Ambassador to Ukraine Bridget Brink for the 6th annual Arthur Vandenberg Lecture.\r\n\r\nAmbassador Brink will give brief remarks on the situation in Ukraine as it enters its third year of war with Russia, followed by a conversation with Weiser Diplomacy Center Director Susan D. Page.\r\n\r\nAmbassador Brink has served as Deputy Assistant Secretary in the Bureau of European and Eurasian Affairs at the Department of State, with responsibility for issues related to Eastern Europe, the Caucasus, and the protracted conflicts in Europe. She also served as Deputy Chief of Mission at the U.S. Embassies in Tashkent, Uzbekistan and in Tbilisi, Georgia.",
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        "date_end":"2024-04-23",
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        "time_end":"17:00:00",
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        "event_title":"Program in International and Comparative Studies | International Studies Virtual Information Session and Q&A",
        "occurrence_title":"",
        "combined_title":"Program in International and Comparative Studies | International Studies Virtual Information Session and Q&A: Bryna Worner, Undergraduate Academic Advisor; Danielle Schmidt, PICS Program Coordinator",
        "event_subtitle":"Bryna Worner, Undergraduate Academic Advisor; Danielle Schmidt, PICS Program Coordinator",
        "event_type":"Presentation",
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        "description":"Please note: This information session will be held virtually ET through Zoom. This webinar is free and open to the public, but registration is required. Once you've registered the joining information will be sent to your email.\r\n\r\nRegister at: https:\/\/myumi.ch\/j73pV\r\n\r\nStudents considering a major or minor in International Studies are strongly encouraged to attend an International Studies Information Session and Q&A. International Studies academic advisors will discuss:\r\n\r\n\u2022 Prerequisites\r\n\u2022 Major and minor requirements\r\n\u2022 Sub-plans\r\n\u2022 How to declare\r\n\u2022 Additional majors and minors offered at the International Institute\r\n\u2022 Study abroad, grants, and internships\r\n\u2022 Relevance of an International Studies major or minor\r\n\r\nUndeclared students should plan to attend an International Studies Information Session and Q&A. For dates of all upcoming sessions, please review the PICS event calendar. If you have questions, please email is-advising@umich.edu.\r\n\r\nA half-hour presentation will be followed by questions and discussion. Students can declare the International Studies major or minor at the information session. For more information, please email is-advising@umich.edu.\r\n\r\nParents and prospective students are welcome. For more information, please email is-michigan@umich.edu. Prospective students who would like to receive correspondence about International Studies related orientations, events, and special announcements should sign up for the International Studies Prospective Student email list: https:\/\/myumi.ch\/29DWZ\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at is-michigan@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240424T090000",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_start":"20240424T120000",
        "datetime_end":"20240424T132000",
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        "event_title":"The Matter of Memory: Politics and Materiality in Poland",
        "occurrence_title":"",
        "combined_title":"The Matter of Memory: Politics and Materiality in Poland: Ewa Klekot, Senior Widzinski Visiting Fellow, SWPS University Design Institute and Ma\u0142gorzata \u0141ukianow, Senior Widzinski Visiting Fellow, University of Warsaw",
        "event_subtitle":"Ewa Klekot, Senior Widzinski Visiting Fellow, SWPS University Design Institute and Ma\u0142gorzata \u0141ukianow, Senior Widzinski Visiting Fellow, University of Warsaw",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The Dianne Widzinski Visiting Fellowship at the Copernicus Center for Polish Studies is made possible by a generous gift intended to extend knowledge of contemporary Polish society and politics and provide Polish scholars with opportunities to conduct and share their research at the University of Michigan.\r\n\r\n   The inaugural Widzinski Senior Fellows, Ewa Klekot and Ma\u0142gorzata \u0141ukianow, will join CCPS Director Genevi\u00e8ve Zubrzycki for a conversation on their research.\r\n   \r\n   Ewa Klekot is a cultural anthropologist, translator, and curator. Currently assistant professor at SWPS University\u2019s Design Institute, she previously lectured at the School of Form and the University of Warsaw. She earned M.A.s in archaeology and ethnology and holds a Ph.D. in art studies. She is interested in an interdisciplinary combination of liberal arts and social sciences with design and artistic projects, both in research as well as in education. Her current area of research concerns the anthropology of manufacturing and related cognition modes\u2014skills, embodied knowledge, materials, and processes\u2014as well as manufacturing traditions versus intangible heritage. She also practices anthropological reflection on art, especially the social construction of folk art and heritagization through monuments and museum exhibits. She serves as a member of the City of Warsaw\u2019s Council of Intangible Heritage, as well as on the Council of Monuments at the city\u2019s historic monuments preservation office.\r\n\r\n   Ma\u0142gorzata \u0141ukianow works as an assistant professor of sociology at the University of Warsaw and at the Center for Research on Social Memory. She previously was an assistant professor at the Institute of Philosophy and Sociology of the Polish Academy of Sciences and a research assistant at Chemnitz University of Technology. She serves as co-chair of the Polish regional group of the Memory Studies Association. She is co-editor (with Anna Wylega\u0142a and Sabine Rutar) of the volume *No Neighbors\u2019 Lands in Postwar Europe* (Palgrave Macmillan, 2022) and the monograph on personal documents from the pandemic, *Pami\u0119tniki Pandemii [Pandemic Diaries]* (Krytyka Polityczna, 2022). She is interested in memory studies, and sociology of knowledge and culture.\r\n   \r\n   Light refreshments will be served.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
        "id":"116487-21837122",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240425T090000",
        "datetime_end":"20240425T160000",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_id":"1031",
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        "datetime_modified":"20240412T155504",
        "datetime_start":"20240425T113000",
        "datetime_end":"20240425T125000",
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        "time_start":"11:30:00",
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        "event_title":"Remote Work and City Structure",
        "occurrence_title":"",
        "combined_title":"Remote Work and City Structure: Esteban Rossi-Hansberg, The University of Chicago",
        "event_subtitle":"Esteban Rossi-Hansberg, The University of Chicago",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"We study the adoption of remote work within cities and its effect on city structure and welfare. We develop a dynamic model of a city in which workers can decide to work in the central business district (CBD) or partly at home. Working in the CBD allows them to interact with other commuters, which enhances their productivity through a standard production externality, but entails commuting costs. Switching between modes of labor delivery is costly, and workers face idiosyncratic preference shocks for remote work. We characterize the parameter set in which the city exhibits multiple stationary equilibria. Within this set, a coordination mechanism can lead to stationary equilibria in which most workers commute or most of them work partially from home. In these cases, large shocks in the number of commuters, like the recent lockdowns and self-isolation generated by the COVID-19 pandemic, can result in dynamic paths that make cities converge to a stationary equilibrium with large fractions of remote workers. Using cell-phone-based mobility data for the U.S., we document that although most cities experienced similar reductions in CBD trips during the pandemic, trips in the largest cities have stabilized at levels that are only about 60% of pre-pandemic levels. In contrast, smaller cities have, on average, returned to pre-pandemic levels. House price panel data by city show consistent changes in house price CBD-distance gradients. We estimate the model for 270 U.S. cities and show that cities that have stabilized at a large fraction of remote work are much more likely to have parameters that result in multiple stationary equilibria. Our results imply welfare losses in these cities that average 2.7%.\r\n\r\nThis talk is presented by the International Economics Seminar, sponsored by the Department of Economics with generous gifts given through the Economics Strategic Fund.",
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        "event_title":"My Gender States",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"International Institute Graduation Ceremony and Reception",
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        "combined_title":"International Institute Graduation Ceremony and Reception: Honoring the 2023-2024 MIRS & Center Graduates",
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        "description":"Graduation ceremony for undergraduate and graduate students affiliated with: International and Regional Studies, African Studies Center, Center for European Studies, Center for Japanese Studies, Center for Middle Eastern and North African Studies, Center for Russian, East European, and Eurasian Studies, Center for South Asian Studies, Center for Southeast Asian Studies, Global Islamic Studies Center, Center for Latin American and Caribbean Studies, Lieberthal-Rogel Center for Chinese Studies.\r\n   \r\n   2:30 PM: Check-In\r\n   3:00 PM: Ceremony\r\n   4:00 PM: Reception with light refreshments\r\n   \r\n   To all 2023-2024 MIRS & Center Graduates: Please confirm your attendance and RSVP at http:\/\/myumi.ch\/n77rk\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at ii.graduation@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "title":"II Graduation Ceremony page \u00bb"
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    ,        {
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "event_title":"Concerned Asian Scholars, 55 Years Later: A Symposium",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"2024 Global Health Summer Institute",
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        "combined_title":"2024 Global Health Summer Institute: Uniting for Global Mental Health Equity",
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        "description":"This year's 2-day virtual conference will explore the intersection of research, practice and advocacy in uniting for mental health equity, in local and global contexts. Expand your perspective on global mental health through interdisciplinary and intercultural speakers. Sessions include:\r\n\r\n*No One Left Behind: Mental Health for the Marginalized in Low Resource Settings* with Maya Bizri\r\n\r\n*Advocating for Best Practice Processes When Conducting Global Research* with Edilma Yearwood\r\n\r\n*Global Mental Health Research Hubs Panel Discussion* with Oye Gureji, Ruth Owusu-Antwi, and Paulo Rosso Menezes\r\n\r\n*Stress & health seeking among men in Barbados, including the state of mental health, stigma, and reintegration into the community* with Renwick Gaskin\r\n\r\n*Intimate Partner Violence against Women during Pregnancy and Postpartum, and its Impact on Maternal Health in Latin America: A Call to Action* with Alicia Carrasco Parra and Loreteo Pantoja Manzanarez",
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                "group_id":"3274",
                "website":"http:\/\/www.ii.umich.edu\/lacs"                },             {
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        "datetime_modified":"20230915T170734",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "time_zone":"America\/Detroit",
        "event_title":"Xiaohong Xu Memorial Conference",
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        "combined_title":"Xiaohong Xu Memorial Conference",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
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        "description":"Professor Xiaohong Xu, sociologist of politics, culture, revolution, political economy, and China, passed away on December 12, 2023. His death interrupted a period of great creativity and productivity. In his last years, Xiaohong saw several texts he had dedicated years to complete going into print and others assume form and coherence.\r\n\r\nOn May 24, almost half a year after Xiaohong\u2019s departure, Michigan Sociology and the Lieberthal-Rogel Center for Chinese Studies will hold a day of symposium to honor Xiaohong and showcase his original and evocative sociological thinking. The symposium will feature prominent scholars in Xiaohong\u2019s fields, who will discuss his work in four panels, each dedicated to one of his recent contributions.\r\n\r\nFeatured speakers include Elizabeth Armstrong, Ann Lin, Mary Gallagher, Ho-fung Hung, Roi Livne, Yan Long, Stephanie Mudge, Yuhua Wang, Xueguang Zhou, Mark Mizruchi, Jonah Stuart Brundage, Nicholas Wilson, Yang Zhang, Julia Adams, Isaac Reed, Robert Jansen, Genevieve Zubrzycki, and Yang Su.\r\n\r\n*This event is hybrid with virtual attendance options.",
        "occurrence_notes":null,
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"CJS Ann Arbor Japan Week | Letterpress Lab - Japanese Family Crests",
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        "event_title":"CJS Ann Arbor Japan Week | Performance: Sakura Japanese Instrumental Group",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CJS Ann Arbor Japan Week | Star Festival Paper Lanterns",
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        "id":"122323-21848603",
        "datetime_modified":"20240528T091733",
        "datetime_start":"20240620T183000",
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        "event_title":"CJS Ann Arbor Japan Week | Japan Week Feature Film: Mary and the Witch\u2019s Flower",
        "occurrence_title":"",
        "combined_title":"CJS Ann Arbor Japan Week | Japan Week Feature Film: Mary and the Witch\u2019s Flower: Welcome to the 10th annual Ann Arbor Japan Week! Join us from June 16-22 for free Japan-themed events and activities for all ages!",
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        "event_type":"Film Screening",
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        "description":"See the full Ann Arbor Japan Week schedule at https:\/\/myumi.ch\/N6nVG\r\n\r\nMary is an ordinary young girl stuck in the country with her Great-Aunt Charlotte and seemingly no adventures or friends in sight. She follows a mysterious cat into the nearby forest, where she discovers an old broomstick and the strange Fly-by-Night flower, a rare plant that blossoms only once every seven years and only in that forest. Together the flower and the broomstick whisk Mary above the clouds, and far away to Endor College \u2013 a school of magic run by headmistress Madam Mumblechook and the brilliant Doctor Dee. But there are terrible things happening at the school, and when Mary tells a lie, she must risk her life to try to set things right.\r\nLanguage: Presented with English dubbing. 2017. 103 min. Anime\/fantasy. Rated PG\r\n\r\nWatch the film trailer: https:\/\/www.youtube.com\/watch?v=u8tsjNYEYKQ\r\n\r\nReserve your FREE ticket: https:\/\/marquee-arts.org\/",
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        "datetime_modified":"20240616T162020",
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        "event_title":"Vedanta Talk: Let's Be Practical",
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        "description":"Rev. Swami Yogatmananda of Vedanta Society of Providence, RI will be delivering a Vedanta talk on June 20, 2024 at 6:30 PM in Room D of Michigan League. For all questions, please contact us at vedanta.a2@gmail.com. Please see the following for all details. \r\n\r\nTitle: Let's Be Practical \r\nSynopsis: There is a perception that religious or spiritual life is not practical. But Religion, especially Vedanta, teaches highest practicality, without diluting the ideal in the least. In our approach to religion, we have to be immensely practical. We must learn to separate real from appearance, important from unimportant, helpful from harmful. There is a place for rationality and going beyond it. The lives and teachings of the great masters of Vedanta, especially of the comparatively modern exponents like Vivekananda, provide how the highest truths of life are to be brought into practice. Another wonderful idea to understand is that all main religions, while they are different in externals, they lead to the same goal.\r\n\r\nParking information:\r\n\r\n1) Metered street parking is available on Thayer, Washington and other streets surrounding Michigan league.\r\n\r\n2) A public parking garage is available on Maynard street which is 7 minutes walk from Michigan League. Street address is 324 Maynard St., Ann Arbor, MI 48105.\r\n\r\nKindly note that due to the ongoing Ann Arbor summer festival in this period (June 14-30th), the parking spots will get filled quickly. Therefore, kindly plan ahead to avoid any parking hassle.\r\n\r\nAbout the speaker (Swami Yogatmananda): \r\nSwami Yogatmananda is a senior monk of the Ramakrishna Order. He joined the Order in 1976 and received his monastic vows in 1986. He has served in various capacities in different parts of India. He served at the Ramakrishna Math at Nagpur, India for 20 years. After this, he was posted as the Head of Ramakrishna Mission in Shillong, Meghalaya, India. He then came to the United States in the Summer of 2001 and since then has been serving as the Minister of the Vedanta Society of Providence. Swami Yogatmananda is routinely invited to speak at local colleges and serves as a chaplain at both Brown University and the University of Massachusetts-Dartmouth.",
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        "id":"116487-21837179",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240621T090000",
        "datetime_end":"20240621T160000",
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        "date_start":"2024-06-21",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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    ,        {
        "id":"122325-21848604",
        "datetime_modified":"20240528T092531",
        "datetime_start":"20240622T110000",
        "datetime_end":"20240622T113000",
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        "time_start":"11:00:00",
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        "event_title":"CJS Ann Arbor Japan Week | Japanese Storytime with Momo Kajiwara",
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        "combined_title":"CJS Ann Arbor Japan Week | Japanese Storytime with Momo Kajiwara: Welcome to the 10th annual Ann Arbor Japan Week! Join us from June 16-22 for free Japan-themed events and activities for all ages!",
        "event_subtitle":"Welcome to the 10th annual Ann Arbor Japan Week! Join us from June 16-22 for free Japan-themed events and activities for all ages!",
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        "description":"See the full Ann Arbor Japan Week schedule at https:\/\/myumi.ch\/N6nVG\r\n\r\nLocal music teacher Momo Kajiwara will lead us in song, movement, and storytelling in Japanese!",
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        "id":"122326-21848606",
        "datetime_modified":"20240528T093157",
        "datetime_start":"20240622T140000",
        "datetime_end":"20240622T150000",
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        "event_title":"CJS Ann Arbor Japan Week | Iaido Workshop",
        "occurrence_title":"",
        "combined_title":"CJS Ann Arbor Japan Week | Iaido Workshop: Welcome to the 10th annual Ann Arbor Japan Week! Join us from June 16-22 for free Japan-themed events and activities for all ages!",
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        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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