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        "date_end":"2024-02-06",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
        "id":"116487-21837043",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240206T090000",
        "datetime_end":"20240206T160000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
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        "tags":["International"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "url":"https:\/\/twitter.com\/UMichIRWG",
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                "url":"http:\/\/irwg.umich.edu\/",
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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        "id":"116960-21838242",
        "datetime_modified":"20240110T161023",
        "datetime_start":"20240206T120000",
        "datetime_end":"20240206T130000",
        "has_end_time":1,
        "date_start":"2024-02-06",
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        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | Open with Care: Reading Early Medieval Chinese Accounts of their Alien Rulers",
        "occurrence_title":"",
        "combined_title":"LRCCS Noon Lecture Series | Open with Care: Reading Early Medieval Chinese Accounts of their Alien Rulers: Scott Pearce, Professor of History, College of Humanities and Social Science, Global Humanities and Religions, Western Washington University",
        "event_subtitle":"Scott Pearce, Professor of History, College of Humanities and Social Science, Global Humanities and Religions, Western Washington University",
        "event_type":"Lecture \/ Discussion",
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        "description":"This will be a presentation and discussion of how (and how not) to use Wei shu (\u201cDocuments of Wei\u201d) \u2013 a Chinese text, composed by Chinese scribes \u2013 for examination of the political and social history of Northern Wei (386-534 CE), a regime created through invasion of the Yellow River plains by an Inner Asian people called the *Taghbach (Chinese: Tuoba). Under discussion will be the key historiographical issues of what we can rely on in the book and what we cannot; of the aspects of the Northern Wei realm that it does speak of and the aspects that it does not. Key to these issues is better understanding of the roles of the literate Chinese who composed Wei shu, and their relationship with the alien lords they served. For the first century at least of Northern Wei, these men were largely strangers in a strange land.\r\n   \r\n   Scott Pearce took his PhD at Princeton, under the direction of Denis Twitchett, and now teaches at Western Washington University, in the state of Washington. His research focuses on the political, military and social history of the Northern Dynasties, including Northern Wei and its sixth-century successor states. In addition to a Cambridge History of China chapter, he has published a book on \"Northern Wei (386-534): A New Form of Empire in East Asia,\" which came out from Oxford in 2023. This was an effort to produce a full history of that dynasty, stretching back into its Inner Asian origins. He is now at work on a successor volume on the later Northern Dynasties, in part through time recently spent as a visiting scholar at the Institute for Advanced Study, Princeton, and at NYU\u2019s Institute for Study of the Ancient World, in New York City.\r\n   \r\nAttend in person or via Zoom. Zoom registration at https:\/\/umich.zoom.us\/webinar\/register\/WN_iUbIVmmNQOSozfX4kOmelQ\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"116960-21838242@events.umich.edu",
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        "building_name":"Weiser Hall",
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        "room":"Room 110",
        "location_name":"Weiser Hall",
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        "cost":"",
        "tags":["Asia"],
        "website":"",
        "links":[
                    ],
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                "group_name":"Lieberthal-Rogel Center for Chinese Studies",
                "group_id":"2625",
                "website":"http:\/\/ii.umich.edu\/lrccs\/"                },             {
                "group_name":"International Institute",
                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Asian Languages and Cultures",
                "group_id":"3364",
                "website":"http:\/\/www.lsa.umich.edu\/asian"                }                    ],
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        "datetime_start":"20240207T080000",
        "datetime_end":"20240207T170000",
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        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"MEMS New Books Tea",
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        "event_title":"USING VIDEOS TO ENHANCE YOUR SPEAKING AND LISTENING SKILLS",
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        "combined_title":"USING VIDEOS TO ENHANCE YOUR SPEAKING AND LISTENING SKILLS: Trisha Dowling, ELI Lecturer",
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        "event_type_id":"21",
        "description":"YouTube, TED Talks, Netflix, Tiktok. Easily accessible video content impacts the way public speakers present their ideas in and outside academia. In this hands-on workshop, we will explore ways you can use online videos to develop skills and strategies to take your English speaking to the next level. We will look at resources for improving both speaking and listening.  Please come prepared to join in conversations with other participants in this interactive workshop.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_modified":"20240111T142133",
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        "event_title":"CJS Thursday Noon Lecture Series | Being Backstage of a 600-Year-Old Noh Theater World: My Journey From War-Torn Beirut to Japan",
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        "combined_title":"CJS Thursday Noon Lecture Series | Being Backstage of a 600-Year-Old Noh Theater World: My Journey From War-Torn Beirut to Japan: Madeleine A. Jalil Umewaka, President, MJU Public Relations",
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        "description":"Attend in person or via Zoom. Zoom registration at http:\/\/myumi.ch\/MrejE\r\n\r\nMadeleine A. Jalil Umewaka escaped the Lebanese Civil War and married Noh master Naohiko Umewaka, whose family has transmitted the tradition of Noh theater, from father to son, for more than 600 years in a line that no foreigner had previously joined by marriage. This lecture will recount this meeting of two cultures.\r\n   \r\n   Madeleine A. Jalil Umewaka is the author of the autobiographies *The Noh Master\u2019s Wife* (\u300e\u30ec\u30d0\u30ce\u30f3\u304b\u3089\u6765\u305f\u80fd\u697d\u5e2b\u306e\u59bb\u300f), published by Iwanami Shoten in 2019, and *J'ai \u00e9pous\u00e9 un ma\u00eetre de N\u00f4*, published by le Prunier Sully in 2023. She serves as President of MJU Public Relations, organizing artistic and cultural events. Mrs. Umewaka received a B.Sc. Hons in computer science from the University of Reading, England, and pursued graduate studies at the University of Southern California, Osaka University, and the University of Tokyo. She has promoted and produced Noh theater, including contemporary Noh plays, in Japan and around the world. In 2014, she received an award acknowledging her activities in promoting Japanese and Lebanese cultures from Notre Dame University-Louaize. She is a producer of *Tomorrow We Will See*, a documentary about the thriving art culture in Lebanon, which received an achievement award from Lebanon's Ministry of Culture in 2015.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
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        "time_zone":"America\/Detroit",
        "event_title":"II Student Fellowships - Open Advising Session",
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        "combined_title":"II Student Fellowships - Open Advising Session: Tina Griffith, Academic Advising & Curriculum Coordinator",
        "event_subtitle":"Tina Griffith, Academic Advising & Curriculum Coordinator",
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        "event_type_id":"16",
        "description":"The International Institute Student Fellowships (IISF) are designed to support University of Michigan students, regardless of citizenship, who are enrolled in a degree program and wish to participate in internships or conduct research abroad.\r\n   \r\n   Please register for this Zoom event at http:\/\/myumi.ch\/5J6XV.\r\n   \r\n   Student can join this drop-in advising session to get advice on their application and ask questions.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CJS Winter 2024 Film Series | *Kuroneko*",
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        "combined_title":"CJS Winter 2024 Film Series | *Kuroneko*: dir. Kaneto Shind\u014d, 1 hr. 39 min., 1968",
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        "event_type":"Film Screening",
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        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/MrN8V\r\n   \r\n   In this ghost story based on a folk tale of feudal Japan, a group of samurai mercenaries led by Raiko Minamoto (Kei Sat\u014d) storm the home of Yone (Nobuko Otowa) and her daughter, Shigei (Kiwako Taichi), pillaging their food before raping and murdering the pair and finally burning the house down. When the samurai are set upon by vengeful vampire-like ghosts, it falls to the warrior Gintoki (Kichiemon Nakamura) to slay the malicious spirits, but his connection to the victims leads to conflict.\r\n   \r\n   Curator's note by Markus Nornes: This eerie mood-piece adapts a medieval folk tale, one of many that feature cats. Shind\u014d draws on some of the stagecraft of *kabuki* and Noh theater, rendering his story in beautiful black-and-white photography.\r\n   \r\n   Presented in Japanese with English subtitles. Read more\r\n   about the film, including ratings, at https:\/\/imdb.com\/title\/tt0122136\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
        "id":"116487-21837046",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240209T090000",
        "datetime_end":"20240209T160000",
        "has_end_time":1,
        "date_start":"2024-02-09",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
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    ,        {
        "id":"116647-21837675",
        "datetime_modified":"20240201T160053",
        "datetime_start":"20240209T120000",
        "datetime_end":"20240209T130000",
        "has_end_time":1,
        "date_start":"2024-02-09",
        "date_end":"2024-02-09",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CSEAS Friday Lecture Series | Of Traditions and Innovations: Tiao Nithakhong Somsanith\u2019s Art Stenciling Project and Sustainability in Luang Prabang, Laos",
        "occurrence_title":"",
        "combined_title":"CSEAS Friday Lecture Series | Of Traditions and Innovations: Tiao Nithakhong Somsanith\u2019s Art Stenciling Project and Sustainability in Luang Prabang, Laos: Boreth Ly, Associate Professor of Southeast Asian Art History and Visual Culture, University of California, Santa Cruz.",
        "event_subtitle":"Boreth Ly, Associate Professor of Southeast Asian Art History and Visual Culture, University of California, Santa Cruz.",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/gRVG3\r\n\r\nBuddhist monasteries in Luang Prabang, Laos, have long been training grounds for traditional artists and craftsmen. Many of the monks were artists and craftsmen who maintained the buildings, mural paintings, and stencils at their respective monasteries. The Communist Revolution in 1975 interrupted this crucial means of conservation. This lecture looks at a sustainable art preservation project spearheaded by Tiao Nithakhong Somsanith. Somsanith was born in 1958 and is an award-winning Laotian artist whose Phra Bot, Buddhist embroideries in gold and silver thread, are found as offerings in monasteries in Laos and Thailand. In addition, Somsanith\u2019s embroideries are also collected by major museums and art galleries in Europe and North America. In 2010, Somsanith initiated an art stenciling project that teaches monks and novices to repair the faded gold stencils in their monasteries. Using locally made rice paper, Somsanith traces the old, stenciled patterns and stories narrated on the mural paintings in monasteries. He then teaches monks and novices artistic restoration and preservation skills. Boreth Ly examines the effectiveness of this art project in helping to preserve traditional Buddhist arts in the homeland and diasporas. She argues that the sustainability of Somsanith\u2019s teaching demonstrates that it is monks who have been and remain the guardians of the arts and architecture of their monasteries. She further argue that this art project shows how a contemporary artist like Somsanith, whose knowledge is steeped in traditional Buddhist arts, is a great preserver of tradition while also demonstrating great innovations in his artistic practice.\r\n\r\nBorn in the cosmopolitan village of Phnom Penh, Cambodia, Boreth Ly is an associate professor of Southeast Asian art history and visual culture at the University of California, Santa Cruz. She coedited with Nora A. Taylor, Modern and Contemporary Art of Southeast Asia (2012). In addition, she has written numerous articles and essays on the arts and films of Southeast Asia and its diaspora.\r\n\r\nAcademically trained as an art historian, Ly employs multidisciplinary methods and theories in her writings and analysis, depending on the subject matter. Last, Ly\u2019s research focuses on the intersection between memory and historical trauma. She authored, \"Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide\" (University of Hawai\u2019i Press, 2022).\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 110",
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        "cost":"",
        "tags":["Asia"],
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                "group_id":"1968",
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        "datetime_modified":"20240906T085450",
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        "date_end":"2024-02-09",
        "time_start":"13:30:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
        "occurrence_title":"",
        "combined_title":"IPE Friday Free Passport Photos for Engineering Students",
        "event_subtitle":"",
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        "event_type_id":"22",
        "description":"Need a passport photo for a passport or visa application? International Programs in Engineering (IPE) has got you covered! \r\n\r\n-Fall & Winter Semester Only\r\n-Fridays 1:30-3:30pm at the IPE Office (245 Chrysler Center)\r\n-No Appointment Needed\r\n-Not During Exam Week or Holidays\r\n\r\nThis service is for CoE undergraduate and graduate students. \r\nFor best results, wear darker colored, solid (non patterned) shirt\/top",
        "occurrence_notes":null,
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        "time_zone":"America\/Detroit",
        "event_title":"CSAS Lecture Series | On Trying to Kill a Sexologist: Prison Science and the Minor Revolutionary Life of Homosexuality in Colonial India",
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        "combined_title":"CSAS Lecture Series | On Trying to Kill a Sexologist: Prison Science and the Minor Revolutionary Life of Homosexuality in Colonial India: Rovel Sequeira, LSA Collegiate Postdoctoral Fellow of Women's and Gender Studies, University of Michigan",
        "event_subtitle":"Rovel Sequeira, LSA Collegiate Postdoctoral Fellow of Women's and Gender Studies, University of Michigan",
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        "event_title":"US\/ED Fulbright-Hays Doctoral Dissertation Research Abroad (DDRA) Fellowships Info Session",
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        "event_title":"Reclaiming Our Vote: South Asians and Civic Engagement with Mussab Ali",
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        "time_start":"18:00:00",
        "time_end":"20:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Currents that Connect",
        "occurrence_title":"",
        "combined_title":"The Currents that Connect: Al-Raffy Alnado Harun; Carlo Ebeo",
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        "description":"In collaboration with KulArts and the Philippine Arts & Culture Ensemble of Michigan, join two Philippine culture bearers for FREE workshops, community interaction, lectures, and performances in dance, music, cuisine, and attires of indigenous cultures from Mindanao.\r\n   \r\n   Al-raffy Harun is a performing artist & Sama culture bearer born and raised in Sitangkai, Tawi-Tawi. A cultural worker and performer, he was Artistic Director of the Sining Parmata Performing Arts of Mindanao State University. He led Lepa Theatrical Troupe in Sitangkai, Tawi-Tawi aiming to promote, preserve and protect Sama culture & tradition. Raffy won the Best talent in Malaysia for Mr.Culture Asia and was the Tawi-Tawi area coordinator for the Genetic Variation of Filipino People Project. Raffy received his Bachelor of Arts from Mindanao State University Tawi-Tawi College of Technology and Oceanography and recently earned a Diploma in Linguistic, Anthropology, and Population Genetics at Uppsala University, Sweden. He is also a Legislative Staff Assistant for the Policy Research & Legal Services BTA-BARMM Cotabato City.\r\n   \r\n   Carlo Ebeo, a researcher, producer, educator, & festival organizer, is a member of the Board of Trustees of the National Museum of the Philippines, commissioner of National Commission for Culture & the Arts and national coordinator for the National Book Development Board\u2019s Book Nook Project. He has produced and curated numerous large arts projects including Mga Durungawan Sa Kulturang Pilipino (Windows to Philippine Cultures) Hinugyaw Festival, T\u2019nalak Festival, the Incheon Bilingual Theatre Festival, as well as exhibitions in various museums in Mindanao and at the Ninoy Aquino International Airport Terminal 3. He is a member of the research program of Uppsala University- Sweden, a four-year research study on the Origins of the Filipino People and led a group of Filipino researchers, scholars, scientists & cultural workers for a project called OCSEAN or \u201cOceanic and South East Asian Navigators\u201d trained in the areas of Austronesian languages, anthropology, archeology & genetics geared towards a study on probing the human past.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Symposium on Ottoman Jewish Culture",
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        "combined_title":"Symposium on Ottoman Jewish Culture: Multiple Speakers",
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        "description":"The \"decline\" of the Ottoman empire at the end of the nineteenth century, constantly reexamined by historians of the period, needs to be addressed in the cultural realm as well. How does this historical concept relate to the Jewish sphere in the empire? The conference on Ottoman Jewish Culture will bring together scholars working on art, music, culture, and literature. By creating an intersection of these fields, the conference endeavors to widen the scope of each and to inquire into the possible links between their respective creative areas. In so doing, the conference will explore the nature of the \"decline\" hypothesis on cultural creativity, especially among Jews.",
        "occurrence_notes":null,
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                "group_id":"1034",
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        "event_title":"LRCCS Noon Lecture Series | Patterns and Socio-Political Implications of Youth Unemployment and Underemployment in China",
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        "event_title":"Nam Center Colloquium Series | Social Meanings of Korean Honorifics Beyond Politeness Markers",
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        "combined_title":"Nam Center Colloquium Series | Social Meanings of Korean Honorifics Beyond Politeness Markers: Sang-Seok Yoon, Assistant Professor in Korean Linguistics, University of Iowa",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Program in International and Comparative Studies | International Studies Virtual Information Session and Q&A",
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        "combined_title":"Program in International and Comparative Studies | International Studies Virtual Information Session and Q&A: Bryna Worner, Undergraduate Academic Advisor; Danielle Schmidt, PICS Program Coordinator",
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        "description":"Please note: This information session will be held virtually ET through Zoom. This webinar is free and open to the public, but registration is required. Once you've registered the joining information will be sent to your email.\r\n\r\nRegister at: https:\/\/myumi.ch\/kxeXy\r\n\r\nStudents considering a major or minor in International Studies are strongly encouraged to attend an International Studies Information Session and Q&A. International Studies academic advisors will discuss:\r\n\r\n\u2022 Prerequisites\r\n\u2022 Major and minor requirements\r\n\u2022 Sub-plans\r\n\u2022 How to declare\r\n\u2022 Additional majors and minors offered at the International Institute\r\n\u2022 Study abroad, grants, and internships\r\n\u2022 Relevance of an International Studies major or minor\r\n\r\nUndeclared students should plan to attend an International Studies Information Session and Q&A. For dates of all upcoming sessions, please review the PICS event calendar. If you have questions, please email is-advising@umich.edu.\r\n\r\nA half-hour presentation will be followed by questions and discussion. Students can declare the International Studies major or minor at the information session. For more information, please email is-advising@umich.edu.\r\n\r\nParents and prospective students are welcome. For more information, please email is-michigan@umich.edu. Prospective students who would like to receive correspondence about International Studies related orientations, events, and special announcements should sign up for the International Studies Prospective Student email list: https:\/\/myumi.ch\/29DWZ\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at is-michigan@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"TIPS FOR TALKING TO POWERFUL PEOPLE",
        "occurrence_title":"",
        "combined_title":"TIPS FOR TALKING TO POWERFUL PEOPLE: Trisha Dowling, ELI Lecturer",
        "event_subtitle":"Trisha Dowling, ELI Lecturer",
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        "description":"Making small talk is one of the most challenging types of speaking to master in any language. This can be particularly true with people in a position of authority, such as a faculty advisor, department chair, work supervisor, or future employer. In this workshop, you will practice skills and strategies to effectively interact with powerful people, including turn-taking strategies, active listening, and sources for sample conversations. Learn how to appear friendly and confident at a job interview, or confident and insightful in a research group meeting. Please come prepared to practice with other participants.",
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        "event_title":"CSAS South Asian Film Series | *Rocky Aur Rani Kii Prem Kahaani*",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_start":"20240215T090000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Directions in Asian American Studies: Past, Present, Future",
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        "combined_title":"Directions in Asian American Studies: Past, Present, Future: Jennifer Ho",
        "event_subtitle":"Jennifer Ho",
        "event_type":"Lecture \/ Discussion",
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        "description":"Jennifer Ho is the director of the Center for Humanities & the Arts and Professor of Ethnic Studies at the University of Colorado (Boulder), where she teaches courses on Asian American culture and Critical Race Theory. She is past president of the Association for Asian American Studies (2020-2022) and the author of two co-edited essay collections and three scholarly monographs \"Consumption and Identity in Asian American Coming-of-Age Novels (2005), Racial Ambiguity in Asian American Culture (2015), and Understanding Gish Jen (2015).",
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        "time_zone":"America\/Detroit",
        "event_title":"Revitalizing Languages\/Language as Cultural Identity",
        "occurrence_title":"",
        "combined_title":"Revitalizing Languages\/Language as Cultural Identity",
        "event_subtitle":"",
        "event_type":"Reception \/ Open House",
        "event_type_id":"17",
        "description":"Explore a display that includes literature and teaching materials in various less-commonly-taught or endangered languages from around the world. Consider how these languages shape communities and identities, and the role of language revitalization in a globalized world.\r\n\r\nLanguage is an essential part of culture and of communal identity, but an increased focus on international languages, like English, has pushed some languages to a place of secondary importance and others to the brink of extinction. Movements towards preserving or revitalizing some of these languages are a small but vital aspect of cultural preservation.  \r\n\r\nJoin colleagues from the library's International Studies department for this open house as part of the Third Thursdays at the Library event series.",
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        "room":"International Studies Reading Room, 1st Floor",
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        "tags":["International"],
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        "event_title":"CJS Winter 2024 Film Series | *Godzilla vs. Hedorah*",
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        "combined_title":"CJS Winter 2024 Film Series | *Godzilla vs. Hedorah*: dir. Yoshimitsu Banno, 1 hr. 25 min., 1971",
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        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/QqypX\r\n   \r\n   Godzilla fights pollution in the form of living sludge found by a scientist (Akira Yamauchi) and his son (Toshie Kimura).\r\n   \r\n   Curator's note by Markus Nornes: This is already the 11th film in the *Godzilla* franchise. In it, Banno tries to mix things up with an eco-critical theme and flights of animation. This was from the kids' *Gozilla* era, so it may not be horrifying; however, it's immensely pleasurable.\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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                "group_name":"Center for Japanese Studies",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240216T090000",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_id":"1031",
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        "datetime_end":"20240216T123000",
        "has_end_time":1,
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        "time_start":"11:00:00",
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        "event_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia",
        "occurrence_title":"",
        "combined_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia: Panel 4: Politics and Law",
        "event_subtitle":"Panel 4: Politics and Law",
        "event_type":"Livestream \/ Virtual",
        "event_type_id":"24",
        "description":"Register for this Zoom panel at http:\/\/myumi.ch\/gR9n2\r\n\r\nComplete series details at https:\/\/myumi.ch\/RpDJX\r\n\r\n Moderator: Helene Thibault, Associate Professor of Political Science, Nazarbayev University\r\n\r\nSpeakers: \r\n\r\nKatalin Fabian, Professor of Government and Law, Lafayette College\r\n\r\nJennifer Suchland, Associate Professor, Department of Women's, Gender and Sexuality Studies, The Ohio State University\r\n\r\nMarianna Muravyeva, Professor of Law, University of Helsinki\r\n\r\nPiro Rexhepi, independent researcher \r\n\r\nMany efforts have been made over the past several years to diversify Eastern European and Eurasian studies. This new spotlight surfaces research that has been conducted by many scholars for much longer, highlighting their commitment to telling stories and honoring perspectives of diverse and minority communities. Their work reveals that while there is no unified queer experience in the region, there is often a one-size-fits all state response to the reality of queer lives in many nations within the region. \r\n\r\nHow can a queer-studies focus advance conversations about decolonization in East European and Eurasian Studies? To address this question, Queer Focus will have seven virtual panels featuring speakers from various disciplines and institutions. Panelists and participants will explore how gendered regimes were constitutive of Russo-centric relationships of power, defining the region and how we study it, as we collectively grapple with what it means to re-examine our current research, teaching, and institutional practices.\r\n\r\n*Panel 4 of the series will take a legal and political perspective on queer studies within the region. *",
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                "group_id":"1968",
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                "group_id":"3111",
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        "datetime_end":"20240216T130000",
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        "event_title":"CSEAS Friday Lecture Series | Aesthetic Nationalism: Dancing the Tai Nation in the Thai-Myanmar Borderlands",
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        "combined_title":"CSEAS Friday Lecture Series | Aesthetic Nationalism: Dancing the Tai Nation in the Thai-Myanmar Borderlands: Tani H. Sebro, Assistant Professor of Global Politics, Cal Poly Humboldt",
        "event_subtitle":"Tani H. Sebro, Assistant Professor of Global Politics, Cal Poly Humboldt",
        "event_type":"Lecture \/ Discussion",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/bymr9\r\n\r\nDance, song and the performing arts are often overlooked in studies of war and diaspora. Yet synchronized rhythmic movement promotes group coherence within all cultures, religions and nations, and holds potential for expressing both political resistance and national coherence. Drawing from long-term ethnographic fieldwork and dance training in Northern Thailand amongst forcibly displaced Tai (Shan) migrants from Myanmar, this talk attends to how dance, song and theatre practice reinvigorate stateless people\u2019s desire for self-determination in ways that challenge the current nation-state paradigm. For Tai exiles, ethnic nationalism is produced through the work of dance and through shared rhythmic and aesthetic structures of sentiment towards the Tai nation \u2013 which produce powerful political affects and effects. Aesthetic Nationalism argues that displaced peoples do not maintain their sense of nation primarily through capital and reading publics, but rather through the complex transmission of what may be called \u201caesthetic nationalisms,\u201d which involve performances and cultural practices that produce enduring bonds to an imagined homeland.\r\n   \r\n   The in-progress book project, Aesthetic Nationalism argues that the nation, for countless peoples in exile, is often carried through the body and continuously forged via the rhythmic work of performance and theater, in addition to discourse, language and signification. This is a story of how fractured nations seek to maintain themselves by enmeshing acts of defiance and persistence in art and in performance.\r\n\r\n   Tani Sebro is a political and dance ethnographer who has conducted over two years field research along the Thai-Myanmar border. Currently an Associate Professor of Global Politics at Cal Poly Humboldt, she is the recipient of a Fulbright-ASEAN Fellowship and is a UC Berkeley SEALIVES grantee.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
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        "event_title":"Buddhist Perspectives on Grief and Language:",
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        "combined_title":"Buddhist Perspectives on Grief and Language:: A Book Dialogue with Author Chenxing Han & Dr. Lang Chen",
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        "description":"Join us for an intimate dialogue between Chenxing Han and Buddhist studies scholar Dr. Lang Chen about religious perspectives on grief, culturally attuned care for the dying, and the literary entanglements of translation in Asian and Asian American contexts. The conversation will be grounded in Chenxing\u2019s recent book, *one long listening: a memoir of grief, friendship, and spiritual care* (North Atlantic Books, 2023), and will also touch on May We Gather, a national Buddhist memorial of resilience, recovery, and repair.\r\n\r\nChenxing Han is the author of *Be the Refuge: Raising the Voices of Asian American Buddhists*; *one long listening: a memoir of grief, friendship, and spiritual care*; and numerous articles and book chapters for both academic and mainstream audiences. She is a frequent speaker and workshop leader at schools, universities, and Buddhist communities across the nation, and currently serves as the Khyentse Visitor in the Department of Asian Languages and Cultures at the University of Michigan.\r\n\r\nLang Chen received her Ph.D. in Buddhist Studies from Yale University in 2015 and her Master of Theological Studies from Harvard Divinity School in 2006. Her research focused on Chinese literati\u2019s creative use of Buddhism for literary innovation as well as spiritual liberation from the early modern period (16\u201317th century) onwards. She also studied the idea of \u201chappiness\u201d from Chinese and Buddhist perspectives. Lang is currently enrolled in the Master of Social Work program at the University of Michigan and working as an intern therapist at the Counseling and Psychological Services of the university. She was a caregiver of her late husband, who fought cancer heroically.",
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        "time_zone":"America\/Detroit",
        "event_title":"CAS Workshop.  Where Empires Meet: Borderland Cosmopolitanisms in the Late Antique and Medieval Middle East",
        "occurrence_title":"",
        "combined_title":"CAS Workshop.  Where Empires Meet: Borderland Cosmopolitanisms in the Late Antique and Medieval Middle East",
        "event_subtitle":"",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"In the third book of The Buildings, the sixth-century Roman historian Procopius of Caesarea offers us a glimpse into what life was like in the borderlands between Rome and Persia. Just west of Lake Van in Greater Armenia, he describes how the borderlands of the two empires \u201clay together promiscuously (\u1f00\u03bd\u03b1\u03bc\u1f76\u03be)\u201d (Procopius Buildings 3.3.9). Procopius seems to have intended this sexual double entendre to be taken quite literally, for he adds that those who lived here in the district of Kars, whether Roman or Persian subjects, lived together peacefully: they would come together to go to market, share their farms with each other, and even marry one another (Procopius Buildings 3.3.10).\r\n   \r\nAlthough Procopius is critical of such \u201cpromiscuity\u201d between Romans and Persians, his description suggests that the borderlands of early medieval Armenia were both a cosmopolitan and a contested space, where individuals cultivated vernacular cosmopolitanisms in their day-to-day lives at the interstices of empires. By bringing together specialists from across the academy who study the diverse languages, literatures, and cultures of the spaces where empires meet, this workshop seeks to excavate commingled lives in the borderlands of Armenia and Syria in the late antique and medieval Middle East. In particular, it seeks to shed new light on the practices of non-elites across these borderland zones. It is often repeated, for instance, that premodern Armenia and Syria were places in-between\u2013but what did that in-betweenness look like on the ground? How did Armenians, Syrians, and others navigate \u201cborders,\u201d let alone their shifting relationships to Rome and Persia, in light of the border? Finally, where do borders get crossed, and how might such crossings inform theoretical and methodological approaches to studying these complex regions today?\r\n\r\nSchedule of Events\r\n\r\nFebruary 16 | Weiser Hall 555 (in-person) and on Zoom: https:\/\/umich.zoom.us\/j\/95833364188 (virtual)\r\n\r\n4:00 pm - 6:00 pm | Keynote Address \u2014 Kate Franklin (Birkbeck, University of London), Between Ecumene and Ecology: Armenians on the Silk Road and More-than-Human Cosmopolitanism\r\n\r\nFebruary 17 | Weiser Hall 555 (in person only)\r\n\r\n9:15 am - 9:30 am | Introductory Remarks\r\n\r\n9:30 am - 11:00 am | Panel I: Cosmopolitanisms Along and Across the Borders of Rome in Late Antiquity\r\n\r\nRespondent: Anna Bonnell Freidin (University of Michigan)\r\n\r\nJames Wolfe (University of Michigan) \"Segmentation, Enclaves, and Forgotten Borders: Navigating the Borderless Borderlands of The Late Roman Near East\"\r\n\r\nWalter Beers (Hamilton College) \"Seeing like a Monastery: Cop'k'\/Sophene as Syro-Armenian Borderland in John of Ephesus' Lives of the Eastern Saints\"\r\n\r\n11:00 am - 11:15 am | Break\r\n\r\n11:15 am - 12:45 pm | Panel II: Multilingual Communities at the Crossroads of the Medieval Middle East\r\n\r\nRespondent: Kathryn Babayan (University of Michigan)\r\n\r\nPolina Ivanova (Justus Liebig University Giessen) \"An Invisible Frontier? On the Traces of Medieval Armenian Settlements in Central Anatolia\"\r\n\r\nMichael Pifer (University of Michigan) \"Traveler\u2019s Cant: Language and Public Epigraphy in Fourteenth- Century Armenia\"\r\n\r\n12:45 pm - 1:45 pm | Lunch for Workshop Participants\r\n\r\n1:45 pm - 3:15 pm | Panel III: Drawing Political and Social Borders\r\n\r\nRespondent: Juan Cole (University of Michigan)\r\n\r\nLev Weitz (Catholic University of America) \"Syriac Cosmopolitanisms on the Plains and the Coasts\"\r\n\r\nAlison Vacca (Columbia University) \"Herakleios's Allies: Turks in the Sasanian-Byzantine Wars\"\r\n\r\nRegister at http:\/\/umich.zoom.us\/j\/95833364188\r\n\r\nThis workshop, sponsored by the University of Michigan\u2019s Center for Armenian Studies and cosponsored by the College of Literature, Science, and the Arts, is organized by James Wolfe (Manoogian Postdoctoral Fellow in Armenian Studies, U-M) and Michael Pifer, (Department of Middle East Studies, U-M).\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact the armenianstudies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "combined_title":"CSAS Lecture Series | Translation and the Transcreated Nation: The Case of Qurratulain Hyder: Sadia Abbas, Associate Professor of Islam, the Humanities and the Human, Rutgers University-Newark",
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        "event_title":"CAS Workshop.  Where Empires Meet: Borderland Cosmopolitanisms in the Late Antique and Medieval Middle East",
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        "combined_title":"CAS Workshop.  Where Empires Meet: Borderland Cosmopolitanisms in the Late Antique and Medieval Middle East",
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        "description":"In the third book of The Buildings, the sixth-century Roman historian Procopius of Caesarea offers us a glimpse into what life was like in the borderlands between Rome and Persia. Just west of Lake Van in Greater Armenia, he describes how the borderlands of the two empires \u201clay together promiscuously (\u1f00\u03bd\u03b1\u03bc\u1f76\u03be)\u201d (Procopius Buildings 3.3.9). Procopius seems to have intended this sexual double entendre to be taken quite literally, for he adds that those who lived here in the district of Kars, whether Roman or Persian subjects, lived together peacefully: they would come together to go to market, share their farms with each other, and even marry one another (Procopius Buildings 3.3.10).\r\n   \r\nAlthough Procopius is critical of such \u201cpromiscuity\u201d between Romans and Persians, his description suggests that the borderlands of early medieval Armenia were both a cosmopolitan and a contested space, where individuals cultivated vernacular cosmopolitanisms in their day-to-day lives at the interstices of empires. By bringing together specialists from across the academy who study the diverse languages, literatures, and cultures of the spaces where empires meet, this workshop seeks to excavate commingled lives in the borderlands of Armenia and Syria in the late antique and medieval Middle East. In particular, it seeks to shed new light on the practices of non-elites across these borderland zones. It is often repeated, for instance, that premodern Armenia and Syria were places in-between\u2013but what did that in-betweenness look like on the ground? How did Armenians, Syrians, and others navigate \u201cborders,\u201d let alone their shifting relationships to Rome and Persia, in light of the border? Finally, where do borders get crossed, and how might such crossings inform theoretical and methodological approaches to studying these complex regions today?\r\n\r\nSchedule of Events\r\n\r\nFebruary 16 | Weiser Hall 555 (in-person) and on Zoom: https:\/\/umich.zoom.us\/j\/95833364188 (virtual)\r\n\r\n4:00 pm - 6:00 pm | Keynote Address \u2014 Kate Franklin (Birkbeck, University of London), Between Ecumene and Ecology: Armenians on the Silk Road and More-than-Human Cosmopolitanism\r\n\r\nFebruary 17 | Weiser Hall 555 (in person only)\r\n\r\n9:15 am - 9:30 am | Introductory Remarks\r\n\r\n9:30 am - 11:00 am | Panel I: Cosmopolitanisms Along and Across the Borders of Rome in Late Antiquity\r\n\r\nRespondent: Anna Bonnell Freidin (University of Michigan)\r\n\r\nJames Wolfe (University of Michigan) \"Segmentation, Enclaves, and Forgotten Borders: Navigating the Borderless Borderlands of The Late Roman Near East\"\r\n\r\nWalter Beers (Hamilton College) \"Seeing like a Monastery: Cop'k'\/Sophene as Syro-Armenian Borderland in John of Ephesus' Lives of the Eastern Saints\"\r\n\r\n11:00 am - 11:15 am | Break\r\n\r\n11:15 am - 12:45 pm | Panel II: Multilingual Communities at the Crossroads of the Medieval Middle East\r\n\r\nRespondent: Kathryn Babayan (University of Michigan)\r\n\r\nPolina Ivanova (Justus Liebig University Giessen) \"An Invisible Frontier? On the Traces of Medieval Armenian Settlements in Central Anatolia\"\r\n\r\nMichael Pifer (University of Michigan) \"Traveler\u2019s Cant: Language and Public Epigraphy in Fourteenth- Century Armenia\"\r\n\r\n12:45 pm - 1:45 pm | Lunch for Workshop Participants\r\n\r\n1:45 pm - 3:15 pm | Panel III: Drawing Political and Social Borders\r\n\r\nRespondent: Juan Cole (University of Michigan)\r\n\r\nLev Weitz (Catholic University of America) \"Syriac Cosmopolitanisms on the Plains and the Coasts\"\r\n\r\nAlison Vacca (Columbia University) \"Herakleios's Allies: Turks in the Sasanian-Byzantine Wars\"\r\n\r\nRegister at http:\/\/umich.zoom.us\/j\/95833364188\r\n\r\nThis workshop, sponsored by the University of Michigan\u2019s Center for Armenian Studies and cosponsored by the College of Literature, Science, and the Arts, is organized by James Wolfe (Manoogian Postdoctoral Fellow in Armenian Studies, U-M) and Michael Pifer, (Department of Middle East Studies, U-M).\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact the armenianstudies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"Korean Cinema NOW | Minari | \ubbf8\ub098\ub9ac",
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        "combined_title":"Korean Cinema NOW | Minari | \ubbf8\ub098\ub9ac: 2020. 115 minutes. Drama. PG-13.",
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        "description":"View trailer at youtu.be\/KQ0gFidlro8?si=spr8OCTo1iwAB8Ap\r\n\r\nA tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.\r\n   \r\n   From writer\/director Lee Isaac Chung.\r\n   \r\n   Minari had its world premiere at the 2020 Sundance Film Festival on January 26, 2020, winning both the U.S. Dramatic Grand Jury Prize and the U.S. Dramatic Audience Award.\r\n   \r\n   The film received critical acclaim, with praise towards Chung's direction and screenplay, Yeun and Youn's performances and the score. Many declared it one of the best films of 2020. It earned six nominations at the 93rd Academy Awards: Best Picture, Best Director, Best Original Score, Best Original Screenplay, Best Actor (Yeun), and Best Supporting Actress (Youn), with Youn winning for her performance, making her the first Korean to win an Academy Award for acting. It also won the Golden Globe Award for Best Foreign Language Film, was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, and earned six nominations at the 74th British Academy Film Awards, including Best Film Not in the English Language. It has since been cited as one of the best films of the 2020s and the 21st century.\r\n   \r\n   Presented in English and Korean with English subtitles\r\n\r\nKorean Cinema NOW 2024 - Diaspora Edition series features critical picks of recent diaspora film hits. Screened at the Michigan Theater, all films are free and open to the public.\r\n\r\nDetails at the Michigan Theater website: https:\/\/michtheater.org\/korean-cinema-now",
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        "event_title":"LRCCS Noon Lecture Series | Between Food and Medicine: A Preliminary Exploration of the Consumption of Ginseng, Bird\u2019s Nest, Sea Cucumber, and Shark Fin in Early Modern China",
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        "combined_title":"LRCCS Noon Lecture Series | Between Food and Medicine: A Preliminary Exploration of the Consumption of Ginseng, Bird\u2019s Nest, Sea Cucumber, and Shark Fin in Early Modern China: Minghui Hu, Associate Professor of History, University of California Santa Cruz",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/qGNd3\r\n\r\nThis study examines the confluence of dietary and medicinal practices in early modern China, focusing on four specific items: ginseng, bird's nest, sea cucumber, and shark fin. These substances, esteemed for their nutritional and therapeutic properties, provide a distinctive lens through which to view the cultural, social, and economic dimensions of Chinese dietary customs and traditional medicine during this era.\r\n   \r\n   In early modern China, the demarcation between food and medicine was frequently ambiguous. This ambiguity was particularly pronounced in consuming certain items valued not only for their gastronomic appeal but also for their purported health advantages. Ginseng, bird's nest, sea cucumber, and shark fin are prime examples of this phenomenon and indicate luxury consumption.\r\n   \r\n   Ginseng, often hailed as a cure-all, was consumed for various purported benefits, including energy enhancement, cognitive function improvement, and longevity. Its luxury item status also made it a symbol of affluence and social standing. Similarly, bird's nest, derived primarily from the saliva of swiftlets, was another item of luxury, consumed for its alleged benefits in respiratory health and skin complexion. The sea cucumber, a marine organism, was sought after for its potential benefits in joint health and anti-inflammatory properties. Shark fin, predominantly used in shark fin soup, symbolized prestige and luxury. Despite its limited flavor profile, it was valued for its texture and assumed health benefits, such as enhancing sexual potency and preventing heart disease.\r\n   \r\n   The consumption of these four items in early modern China exemplifies the intricate interaction between dietary and medicinal practices. These substances were integral to the diet and bore significant cultural, social, and economic implications. Their use reflects broader themes of health, wealth, and status within Chinese society and an evolving comprehension of the relationship between diet and health.\r\n   \r\n   This research aims to investigate the perceived medicinal benefits of these foods, their impact on tax regulations and to draw preliminary conclusions about their role in the cultural and social dynamics of the period. This exploration will contribute to a deeper understanding of the complex interplay between nourishment and medicine in the historical context of early modern China.\r\n   \r\n   Minghui Hu studied structural engineering with computer-assisted analysis and design in Taiwan and earned his BS in 1989. Upon receiving his MS from Virginia Tech\u2019s Science and Technology Studies graduate program, he moved to Los Angeles to pursue his PhD in History at UCLA. Hu was a computer programmer at a child psychiatrist lab in a UCLA hospital while pursuing a PhD in History. Upon completing his dissertation in the History of Science program at UCLA in 2004, he moved to the University of Chicago as an Andrew Mellon postdoctoral fellow. Hu joined the faculty of History at UCSC in 2005. Minghui Hu has published a monograph titled \u201cChina\u2019s Transition to Modernity: The New Classical Vision of Dai Zhen\u201d (Washington 2015; the Chinese translation is forthcoming in early 2024) and co-edited Cosmopolitanism in China, 1600-1950 (Cambria 2016) with Johan Elverskog. His articles have appeared in several academic journals, including The International History Review, Frontier of History in China, Twentieth-First Century, Xue Heng, and Harvard Journal of Asiatic Studies. He has completed a book manuscript titled \u201cWaiting for the Barbarians: A History of Geopolitics in Early Modern China\u201d (Cambria, 2025). Data mining and the field of digital humanities are the main focus of his future research. He will also continue to study the history of early modern China.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"History Matters Film Series: Twilight Samurai",
        "occurrence_title":"",
        "combined_title":"History Matters Film Series: Twilight Samurai: Hitomi Tonomura",
        "event_subtitle":"Hitomi Tonomura",
        "event_type":"Film Screening",
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        "description":"This event is FREE and open to the public on Tuesday, February 20, 5:00 pm at the STATE Theatre. Please reserve your tickets on the Michigan Theater website.\r\n\r\nAs the feudal Japan era draws to a close, a widower samurai (Hiroyuki Sanada) experiences difficulty balancing clan loyalties, 2 young daughters, an aged mother, and the sudden reappearance of his childhood sweetheart (Rie Miyazawa). Emotionally deep\u2014but with spectacular sword fights\u2014The Twilight Samurai won an unprecedented 12 Japanese Academy Awards, including Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay, and was nominated for the Academy Award for Best Foreign Language Film at the 76th Academy Awards.\r\n\r\nIntroduction and post-film discussion led by Hitomi Tonomura.\r\n\r\n129 minutes. Drama. Not Rated.\r\n\r\nHitomi Tonomura is a historian of premodern Japan and is an aficionado of samurai films. She often teaches courses on war and gender, and enjoys scrutinizing documents written by Japan's medieval warriors.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Fulbright U.S. Student Program General Info Session",
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        "description":"Register for this Zoom presentation at https:\/\/myumi.ch\/G4rk1\r\n\r\nCome learn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   Heather Johnson, U-M Fulbright Program Adviser, will introduce you to the Fulbright U.S. Student Program competition. Heather will give an overview of the U-M Fulbright campus process, which has made U-M a leading public university in Fulbright awardees. We have worked to make our application process accessible for every U-M student, and Heather's presentation will get you started!\r\n   \r\n   Faculty and staff are also invited to this event. Our ability to support students in their applications to Fulbright hinges on the wisdom and experience of U-M's professors, advisers, and U-M Fulbright Alumni.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"International Wellness Fair",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
                "guid":"116487-21837059@events.umich.edu",
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
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    ,        {
        "id":"118606-21841280",
        "datetime_modified":"20240208T110009",
        "datetime_start":"20240222T100000",
        "datetime_end":"20240222T130000",
        "has_end_time":1,
        "date_start":"2024-02-22",
        "date_end":"2024-02-22",
        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Celebrating Maslenitsa",
        "occurrence_title":"",
        "combined_title":"Celebrating Maslenitsa: Russian Language Students",
        "event_subtitle":"Russian Language Students",
        "event_type":"Meeting",
        "event_type_id":"14",
        "description":"Students and instructors of Russian will gather to celebrate Maslenitsa with songs, poems, presentations, videos, and bliny!\r\n\r\nThe tradition of Maslenitsa dates back to pagan times, when Russians would bid farewell to winter and welcome spring. As with many ancient holidays, Maslenitsa  has a dual ancestry: pagan and Christian. On the pagan side, Maslenitsa was celebrated on the vernal equinox day. It marked the welcoming of spring, and was all about the enlivening of nature and bounty of sunny warmth. On the Christian side, Maslenitsa was the last week before the onset of Lent (fasting which precedes Easter), giving the last chance to bask in worldly delights.\r\n\r\nOnce Lent itself begins, a strictly kept fast excludes meat, fish, dairy products, and eggs. Furthermore, parties, secular music, dancing and other distractions from the spiritual life are also strictly prohibited. In the eyes of the church Maslenitsa is not just a week of merrymaking, but a whole step-by-step procedure to prepare oneself for a long and exhausting fasting, which, if observed properly, may be a real challenge.\r\n\r\nThe name of the holiday, Maslenitsa (derived from \u201cmaslo\u201d, which means butter or oil in Russian) owes its existence to the tradition of baking pancakes (or blini, in Russian). They are essential to the celebration of Maslenitsa. On the one hand, hot, round, and golden, pancakes, as people believed, embody a little of the sun\u2019s grace and might, helping to warm up the frozen earth. In old days pancakes were cooked from buckwheat flour, lending them a red color, making the significance even more evident.\r\n\r\nOn the other hand, the circle has been considered a sacred figure in Russia, protecting people from evil. Hence is the habit of going on horseback around the settlement several times, decorating a cart wheel and carrying it on a pole along the streets, and dancing the khorovod (round dance). Such ceremonies were believed to butter (in Russian, the figurative meaning of the verb \u201cto cajole\u201d) the Sun and make it kinder. Pancakes also symbolize birth and death; in old Russia a pancake was given to a woman in labor, and is a ritual funeral repast in many homes.\r\n\r\nInformation was adapted from http:\/\/russiapedia.rt.com\/of-russian-origin\/maslenitsa\/",
        "occurrence_notes":null,
                "guid":"118606-21841280@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/118606",
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        "building_name":"Modern Languages Building",
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        "campus_maps_id":"111",
        "campus_maps_link_path":"modern-languages-building",
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        "room":"3308",
        "location_name":"Modern Languages Building",
        "has_livestream":0,
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        "tags":["International"],
        "website":"http:\/\/www.facebook.com\/umslavic\/",
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                "url":"http:\/\/lsa.umich.edu\/slavic",
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    ,        {
        "id":"117575-21839531",
        "datetime_modified":"20240120T111716",
        "datetime_start":"20240222T120000",
        "datetime_end":"20240222T133000",
        "has_end_time":1,
        "date_start":"2024-02-22",
        "date_end":"2024-02-22",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Thursday Noon Lecture Series | Metaphors in Matter: Environmental Consciousness and Symbolic Explorations",
        "occurrence_title":"",
        "combined_title":"CJS Thursday Noon Lecture Series | Metaphors in Matter: Environmental Consciousness and Symbolic Explorations: Yuken Teruya, Berlin-based Okinawan artist",
        "event_subtitle":"Yuken Teruya, Berlin-based Okinawan artist",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at http:\/\/myumi.ch\/1ADmr\r\n\r\nIn this artist's talk, Yuken Teruya will delve into three of his artworks.\r\n   \r\n   \u201cNotice-Forest\u201d ingeniously transforms a disposable paper bag into a symbolic tree, conveying a potent message about environmental awareness.\r\n   \r\n   The series \u201cYou-I, You-I,\u201d now part of the British Museum's collection, seamlessly explores Okinawa's cultural nuances, bridging past and present through the vibrant Bingata fabric.\r\n   \r\n   In the impactful piece \u201cMonopoly,\u201d the artist uses toy currency to delve into the pervasive influence of symbols, prompting viewers to reflect on the deeper implications of these symbols within our societal dynamics.\r\n   \r\n   Via the medium of everyday materials, the works of Yuken Teruya (*b.* Okinawa, 1973) address contemporary social issues such as consumerist culture, globalism, and the environment. Also, he visualizes the ongoing complexities of his homeland, Okinawa, through his keen insight and refined skills, to quietly stimulate the viewer's thoughts. Teruya\u2019s recent exhibitions include *Yuken Teruya Heavy Pop Okinawa* at the Okinawa Prefectural Museum and Art Museum (2023); *Yuken Teruya Chorus* at the Naha Cultural Arts Theater NAHArt; *Yuken Teruya On Okinawa: Collections from the past and the future* at the Dahlem Ethnological Museum and Museum of Asian Art (Humboldt-Lab Dahlem) Berlin (2014\u20132015); *Lost Found Yuken Teruya* at the Live Forever Art Foundation, Taichung (2018); and *WE BELONG HERE* at the Piero Atchugarry Gallery, Miami (2020). Teruya also created a public art project, \u201cMe\/You\u201d (2018), with the *Okinawa Times* Newspaper Company, Japan. In past years, Teruya's work was also featured in the 12th Shanghai Biennale \u201cProregress: Art in an Age of Historical Ambivalence\u201d at the Power Station of Art (2018\u20132019); *Japanext: Contemporary Visual Arts & Culture Since 1970* at the Centre Pompidou-Metz (2016\u20132017); *Who interprets the world?* at the 21st Century Museum of Contemporary Art, Kanazawa (2015); *Paper* at the Saatchi Gallery London (2013); *The Shapes of Space* at the Guggenheim, New York (2007); *Greater New York 2005* at the MoMA PS1 contemporary art center, New York; and various other exhibitions in the United States, Europe, and Asia. Teruya's work is included in the public collections of the British Museum; the Museum of Modern Art, New York; the Guggenheim, New York; Flag Art Foundation, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.; the Charles Saatchi Collection, London; and the 21st Century Museum of Contemporary Art, Kanazawa, among others.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"117575-21839531@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
        "building_official_id":1000165,
        "campus_maps_id":"47",
        "campus_maps_link_path":"weiser-hall",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/weiser-hall",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Asia"],
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                    ],
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                "group_name":"Center for Japanese Studies",
                "group_id":"1003",
                "website":""                },             {
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                "website":"http:\/\/www.ii.umich.edu"                },             {
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    ,        {
        "id":"116519-21837278",
        "datetime_modified":"20240104T073820",
        "datetime_start":"20240222T170000",
        "datetime_end":"20240222T183000",
        "has_end_time":1,
        "date_start":"2024-02-22",
        "date_end":"2024-02-22",
        "time_start":"17:00:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"3rd Annual Luis G\u00f3mez  Memorial Lecture \"What We Can Learn  from Buddhist Debates over  the Nature of Time\"",
        "occurrence_title":"",
        "combined_title":"3rd Annual Luis G\u00f3mez  Memorial Lecture \"What We Can Learn  from Buddhist Debates over  the Nature of Time\": Professor Robert Sharf, University of California Berkeley",
        "event_subtitle":"Professor Robert Sharf, University of California Berkeley",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"This talk will take as its focus the signature Sarv\u0101stiv\u0101da-Vaibh\u0101sika doctrine that past, present, and future things all exist. This theory\u2014or theories, since the Vaibh\u0101sika masters themselves disagreed on how to make sense of it\u2014anticipates, in many respects, \u201cblock-time\u201d models of the universe that are in fashion among theoretical physicists today. In these models, time is a dimension spread out like space, and everything that ever was or will be has a fixed position within this four-dimensional space-time block. I will argue that the similarities between the early Buddhist theories and contemporary scientific ones are neither coincidental nor insignificant: both are responses to deep puzzles concerning the nature of change, causation, and the apparent \u201cflow\u201d and \u201cdirection\u201d of time.\r\n\r\n(Reception to follow the lecture)",
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        "room":"East conference Room",
        "location_name":"Rackham Graduate School (Horace H.)",
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        "tags":["Asian Languages And Cultures"],
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        "datetime_start":"20240222T191500",
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        "has_end_time":1,
        "date_start":"2024-02-22",
        "date_end":"2024-02-22",
        "time_start":"19:15:00",
        "time_end":"20:50:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Winter 2024 Film Series | *Door*",
        "occurrence_title":"",
        "combined_title":"CJS Winter 2024 Film Series | *Door*: dir. Banmei Takahashi, 1 hr. 35 min., 1988",
        "event_subtitle":"dir. Banmei Takahashi, 1 hr. 35 min., 1988",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/n7M3G\r\n   \r\n   After several threatening calls from a local salesman, a homemaker becomes increasingly afraid to answer her apartment door.\r\n   \r\n   Curator's note by Markus Nornes: Banmei Takahashi learned the craft in pink film at Wakamatsu Productions, so it should be no surprise that this unnerving film pushes both buttons and boundaries. Set during the prosperity of the bubble era, the story centers on a housewife and her stalker.\r\n   \r\n   Presented in Japanese with English subtitles. Read more\r\n   about the film, including ratings, at https:\/\/imdb.com\/title\/tt0223150\/\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "time_zone":"America\/Detroit",
        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
        "occurrence_title":"",
        "combined_title":"IPE Friday Free Passport Photos for Engineering Students",
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        "event_type_id":"22",
        "description":"Need a passport photo for a passport or visa application? International Programs in Engineering (IPE) has got you covered! \r\n\r\n-Fall & Winter Semester Only\r\n-Fridays 1:30-3:30pm at the IPE Office (245 Chrysler Center)\r\n-No Appointment Needed\r\n-Not During Exam Week or Holidays\r\n\r\nThis service is for CoE undergraduate and graduate students. \r\nFor best results, wear darker colored, solid (non patterned) shirt\/top",
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        "permalink":"http:\/\/events.umich.edu\/event\/53322",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "event_title":"Viewing Party & Fireside Chat | Forests, Global Change, and Children's Health",
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        "combined_title":"Viewing Party & Fireside Chat | Forests, Global Change, and Children's Health: Taylor Ricketts, University of Vermont",
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        "description":"The health benefits of nature are attracting increasing popular and scientific attention, but specific impacts of global change on human well-being remain poorly quantified and difficult to predict. In this talk, Dr. Ricketts will describe ongoing efforts to estimate health impacts of land-use change in developing countries, using a unique dataset including 800,000 children in more than 40 countries.\r\n\r\nTo date, his research has revealed that nearby forest cover and protected areas improve several dimensions of children\u2019s health, including water-borne disease, stunting, diet diversity, and malaria. In all cases, the impact of nature on health outcomes is stronger for more vulnerable populations. These and other studies can help to identify when and where nature conservation can constitute an investment in public health and social justice.\r\n\r\nThis event is co-sponsored by the School for Environment and Sustainability, the International Institute, the Office of Global Public Health, and the Institute for Global Change Biology.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "datetime_start":"20240228T090000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia",
        "occurrence_title":"",
        "combined_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia: Panel 5: Migration",
        "event_subtitle":"Panel 5: Migration",
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        "description":"Register for this Zoom panel at http:\/\/myumi.ch\/m7jPN\r\n\r\nComplete series details at https:\/\/myumi.ch\/RpDJX\r\n\r\nModerator: Alexandra Novitskaya, Title VIII Research Fellow, Kennan Institute\/Woodrow Wilson Center, Research Affiliate at Indiana University\r\n\r\nSpeakers: \r\n\r\nRandall Rowe, Assistant Professor of Russian, East European and Eurasian Studies, University of Cincinnati\r\n\r\nEvgeny Shtorn, Doctoral Candidate in Political, Societal and Cultural Change, University of Helsinki \r\n\r\nMariya Levitanus, Lecturer in Counselling and Psychotherapy, University of Edinburgh \r\n\r\nMaryna Shevtsova, FWO Senior Post-Doctoral Fellow, Katholieke Universiteit Leuven\r\n\r\nMany efforts have been made over the past several years to diversify Eastern European and Eurasian studies. This new spotlight surfaces research that has been conducted by many scholars for much longer, highlighting their commitment to telling stories and honoring perspectives of diverse and minority communities. Their work reveals that while there is no unified queer experience in the region, there is often a one-size-fits all state response to the reality of queer lives in many nations within the region. How can a queer-studies focus advance conversations about decolonization in East European and Eurasian Studies? To address this question, Queer Focus will have six virtual panels featuring speakers from various disciplines and institutions. Panelists and participants will explore how gendered regimes were constitutive of Russo-centric relationships of power, defining the region and how we study it, as we collectively grapple with what it means to re-examine our current research, teaching, and institutional practices.\r\n\r\n*Panel 5 of the series will examine the role of migration within queer studies in Eurasia and Eastern Europe. *",
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        "has_end_time":1,
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        "date_end":"2024-03-01",
        "time_start":"13:30:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
        "occurrence_title":"",
        "combined_title":"IPE Friday Free Passport Photos for Engineering Students",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Need a passport photo for a passport or visa application? International Programs in Engineering (IPE) has got you covered! \r\n\r\n-Fall & Winter Semester Only\r\n-Fridays 1:30-3:30pm at the IPE Office (245 Chrysler Center)\r\n-No Appointment Needed\r\n-Not During Exam Week or Holidays\r\n\r\nThis service is for CoE undergraduate and graduate students. \r\nFor best results, wear darker colored, solid (non patterned) shirt\/top",
        "occurrence_notes":null,
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        "permalink":"http:\/\/events.umich.edu\/event\/53322",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240304T090000",
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        "has_end_time":1,
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        "date_end":"2024-03-04",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "campus_maps_id":"84",
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        "room":"",
        "location_name":"Lane Hall",
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        "tags":["International"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "title":null
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                "url":"http:\/\/irwg.umich.edu\/",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
                "website":""                },             {
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        "datetime_modified":"20240226T101640",
        "datetime_start":"20240304T143000",
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        "date_end":"2024-03-04",
        "time_start":"14:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Bitexts in Glocal Perspective: Towards an Intellectual History of Buddhist Translation in Early Modern Southeast Asia",
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        "combined_title":"Bitexts in Glocal Perspective: Towards an Intellectual History of Buddhist Translation in Early Modern Southeast Asia: Asian Languages and Cultures Colloquium",
        "event_subtitle":"Asian Languages and Cultures Colloquium",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Between the late fifteenth and early nineteenth centuries, Southeast Asian intellectuals produced an enormous quantity of bilingual compositions, or bitexts, that combine passages in Sanskrit or Pali with glosses into a local vernacular, be it Burmese, Khmer, Lao, Thai, or a host of lesser-known languages. Drawing on examples from throughout the region, this talk shows how the influence of these bitexts extended well beyond the Buddhist sphere, shaping the study of grammar, literature, and the sciences across early modern Southeast Asia. Bitexts not only facilitated the study of South Asian thought, but built a platform for Southeast Asians to compose in a fresh, cosmopolitan idiom that afforded the circulation of ideas across a diverse set of vernacular tongues. Taking a glocal perspective\u2014at the intersection of local and global forces\u2014on these modes of reading, writing, and performance allows us to appreciate how Southeast Asian intellectuals made a distinct and enduring contribution to the history of translation.",
        "occurrence_notes":"First Floor",
                "guid":"119345-21842591@events.umich.edu",
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        "building_name":"202 S. Thayer",
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        "tags":["Asia","Asian Languages And Cultures","global","International"],
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        "datetime_modified":"20240130T121543",
        "datetime_start":"20240304T173000",
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        "event_title":"Donia Human Rights Center Lecture with Catherine Filloux, Playwright\/Librettist\/Activitst",
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        "combined_title":"Donia Human Rights Center Lecture with Catherine Filloux, Playwright\/Librettist\/Activitst: University of Michigan Museum of Art Catherine Filloux, Playwright\/Librettist\/Activist",
        "event_subtitle":"University of Michigan Museum of Art Catherine Filloux, Playwright\/Librettist\/Activist",
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        "description":".\n \nThe Role of an Activist Artist, Playwright\/Librettist, in Post-Genocide Cambodia and in Human Rights\n \nFeatured Speaker: Catherine Filloux, Playwright\/Librettist\/Activist\u00a0 Moderator: Dr.\u00a0Nachiket\u00a0Chanchani, Associate Professor, University of Michigan, Department of the History of Art.\u00a0\n \nThe role of activist artists (broadly conceived to include theater actors and librettists) in bearing witness, nurturing empathy, and\u00a0peacebuilding\u00a0in post-genocide Cambodia where severe human rights violations and other grievous injustices are rampant. The talk is in conjunction with UMMA\u00a0Exhibition:\u00a0Angkor Complex: Cultural Heritage and Post-Genocide Memory in Cambodia. Attendees will have the opportunity to visit the exhibition following the event.\u00a0\n \nCATHERINE\u00a0FILLOUX\u00a0is an award-winning French Algerian American playwright and librettist who has been writing about human rights for many decades.\u00a0Filloux\u2019s\u00a0new play \u201cHow to Eat an Orange\u201d was commissioned by\u00a0INTAR\u00a0and is premiering at La MaMa in New York City. Her new musical \u201cWelcome to the Big Dipper\u201d (composer Jimmy Roberts, \u201cI Love You, You\u2019re Perfect, Now Change\u201d) premieres Off-Broadway at the York\u00a0Theatre\u00a0in New York City; it is a National Alliance for Musical Theatre finalist and received a workshop at the\u00a0Redhouse\u00a0Arts Center in Syracuse, NY (Hunter Foster, AD). Catherine\u2019s new play \u201cWhite Savior\u201d was nominated for The Venturous Play List. Her plays have been produced nationally, internationally and have been widely anthologized and written about.\u00a0Filloux\u00a0is the librettist for four produced operas: \u201cOrlando\u201d (composer Olga Neuwirth) is the first opera by a woman composer-librettist team in the history of the Vienna State Opera and is the 2022\u00a0Grawemeyer\u00a0Award winner. Catherine has traveled for her plays to conflict-zones including Bosnia, Cambodia, Guatemala, Haiti, Iraq,\u00a0Morocco, and to Sudan and South Sudan on an overseas reading tour with the University of Iowa's International Writing Program.\u00a0\n \nFilloux\u2019s\u00a0plays include: her\u00a0livestream\u00a0web drama \u201cturning your body into a compass\u201d at\u00a0CultureHub, NYC; \u201cwhatdoesfreemean?\u201d at Nora\u2019s Playhouse, NYC; \u201cKidnap Road\u201d, La MaMa, NYC; \u201cSelma \u201865\u201d, NYC and U.S. tour; \u201cLuz\u201d, La\u00a0MaMa\u00a0and Looking for Lilith in Louisville, KY. \u201cDog and Wolf\u201d (59E59 Theaters\/Watson Arts, NYC and \u201cDog and Wolf\u201d Community Outreach Project.); \u201cKilling the Boss\u201d (Cherry Lane\u00a0Theatre, NYC); \u201cLemkin\u2019s\u00a0House\u201d (Rideau de\u00a0Bruxelles, Belgium;\u00a0McGinn-Cazale\u00a0Theatre\u00a0& 78th Street\u00a0Theatre\u00a0Lab, NYC;\u00a0Kamerni\u00a0teatar\u00a055, Sarajevo, Bosnia); \u201cThe Beauty Inside\u201d (New Georges, NYC and InterAct, Philadelphia; also translated into Arabic for a workshop at ISADAC in Rabat, Morocco; and produced in Iraq, in Kurdish by\u00a0ArtRole.) \u201cEyes of the Heart\u201d (National Asian American Theatre Co., NYC); \u201cSilence of God\u201d (Contemporary American Theater Festival [CATF], WV); \u201cMary and Myra\u201d (CATF and Todd Mountain Theater, NY); \u201cArthur\u2019s War\u201d (commissioned by\u00a0Theatreworks\/ USA, NYC); \u201cPhotographs From S-21\u201d, a short play produced throughout the world; \u201cEscuela\u00a0del\u00a0Mundo\u201d (commissioned by The Ohio State University, Columbus and Ohio tour.)\u00a0\n \nOther opera productions: \u201cNew Arrivals\u201d (Houston Grand Opera, composer John Glover); \u201cWhere Elephants Weep\u201d (Chenla\u00a0Theatre, Phnom Penh, Cambodia, composer Him Sophy) broadcast on Cambodian national television and Broadway on Demand; \u201cThe Floating Box\u201d (Asia Society, NYC, composer Jason Kao Hwang) an Opera News Critic\u2019s Choice and released by New World Records.\u00a0Filloux\u00a0is the librettist for the new operas \u201cBlued Trees\u201d (producer Aviva Rahmani; composer Julia Schwartz) and Thresh\u2019s \u201cL\u2019Orient\u201d (composer Kamala Sankaram; choreographer Preeti Vasudevan.)\u00a0\n \nFilloux\u00a0was invited to Belfast, Northern Ireland for the Henry Smith Artist in Residence\u00a0Programme\u00a0with The\u00a0Derry\u00a0Playhouse and served as a Juror for Sarajevo\u2019s MES International Theater Festival in Bosnia. She developed the Oral History Project \u201cA Circle of Grace\u201d with the Cambodian Women's Group at St. Rita\u2019s Refugee Center in Bronx, NY.\u00a0Filloux\u00a0was Playwright Facilitator for the International Playwright Retreat at La MaMa Umbria in Italy and is a Fulbright Senior Specialist. She received her French Baccalaureate in Philosophy with Honors in Toulon, France, and her M.F.A. at New York University, Tisch School of the Arts, Goldberg Department of Dramatic Writing, NYC. Catherine is featured in the documentary film \u201cActing Together on the World Stage\" and is the co-founder\/co-director of Theatre Without Borders. www.catherinefilloux.com\n \nOrganized and presented by the\u00a0U-M Donia Human Rights Center\u00a0in connection with the UMMA exhibition\u00a0Angkor Complex:\u00a0Cultural Heritage and Post-Genocide Memory in Cambodia\u00a0\n \nIf there is anything we can do to make this event accessible to you, please contact us at\u00a0umichhumanrights@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.\n\nLead support for this exhibition is provided by the U-M Office of the Provost, U-M Office of the President, National Endowment for the Arts, Michigan Arts and Culture Council, the E. Rhodes and Leona B. Carpenter Foundation, Eleanor Noyes Crumpacker Endowment Fund, U-M Ross School of Business, U-M Department of History of Art, Mark and Julie Phillips, U-M Center for Southeast Asian Studies,\u00a0US Department of Education Title VI grant, and an anonymous donor. Additional generous support is provided by the U-M\u00a0Department of Asian Languages and Cultures.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_modified":"20240120T131838",
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        "event_title":"LRCCS Noon Lecture Series | Repurposed Mythology Versus Repurposed Divination: The Zhouyi and the Development of Chinese Philosophy",
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        "combined_title":"LRCCS Noon Lecture Series | Repurposed Mythology Versus Repurposed Divination: The Zhouyi and the Development of Chinese Philosophy: Brook Ziporyn, Mircea Eliade Professor of Chinese Religion, Philosophy, and Comparative Thought, Divinity School, University of Chicago",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/p7nwq\r\n\r\nSomething very strange seems to have happened a long time ago in a far-off land: a fortune-telling book was made the basis of a philosophical tradition. How did this system of prognostication come to be viewed as the ultimate authority in matters of cosmology, metaphysics, politics and ethics? With what consequences, and on what premises? How does this differ from traditions that take a different bit of their seemingly obsolete cultural technology\u2014mythological narrative\u2014as their touchpoint for developing philosophical thought? These will be our topics in this talk.\r\n   \r\n   Brook A. Ziporyn is a scholar of ancient and medieval Chinese religion and philosophy. He received his BA in East Asian Languages and Civilizations from the University of Chicago, and his PhD from the University of Michigan. Prior to joining the Divinity School faculty, he has taught Chinese philosophy and religion at the University of Michigan (Department of Asian Languages and Cultures), Northwestern University (Department of Religion and Department of Philosophy), Harvard University (Department of East Asian Literature and Civilization) and the National University of Singapore (Department of Philosophy).\r\n   \r\n   Dr. Ziporyn is the author of \"Evil And\/Or\/As the Good: Omnicentric Holism, Intersubjectivity and Value Paradox in Tiantai Buddhist Thought\" (Harvard, 2000), \"The Penumbra Unbound: The Neo-Taoist Philosophy of Guo Xiang\" (SUNY Press, 2003), \"Being and Ambiguity: Philosophical Experiments With Tiantai Buddhism\" (Open Court, 2004); \"Zhuangzi: The Essential Writings with Selections from Traditional Commentaries\" (Hackett, 2009); \"Ironies of Oneness and Difference: Coherence in Early Chinese Thought; Prolegomena to the Study of Li\" (SUNY Press, 2012); and \"Beyond Oneness and Difference: Li and Coherence in Chinese Buddhist Thought and its Antecedents\" (SUNY\r\n   Press, 2013). His seventh book, \"Emptiness and Omnipresence: An Essential Introduction to Tiantai Buddhism,\" was published by Indiana University Press in 2016. He is currently working on a cross-cultural inquiry into the themes of death, time and perception, tentatively entitled \"Against Being Here Now,\" as well as a book-length exposition of atheism as a form of religious and mystical experience in the intellectual histories of Europe, India and China. His translation of \"Zhuangzi: The Complete Writings\" was published by Hackett in 2020, and his translation of the \"Daodejing\" will be published by Liveright Books and the Norton Library in 2022.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Asia"],
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        "event_title":"Stockholm: Old Friends Die Hard",
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        "combined_title":"Stockholm: Old Friends Die Hard: Noa Yedlin",
        "event_subtitle":"Noa Yedlin",
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        "description":"Bestselling author and screenwriter Noa Yedlin will present a Screening of episodes from the Israeli TV show \"Stockholm\", followed by academic talk about writing for the page and writing for the screen. \r\n\r\nNoa Yedlin is an Israeli author, the recipient of the Sapir Prize (the Israeli Man Booker) and the Prime Minister's Literature Award and author of the bestselling House Arrest, Stockholm, People Like Us and The Wrong Book. Yedlin was named by Haaretz Magazine one of \"66 Israeli Women You Should Know\u201d. Yedlin is also the creator of a two-season TV series based on her bestselling novel Stockholm (the Israeli Best Mini-Series TV Award).\r\n\r\nFill out this form to RSVP and receive a link to pre-screen episode 1: https:\/\/myumi.ch\/AZ9DA",
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    ,        {
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        "datetime_modified":"20230915T170734",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240306T090000",
        "datetime_end":"20240306T160000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "date_start":"2024-03-06",
        "date_end":"2024-03-06",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Fulbright U.S. Student Program General Info Session",
        "occurrence_title":"",
        "combined_title":"Fulbright U.S. Student Program General Info Session: Heather M. Johnson, Fellowships and Fulbright Program Advisor",
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        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/PknWk\r\n\r\nCome learn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   Heather Johnson, U-M Fulbright Program Adviser, will introduce you to the Fulbright U.S. Student Program competition. Heather will give an overview of the U-M Fulbright campus process, which has made U-M a leading public university in Fulbright awardees. We have worked to make our application process accessible for every U-M student, and Heather's presentation will get you started!\r\n   \r\n   Faculty and staff are also invited to this event. Our ability to support students in their applications to Fulbright hinges on the wisdom and experience of U-M's professors, advisers, and U-M Fulbright Alumni.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"ScholarFest",
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        "description":"Come learn about some of the financial resources available to you as students at UMich! Multiple groups will be stationed in the Dude Connector to discuss financial literacy and wellness. The information covered will span from discussing how to manage finances, to where to look for external scholarships to supplement yearly financial aid, to how to effectively manage stress when it comes to finances.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837073",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240307T090000",
        "datetime_end":"20240307T160000",
        "has_end_time":1,
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "website":""                },             {
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        "id":"118957-21841947",
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        "datetime_start":"20240307T113000",
        "datetime_end":"20240307T125000",
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        "date_end":"2024-03-07",
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        "event_title":"The Race Between Education, Technology, and the Minimum Wage",
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        "combined_title":"The Race Between Education, Technology, and the Minimum Wage: Jonathan Vogel, University of California, Los Angeles",
        "event_subtitle":"Jonathan Vogel, University of California, Los Angeles",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"What is the impact of the minimum wage on the college wage premium? I develop a theory that implies that the effect should be small on impact\u2014raising only the wages of workers bound by the minimum wage\u2014and grow over time. Guided by my theory, I present evidence that these dynamic effects are present and powerful. Estimated at the national and state levels, I show that minimum wages\u2014together with supply and demand\u2014play a central role in shaping the evolution of the U.S. college premium and that the elasticity of the college premium to the minimum wage is small on impact and grows dramatically over time. To verify my theory\u2019s mechanisms, I additionally document the dynamic impact of the minimum wage over the full wage distribution: on impact, wages rise only for the lowest centiles (consistent with the literature) but over time this effect spills over up the wage distribution (consistent with my theory and my empirical results on the college premium). On the basis of these results, I conclude that the minimum wage plays a central role in shaping the U.S. college premium and its variation across states, in spite of relatively small effects on impact.\r\n\r\nThis talk is presented by the Labor Economics Seminar, sponsored in part by the Department of Economics with generous gifts given through the Abraham and Thelma Zwerdling Labor Economics Program.\r\n\r\nThis talk is presented by the International Economics Seminar, sponsored by the Department of Economics with generous gifts given through the Economics Strategic Fund.",
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        "datetime_modified":"20240228T111708",
        "datetime_start":"20240307T120000",
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        "has_end_time":1,
        "date_start":"2024-03-07",
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        "time_zone":"America\/Detroit",
        "event_title":"CANCELED - CJS Thursday Noon Lecture Series | Archaeology and the Question of \u201cJapanese Origins\u201d",
        "occurrence_title":"",
        "combined_title":"CANCELED - CJS Thursday Noon Lecture Series | Archaeology and the Question of \u201cJapanese Origins\u201d: Simon Kaner, Executive Director and Head of Centre for Archaeology and Heritage, Sainsbury Institute for the Study of Japanese Arts and Cultures, University of East Anglia",
        "event_subtitle":"Simon Kaner, Executive Director and Head of Centre for Archaeology and Heritage, Sainsbury Institute for the Study of Japanese Arts and Cultures, University of East Anglia",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"*We regret that we have had to cancel this event. We apologize for any inconvenience.*\r\n\r\nIn this talk, Professor Kaner will raise a number of issues that have arisen from a couple of recent collaborative and comparative projects (including *Circles of Stone: Stonehenge and Prehistoric Japan* and *Nara to Norwich: art and belief at the ends of the Silk Roads CE 500\u20131000*) that question both received orthodoxies about \u201cJapanese origins\u201d and their associated critiques.\r\n   \r\n   Professor Simon Kaner, MA (Cantab), Ph.D., is Director of the Centre for Japanese Studies at the University of East Anglia and Executive Director of the Sainsbury Institute for the Study of Japanese Arts and Cultures, where he is also Head of the Centre for Archaeology and Heritage. A Trustee of the Society of Antiquaries of London, he is an archaeologist specializing in the prehistory of Japan. His recent publications include *An Illustrated Companion to Japanese Archaeology* (2nd ed. 2020), *The Archaeology of Medieval Towns: Case Studies from Europe and Japan* (ed. 2021) and *Japan and the World: artistic and cultural flows* (ed. 2021). He is currently co-editing *the Oxford Handbook of the Archaeology of Korea and Japan*. He is Co-Editor of the *Japanese Journal of Archaeology*. He has undertaken archaeological fieldwork in the UK and many parts of Europe, as well as in Japan. Prior to joining the Sainsbury Institute, he was in charge of development-led archaeology for the county of Cambridgeshire. He has been Council Member of the Society for East Asian Archaeology and the Norfolk and Norwich Archaeological Society. He has curated a number of exhibitions, including at the British Museum, the Fitzwilliam Museum in Cambridge, and the Sainsbury Centre in Norwich. His most recent exhibition was *Circles of Stone: Stonehenge and Prehistoric Japan* at the Stonehenge Visitor Centre in 2022\u201323. His current research projects include *Global Perspectives on British Archaeology* and *Nara to Norwich: art and belief at the ends of the Silk Roads*. In 2011, he was awarded the 10th Miyasaki Eiichi Togariishi J\u014dmon Prize.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "location_name":"Weiser Hall",
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        "datetime_modified":"20240118T155923",
        "datetime_start":"20240307T181500",
        "datetime_end":"20240307T202000",
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        "date_end":"2024-03-07",
        "time_start":"18:15:00",
        "time_end":"20:20:00",
        "time_zone":"America\/Detroit",
        "event_title":"CJS Winter 2024 Film Series | *Tetsuo: The Iron Man*",
        "occurrence_title":"",
        "combined_title":"CJS Winter 2024 Film Series | *Tetsuo: The Iron Man*: dir. Shin'ya Tsukamoto, 1 hr. 7 min., 1989",
        "event_subtitle":"dir. Shin'ya Tsukamoto, 1 hr. 7 min., 1989",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/Nk3A9\r\n   \r\n   A \u201cmetal fetishist\u201d (Shin'ya Tsukamoto), driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). The pair dispose of the corpse in hopes of quietly moving on with their lives. However, the businessman soon finds that he is now plagued by a vicious curse that transforms his flesh into iron.\r\n   \r\n   Curator's note by Markus Nornes: Shin'ya Tsukamoto's timeless contribution to cyborg aesthetics. It was shot on a dime, on 16mm and blown up to 35mm, but with the kind of free spirit he learned in his earlier Super-8 filmmaking. It's undoubtedly the most influential Japanese horror film ever made.\r\n   \r\n   Presented in Japanese with English subtitles. Read more about the film, including ratings, at https:\/\/imdb.com\/title\/tt0096251\/\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us atwugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
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        "building_name":"Off Campus Location",
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        "location_name":"Michigan Theater, Liberty Street",
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        "datetime_modified":"20230915T170734",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
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        "datetime_end":"20240308T160000",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
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        "description":"Need a passport photo for a passport or visa application? International Programs in Engineering (IPE) has got you covered! \r\n\r\n-Fall & Winter Semester Only\r\n-Fridays 1:30-3:30pm at the IPE Office (245 Chrysler Center)\r\n-No Appointment Needed\r\n-Not During Exam Week or Holidays\r\n\r\nThis service is for CoE undergraduate and graduate students. \r\nFor best results, wear darker colored, solid (non patterned) shirt\/top",
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        "id":"115361-21834574",
        "datetime_modified":"20240222T185354",
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        "event_title":"CANCELED - SAS Lecture Series | Towards a History of the House Museum in Postcolonial South Asia",
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        "combined_title":"CANCELED - SAS Lecture Series | Towards a History of the House Museum in Postcolonial South Asia: Akshaya Tankha, Forsyth Postdoctoral Fellow History of Art, University of Michigan",
        "event_subtitle":"Akshaya Tankha, Forsyth Postdoctoral Fellow History of Art, University of Michigan",
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        "description":"We regret that we have had to concel this event. We apologize for any inconvenience.\r\n\r\nOn March 29, 2023, the Delhi Art Gallery (DAG) announced its purchase of the modernist painter Jamini Roy\u2019s house as India\u2019s first professionally run private single artist museum\u2014the Jamini Roy House Museum. Contrary to this statement by the DAG, the conversion of artists\u2019 homes into museums has a longer history in India.\r\n   \r\n   But more significantly, the announcement is a helpful reminder that the history of the house museum remains largely unexplored in the context of South Asia. If the Industrial Revolution, the rise of the modern state, and colonial conquests gradually lent new value to the private homes of illustrious figures as publicly accessible sites for the acquisition and display of various kinds of collections in Europe and the United States, the reanimation of the house as a museum is tied to the decline of colonialism and the articulation of nationalisms in South Asia. In a departure from the imaginary of the historic house or personal collection that anchors dominant accounts of the European and\/or American house museum, the conversion of homes of Indian royal, literary, political, and cinematic icons into museums is often centered on memorializing the public life and authority of the deceased individual. Here, their domestic space and effects are represented as a site of reverence with recourse to religious and secular modes of exhibition, which speaks to the museum\u2019s place in an expanded field of South Asian visual culture and public remembrance.\r\n   \r\n   By attending to the layered histories and varied modes of display that characterize particular \u201cmemorial homes\u201d and other houses as museums in India, this talk will undertake a processual engagement with the houseness of the house museum, highlighting its potential to illuminate the densities of the relationship between museums and public culture in postcolonial South Asia.\r\n   \r\n   Tankha is an art historian of modern and contemporary South Asia. His research is focused on the relationship between aesthetics, politics, and postcolonialism in India. In his current book project, tentatively titled \u201cNagaland and the Art of Indigenous Presence in Postcolonial South Asia,\u201d he explores the slippage that craft objects, memorial monuments, and house museums perform across ritual and secular domains of practice, the tensions that characterize this border-crossing, and what that tells us about the contemporaneity of art and the political significance of the aesthetic in the Indigenously-inhabited, predominantly Christian, and contested state of Nagaland in northeast India.\r\n   \r\n   His research and teaching draw on his graduate studies in art history and anthropology, ethnographic research on museums, archival research on photography and modern and contemporary art in India, and teaching in universities and independent educational institutions in India, the University of Toronto, and Yale University.\r\n   \r\n   His work has appeared in Marg, Trans Asia Photography, Lalit Kala Contemporary, IIC Quarterly, and in the books, The Artful Pose: Early Studio Photography in Mumbai c.1855-1940 (Mapin Publishing, 2010) and No Touching, No Spitting, No Praying: the museum in South Asia, edited by Saloni Mathur & Kavita Singh (Routledge, 2015).\r\n   \r\n   Made possible with the generous support of the Title VI grant from the U.S. Department of Education.",
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        "event_title":"Korean Cinema NOW | Free Chol Soo Lee | \ud504\ub9ac \ucca0\uc218 \ub9ac",
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        "combined_title":"Korean Cinema NOW | Free Chol Soo Lee | \ud504\ub9ac \ucca0\uc218 \ub9ac: 2022. 83 minutes. Documentary\/History. NR.",
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        "description":"View trailer at http:\/\/youtu.be\/pqVbIHsOOmc?si=2MJ5QadxVYmysX-K\r\n\r\nFREE CHOL SOO LEE tells the story of a Korean American death row inmate convicted of a 1973 Chinatown gangland murder in San Francisco, and the activists who led a pan-Asian American movement to free him. Spanning the late 1970s to the early \u201980s, this movement would for the first time bring together young, third-generation Asian American activists, many of them politically radical, with older, conservative Korean immigrants. Their unlikely victory, with Lee walking into freedom in 1983 after 10 years in prison, would inspire many young supporters to pursue careers dedicated to social justice. The film will explore the complex legacy of this landmark yet largely forgotten Asian American social movement, and how Lee and his supporters would intimately shape each other\u2019s lives, during his imprisonment and long after his release.\r\n   \r\n   Directed by Julie Ha and Eugene Yi.\r\n   \r\n   Presented in English and Korean with English subtitles\r\n\r\nKorean Cinema NOW 2024 - Diaspora Edition series features critical picks of recent diaspora film hits. Screened at the Michigan Theater, all films are free and open to the public.\r\n\r\nDetails at the Michigan Theater website: https:\/\/michtheater.org\/korean-cinema-now",
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        "event_title":"Latinx Research Week 2024",
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        "event_type_id":"5",
        "description":"Puentes is excited about its upcoming Latinx Research Week (LRW). Latinx Research Week is an interdisciplinary, conference-style series of events that we host annually on campus to uplift research being conducted by Latinx staff, faculty, and students, as well as research relevant to Latinx populations. This year Latinx Research Week will be held on March 11th - 14th in the Michigan Union. In 2023, we were thrilled to host 16 research sessions, allocate space for over 70 presenters, and welcome over 300 attendees across our events. We hope to see an even greater turn out this year. \r\n\r\nhe theme for Latinx Research Week 2024 is Illuminating Familismo. Familismo is a psychological construct as well as a protective Latinx cultural value that emphasizes the importance of family support, loyalty, and honor. Through our interdisciplinary program, we hope attendees will reflect on, interrogate, and reimagine how the academy can be transformed to acknowledge, welcome, and illuminate both our biological and chosen familial relationships. In past years, we have seen spouses, partners, siblings, parents, children, and members of the larger Latinx community attend Latinx Research Week in support of their presenting family members, thus reimagining what an academic conference could and should look like. Additionally, we have seen other families in attendance: families of co-workers, cohort-mates, best friends, and lab families to name a few. We recognize that many members of the Puentes familia may be far from home but have still chosen to plant roots here and create meaningful communities of chosen family members at UM. We hope that our curated program will illuminate the importance of familismo and encourage attendees to imagine how we can transform academic spaces into more inclusive spaces that honor our families, chosen or otherwise, and the ways they have supported our academic journeys. Latinx Research Week 2024: Illuminating Familiso highlights the many ways our families motivate, inspire, encourage, humanize, and uplift us as we conduct groundbreaking work in our respective fields.",
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                "group_id":"1187",
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                "group_id":"1965",
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                "group_id":"2927",
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                "group_name":"Romance Languages & Literatures RLL",
                "group_id":"2963",
                "website":"https:\/\/lsa.umich.edu\/rll"                },             {
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                "website":"http:\/\/www.fordschool.umich.edu\/"                },             {
                "group_name":"Phillip J. Bowman Center for Scholarship to Practice",
                "group_id":"3258",
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                "website":"http:\/\/aoss.engin.umich.edu\/"                },             {
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        "datetime_modified":"20230915T170734",
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        "date_start":"2024-03-11",
        "date_end":"2024-03-11",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
                "guid":"111352-21834786@events.umich.edu",
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        "website":"http:\/\/www.ii.umich.edu\/polish",
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                "group_id":"3110",
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                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Weiser Center for Europe and Eurasia",
                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
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    ,        {
        "id":"116487-21837077",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240311T090000",
        "datetime_end":"20240311T160000",
        "has_end_time":1,
        "date_start":"2024-03-11",
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        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
                "guid":"116487-21837077@events.umich.edu",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_name":"Women's and Gender Studies Department",
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    ,        {
        "id":"115985-21835977",
        "datetime_modified":"20240131T082507",
        "datetime_start":"20240311T140000",
        "datetime_end":"20240311T153000",
        "has_end_time":1,
        "date_start":"2024-03-11",
        "date_end":"2024-03-11",
        "time_start":"14:00:00",
        "time_end":"15:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"RCGD\/EHAP Winter Seminar Series: Biological Impacts of Climate Change and Women\u2019s Livelihoods Among Bangladeshi Shodagor Communities",
        "occurrence_title":"",
        "combined_title":"RCGD\/EHAP Winter Seminar Series: Biological Impacts of Climate Change and Women\u2019s Livelihoods Among Bangladeshi Shodagor Communities: Katie Starkweather",
        "event_subtitle":"Katie Starkweather",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Biological Impacts of Climate Change and Women\u2019s Livelihoods Among Bangladeshi Shodagor Communities\r\nMonday, March 11, 2024 (2 PM \u2013 3:30 PM)\r\n\r\nKatie Starkweather\r\nUniversity of Illinois\r\n \r\nHuman mothers face an adaptive problem. The importance of maternal care and women\u2019s economic contributions to the household throughout evolutionary history and in contemporary societies requires mothers to decide how to allocate their time and energy between work and childcare in ways that support their reproductive success. In Bangladesh, traditionally boat-dwelling, semi-nomadic Shodagor women engage in two different occupations \u2013 trading and fishing \u2013 that require different trade-offs between time spent in work and in childcare. In this talk, I will discuss these differences and address three questions: 1) What are the social and cultural predictors of variation in women\u2019s work? 2) What role does environmental change play in structuring women\u2019s economic decisions? And 3) Do differences in trade-offs explain differences in fitness consequences for mothers? Examining variation in women\u2019s strategies for solving the adaptive problem of motherhood provides a better understanding of a critical element of human evolution, and also allows scientists to create models to predict how behavior is likely to change in the future in response to ecological changes (e.g., climate change, local disease ecologies) and to predict the impacts of this on human biology.\r\n\r\nDr. Katie Starkweather is an Assistant Professor of Biological Anthropology at the University of Illinois, Chicago. Prior to that, she held two postdoctoral positions, one as an NSF SBE Postdoctoral Fellow at the University of New Mexico and another at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. She received a PhD in Anthropology from the University of Missouri and a Master\u2019s in Anthropology at the University of Nebraska. Dr. Starkweather works in Matlab, Bangladesh with a group of traditionally boat-dwelling, semi-nomadic Shodagor traders and fishers on issues related to women\u2019s work, parental investment, and household divisions of labor, environmental change, and fitness outcomes associated with these socioecological factors, including reproduction, growth and nutrition, and health outcomes. Dr. Starkweather uses a mixed-methods approach to collect multiple types of cross-sectional and longitudinal data in order to answer research questions associated with her interests, and to address the interests and concerns of the Matlab Shodagor communities.",
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        "event_title":"Program in International and Comparative Studies Annual International Studies Alumni Career Panel and Reception",
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        "description":"The Program in International and Comparative Studies (PICS) will host its annual International Studies Alumni Career Panel in person and virtually on Monday, March 11, 2024.\r\n   \r\n   If you wish to attend virtually, please register here: https:\/\/myumi.ch\/35Z7w\r\n   \r\n   This alumni panel will showcase and celebrate the university\u2019s rich history of contributions made by International Studies alumni, while providing valuable insight for current students as they start to develop their own career paths. The panel will include a student Q&A portion. This will be followed by a reception.\r\n   \r\n   PICS is home to the International Studies major and minor. Established in 2009, International Studies is one of the largest majors in the College of Literature, Science, and the Arts, with over 2000 accomplished alumni worldwide. 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After graduation Kaisha worked at the University of Michigan School of Social Work as a coordinator for global programs, working with students to create their own global experience, incoming exchange students, and international visitors. Kaisha took part in the Fulbright English Teaching Assistant (ETA) Program in Qarshi, Uzbekistan during the academic year of 2021-2022. In Uzbekistan, she worked at a local public school, an American Corner, and an after-school program for students in grades 10 and 11. Kaisha is currently pursuing her Master's of Social Work at the University of Michigan, with a focus on Global Social Work. Looking to the future, Kaisha plans to pursue a career promoting social justice with a focus on program evaluation, development, and resource equity.\r\n\r\n---\r\n\r\nCheryl Gordon, Strategic Engagement Senior Analyst, Mastercard Center for Inclusive Growth\r\nNew York City\r\nMBA Candidate, NYU Stern School of Business\r\nBA International Studies (International Security, Norms and Cooperation); minor, French;\r\nHonors \u201818\r\n\r\nCheryl Gordon is a Senior Analyst for the Strategic Engagement Team at the Mastercard Center for Inclusive Growth. She supports the management of a large and diverse portfolio of partnerships and engagements in the United States and globally focused on advancing equitable and sustainable economic growth and financial inclusion. Cheryl previously worked in Business Development for Mastercard Data & Services. Prior to Mastercard, Cheryl worked as a Business Development Analyst for the Capital Markets group at Davis Polk & Wardwell LLP.\r\n\r\nCheryl received her B.A. in International Studies from the University of Michigan where she was awarded the Marshall Sahlins Social Science Award and studied abroad in France. She is a current MBA candidate at NYU Stern School of Business, specializing in Sustainable Business and Innovation.\r\n\r\n---\r\n\r\nMatt Harmon, Marketing and Communications Associate, The Heat and Warmth Fund\r\nDetroit\r\nBA International Studies (Comparative Culture and Identity); minor, Playwriting \u201820\r\n\r\nMatt Harmon is an award-winning playwright, director, teaching artist and marketing specialist. Born and raised in Michigan, their plays have been produced in Michigan, Wisconsin, Washington D.C., Texas, Florida, and New York. They graduated from the University of Michigan in 2020 with a Bachelors in International Studies and a minor in Playwriting. During their undergraduate studies, they travelled to Poland and India to work at various internships and to Kosovo to teach a playwriting summer camp. After graduation, Matt worked for the EcoWorks Youth Energy Squad in Detroit, designing environmental justice curricula for middle- and high-school students. Matt currently works in Detroit as the Marketing and Communications Associate at The Heat and Warmth Fund, a nonprofit that provides utility assistance and weatherization education across Michigan. They also work as a YMCA Teaching Artist and an InsideOut Literary Arts Assistant Writer-in-Residence.\r\n\r\n---\r\n\r\nTsukumo Niwa Sattler, Conference Interpreter and Intercultural Communicator, Tabunka Communications\r\nJacksonville, NC\r\nBA International Studies (Comparative Culture and Identity), Honors \u201817\r\nBM Oboe Performance \u201817\r\nMinor in Community Action and Social Change\r\n \r\nTsukumo Niwa Sattler (she\/her) is a freelance interpreter and translator working in Japanese-English language combination. Growing up bilingual and bicultural in Japan and the United States, she first interpreted and translated for her Japanese parents as a teenager and then grew up to become fully trained and certified, including CoreCHI-P\u2122 and Arizona Court Tier A certifications. Skilled at providing simultaneous and consecutive interpretation, both in-person and remotely, Tsukumo has worked for the Tokyo Olympic Games 2020+1, Honda R&D, Meta, Verizon, Microsoft, GSK, and Hitachi, among many others. She has attended the Middlebury Institute of International Studies and the University of Michigan-Ann Arbor, where she started her exploration into social justice and diversity, equity, and inclusion. Ever since, she has been striving to use her skills in intercultural communications to promote a world where people can collaborate across languages and empower each other to create a better future.\r\n\r\n---\r\n\r\nChinemelu Okafor, PhD student, Graduate Prize Fellow, Karl Deutsch Fellow, and 2023 Weatherhead Center Graduate Student Affiliate at Harvard University; Staff Economist with the White House Council of Economics Advisers\r\nWashington, D.C.\r\nMS Applied Economics, The George Washington University, \u201818\r\nBA International Studies (Political Economy and Development); BA Economics, University of Michigan, \u201815\r\n\r\nChinemelu Okafor is a Harvard PhD student, Graduate Prize Fellow, Karl Deutsch Fellow, and 2023 Weatherhead Center Graduate Student Affiliate. Chinemelu\u2019s research aims to address what drives progress towards African economic development through a normative lens. Namely, she seeks to understand how the origins and evolution of collective political and social behaviors, as well as how the structure of society, can help inform contemporary development outcomes in Nigeria. In 2023 Chinemelu was recognized as a Forbes 30 under 30 awardee in education for her work as the founder and president of the Research in Color Foundation \u2014 an organization dedicated to increasing the representation and retention of underrepresented minorities and historically excluded scholars in economics through mentorship and financial support. In the past, Chinemelu has worked with institutions such as the World Bank Group, the United Nations, and the Royal African Society, among others. Chinemelu holds a Bachelor\u2019s in Economics and International Studies from the University of Michigan and a Master\u2019s in Applied Economics from the George Washington University. For the 2023-2024 school year, Chinemelu will be on leave from her PhD program and working as a staff economist with the White House Council of Economics Advisers on topics related to international economics and international trade.\r\n\r\n---\r\n\r\nHannah Pierce, Archbishop Desmond Tutu International Policy Fellow, Perseus Strategies\r\nFort Collins, CO\r\nB.A. Political Science and International Studies (International Security, Cooperation, and Norms) \u201820\r\n \r\nHannah Pierce is the Archbishop Desmond Tutu International Policy Fellow for Perseus Strategies, an international human rights law firm based in Washington DC. As such, she blends legal, government, and media advocacy to advance a wide variety of human rights projects around the world.  Hannah primarily manages the firm\u2019s advocacy efforts within the UN Human Rights Council to create international standards for the social reintegration of convicted individuals, while also managing an ongoing political prisoner case in Cambodia. She previously worked as a Case Manager for Health First Colorado (Medicaid), ensuring the health and dignity of low-income individuals with physical or mental disabilities. She has also completed internships with her U.S. Congresswoman and the Office of the Colorado State Public Defender. Hannah graduated with high distinction from the University of Michigan in 2020, focusing on racial and gender inequity in public policy, especially regarding poverty, incarceration, and health. Inspiring her passion for criminal justice reform, Hannah was also a mentor for incarcerated at-risk youth in Detroit, leading rehabilitative efforts for their successful social reintegration after release.\r\n\r\n---\r\n\r\nChristopher Pumford, Presidential Management Fellow, National Oceanic and Atmospheric Administration (NOAA)\r\nWashington, D.C.\r\nMaster of Arts in Law and Diplomacy (MALD), The Fletcher School at Tufts University \u201821; BA International Studies (International Security, Norms and Cooperation); BA Political Science; Minor, Music; Minor, Middle East and North African Studies \u201819\r\n\r\nBorn in Montreal and raised in Howell, Christopher departed from Michigan after his freshman year to serve as a missionary in Toronto for two years. Upon returning to campus, he engaged in a variety of international activities, including the Ottawa Internship Program, study abroad programs in Austria and Jordan, the FLAS Fellowship, and the Michigan in Washington Program, during which he interned with the European Union and International Center for Religion and Diplomacy.\r\n\r\nAfter graduating from the University of Michigan, Christopher studied conflict resolution and international law at the Fletcher School of Law and Diplomacy before completing a CLS scholarship in Oman. He then moved to Morocco as a Fulbright teacher before beginning his current role with the US Government. Outside of his studies, Christopher was a member of the University of Michigan Drumline, Men\u2019s Glee Club, Barger Leadership Institute, Maize & Blue Cupboard, and LDS Student Association. 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        "event_title":"ELI Student to Student Event: St. Patrick's Day!",
        "occurrence_title":"",
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        "event_title":"Latinx Research Week 2024",
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        "description":"Puentes is excited about its upcoming Latinx Research Week (LRW). Latinx Research Week is an interdisciplinary, conference-style series of events that we host annually on campus to uplift research being conducted by Latinx staff, faculty, and students, as well as research relevant to Latinx populations. This year Latinx Research Week will be held on March 11th - 14th in the Michigan Union. In 2023, we were thrilled to host 16 research sessions, allocate space for over 70 presenters, and welcome over 300 attendees across our events. We hope to see an even greater turn out this year. \r\n\r\nhe theme for Latinx Research Week 2024 is Illuminating Familismo. Familismo is a psychological construct as well as a protective Latinx cultural value that emphasizes the importance of family support, loyalty, and honor. Through our interdisciplinary program, we hope attendees will reflect on, interrogate, and reimagine how the academy can be transformed to acknowledge, welcome, and illuminate both our biological and chosen familial relationships. In past years, we have seen spouses, partners, siblings, parents, children, and members of the larger Latinx community attend Latinx Research Week in support of their presenting family members, thus reimagining what an academic conference could and should look like. Additionally, we have seen other families in attendance: families of co-workers, cohort-mates, best friends, and lab families to name a few. We recognize that many members of the Puentes familia may be far from home but have still chosen to plant roots here and create meaningful communities of chosen family members at UM. We hope that our curated program will illuminate the importance of familismo and encourage attendees to imagine how we can transform academic spaces into more inclusive spaces that honor our families, chosen or otherwise, and the ways they have supported our academic journeys. Latinx Research Week 2024: Illuminating Familiso highlights the many ways our families motivate, inspire, encourage, humanize, and uplift us as we conduct groundbreaking work in our respective fields.",
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                "website":"http:\/\/www.fordschool.umich.edu\/"                },             {
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        "id":"111352-21834787",
        "datetime_modified":"20230915T170734",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "event_title":"Nam Center Colloquium Series | From South Bronx To Seoul: The Making Of Hip Hop In South Korea",
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        "combined_title":"Nam Center Colloquium Series | From South Bronx To Seoul: The Making Of Hip Hop In South Korea: Myoung-Sun Song, Assistant Professor, Department of East Asian Languages and Cultures, University of Illinois at Urbana-Champaign",
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        "event_title":"Latinx Research Week 2024",
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        "description":"Puentes is excited about its upcoming Latinx Research Week (LRW). Latinx Research Week is an interdisciplinary, conference-style series of events that we host annually on campus to uplift research being conducted by Latinx staff, faculty, and students, as well as research relevant to Latinx populations. This year Latinx Research Week will be held on March 11th - 14th in the Michigan Union. In 2023, we were thrilled to host 16 research sessions, allocate space for over 70 presenters, and welcome over 300 attendees across our events. We hope to see an even greater turn out this year. \r\n\r\nhe theme for Latinx Research Week 2024 is Illuminating Familismo. Familismo is a psychological construct as well as a protective Latinx cultural value that emphasizes the importance of family support, loyalty, and honor. Through our interdisciplinary program, we hope attendees will reflect on, interrogate, and reimagine how the academy can be transformed to acknowledge, welcome, and illuminate both our biological and chosen familial relationships. In past years, we have seen spouses, partners, siblings, parents, children, and members of the larger Latinx community attend Latinx Research Week in support of their presenting family members, thus reimagining what an academic conference could and should look like. Additionally, we have seen other families in attendance: families of co-workers, cohort-mates, best friends, and lab families to name a few. We recognize that many members of the Puentes familia may be far from home but have still chosen to plant roots here and create meaningful communities of chosen family members at UM. We hope that our curated program will illuminate the importance of familismo and encourage attendees to imagine how we can transform academic spaces into more inclusive spaces that honor our families, chosen or otherwise, and the ways they have supported our academic journeys. Latinx Research Week 2024: Illuminating Familiso highlights the many ways our families motivate, inspire, encourage, humanize, and uplift us as we conduct groundbreaking work in our respective fields.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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This brings great promise of innovation and development, but also pressing concerns, particularly given privacy risks, rapid advances in the capacity to decode brain scans using generative AI, and the possibility of mental interference.\r\n   \r\n   In this lecture, international human rights lawyer Jared Genser will discuss the unique human rights challenges posed by neurotechnologies. Speaking as co-founder and General Counsel of the Neurorights Foundation, Genser will examine the ways in which neurotechnology has the potential to change what it means to be human. In particular, he will discuss how the loss of mental privacy and the risk of mental manipulation present challenges that were previously unimagined and which demand immediate action. He will explore the implications of neurotechnology on existing legal, ethical, and regulatory regimes, pulling directly from his experience advising the United Nations, industry partners, and governments around the world. As a way forward, Genser will introduce the notion of \u201cneurorights\u201d, which involves further interpreting existing human rights law to safeguard the right to mental integrity, the right to mental agency, the right to mental privacy, the right to fair access to mental augmentation, and the right to protection from algorithmic bias. The neurorights movement, he will argue, is necessary to prevent against the misuse and abuse of neurotechnology before it\u2019s too late.\r\n   \r\n   ---\r\n   \r\n   Jared Genser has been an international human rights lawyer for more than two decades. He is Managing Director of Perseus Strategies, a public interest law firm, Special Advisor on the Responsibility to Protect to the Organization of American States, and outside General Counsel to the  Neurorights Foundation. Referred to by the New York Times as \u201cThe Extractor\u201d for his work freeing political prisoners worldwide, he has served as pro bono counsel to five Nobel Peace Prize Laureates, including three Laureates who won their Prize while imprisoned \u2014 Aung San Suu Kyi (Burma, 2006-2010), Liu Xiaobo (China, 2010-2017), and Ales Bialiatski (Belarus, 2023-Present) \u2014 as well as Archbishop Desmond Tutu and Elie Wiesel.\r\n   \r\n   Genser was previously a partner in the government affairs practice of DLA Piper LLP and a management consultant with McKinsey &amp; Company. He has also been an Adjunct Professor of Law at Georgetown University Law Center, the University of Pennsylvania Law School, and the University of Michigan Law School, across which he taught semester-long seminars about the UN Security Council seven times.\r\n   \r\n   In addition, he was an Associate of the Carr Center for Human Rights Policy at Harvard University from 2014-2016, a Visiting Fellow with the National Endowment for Democracy from 2006-2007, and earlier in his career was named by the National Law Journal as one of \u201c40 Under 40: Washington\u2019s Rising Stars.\u201d Genser\u2019s other past clients have included former Czech Republic President V\u00e1clav Havel, Malaysian Prime Minister Anwar Ibrahim, and former Maldives President Mohamed Nasheed. Over his career, he has also advised multilateral institutions, governments, companies, foundations, and civil society organizations on ensuring their work was consistent with international human rights, labor rights, and environmental rights standards. Coming from his experience freeing his first client as a law student, in 2001 he founded Freedom Now, a non-governmental organization that works to free prisoners of conscience worldwide. Genser holds a B.S. from Cornell University, an M.P.P. from Harvard University\u2019s John F. Kennedy School of Government, where he was an Alumni Public Service Fellow, and a J.D. cum laude from the University of Michigan Law School.\r\n   \r\n   He is author of *The UN Working Group on Arbitrary Detention: Commentary and Guide to Practice* (Cambridge University Press, 2019). In addition, he is co-editor of *The UN Security Council in the Age of Human Rights* (Cambridge University Press, 2016) and *The Responsibility to Protect: The Promise of Stopping Mass Atrocities in Our Times* (Oxford University Press, 2011). His forthcoming book is a co-edited volume with former UN High Commissioner for Human Rights Zeid Ra\u2019ad Al Hussein entitled *The Oxford Handbook on the UN Human Rights System* (Oxford University Press, 2024). \r\n   \r\n   Genser was previously selected as one of three winners of the T\u00e4llberg Eliasson Global Leadership Prize from among 2,165 nominees from 135 countries. He has received the American Bar Association\u2019s International Human Rights Award, Liberty in North Korea\u2019s Freedom Fighter Award, and the Charles Bronfman Prize. Genser is a life member of the Council on Foreign Relations, Fellow of the Royal Society of the Arts, and was selected as a Young Global Leader of the World Economic Forum (2008). He is a member of the D.C. Bar, Maryland Bar, and is a solicitor of England and Wales. Married with two children, Genser is an avid ice hockey player, a sport he took up in college.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at is-michigan@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"\u201cMINDFUL LISTENING\u201d: STRESS REDUCTION STRATEGIES FOR INTERNATIONAL STUDENTS",
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        "event_title":"CSAS South Asian Film Series | *Joyland*",
        "occurrence_title":"",
        "combined_title":"CSAS South Asian Film Series | *Joyland*",
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        "event_type":"Film Screening",
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        "description":"The first Pakistani film to be presented in the CSAS South Asian Film Series, Joyland will be screened at the historical Michigan Theater on Wednesday, March 13, 2024. This event is FREE and open to the public.\r\n   \r\n   The Ranas -- a happily patriarchal joint family -- yearn for the birth of a baby boy to continue the family line. Their youngest son secretly joins an erotic dance theatre and falls for an ambitious trans starlet. Their impossible love story slowly illuminates the entire Rana family's desire for sexual rebellion. Presented in Urdu with English subtitles.\r\n   \r\n   Free tickets available: https:\/\/myumi.ch\/n75J3\r\n   \r\n   Trailer: https:\/\/myumi.ch\/NkNRD\r\n   \r\n   Made possible with the generous support of the Title VI grant from the U.S. Department of Education.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_start":"20240314T000000",
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        "event_title":"Latinx Research Week 2024",
        "occurrence_title":"",
        "combined_title":"Latinx Research Week 2024",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Puentes is excited about its upcoming Latinx Research Week (LRW). Latinx Research Week is an interdisciplinary, conference-style series of events that we host annually on campus to uplift research being conducted by Latinx staff, faculty, and students, as well as research relevant to Latinx populations. This year Latinx Research Week will be held on March 11th - 14th in the Michigan Union. In 2023, we were thrilled to host 16 research sessions, allocate space for over 70 presenters, and welcome over 300 attendees across our events. We hope to see an even greater turn out this year. \r\n\r\nhe theme for Latinx Research Week 2024 is Illuminating Familismo. Familismo is a psychological construct as well as a protective Latinx cultural value that emphasizes the importance of family support, loyalty, and honor. Through our interdisciplinary program, we hope attendees will reflect on, interrogate, and reimagine how the academy can be transformed to acknowledge, welcome, and illuminate both our biological and chosen familial relationships. In past years, we have seen spouses, partners, siblings, parents, children, and members of the larger Latinx community attend Latinx Research Week in support of their presenting family members, thus reimagining what an academic conference could and should look like. Additionally, we have seen other families in attendance: families of co-workers, cohort-mates, best friends, and lab families to name a few. We recognize that many members of the Puentes familia may be far from home but have still chosen to plant roots here and create meaningful communities of chosen family members at UM. We hope that our curated program will illuminate the importance of familismo and encourage attendees to imagine how we can transform academic spaces into more inclusive spaces that honor our families, chosen or otherwise, and the ways they have supported our academic journeys. Latinx Research Week 2024: Illuminating Familiso highlights the many ways our families motivate, inspire, encourage, humanize, and uplift us as we conduct groundbreaking work in our respective fields.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "time_start":"10:00:00",
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        "event_title":"Fulbright U.S. Student Program Application Components Breakdown",
        "occurrence_title":"",
        "combined_title":"Fulbright U.S. Student Program Application Components Breakdown: Heather M. Johnson, Fellowships and Fulbright Program Advisor",
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        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/Drky6\r\n\r\nCome learn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   Heather Johnson, U-M Fulbright Program Adviser, will discuss in more detail the individual parts of the application with a Q&A to follow.\r\n   \r\n   Faculty and staff are also invited to this event. Our ability to support students in their applications to Fulbright hinges on the wisdom and experience of U-M's professors, advisers, and U-M Fulbright Alumni.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_start":"20240314T120000",
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        "time_zone":"America\/Detroit",
        "event_title":"Slavic Chocolate Party!",
        "occurrence_title":"",
        "combined_title":"Slavic Chocolate Party!: Discover Eastern European delights and explore wide-ranging academic opportunities!",
        "event_subtitle":"Discover Eastern European delights and explore wide-ranging academic opportunities!",
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        "description":"Chocolate is the international language, especially in the Slavic world! Come learn about the Slavic language and regional studies programs offered at U-M and enjoy chocolate from Central and Eastern Europe!\r\n\r\nExpand Your Palate: Experience the diverse flavors of Slavic chocolate and broaden your culinary horizons.\r\nExplore Academic Opportunities: Learn about the enriching programs and resources available through the Slavic Department.\r\nConnect with Peers: Meet fellow students with a shared interest in Slavic culture and chocolate indulgence.\r\n\r\nAll students \u2014 from every U-M school, college, and unit are welcome to join us, 1st floor MLB.\r\n\r\nIf you require accommodation to participate in this event, please contact slavic@umich.edu by 3\/11\/24. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.",
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        "combined_title":"Forests, Global Change, and Children's Health: Taylor Ricketts, University of Vermont",
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        "combined_title":"The Resonant Power of (Con)texts:: Rethinking Colonial and Post-Colonial Worlds through the Work of Nancy K. Florida",
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        "description":"Through both pathbreaking scholarship and mentorship of generations of students around the world, Nancy K. Florida\u2019s work has reimagined diverse fields ranging from Islamic and gender studies to Javanology and philology. This symposium will give colleagues who have engaged with Florida\u2019s work across a variety of fields and disciplines, including many of her former students, the opportunity to present papers in her honor. Join us as we celebrate Professor Florida and her work!",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "datetime_modified":"20240103T111241",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_start":"20240319T120000",
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        "event_title":"LRCCS Noon Lecture Series | Book Talk by Yang Su: Deadly Decision in Beijing: Succession Politics, Protest Repression and the 1989 Tiananmen Massacre (Cambridge University Press, 2023)",
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        "combined_title":"LRCCS Noon Lecture Series | Book Talk by Yang Su: Deadly Decision in Beijing: Succession Politics, Protest Repression and the 1989 Tiananmen Massacre (Cambridge University Press, 2023): Yang Su, Professor of Sociology, University of California, Irvine",
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        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/XnAqP\r\n\r\nIn a play-by-play account of the elite politics that led to the military crackdown, Yang Su addresses the repression of the protest in the context of political leadership succession. Beneath the political drama, \"Deadly Decision in Beijing\" explores the authoritarian regime's perpetual crisis of leadership transition and its impact on popular movements.\r\n   \r\n   Yang Su is Professor of Sociology at the University of California, Irvine and a scholar of social movements, revolution, and political violence. His book \"Collective Killings in Rural China during the Cultural Revolution\" (2011) was a winner of the Barrington Moore Book Award and an Honourable Mention of the Charles Tilly Book Award of the American Sociological Association.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_start":"20240319T160000",
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        "event_title":"Fulbright Info Session: Graduate Study",
        "occurrence_title":"",
        "combined_title":"Fulbright Info Session: Graduate Study: Dr. Azumi Ann Takata, Fellowships and Grants Advisor",
        "event_subtitle":"Dr. Azumi Ann Takata, Fellowships and Grants Advisor",
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        "event_type_id":"16",
        "description":"Register for this Zoom presentation at http:\/\/myumi.ch\/3Q3zn\r\n\r\nLearn about the largest international exchange program for U.S. citizens, offering funding for study, research, and teaching in over 140 countries. No matter your area of study, no matter your academic level, now is the BEST time to learn more about the Fulbright Program and the upcoming competition.\r\n   \r\n   This info session is for applicants who are interested in pursuing graduate study through Fulbright. We will discuss selecting and applying for graduate degree program admission as well as crafting a Fulbright application for graduate study.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at iifellowships@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837086",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240320T090000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "event_title":"Conversations on Southeast Asia | Militarism and Neocolonialism in Contemporary Muslimah Indonesian Literature",
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        "combined_title":"Conversations on Southeast Asia | Militarism and Neocolonialism in Contemporary Muslimah Indonesian Literature: Hasnul Insani Djohar, Fulbright Scholar-in-Residence (2023-24), Southern Utah University and an Associate Professor of English and Head of the English Department, Syarif Hidayatullah Islamic State University Jakarta",
        "event_subtitle":"Hasnul Insani Djohar, Fulbright Scholar-in-Residence (2023-24), Southern Utah University and an Associate Professor of English and Head of the English Department, Syarif Hidayatullah Islamic State University Jakarta",
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        "description":"Arguably, many missing persons and missing activists in the era of the Suharto dictatorship have remained buried and silenced. However, this brutal attitude is seemingly hidden without clear responsibilities from Suharto\u2019s or current militarism. To question the responsibility of the Suharto regime and the Indonesian government, this talk discusses how the selected literary texts written by Indonesian Muslimah writers, such as Leila Chudori\u2019s The Sea Speaks His Name (2017) and Okky Madasari\u2019s The Years of the Voiceless (2010) challenge militarism and neocolonialism perpetuated by Suharto\u2019s regime for 33 years (1965-1998). This discussion is essential to challenge neocolonialism and the legacy of colonialism, which is seemingly over but perpetuated by the militarism that oppressed and silenced Indonesian people, especially in the era of Suharto\u2019s Orde Baru (New Era) even though Indonesia is now getting better and developed well under the Reform era, which is a more open political-social environment and grassroots economic improvement since May 1998.\r\n   \r\n   Dr. Hasnul Insani Djohar is a Fulbright Scholar-in-Residence (2023-24) at Southern Utah University and an Associate Professor of English and Head of the English Department (2019-2023) at Syarif Hidayatullah Islamic State University Jakarta. Dr. Djohar is also the founding Editor-in-Chief of the Muslim English Literature Journal. She holds a Ph.D. in English Literature (Global Muslim Literature) from the University of Exeter, the UK. Her book Rewriting Islam: Decolonialism, Justice, and Contemporary Muslimah Literature is being published by the Ohio State University Press in June 2024.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Asia"],
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                "group_id":"1968",
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                "group_name":"Asian Languages and Cultures",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "combined_title":"Learning and Expectations in Dynamic Spatial Economies: Fernando Parro, Pennsylvania State University",
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        "event_title":"CJS Thursday Noon Lecture Series | Is the Nuclear Taboo Still Robust in Japan?",
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        "description":"Attend in person or via Zoom. Zoom registration at http:\/\/myumi.ch\/j7p4q\r\n\r\nCould the Japanese public endorse the acquisition of nuclear weapons? Unfortunately, this question has recently gained significant relevance, primarily due to escalating military threats from nuclear-armed nations such as China and North Korea. This talk will provide empirical evidence suggesting that the longstanding nuclear taboo in Japan could be challenged in the face of a deteriorating security environment.\r\n   \r\n   Naoko Matsumura is a Professor of International Relations at Kobe University. Her current research focuses on public opinion and foreign policies, with a particular emphasis on Japanese public opinion regarding nuclear weapons. She also studies the roles of international organizations in facilitating international cooperation. She explores these topics using survey experiments. Her recent articles have appeared in *Journal of Peace Research*, *Journal of East Asian Studies*, and *Peace Economics, Peace Science and Public Policy*. She received her Ph.D. in political science from Rice University.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CJS Winter 2024 Film Series | *One Cut of the Dead*",
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        "combined_title":"CJS Winter 2024 Film Series | *One Cut of the Dead*: dir. Shin'ichir\u014d Ueda, 1 hr. 36 min., 2017",
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        "event_type":"Film Screening",
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        "description":"Tickets may be purchased at: https:\/\/myumi.ch\/358Pz\r\n   \r\n   Real zombies attack a hack director and a film crew who are shooting a low budget zombie film in an abandoned WWII Japanese facility.\r\n   \r\n   Curator's note by Markus Nornes: *One Cut of the Dead* took Japan by storm in 2017, raking in a profit a thousand times higher than its minimal cost. Aside from the fun mix of comedy and shock, audiences were drawn by the premise: a one-shot zombie film.\r\n   \r\n   Presented in Japanese with English subtitles. Read more about the film, including ratings, at https:\/\/imdb.com\/title\/tt7914416\/\r\n\r\nMore about the film series at https:\/\/michtheater.org\/cjs-film-series-2024\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "location_name":"Michigan Theater, Liberty Street",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837088",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240322T090000",
        "datetime_end":"20240322T160000",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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                "group_id":"1031",
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        "datetime_modified":"20240319T095156",
        "datetime_start":"20240322T110000",
        "datetime_end":"20240322T140000",
        "has_end_time":1,
        "date_start":"2024-03-22",
        "date_end":"2024-03-22",
        "time_start":"11:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Asian Languages and Cultures Language Fair",
        "occurrence_title":"",
        "combined_title":"Asian Languages and Cultures Language Fair",
        "event_subtitle":"",
        "event_type":"Fair \/ Festival",
        "event_type_id":"10",
        "description":"The Asian Languages and Culture Language fair is Friday, March 22nd, from 11am-2pm on the Posting Walls in Haven Hall! Stop by to learn more about the languages offered, play some games, and try some delicious Asian snacks!",
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        "tags":["Asia","Asia-pacific","Asian Languages And Cultures","Center For South Asian Studies","Chinese Studies","global","International"],
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        "datetime_modified":"20240129T153944",
        "datetime_start":"20240322T110000",
        "datetime_end":"20240322T123000",
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        "event_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia",
        "occurrence_title":"",
        "combined_title":"CREES Co-sponsored Event Series. Queer Focus: Gender and Sexualities in Eastern Europe and Eurasia: Panel 7: On Ukraine * March 22, 2024 * 11:00-12:30 pm ET",
        "event_subtitle":"Panel 7: On Ukraine * March 22, 2024 * 11:00-12:30 pm ET",
        "event_type":"Livestream \/ Virtual",
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        "description":"Register for this Zoom panel at http:\/\/myumi.ch\/j71eq\r\n\r\nComplete series details at https:\/\/myumi.ch\/RpDJX\r\n\r\nModerator: Alexander Averbuch, Post-Doctoral Fellow, Davis Center for Russian and Eurasian Studies, Harvard University\r\n\r\nSpeakers: TBC\r\n\r\nMany efforts have been made over the past several years to diversify Eastern European and Eurasian studies. This new spotlight surfaces research that has been conducted by many scholars for much longer, highlighting their commitment to telling stories and honoring perspectives of diverse and minority communities. Their work reveals that while there is no unified queer experience in the region, there is often a one-size-fits all state response to the reality of queer lives in many nations within the region. \r\n\r\nHow can a queer-studies focus advance conversations about decolonization in East European and Eurasian Studies? To address this question, Queer Focus will have seven virtual panels featuring speakers from various disciplines and institutions. Panelists and participants will explore how gendered regimes were constitutive of Russo-centric relationships of power, defining the region and how we study it, as we collectively grapple with what it means to re-examine our current research, teaching, and institutional practices.\r\n\r\n*Panel 7 of the series will provide a specific look at LGBTQIA experiences in Ukraine, especially considering Russia's war against the country.*",
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        "datetime_modified":"20240117T155243",
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        "event_title":"CSEAS Friday Lecture Series | From Migpanud to Migsolat: Creating a Literary Tradition in Lumad Mindanao",
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        "combined_title":"CSEAS Friday Lecture Series | From Migpanud to Migsolat: Creating a Literary Tradition in Lumad Mindanao: Oona Paredes, Associate Professor of Anthropology, University of California Los Angeles",
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        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/Dw5P4.\r\n\r\nFor the past decade, a small Higaunon team, composed of elders and youths, has been working hard on transcribing their core oral tradition, known as the Panud, into book form. The Higaunon are an Indigenous or Lumad minority community on the island of Mindanao, in the southern Philippines, and the Panud is the story of their becoming and remaining people since the earliest ancestors. While it can be described loosely as a genealogy, the Panud also contains, among other things, their creation story and a detailed history of their migrations, land claims, wars, rules of etiquette, and last but not least, their religious doctrines and customary laws. Su Panud Ta Baligiyan, published independently in 2023, is the first book (and the only one so far) written entirely in the Higaunon language by Higaunons themselves. Copies have since been donated to the local Department of Education\u2019s Indigenous Peoples Education Program (IP Ed) in Region X, as a major contribution to the tribe\u2019s language preservation efforts. The team also initiated an impromptu book tour across several Higaunon ancestral domains to encourage other communities to produce similar books, and collaborate on a longer-term project to establish a literary tradition for what is currently a non-literary culture. This talk will present the history of the Panud project, and the unique challenges (logistical, political, and epistemic) that we faced in transforming this dynamic oral tradition into written form. The process also highlights the problems inherent to \u201cpreserving tradition\u201d and heritage making, and the complexities of being a \u2018culture bearer\u2019 in a modern Indigenous minority community in the Philippines.\r\n   \r\n   Dr. Oona Paredes is an anthropologist and ethnohistorian specializing in the study of Indigenous minorities in Southeast Asia. She is Associate Professor of Southeast Asian Studies at UCLA\u2019s Department of Asian Languages and Cultures. Prior to UCLA, she taught in the Department of Southeast Asian Studies at the National University of Singapore. She was appointed the inaugural Strom Visiting Professor in History at the University of Toronto in 2017. Her most significant publications include: A Mountain of Difference: The Lumad in Early Colonial Mindanao (Cornell, 2013); \u201cCustom and Citizenship in the Philippine Uplands,\u201d in Citizenship and Democratization in Postcolonial Southeast Asia (Brill, 2016); and numerous journal articles including, most recently, \u201cPreserving \u2018Tradition\u2019: The Business of Indigeneity in the Modern Philippine Context\u201d (Journal of Southeast Asian Studies, 2019), and \u201cMore Indigenous than Others: The Paradox of Indigeneity among the Higaunon Lumad\u201d (SOJOURN: Journal of Social Issues in Southeast Asia, 2022).\r\n   \r\n   Oona is currently conducting research for a book on Indigenous leadership and customary law among the Higaunon Lumad of Mindanao. Since 2013, she has also been supervising the compilation and transcription of Higaunon oral traditions for heritage preservation and for use in local Higaunon schools as a \u2018mother tongue\u2019 text.\r\n   \r\n   *Photo by Oona Paredes, PhD*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cseas@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"IPE Friday Free Passport Photos for Engineering Students",
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        "id":"116544-21837560",
        "datetime_modified":"20240129T125048",
        "datetime_start":"20240322T133000",
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        "event_title":"Understanding Working Women\u2019s Lives: An Exploration of Postpartum Allyship in Organizations",
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        "combined_title":"Understanding Working Women\u2019s Lives: An Exploration of Postpartum Allyship in Organizations: Allison Gabriel",
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        "event_type":"Lecture \/ Discussion",
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        "description":"Many women experience psychological and emotional challenges during their transition to becoming a working mother, making the reentry process after parental leave crucial for helping women thrive at work and at home. Within this talk, I will provide an overview of past scholarship I have conducted in this area on breastfeeding in the workplace and postpartum depression. Then, I will discuss our research on postpartum allyship\u2014specific behaviors that coworkers and managers can enact to support and advocate for working mothers during their reentry process postpartum. To do so, I will highlight findings from three complementary studies. In Study 1, we adopted a qualitative approach to gain insight into the forms of allyship working mothers found valuable. We then build upon these findings in Study 2 by developing and validating a scale of postpartum allyship. Finally, in Study 3, integrating emergent themes from our qualitative data with tenets of the social cognitive model of career self-management (Lent & Brown, 2013, 2019), we use our newly-developed measure in a time-lagged study focused on the cognitive, affective, and behavioral impact of postpartum mothers\u2019 experiences of allyship. Results indicated that postpartum allyship experiences bolster work-motherhood self- efficacy and reduce guilt which, in turn, yield important implications for working mothers\u2019 turnover intentions, work-family capital, and postpartum depressive symptoms. Across these papers, I aim to bring theoretical and practical attention to how to best support working mothers.",
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        "description":"Trumpeter Ambrose Akinmusire and pianist Sullivan Fortner join forces for a concert at the intersection of jazz and Western European chamber music.\r\n\r\nDuring his 15-year career, Akinmusire has paradoxically situated himself in both the center and the periphery of jazz, most recently emerging in both classical and hip-hop circles. He masterfully weaves inspiration from other genres, arts, and life in general into compositions that are as poetic and graceful as they are bold and unflinching. Sullivan Fortner, who has performed in Hill Auditorium as part of Joshua Redman\u2019s MoodSwing Reunion tour (filling in for Brad Mehldau) and with C\u00e9cile McLorin Salvant, has been stretching his deep-rooted talents as a pianist for the past decade.\r\n\r\nThe longtime collaborators are preparing a concert program unique to UMS that will overlap the sonic exploration of composers and textures related to both chamber music and creative improvisation. Their duet program will consist of songs and materials inspired by the collaboration between Louis Armstrong and Earl \u201cFatha\u201d Hines.",
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    ,        {
        "id":"119267-21843482",
        "datetime_modified":"20240305T151922",
        "datetime_start":"20240323T170000",
        "datetime_end":"20240323T210000",
        "has_end_time":1,
        "date_start":"2024-03-23",
        "date_end":"2024-03-23",
        "time_start":"17:00:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"TASA x TWSA Taste of Taiwan",
        "occurrence_title":"",
        "combined_title":"TASA x TWSA Taste of Taiwan",
        "event_subtitle":"",
        "event_type":"Fair \/ Festival",
        "event_type_id":"10",
        "description":"Taste of Taiwan is a night where TASA and TWSA collaborate to replicate a Taiwanese night market at the University of Michigan. This year's theme will be based on the real-life Keelung Miaokou Night Market. During the event, people are able to experience different aspects of Taiwanese culture through food, games, cultural booths, and entertainment. The cultural booths will present an assortment of catered food available for attendees such as braised pork wide noodles, fried braised tofu, rice noodles, beef noodle soup, and shaved ice. In addition, we will have Taiwanese cultured games like mahjong, Chinese chess, mahjong bingo, and Taiwanese ring toss. For entertainment, different organizations on campus will be performing at our event that includes Revolution (Chinese yo-yo), Michigan lion dance, rXn, DB3, Seoul Juice, and Female Gayo. Overall, we hope to introduce everyone to Taiwanese culture and encourage them to try new things out of their comfort zone. The food, games, and entertainment will help present Taiwanese culture to our attendees in the best possible way. Our overall agenda for attendees is to allow them to walk from booth to booth that will either present a Taiwanese dish or game. Roughly around halfway through the event, the entertainment portion will begin in Auditorium 1324 of East Hall. Afterward, the attendees have the opportunity to visit any booths they have not been to yet during the event. We hope our attendees will learn something new about Taiwanese culture!",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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        "id":"116487-21837091",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240325T090000",
        "datetime_end":"20240325T160000",
        "has_end_time":1,
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
        "occurrence_notes":null,
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        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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    ,        {
        "id":"119771-21843553",
        "datetime_modified":"20240307T082727",
        "datetime_start":"20240325T150000",
        "datetime_end":"20240325T180000",
        "has_end_time":1,
        "date_start":"2024-03-25",
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        "time_start":"15:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Climate Vulnerability and Health Symposium",
        "occurrence_title":"",
        "combined_title":"Climate Vulnerability and Health Symposium",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Climate change is already having dramatic effects on human health and well-being. How are we adapting to these new realities and mitigating health risks for the world\u2019s most vulnerable communities? And, what is the role of universities in addressing this crisis?\r\n\r\nThe Center for Global Health Equity at the University of Michigan invites you to our first-ever Climate Vulnerability and Health Symposium, an all-campus event showcasing the university's diverse and talented researchers who are forging the path toward global health equity. Whether you\u2019re a student, faculty, health professional, or community member with an interest in the intersection of climate and global health, your presence is valued in shaping the discourse on health equity. The event is free and open to the public. This event is hosted in collaboration with the Schools of Nursing, Public Health, and Environment and Sustainability. \r\n\r\nEvent Program:\r\n\r\nFaculty Lightning Talks (3:00 PM - 4:00 PM)\r\nIgnite your curiosity with our faculty lightning talks, featuring a lineup of distinguished University of Michigan experts who will present their cutting-edge research in powerful, bite-sized presentations:\r\n\r\n- Jennifer Head, Assistant Professor of Epidemiology, School of Public Health\r\n- Marie O\u2019Neill, Professor of Environmental Health Sciences and - - - - - Epidemiology, School of Public Health\r\n- Paige Fischer, Associate Professor of Environment and Sustainability, School for Environment and Sustainability\r\n- Arun Agrawal, Professor of Environment and Sustainability, School for Environment and Sustainability\r\n- Nancy Love, Professor of Environmental Engineering, College of Engineering\r\n\r\nExpert Panel Discussion (4:15 PM - 5:15 PM)\r\nClimate Vulnerability and Health: How Should Universities Be Responding?\r\n\r\nFollowing the lightning talks is a not-to-be-missed panel discussion exploring a critical question: \u201cHow should leading universities be responding to the climate crisis?\u201d Esteemed panel members include:\r\n\r\n- Julio Frenk MD, MPH, PhD, President, University of Miami, Former Minister of Health, Mexico\r\n- Richard Adanu, MB.ChB, MPH, Rector, Ghana College of Physicians and Surgeons; Professor, University of Ghana\r\n- James W. Curran, MD, MPH, Dean Emeritus, Rollins School of Public Health, Emory University\r\n- Helena Legido-Quigley, PhD, George Institute UK\r\n- Srinath Reddy, MD, DM, MSc, Public Health Foundation of India\r\n- Nelson Sewankambo, MBChB, MSc, M.MED, FAAS, FRCP, LLD (HC), Makerere University\r\n- Vera Songwe, PhD, Brookings Institution\r\n- Lia Tadesse Gebremedhin, MD, MSc, Former Minister of Health, Ethiopia\r\n- Jonathan \"Peck\" Overpeck, Dean of the School for Environment and Sustainability, University of Michigan\r\n\r\n\r\nWalking Reception (5:15 PM - 6:00 PM)\r\nConclude the day with a walking reception, where you can engage with innovative student researchers showcasing their research, learn about various student organizations, and enjoy a selection of light food offerings. This will be a perfect opportunity to discuss insights from the talks, exchange ideas with peers and thought leaders, and forge new collaborations in the pursuit of global health equity.\r\n\r\nThe event is free and open to the public. Whether you\u2019re a student, faculty, health professional, or community member with an interest in the future of global health, your presence is valued in shaping the discourse on health equity.\r\n\r\nPlease RSVP to ensure your spot at this stimulating exchange of knowledge and ideas that promises to influence the actions we all take in addressing global health challenges.",
        "occurrence_notes":null,
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        "building_name":"Rackham Graduate School (Horace H.)",
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        "campus_maps_id":"71",
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        "room":"Amphitheater, Fourth floor",
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        "tags":["Asia","International"],
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        "event_title":"The China Initiative and Its Aftermath: The Impact on Science and Academic and Intellectual Freedom on Campus",
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        "description":"The DMN Academic and Intellectual Freedom Lecture Committee will be hosting the second panel in a series titled *Conversations on Academic and Intellectual Freedom: Current Issues*.\r\n\r\n*Moderator:*\r\n\r\nMary E. Gallagher, Amy and Alan Lowenstein Professor of Democracy, Democratization, and Human Rights at the University of Michigan \r\n\r\n*Presenters:*\r\n\r\n*\u201cWe are all Gang Chen\u201d*\r\nGang Chen, Carl Richard Soderberg Professor of Power Engineering; Director, Pappalardo Micro and Nano Engineering Laboratories, MIT\r\n\r\n*The Impact of U.S.-China Tensions on U.S. Science*\r\nRuixue Jia,  Associate professor of economics at the School of Global Policy and Strategy, UC San Diego\r\n\r\n*Where the Cameras Don\u2019t Go:  Federal Investigations and Border Questioning after the China Initiative*\r\nAnn Chih Lin, Associate Professor of Public Policy; Director, Lieberthal-Rogel Center for Chinese Studies\r\n\r\nTalk title TBA\r\nPeter Zeidenberg, Attorney in Practice, Partner ArentFox Schiff\r\n\r\n*About the Event*\r\n\r\nAlthough the China Initiative has officially ended in 2022, the hostile climate has not dissipated and scientists of Chinese backgrounds still feel the pressure\u2014especially as a proposed House spending bill wants to bring the initiative back. Put in place in 2018 under the Trump administration, the China Initiative led to the arrest, intimidation, and forced resignation of faculty on American University campuses. This panel discussion brings together a group of experts who will discuss their personal experiences, the legal dimensions, the costs of the initiative in the realm of scientific and technological advancements, the effects on prospective and current students, and diversity of campus.\r\n\r\nCo-sponsors: Faculty Senate, Asian Languages and Cultures, College of Engineering, Ford School of Public Policy, Lieberthal-Rogel Center for Chinese Studies, Pramod Sangi Reddy Laboratory, Department of Political Science",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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                "group_id":"3110",
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240326T090000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_start":"20240326T120000",
        "datetime_end":"20240326T130000",
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        "time_zone":"America\/Detroit",
        "event_title":"LRCCS Noon Lecture Series | Retelling the Story of Dunhuang Buddhist Art: A Spatial Approach",
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        "combined_title":"LRCCS Noon Lecture Series | Retelling the Story of Dunhuang Buddhist Art: A Spatial Approach: Wu Hung, Harrie A. Vanderstappen Distinguished Service Professorship in Chinese Art History, University of Chicago",
        "event_subtitle":"Wu Hung, Harrie A. Vanderstappen Distinguished Service Professorship in Chinese Art History, University of Chicago",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Attend in person or via Zoom. Zoom registration at https:\/\/myumi.ch\/bykee\r\n\r\nThis lecture retells the story of Dunhuang art through the perspective of space. Although there are countless overviews of the art of Dunhuang, the framework is generally temporal. Guided by the dynasties of China\u2019s past, these overviews present a linear history of the Mogao Caves, supplanting the actual place with an abstract temporal sequence. This lecture presents an alternative narrative based on visitors\u2019 experience and discusses some representative caves to demonstrate a new methodology in studying Dunhuang art Mogao.\r\n   \r\n   Wu Hung holds the Harrie A. Vanderstappen Distinguished Service Professorship at the Department of Art History and the Department of East Asian Languages and Civilizations at the University of Chicago, and is also the director of the Center for the Art of East Asia at the same university. An elected member of the American Academy of Art and Science and the American Philosophic Society, he has received many awards for his publications and academic services, including the Distinguished Teaching Award (2008) and Distinguished Scholar Award (2018) from the College of Art Association (CAA), an Honorary Degree in Arts from Harvard University (2019), and the Distinguished Lifetime Achievement Award for Writing on Art from CAA (2022). Wu Hung\u2019s research interests include both traditional and contemporary Chinese art, and he has published many books and curated many exhibitions in these two fields. His interdisciplinary interest has led him to experiment with different ways to tell stories about Chinese art, as exemplified by his \"Monumentality in Early Chinese Art and Architecture\" (1995), \"The Double Screen: Medium and Representation of Chinese Pictorial Art\" (1996), \"Remaking Beijing: Tiananmen Square: the Creation of a Political Space\" (2005), \"The Art of the Yellow Springs: Understanding Chinese Tombs\" (2010), \"A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture\" (2012), \"Zooming In: Histories of Photography in China\" (2016), and \"Space in Art History\" (2018). His three newest books from 2022 and 2023 include \"Chinese and Dynastic Time\" (Princeton University Press), \"Spatial Dunhuang: Experiencing the Mogao Caves\" (Washington University Press), and \"The Full Length Mirror: A Global Visual History\" (Reaktion Books).\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"117590-21839557@events.umich.edu",
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        "room":"Room 110",
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        "tags":["Asia"],
        "website":"",
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                "group_name":"Lieberthal-Rogel Center for Chinese Studies",
                "group_id":"2625",
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        "id":"118077-21840471",
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        "event_title":"Nam Center Colloquium Series | Political Polarization in Korea: Prelude to Backsliding?",
        "occurrence_title":"",
        "combined_title":"Nam Center Colloquium Series | Political Polarization in Korea: Prelude to Backsliding?: Stephan Haggard, Lawrence and Sallye Krause Distinguished Professor of Korea-Pacific Studies, University of California San Diego",
        "event_subtitle":"Stephan Haggard, Lawrence and Sallye Krause Distinguished Professor of Korea-Pacific Studies, University of California San Diego",
        "event_type":"Lecture \/ Discussion",
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        "description":"Attend in person or via Zoom. Zoom registration at http:\/\/myumi.ch\/x78eN\r\n\r\nPolitical polarization is seen as a risk factor for democracies. In this paper (with Yeilim Cheong, Democratization https:\/\/myumi.ch\/MrQm3), we review twenty years of data on the extent of political polarization in South Korea, linking it to wider debates about democratic backsliding. Although increases in polarization have been relatively modest, they have included differences across new issues, including social ones, and are visible in an increase in affective polarization: dislike across the partisan divide. We show that these changes have been driven largely by movements on the right, and have overlapped with a discourse on democratic backsliding in the country.\r\n   \r\n   Stephan Haggard is Research Professor at the School of Global Policy and Strategy, University of California San Diego. His research on South Korea has focused on the political economy of the country including on the the developmental state (Pathways from the Periphery [1990], The Political Economy of the Asian Financial Crisis [2000]; Developmental States [2018]). His work on transitions to and from democratic rule with Robert Kaufman includes Dictators and Democrats: Masses, Elites and Regime Change (2017) and Backsliding: Democratic Regress in the Contemporary World (2021).\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"118077-21840471@events.umich.edu",
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        "room":"Kuenzel Room, 1st Floor",
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        "has_livestream":0,
        "cost":"",
        "tags":["Asia"],
        "website":"",
        "links":[
                    ],
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                "group_name":"Nam Center for Korean Studies",
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                "website":"http:\/\/www.lsa.umich.edu\/asian"                },             {
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        "has_end_time":1,
        "date_start":"2024-03-27",
        "date_end":"2024-03-27",
        "time_start":"00:00:00",
        "time_end":"23:59:00",
        "time_zone":"America\/Detroit",
        "event_title":"CSG Winter 2024 Elections",
        "occurrence_title":"",
        "combined_title":"CSG Winter 2024 Elections",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Vote in the 2024 CSG Elections!\r\n\r\nOn March 27-28, CSG will be electing its President and Vice President for the upcoming school year and 45 Assemblymembers from the schools and colleges. All polling will be conducted at vote.umich.edu.\r\n\r\nCheck the CSG website, and its email updates, for information on events happening throughout the election cycle. A debate will be held between the presidential candidates, and a \u201cMeet the Candidates\u201d forum will occur too. During the voting days, check out the voting tables around campus for treats and \u201cI Voted\u201d stickers!\r\n\r\nMany other student governments on campus will be having their elections during the same period. Be sure to vote in all elections that you can!",
        "occurrence_notes":"Cast your ballots online at vote.umich.edu!",
                "guid":"118714-21841503@events.umich.edu",
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        "livestream_link":"Vote.umich.edu",        
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        "website":"http:\/\/vote.umich.edu",
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                "type":"other",
                "url":"http:\/\/vote.umich.edu",
                "title":"Voting Website"
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                "type":"other",
                "url":"http:\/\/www.csg.umich.edu",
                "title":"CSG Website"
                },             {
                "type":"other",
                "url":"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSf6AX2093wt6D-DqelS4tJ76hDjUkcNnQsfPEz0D27gtTjptQ\/viewform",
                "title":"File to run here!"
                },             {
                "type":"other",
                "url":"https:\/\/docs.google.com\/document\/d\/1lIdjvwXRQFzpSGwuorcEjtgPYV_1gaBqSanOv7-UG-s\/edit",
                "title":"Candidates\u2019 Packet"
                },             {
                "type":"program",
                "url":"https:\/\/docs.google.com\/spreadsheets\/d\/1ZSJgyvvkChPzZHv6KSDWAOTFfcgSowXv41bNsfeFyiQ\/edit",
                "title":"List of Registered Candidates"
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                "group_id":"3087",
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                "group_id":"1234",
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                "group_name":"Law School Student Senate",
                "group_id":"1469",
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                "website":"http:\/\/sitemaker.umich.edu\/sswsu"                },             {
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                "group_id":"1611",
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                "group_name":"LSA Student Government",
                "group_id":"1649",
                "website":"http:\/\/lsasg.umich.edu"                },             {
                "group_name":"Nursing Council",
                "group_id":"1701",
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                "group_name":"Pharmacy Student Government Council",
                "group_id":"1838",
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                "group_name":"Medical Student Council",
                "group_id":"1880",
                "website":""                },             {
                "group_name":"Dental Student Council",
                "group_id":"2402",
                "website":""                },             {
                "group_name":"Kinesiology Student Government",
                "group_id":"2554",
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                "group_id":"4110",
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                "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2024\/02\/event_118714_original-1.jpg",
        "image_description":"You can get one of these stickers at the voting tables during the election days!",
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    ,        {
        "id":"111352-21834802",
        "datetime_modified":"20230915T170734",
        "datetime_start":"20240327T080000",
        "datetime_end":"20240327T170000",
        "has_end_time":1,
        "date_start":"2024-03-27",
        "date_end":"2024-03-27",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
        "occurrence_title":"",
        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
                "guid":"111352-21834802@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/111352",
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
                "group_name":"Weiser Center for Europe and Eurasia",
                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
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        "id":"116487-21837093",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240327T090000",
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        "event_title":"My Gender States",
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        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "datetime_modified":"20240319T160917",
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        "event_title":"CREES Noon Lecture | Atomic Steppe: How Kazakhstan Gave Up the Bomb",
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        "combined_title":"CREES Noon Lecture | Atomic Steppe: How Kazakhstan Gave Up the Bomb: Togzhan Kassenova, Senior Fellow, Center for Policy Research, University at Albany; and Non-resident Fellow, Nuclear Policy Program, Carnegie Endowment for International Peace",
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        "description":"In this talk, Dr. Kassenova will present highlights from her award-winning book \"Atomic Steppe: How Kazakhstan Gave Up the Bomb\" (Stanford University Press, 2022). She will share the history of Soviet nuclear tests in the Kazakh steppe, their harm to the people and the environment, and the story of the public anti-nuclear movement that led to the closure of the nuclear testing site. She will explain why Kazakhstan decided to give up its nuclear inheritance, which included more than a thousand nuclear weapons, more than a hundred intercontinental ballistic missiles, tons of nuclear materials, and critical nuclear infrastructure.\r\n   \r\n   Dr. Togzhan Kassenova is a Washington, DC-based senior fellow at the Center for Policy Research (University at Albany) and a nonresident fellow in the Nuclear Policy Program at the Carnegie Endowment for International Peace. She is an expert on nuclear politics, WMD nonproliferation, and financial crime prevention. She currently works on issues related to proliferation financing controls, exploring ways to minimize access of proliferators to the global financial system. Kassenova holds a Ph.D. in Politics from the University of Leeds. From 2011 to 2015, Kassenova served on the UN Secretary-General\u2019s Advisory Board on Disarmament Matters.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us at crees@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_modified":"20240129T231636",
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        "event_title":"LHS Collaboratory",
        "occurrence_title":"",
        "combined_title":"LHS Collaboratory: \"Ethical AI in Healthcare\"  TIERRA - Trust, Innovation, and Ethics Research for Responsible AI",
        "event_subtitle":"\"Ethical AI in Healthcare\"  TIERRA - Trust, Innovation, and Ethics Research for Responsible AI",
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        "event_title":"Fulbright Info Session: Opportunities in Central Europe",
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        "combined_title":"Fulbright Info Session: Opportunities in Central Europe: Dr. K\u00e1roly J\u00f3kay, Executive Director at US-Hungary Fulbright Commission",
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        "event_title":"CSG Winter 2024 Elections",
        "occurrence_title":"",
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        "description":"Vote in the 2024 CSG Elections!\r\n\r\nOn March 27-28, CSG will be electing its President and Vice President for the upcoming school year and 45 Assemblymembers from the schools and colleges. All polling will be conducted at vote.umich.edu.\r\n\r\nCheck the CSG website, and its email updates, for information on events happening throughout the election cycle. A debate will be held between the presidential candidates, and a \u201cMeet the Candidates\u201d forum will occur too. During the voting days, check out the voting tables around campus for treats and \u201cI Voted\u201d stickers!\r\n\r\nMany other student governments on campus will be having their elections during the same period. Be sure to vote in all elections that you can!",
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                "url":"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSf6AX2093wt6D-DqelS4tJ76hDjUkcNnQsfPEz0D27gtTjptQ\/viewform",
                "title":"File to run here!"
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                "url":"https:\/\/docs.google.com\/document\/d\/1lIdjvwXRQFzpSGwuorcEjtgPYV_1gaBqSanOv7-UG-s\/edit",
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                "url":"https:\/\/docs.google.com\/spreadsheets\/d\/1ZSJgyvvkChPzZHv6KSDWAOTFfcgSowXv41bNsfeFyiQ\/edit",
                "title":"List of Registered Candidates"
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
                "guid":"111352-21834803@events.umich.edu",
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                "website":"http:\/\/www.ii.umich.edu"                },             {
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        "id":"116487-21837094",
        "datetime_modified":"20240103T111241",
        "datetime_start":"20240328T090000",
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        "has_end_time":1,
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        "time_start":"09:00:00",
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        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
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        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "website":"https:\/\/twitter.com\/UMichIRWG",
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                },             {
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                "group_id":"1031",
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        "datetime_end":"20240328T133000",
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        "date_end":"2024-03-28",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CANCELED - CJS Thursday Noon Lecture Series | The Politics of Taxation and Redistributive Equality",
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        "combined_title":"CANCELED - CJS Thursday Noon Lecture Series | The Politics of Taxation and Redistributive Equality: Junko Kato, Professor of Political Science, Graduate Schools for Law and Politics, University of Tokyo",
        "event_subtitle":"Junko Kato, Professor of Political Science, Graduate Schools for Law and Politics, University of Tokyo",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"We apologize that we have had to cancel this event. Please note that we have arranged for a new lecture for the same time and location.\r\n\r\nJapan is a critical case in a comparative array of welfare states. Contemporary welfare states achieve higher equality by raising revenue from a regressive consumption tax than from a progressive income tax to be redistributed through public expenditures. Politics of taxation matters for this unexpected consequence among long democracies.\r\n   \r\n   Junko Kato (Ph.D., Yale University) is Professor of Political Science at the University of Tokyo. She has conducted research in comparative politics on taxation and the welfare state, party coalitions and government formation, and neuro-cognitive analyses of social decision and behavior. She has authored articles in *American Political Science Review*, the *British Journal of Political Science*, *Electoral Studies*, *Governance*, and so on. She has authored two books: *The Problem of Bureaucratic Rationality* (Princeton University Press, 1994) and *Regressive Taxation and the Welfare State* (Cambridge University Press, 2003) in addition to numerous book chapters. She was a co-editor-in-chief of the *Japanese Journal of Political Science* (2019\u20132023) and worked as a member of the Editorial Board of journals including the *British Journal of Political Science* (1996\u20132016), *Perspectives on Public Management and Governance* (2016\u2013), and *Journal of East Asian Studies* (2021\u2013). She has launched neuro-cognitive approaches to social sciences and published articles on fMRI experiments of human decision and behavior in *Frontiers in Neuroscience*, *Scientific Reports*, and *Cerebral Cortex*.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CJS Thursday Noon Lecture Series | Can You Hear the Difference Between a Tactical Aircraft and a Commercial Airplane?: Views from Okinawa and Transnational Approaches",
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        "combined_title":"CJS Thursday Noon Lecture Series | Can You Hear the Difference Between a Tactical Aircraft and a Commercial Airplane?: Views from Okinawa and Transnational Approaches: Aya Rodriguez-Izumi, interdisciplinary artist and educator",
        "event_subtitle":"Aya Rodriguez-Izumi, interdisciplinary artist and educator",
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        "description":"*Due to the cancellation of the lecture by Prof. Junko Kato originally scheduled to be on this date, the center is pleased to present this lecture by Ms. Aya Rodriguez-Izumi.*\r\n   \r\n   For this presentation, Ms. Rodriguez-Izumi will talk about several projects within my practice that are informed by the history of Okinawa since World War II and their contemporary repercussions as they manifest on that island and across the broader geopolitical landscape. From her vantage point as both an Okinawan and American artist, Ms. Rodriguez-Izumi will highlight methodologies that are used within her practice to foster cross-cultural understanding and ways that she creates work in collaboration with local and indigenous communities.\r\n   \r\n   Aya Rodriguez-Izumi is an interdisciplinary artist and educator whose work blends sculpture, installation, performance, community engagement, and documentation to explore aspects of ritual retention, cross-cultural identity, and histories that risk erasure. She was born in Okinawa, Japan, and grew up between that island and East Harlem, NY, where she currently lives and holds a studio. Her work has been exhibited nationally and internationally through presentations at venues such as El Museo del Barrio, MoCADA, the NUS Museum in Singapore, the International House of Japan in Tokyo, the Taipei Fine Art Museum, the Aldrich Museum, and the Children\u2019s Museum of Manhattan among others. She was a recipient of the A.I.R. Gallery Fellowship in New York, a Jerome Foundation Fellowship at Franconia Sculpture Park in Minnesota, the JUSFC Creative Artist Fellowship, the Annual Artist fellowship at Socrates Sculpture Park, and represented Okinawa and the United States in the 2023 Romantic Route 3 Triennial in Taiwan. She earned a BFA in Fine Arts from Parsons the New School for Design and an MFA in Fine Arts from The School of Visuals Arts. Aya centers community building in her practice and work. She brings this sensibility to her teaching in SVA's MFA Fine Art Department and at the Studio Museum in Harlem, as well as her work as a board member at the historic feminist artist run A.I.R. Gallery.\r\n   \r\n   *This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at wugou@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "datetime_start":"20240329T080000",
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        "event_title":"CCPS Exhibition. Modernist Glass from the Polish Past",
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        "combined_title":"CCPS Exhibition. Modernist Glass from the Polish Past: On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_subtitle":"On loan from the Endi Poskovic and Julie Anne Visco private collection",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The glass in this rare collection represents the work of renowned Polish glass artists and designers created between 1960 and 1980. Known as Polskie szk\u0142o artystyczne (Polish art glass), the works were produced in glass factories in southern Poland and are a feature of many homes throughout Central Europe. The glass masters were trained in schools of art and design and many achieved international fame during their lifetimes. \r\n\r\nThe collectors, Endi Poskovic and his wife Julie Anne Visco, began acquiring the glass in 2015-16 while Endi was a Fulbright Scholar and Visiting Professor at the Jan Matejko Academy of Fine Arts in Krak\u00f3w. Scouring flea markets, antique shops, and websites, they continue to acquire pieces and build the collection to this day. We are grateful to them for making this remarkable exhibit possible at CCPS and WCEE.\r\n\r\nOrganized by the Copernicus Center for Polish Studies, this exhibition is co-sponsored by the Penny W. Stamps School of Art & Design and Weiser Center for Europe and Eurasia.\r\n\r\nLearn more about the exhibition and the artists at https:\/\/myumi.ch\/8eVrM\r\n\r\nThe exhibit opens on September 15, 2023 in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact copernicus@umich.edu to schedule a viewing.",
        "occurrence_notes":"Contact copernicus@umich.edu to schedule a viewing.",
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    ,        {
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        "datetime_modified":"20240321T115350",
        "datetime_start":"20240329T090000",
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        "event_title":"13th Annual U-M Pakistan Conference | Undoing Linguistic Hegemony: Rethinking Belonging and Identity Through and Beyond Urdu",
        "occurrence_title":"",
        "combined_title":"13th Annual U-M Pakistan Conference | Undoing Linguistic Hegemony: Rethinking Belonging and Identity Through and Beyond Urdu",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"Full conference details and program at https:\/\/myumi.ch\/xqQb9\r\n\r\nThis conference examines language use in Pakistan. With an eye towards native linguistic diversity that has challenged colonial-nationalist notions of monolingualism, the 13th Annual Conference on Pakistan seeks to disentangle the relationships between national, regional, and local languages. Historically, studies on languages in Pakistan have highlighted the statewide recognition of Urdu, contesting regionalism established by Punjabi, pre-British Raj Persian courtly and literary works, and, recently, the social status of English in the globalized world. Significantly less attention has been drawn to Pakistan's linguistic pluralism. Drawing upon the groundwork initially established by Tariq Rahman, this conference will serve as a gateway to enrich and complicate the relationships between languages and the ligatures of the state, social movements, literature, devotion, and performance. Using multidisciplinary, multitemporal frameworks to elucidate these relationships, we seek to generate a lively discussion unpacking the language hegemonies associated with Pakistan and their current places within the multilingual spaces that its citizens inhabit. While engaging primarily with Pakistan, we aim to open dialogues that celebrate linguistic diversity across South Asia and its diasporas, particularly as the marks of globalization reveal the everlasting relevance of language recognition and support.\r\n   \r\n   *Made possible with the generous support of the Title VI grant from the U.S. Department of Education. Cosponsored by the Department of History of Art, the U-M Residential College, Arab and Muslim American Studies, the Department of History, the Department of Asian Languages and Cultures, the Institute for Research on Women and Gender, and the American Institute of Pakistan Studies.*\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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