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        "id":"144223-21894918",
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        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"144223-21894918@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/144223",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
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                "url":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_id":"",
        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20251216T100358",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "event_title":"Bate-Papo: Portuguese Conversation Hour",
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        "description":"-Enjoy coffee, tea, and light snacks while improving your Portuguese! All language levels are welcome.\r\n\r\n-Meet in the RLL Commons: located in the center hallway of the 4th floor of the Modern Languages Building.\r\n\r\nQuestions? Contact Maria Teresa Mattos at (mtmattos@umich.edu).",
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        "date_start":"2026-02-06",
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        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Museum Studies Program Virtual Open House for Prospective Students",
        "occurrence_title":"",
        "combined_title":"Museum Studies Program Virtual Open House for Prospective Students",
        "event_subtitle":"",
        "event_type":"Presentation",
        "event_type_id":"16",
        "description":"The Museum Studies Program invites students enrolled in any graduate program at the University of Michigan to apply for the Fall 2026 cohort. This multidisciplinary graduate certificate program draws on ideas from the arts, humanities, natural and social sciences, and technology and provides countless opportunities to apply theories in a vast array of museums and cultural institutions on campus, in the region, nationally and around the world.\r\n\r\nThe MSP curriculum examines the role of museums in society as sites of memory, learning, research, cultural production, public scholarship, civic engagement, and entertainment. The 12-credit certificate program consists of the Museum Studies Seminar (Fall and Winter terms, 6 credits), approved electives (6 credits), and a funded internship. It prepares students for academic and professional careers in museums, heritage sites, arboretums, botanical gardens, zoos and other living collections, and universities.\r\n\r\nApplication Deadline: February 27, 2026\r\n\r\nApplication information can be found here: https:\/\/ummsp.rackham.umich.edu\/tribe-event\/virtual-open-house-for-prospective-students-3\/",
        "occurrence_notes":null,
                "guid":"143231-21892532@events.umich.edu",
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        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
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        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"142791-21891564",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260209T090000",
        "datetime_end":"20260209T170000",
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        "date_start":"2026-02-09",
        "date_end":"2026-02-09",
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        "time_zone":"America\/Detroit",
        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "date_end":"2026-02-09",
        "time_start":"17:30:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"LSA Virtual Q&A for Admitted High School Students",
        "occurrence_title":"",
        "combined_title":"LSA Virtual Q&A for Admitted High School Students: LSA Recruitment",
        "event_subtitle":"LSA Recruitment",
        "event_type":"Livestream \/ Virtual",
        "event_type_id":"24",
        "description":"Did you recently get admitted to the College of Literature, Sciences, and the Arts (LSA)? If so, please join us for a one-hour informational and Q&A Session with our current cohort of LSA Ambassadors. The session is restricted to first-year admitted LSA students only. If you are interested, sign up for a session below. Eastern Time Zone. \r\n\r\nPlease register here: http:\/\/myumi.ch\/2rez4",
        "occurrence_notes":null,
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        "location_name":"Virtual",
        "has_livestream":0,
        "cost":"",
        "tags":["Humanities"],
        "website":"https:\/\/events.blackthorn.io\/en\/Hn1RKit7\/g\/swH7Cn9vMq",
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        "event_title":"Stamping and Stomping: community inspired relief prints",
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        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
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        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "room":"RC Art Gallery",
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        "id":"142768-21891359",
        "datetime_modified":"20251215T163232",
        "datetime_start":"20260210T090000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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                "group_id":"5062",
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    ,        {
        "id":"142791-21891565",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260210T090000",
        "datetime_end":"20260210T170000",
        "has_end_time":1,
        "date_start":"2026-02-10",
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        "time_zone":"America\/Detroit",
        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "description":"What happens when an ancient language meets modern technology? This lecture will discuss the role played by media technologies\u2014such as the phonograph, typewriters, the telegraph, and computers\u2014in the revitalization and modernization of Hebrew since the end of the nineteenth century. After lying dormant for two millennia as a mainly written language, Hebrew awoke from its literary slumber and became a living modern vernacular. The revitalization of Hebrew is unique and unprecedented in world history, and it has been studied in various fields; but the role of modern media technologies in mediating this revival has not yet been considered. This lecture will delve into questions such as: what was the role of sound recording technologies in shaping the reemerging modern Hebrew speech? And how did the Hebraized typewrite pushed for the modernization of writing in Hebrew?. It will show how these media, whose emergence ran in historical parallel to the revitalization of Hebrew, were an active force in shaping the language as a modern communicative medium. Hebrew was a historical media lab: written from right to left and in unique script, it posed technical as well as conceptual challenges to media which were originally designed for Latin script and Western writing systems. The adaptation of these technologies to Hebrew required various adaptations that shaped lingual mechanisms, which had social and political ramifications on the emerging Hebrew culture. \r\n\r\nIdo Ramati is a senior lecturer at The Noah Mozes Department of Communication and Journalism and the Program in Cultural Studies at the Hebrew University of Jerusalem. He studies the relation between media technologies, language and culture, from historical and philosophical perspectives. Ramati is the author of Lingua Ex Machina: Media in the Revitalization of Modern Hebrew, out now in University of Pennsylvania press. His current project is on AI voices, focusing on the shaping of the human voice by historical and contemporary machines.",
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        "room":"2022",
        "location_name":"202 S. Thayer",
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        "id":"144223-21894923",
        "datetime_modified":"20260123T132939",
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        "datetime_end":"20260211T163000",
        "has_end_time":1,
        "date_start":"2026-02-11",
        "date_end":"2026-02-11",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"144223-21894923@events.umich.edu",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "datetime_modified":"20251215T163232",
        "datetime_start":"20260211T090000",
        "datetime_end":"20260211T170000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142791-21891566",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260211T090000",
        "datetime_end":"20260211T170000",
        "has_end_time":1,
        "date_start":"2026-02-11",
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        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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    ,        {
        "id":"144805-21895965",
        "datetime_modified":"20260129T181013",
        "datetime_start":"20260211T120000",
        "datetime_end":"20260211T133000",
        "has_end_time":1,
        "date_start":"2026-02-11",
        "date_end":"2026-02-11",
        "time_start":"12:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Environmental Humanities Workshop",
        "occurrence_title":"",
        "combined_title":"Environmental Humanities Workshop: Group Reading Discussion: Jeffrey Insko\u2019s Energy Humanities",
        "event_subtitle":"Group Reading Discussion: Jeffrey Insko\u2019s Energy Humanities",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In preparation for this term\u2019s visiting lecture, we will be reading two of Jeffrey Insko\u2019s recent contributions to the field of energy humanities--a socially, culturally, and historically attentive approach to understanding our shared dependence on fossil fuels. Read and come prepared to discuss one recent academic article by Insko, \u201cOn Dismantling: A Report from Michigan\u201d, as well as one of his public-facing essays, \u201cHow to Dream Beyond Oil\u201d.\n\nWhether you consider yourself a seasoned Environmental Humanist or you are simply curious about the field, we hope to see old faces and meet some new ones soon. See below for registration links and event descriptions, and please circulate freely!",
        "occurrence_notes":null,
                "guid":"144805-21895965@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/144805",
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        "building_name":"Angell Hall",
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        "room":"3241",
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        "tags":["Humanities"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/track\/event\/session\/105763",
        "links":[
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                "url":"https:\/\/www.publicbooks.org\/how-to-dream-beyond-oil\/",
                "title":"How to Dream beyond Oil"
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                "url":"https:\/\/www.jeffreyinsko.com\/research",
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        "time_zone":"America\/Detroit",
        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"144223-21894924@events.umich.edu",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142791-21891567",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260212T090000",
        "datetime_end":"20260212T170000",
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        "date_start":"2026-02-12",
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        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "id":"141693-21889190",
        "datetime_modified":"20260107T144751",
        "datetime_start":"20260212T160000",
        "datetime_end":"20260212T173000",
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        "date_start":"2026-02-12",
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        "time_start":"16:00:00",
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        "event_title":"EIHS Lecture: Labor, Spirit, and Sovereignty: Africa\u2019s Great War, Dr. Stephen and Lee Gork Endowed Lecture",
        "occurrence_title":"",
        "combined_title":"EIHS Lecture: Labor, Spirit, and Sovereignty: Africa\u2019s Great War, Dr. Stephen and Lee Gork Endowed Lecture: Michelle Moyd (Michigan State University)",
        "event_subtitle":"Michelle Moyd (Michigan State University)",
        "event_type":"Lecture \/ Discussion",
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        "description":"In writing histories of World War I, the pull of linear narrative is an ever-present temptation, holding out the promise of making the global conflict comprehensible. Yet under the surface of the war\u2019s grand narratives are the many wayward histories that refuse to get in formation. The history of World War I in the African world can be, and often has been, written as military or political history, in which imposing order on unruly details and examples compensates for Eurocentric sidelining or exclusion of African and African descended peoples from the historiography. This lecture examines sites of unruliness and insurgency in African histories of the war by analyzing African refusals of European imperial extraction. Faced with war-driven colonial labor and tax demands, African peoples decried these unrelenting abuses in modes that drew on ancestral, spiritual, medicinal, and Biblical authority, gesturing towards sovereignty and political reconfiguration. Using examples from different parts of the African world, this lecture argues for understanding the war years as a temporal frame for recognizing and naming multimodal African insurgencies against imperial extractivism and violence.\r\n\r\nMichelle Moyd is Associate Professor of History and Red Cedar Distinguished Professor at Michigan State University. She is the author of \"Violent Intermediaries: African Soldiers, Conquest, and Everyday Colonialism in German East Africa,\" published by Ohio University Press in 2014. Her peer-reviewed articles have appeared in Radical History Review, Slavery and Abolition, and International Labor and Working Class History. She is currently working on \"The African World and the First World War,\" under contract with Cambridge University Press for the New Approaches to African History series.\r\n\r\nThis event presented by the Eisenberg Institute for Historical Studies. It is made possible in part by generous contributions from Kenneth and Frances Aftel Eisenberg and Stephen and Lee Gork.",
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        "event_title":"\u201cLanguage and Narrative\u201d (Ha-safa ve-ha-sipur) Film",
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        "description":"Blind Date Book Swap is a cozy, Valentine\u2019s-inspired gathering and interactive workshop. Students are invited to bring their favorite or most meaningful book to swap with someone else. Attendees will wrap their book in secretive, creative ways and attach a handwritten note with general ideas about the book and the reason for their selection. Themed treats, drinks, and extra books will be provided! \n\nPre-registration required for food ordering purposes. Register at https:\/\/sessions.studentlife.umich.edu\/p\/track\/16203.",
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        "datetime_modified":"20260203T160925",
        "datetime_start":"20260213T080000",
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        "date_start":"2026-02-13",
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        "event_title":"CLIFF 2026 - 30th Anniversary Event",
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        "combined_title":"CLIFF 2026 - 30th Anniversary Event",
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        "description":"Comparative Literature Intra-student and Faculty Forum (CLIFF) has been a cornerstone of the Department of Comparative Literature since 1996. Dedicated to interdisciplinarity and intellectual vigor, our graduate student-organized conference embodies the values that form the basis of Comparative Literature. In previous years, CLIFF\u2019s conference-wide themes have inspired graduate students from disciplines across the University\u2014as well as scholars from universities across the country and independent scholars\u2014to share and discuss their work. For the 30th anniversary of CLIFF, we are dedicated to honoring this long history of the conference while opening possibilities for its future. Our event will feature an opening speech by Comparative Literature Professor Will Stroebel; three panels organized and presented by graduate students; and a closing roundtable from organizers and alumni reflecting on CLIFF's past, present, and future.\n\nCLIFF 2026 Program\n\nFriday, February 13, 2026\nLocation: Rackham Assembly Hall, 4th floor\n\n8:30 am - 9:00 am\t        Breakfast\n\n9:00 am - 10:00 am\t        Opening speech by Dr. Will Stroebel (Modern Greek & Comparative Literature) \n\t\t\t                \u201cComparative Literature at the Borderscape\u201d \n\n10:00 am - 10:15 am \tCoffee Break\n\n10:15 am - 11:45 am\tPanel 1: Historicism, New and Used\n\t\t\t\t        Organizers: James Kiselik & Srimati Ghosal\n\t\t\t\t        Respondent: Dr. Will Stroebel \nPresenters:\nO\u011fuz Kay\u0131r (Film, Television, and Media), \u201cHistoricizing Otherwise: A Feminist Archive in Contemporary Turkish Art\u201d\nDibyangee Saha (English), \u201cThe Spatial Turn in Print Archives: Reading IPTA\u2019s Unity from a Distance\u201d\nSrimati Ghosal (Comparative Literature), \u201cAesthetics of Audacity, Aesthetics of Advertisement: Encountering the Tricontinental in American Archives\u201d\nJames Kiselik (English), \u201cUsufructuary Historicism\u201d\n\n11:45 am - 12:45 pm\tLunch\n\n12:45 pm - 2:15 pm \tPanel 2: Media as Mediation\n\t\t\t\t        Organizers: Nathan Omprasadham & Sanjana Ramanathan\n                                        Respondent: Dr. Toni Bushner (Digital Studies Institute)\nPresenters:\nAlexa Kelly (English), \u201c\u2018Are We All In Your Story, Alan?\u2019: Fictionality, Ludic Form, and Alan Wake II\u201d\nDora Gao (History), \u201c\u2018Tomorrow Comes\u2019: Learning to Grieve through Clair Obscur: Expedition 33\u201d\nMaryam Khan (English), \u201c\u2018Rot as Memory\u2019: Obsolescence and the Afterlives of Early Net Art\u201d\nNathan Omprasadham (English) & Sanjana Ramanathan (Comparative Literature), \u201c\u2018Tasting Fragments\u2019: the Materiality of Language Loss in Venba\u201d\n\n2:15 pm - 2:30 pm \tCoffee Break\n\n2:30 pm - 4:00 pm \tPanel 3: Within\/Beyond the Boundaries of Caribbean Studies\n\t\t\t\tOrganizers: Jeremy M. Santiago-Rojas & Amanda M. La O Cartaya\n\t\t\t\tRespondent: Dr. Supriya Nair (English)\nPresenters:\nAmanda M. La O Cartaya (Comparative Literature), \u201cBeneath Structures of Power: Analyzing Jose Marti\u2019s Work Through the Social Suffering Framework\u201d\nJeremy M. Santiago-Rojas (Comparative Literature), \u201cTracing Filipino-Boricua Relations in the Archive\u201d\nJodi Berry (English & Education), \u201cManaging Imaginations: Female Castaway Narratives and Educational Exports\u201d\nAnaridia Molina (English), \u201cDigital Imaginaries Within and Beyond the Boundaries of Caribbean Literature: In the Same Boats & Visualizing Caribbean Literature\u201d\n\n4:00 pm - 4:15 pm \tCoffee Break\n\n4:15 pm to 5:45 pm\tRoundtable with former CLIFF organizers\n\n6:00 pm to 7:30 pm\tReception dinner",
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        "date_end":"2026-02-13",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
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        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
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        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "room":"RC Art Gallery",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
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        "id":"142791-21891568",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260213T090000",
        "datetime_end":"20260213T170000",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "id":"142516-21891065",
        "datetime_modified":"20260205T140618",
        "datetime_start":"20260213T120000",
        "datetime_end":"20260213T140000",
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        "time_start":"12:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"EIHS Workshop: Political Mobilization, Authority and Collaboration",
        "occurrence_title":"",
        "combined_title":"EIHS Workshop: Political Mobilization, Authority and Collaboration: Markus Merin, Sylvan Perlmutter, Maya Sudarkasa, Carina Ray (moderator)",
        "event_subtitle":"Markus Merin, Sylvan Perlmutter, Maya Sudarkasa, Carina Ray (moderator)",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"We live in a moment of intense global political mobilization. Popular movements\u2014both state and non-state\u2014are reshaping political life by preserving, contesting, and reworking state power. As the boundaries between citizen and subject, resistance and authority, become increasingly blurred, long-standing frameworks for understanding collaboration and power demand reconsideration.\n\nThis workshop centers the figure of the intermediary\u2014particularly colonial intermediaries who operated as both agents and instruments of imperial rule. We invite scholars to explore how these actors complicate binary narratives of resistance and collaboration, coercion and consent. How do we account for the moral ambiguity, partial complicity, and aspirational authority of those who worked in the shadow of power as translators, clerks, soldiers, chiefs, informants, and community figures within popular movements and state-making projects?\n\nJoin us for a conversation that revisits power, agency, and political belonging across historical and geographic contexts.\n\nThis event presented by the Eisenberg Institute for Historical Studies. It is made possible in part by a generous contribution from Kenneth and Frances Aftel Eisenberg.",
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        "event_title":"AI as Self-Discovery: How Large Language Models Reveal the Essence of the Human Mind, and Why It Matters",
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        "combined_title":"AI as Self-Discovery: How Large Language Models Reveal the Essence of the Human Mind, and Why It Matters: Chandra Sripada, University of Michigan",
        "event_subtitle":"Chandra Sripada, University of Michigan",
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        "description":"Most discussions of artificial intelligence center on its instrumental role\u2014how it will transform industries and economies. But it may do something even more radical: reveal who we are. As artificial minds become more capable, they will expose the deep principles underlying human thought\u2014how reasoning, agency, and creativity actually work. AI thus offers not just a technological revolution but a humanistic one. This new self-understanding, I argue, will force us to rethink core ideas about mind, agency, and the basis of praise and blame.",
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        "event_title":"Terence Swafford Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
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        "event_title":"Workshop - On Revival: Hebrew Literature between Life and Death",
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        "id":"142768-21891366",
        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "id":"142791-21891572",
        "datetime_modified":"20251216T100358",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "event_title":"Schokoladenstunde",
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        "combined_title":"Schokoladenstunde",
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        "event_type":"Recreational \/ Games",
        "event_type_id":"18",
        "description":"German Lecturer, Mary Gell (magell@umich.edu), brings German chocolate to snack on and games to play (e.g. Tabu), all while chatting in German.",
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        "time_start":"12:30:00",
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        "event_title":"Pause Caf\u00e9: French Conversation Hour",
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        "description":"-Enjoy coffee, tea, and snacks while improving your French skills!\r\n\r\n-Chat for 10 minutes or the entire hour. All language levels are welcome.\r\n\r\nThe RLL Commons is located in the center hallway of the 4th floor of the Modern Languages Building.\r\n\r\nFor more information contact Alan Ames at (alanames@umich.edu).",
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        "id":"142768-21891367",
        "datetime_modified":"20251215T163232",
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        "date_start":"2026-02-18",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20251216T100358",
        "datetime_start":"20260218T090000",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "id":"137882-21881025",
        "datetime_modified":"20250904T085750",
        "datetime_start":"20260218T120000",
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        "date_end":"2026-02-18",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"DAAS Faculty Forum",
        "occurrence_title":"",
        "combined_title":"DAAS Faculty Forum: DAAS@55",
        "event_subtitle":"DAAS@55",
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        "description":"In the spirit of creating stronger departmental connections,  DAAS is presenting a faculty forum in honor of DAAS's 55th anniversary. Members of the DAAS faculty will discuss their projects, research, and\/or publications to share more about their work and interests. The DAAS Faculty Forum will be held monthly on Wednesdays at noon.\r\n\r\nSeptember 17 - Stephen Ward, Associate Director of the Residential College; Arthur F Thurnau Professor; Associate Professor of Afroamerican and African Studies; Associate Professor in the Residential College\r\n\r\nOctober 22 - Magdalena Zaborowska, Chair and Professor of American Culture, Professor of Afroamerican and African Studies\r\n\r\nNovember 5 - Jessica Walker, Assistant Professor of Afroamerican and African Studies; Assistant Professor of American Culture\r\n\r\nDecember 3 - Al Young Jr., Associate Director of Center for Social Solutions; Arthur F Thurnau Professor; Edgar G. Epps Collegiate Professor of Sociology; Professor of Afroamerican and African studies; Professor of Public Policy\r\n\r\nJanuary 21- Aliyah Khan, Director of the Global Islamic Studies Center, International Institute; Associate Professor of English; Associate Professor of Afroamerican and African Studies\r\n\r\nFebruary 18 - Scott Ellsworth, Teaching Professor in Afroamerican and African Studies\r\n\r\nMarch 25 - Saraellen Strongman, Assistant Professor of Afroamerican and African Studies\r\n\r\nApril 8 - David Doris, Associate Professor of Afroamerican and African Studies; Associate Professor of African Art and Visual Culture",
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        "room":"4701 Haven Hall (DAAS Conference Room)",
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        "datetime_modified":"20260209T134104",
        "datetime_start":"20260218T180000",
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        "event_title":"Elie Wiesel: Soul on Fire",
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        "combined_title":"Elie Wiesel: Soul on Fire: A Free Film Screening and Discussion",
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        "description":"Eighty years after his liberation from Buchenwald, we seek to understand the man behind Elie Wiesel's searing and widely read memoir Night. Told largely through his own words and eloquent voice, Elie Wiesel: Soul on Fire seeks to penetrate to the heart of the known and unknown Elie Wiesel (1928-2016) \u2014 his passions, his conflicts and his legacy as one of the most public survivors of the Holocaust. With unique access to personal archives, original interviews, and employing hand-painted animation, the film illuminates Wiesel\u2019s biography as a survivor, writer, teacher and public figure.\n\nAfter the film, stay for a discussion between one of the film\u2019s producers, Patti Askwith Kenner, and Wallenberg Institute director Jeffrey Veidlinger.\n\nCo-presented by the University Musical Society (UMS), the Raoul Wallenberg Institute of the University of Michigan, and the Michigan Theater.",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "id":"142791-21891574",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260219T090000",
        "datetime_end":"20260219T170000",
        "has_end_time":1,
        "date_start":"2026-02-19",
        "date_end":"2026-02-19",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Tukilile Vaa",
        "occurrence_title":"",
        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "room":"Institute for the Humanities Gallery",
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        "datetime_modified":"20260212T114016",
        "datetime_start":"20260219T180000",
        "datetime_end":"20260219T200000",
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        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Many Manifestations of Home",
        "occurrence_title":"",
        "combined_title":"Many Manifestations of Home: Presented by the Public Humanities Interns",
        "event_subtitle":"Presented by the Public Humanities Interns",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"\"What would your dream house look like if money, rules, and physics didn't apply?\"\n\nJoin the Institute for Humanities for a creative workshop on where (and what) home really is. This is an interactive event that uses drawing, writing, and conversation to rethink what \"home\" really means beyond four walls and a mortgage. No background in art, architecture, or visual studies is required!\n\nGrounded in the humanities, this workshop treats home not merely as a physical structure, but as a personal, cultural, and political idea. Over the course of the event, participants will move through two creative exercises that blend thinking, self-reflection, and critical interpretation. Participants will be asked to imagine impossible homes, reinterpret familiar spaces, and consider what \"home\" might look like for different people and communities. Together, we will explore how identity, memory, history, and power shape where (and whether) we feel at home.\n\nRegister to attend at https:\/\/myumi.ch\/kP7e5.",
        "occurrence_notes":null,
                "guid":"144610-21895565@events.umich.edu",
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        "room":"Osterman Common Room, #1022",
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        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/16178",
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        "image_description":"Vibrant abstract painting of a village scene with colorful houses and a dynamic sky. The composition conveys a lively and energetic atmosphere.",
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        "datetime_modified":"20251215T163232",
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        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "event_title":"LSA Virtual Q&A for Admitted High School Students",
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        "combined_title":"LSA Virtual Q&A for Admitted High School Students: LSA Recruitment",
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        "event_title":"Activism and the Struggle for Academic Freedom",
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        "event_title":"Terence Swafford Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_modified":"20251216T100358",
        "datetime_start":"20260224T090000",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "combined_title":"CANCELED: DSI Lecture Series | Trans Ecologies of the Real and the Virtual in Contemporary Art: with micha c\u00e1rdenas",
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        "description":"For the survival of all our ecologies, we must refuse human centricity and build networks of care across lines of species and liveliness. This talk stitches a line from trans people to an expanded conception of trans, using a focus on trans ecological poetics to go beyond a focus on the human. I broaden the operation of \u201ctrans\u201d in trans media studies to include non-human movements, such as those made by animals, viruses, and movements across the boundaries between different environments. Trans media studies can extend the fields of media studies, transgender studies, and trans of color studies to connect more deeply to and through non-human entities. Still, any injunction for queer and trans studies to go beyond the human must reconcile with the history of trans, Palestinian, Black, and Indigenous people being deemed less than human. In this talk, I use the method of algorithmic analysis proposed in my book *Poetic Operations: Trans of Color Art in Digital Media* (Duke UP, 2022) to explore the operations that make up the poetics of three contemporary artworks\u2014*Sin Sol* (2020), an augmented reality installation I created with the Critical Realities Studio, *Acoustic Ocean* (2018), a short film by Ursula Biemann and \u201cOf Whales\u201d, a film created using virtual reality created by Wu Tsang.\n\nmicha c\u00e1rdenas, PhD, MFA, is an artist, author and Professor of Critical Race & Ethnic Studies at the University of California, Santa Cruz. She is the director of the Critical Realities Studio. Her debut novel* Atoms Never Touch* (AK Press 2023) imagines trans latina love crossing multiple quantum realities. Her academic monograph P*oetic Operations : Trans of Color Art in Digital Media* (Duke UP 2022) was the co-winner of the Gloria Anzald\u00faa Book Prize in 2022 from the National Women\u2019s Studies Association \u201cfor groundbreaking monographs in women\u2019s studies that makes significant multicultural feminist contributions to women of color\/transnational scholarship\u201d. c\u00e1rdenas was a winner of the 2022 Anonymous Was a Woman artist award. She is currently working on her next academic monograph* After Man: Trans Ecologies and Climate Justice*, as well as *The Probability Engine*, a multi-disciplinary artwork imagining futures of climate justice. She is a first generation Colombian American.\n\nWe strive to make our events accessible to all participants. This will be a virtual event held in an online meeting space. Please register in advance for the online Zoom Webinar here: https:\/\/myumi.ch\/G23ey. \n\nCART captioning will be provided. If you anticipate needing additional accommodations to participate, please email Eric Mancini at dsi-administration@umich.edu. Please note that some accommodations must be arranged in advance, and we encourage you to contact us as soon as possible.\n\nCo-Sponsors: American Culture; Center for Ethics, Society, and Computing; DISCO Network; English Language & Literature; Film, Television, and Media; History of Art; Institute for Research on Women & Gender; Penny W. Stamps School of Art; Science, Technology, and Public Policy; Spectrum Center; and the Trans Studies Collective.",
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        "id":"142275-21890347",
        "datetime_modified":"20251201T103828",
        "datetime_start":"20260224T170000",
        "datetime_end":"20260224T183000",
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        "date_start":"2026-02-24",
        "date_end":"2026-02-24",
        "time_start":"17:00:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Jewish Journalism in Dark Times",
        "occurrence_title":"",
        "combined_title":"Jewish Journalism in Dark Times: Panelists: Naomi Brenner (Ohio State University), Gilad Halpern, and Matthew Handelman (2025\u20132026 Frankel Institute Fellows)",
        "event_subtitle":"Panelists: Naomi Brenner (Ohio State University), Gilad Halpern, and Matthew Handelman (2025\u20132026 Frankel Institute Fellows)",
        "event_type":"Lecture \/ Discussion",
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        "description":"Join us for a roundtable discussion exploring the transformation of Jewish journalism during the interwar years  (1918\u20131939) and World War II, an era of profound upheaval. Panelists will analyze how Jewish newspapers and journals became vital platforms for political, literary, and cultural engagement. The discussion will highlight dramatic shifts in journalistic practices, including evolving editorial strategies, reporting methods, and technological innovations in format and distribution and the transnational and transcultural elements that come to the fore during that time. Panelists will also examine the economic pressures and opportunities that shaped the Jewish press, and consider the influence and role of Jews as journalists within the broader media landscape.\r\n\r\nGilad Halpern, journalist and media historian, draws on recent doctoral research on The Palestine Post amid imperial decline and rising nationalism, bridging professional and scholarly perspectives. Naomi Brenner explores entertainment fiction in the Hebrew and Yiddish press, focusing on the aesthetics and politics of the roman-feuilleton as a transnational literary form.\r\nMatthew Handelman investigates the cultural politics of German Jewish intellectuals  and the primacy of culture in political discourse from the Weimar Republic onward.\r\n\r\nCentral to the conversation is the role of Jewish periodicals as spaces for cultural expression, literary experimentation, and political debate. These publications not only documented Jewish life, but actively shaped identities, fostered transnational dialogue, and provided forums for writers, artists, and intellectuals grappling with questions of survival and belonging. This roundtable offers timely insights into journalism during a time of crisis, illuminating enduring questions about Jews and media.",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
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        "id":"142791-21891580",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260225T090000",
        "datetime_end":"20260225T170000",
        "has_end_time":1,
        "date_start":"2026-02-25",
        "date_end":"2026-02-25",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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    ,        {
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        "datetime_modified":"20260206T161202",
        "datetime_start":"20260225T160000",
        "datetime_end":"20260225T173000",
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        "date_start":"2026-02-25",
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        "time_start":"16:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"An Operatic Reimagining of The Handmaid\u2019s Tale: Gender, Power, and Reproductive Justice",
        "occurrence_title":"",
        "combined_title":"An Operatic Reimagining of The Handmaid\u2019s Tale: Gender, Power, and Reproductive Justice: Co-hosted by the Detroit Opera w\/REGISTRATION REQUIRED",
        "event_subtitle":"Co-hosted by the Detroit Opera w\/REGISTRATION REQUIRED",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"In 1985, Margaret Atwood, The Handmaid\u2019s Tale, envisioned a theocratic regime that systematically stripped women and gender-diverse people of their reproductive freedom. Although Atwood\u2019s narrative is fiction, the realities of forced reproduction and restricted bodily autonomy have long impacted women of color, low-income women, disabled women, and people of diverse gender identities, making this story compelling and profoundly relevant today.  The novel\u2019s evolution into a television show and now, an opera reflects its sustained cultural and political resonance. This event, co-hosted by the Detroit Opera and the University of Michigan\u2019s Center for History, Humanities, Arts, Social Sciences, and Ethics in Medicine, will feature a free, moderated discussion about the operatic adaptation of The Handmaid\u2019s Tale. Together, we will explore how artistic representations can stimulate important conversations about reproductive justice, structural power, and the ongoing struggles faced by women and people of marginalized genders. Through centering the role of art in social critique and activism, this event aims to deepen understanding of gender and sexuality in the context of contemporary debates surrounding reproductive rights.",
        "occurrence_notes":"REGISTRATION IS REQUIRED",
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        "location_name":"Palmer Commons",
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        "cost":"$0.00 - REGISTRATION REQUIRED",
        "tags":["Humanities"],
        "website":"https:\/\/medresearch.umich.edu\/events\/operatic-reimagining-handmaids-tale-gender-power-and-reproductive-justice\/2026-02-25",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_start":"20260226T090000",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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        "event_title":"Dialogue and Donuts",
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        "description":"Come enjoy a sweet treat and make new friends while testing out U-M's new conversation game, The Pluralism Playdeck. The Pluralism Playdeck is a low-key scaffolded card game designed to allow university students to practice the soft skills they need to engage in compassionate and honest conversations about hot-button issues across ideological and demographic differences. You'll learn about yourself. You'll learn about others. You'll develop a skill set that will serve you well in both social and professional settings.",
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        "event_title":"EIHS Lecture: Historicizing Transness Otherwise: Asia Narratives and Decolonial Thought",
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        "combined_title":"EIHS Lecture: Historicizing Transness Otherwise: Asia Narratives and Decolonial Thought: Howard Chiang (University of California, Santa Barbara)",
        "event_subtitle":"Howard Chiang (University of California, Santa Barbara)",
        "event_type":"Lecture \/ Discussion",
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        "description":"This lecture develops transtopia as an unruly concept that emboldens a continuum model of transness, thereby activating a mode of historical inquiry that dismantles both the transphobic order of the past and the transgender presumption of the present. That is, it challenges both the assumption that gender nonconforming figures did not exist historically and the idea that the Western category of transgender delivers the best framework for understanding their experience. To unveil and remedy some of the most salient flaws of epistemic convention in historical inquiry, historical exemplars from the Sinophone Pacific will be analyzed and weighted in decolonial terms.\r\n\r\nHoward Chiang holds the Lai Ho & Wu Cho-liu Endowed Chair in Taiwan Studies at the University of California, Santa Barbara, where he is Professor of East Asian Languages & Cultural Studies, Director of the Center for Taiwan Studies, and an affiliated faculty of History and Feminist Studies. He is the author of two award-winning monographs: \"After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China\" (Columbia, 2018) and \"Transtopia in the Sinophone Pacific\" (2021). Between 2019 and 2022, he served as the Founding Chair of the Society of Sinophone Studies.\r\n\r\nThis event presented by the Eisenberg Institute for Historical Studies. It is made possible in part by a generous contribution from Kenneth and Frances Aftel Eisenberg.",
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        "datetime_start":"20260226T180000",
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        "date_start":"2026-02-26",
        "date_end":"2026-02-26",
        "time_start":"18:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Interfaith Photovoice: Discovering Human Connection Through the Lens",
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        "combined_title":"Interfaith Photovoice: Discovering Human Connection Through the Lens",
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        "event_type":"Workshop \/ Seminar",
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        "description":"What if a set of photos could completely transform how you understand your purpose, the experiences of others, and the value of humanity? With over 5 billion pictures taken globally every day, Photovoice uses this powerful medium to foster deeper connections and understanding between participants. In this 90-minute interactive session, you\u2019ll use photographs to reflect, share your story, and engage in meaningful dialogue with others. Whether you're looking to explore your own journey or connect with diverse perspectives, this innovative experience is designed for everyone. No photography skills are needed\u2014just bring your curiosity and an open mind! Come capture more than just a moment\u2014discover the stories behind the images!\n\nThe theme for February is \"transformation.\" The Lunar New Year, Lent, Ramadan, and the turn into spring all touch on this theme. Snap 3-5 photos that relate to the theme of transformation for you, and be prepared to share and talk about them with others during this event. \n\nWe strongly encourage you to print the photos or bring them in a slidedeck on your laptop.",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"142791-21891582",
        "datetime_modified":"20251216T100358",
        "datetime_start":"20260227T090000",
        "datetime_end":"20260227T170000",
        "has_end_time":1,
        "date_start":"2026-02-27",
        "date_end":"2026-02-27",
        "time_start":"09:00:00",
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        "event_title":"Tukilile Vaa",
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        "combined_title":"Tukilile Vaa: An exhibition by Kaloki Nyamai",
        "event_subtitle":"An exhibition by Kaloki Nyamai",
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        "description":"Kaloki Nyamai is a multidisciplinary artist based in Nairobi. His practice explores Kenya's histories and collective memory, blending Kamba traditions with contemporary narratives. Using acrylic paint, rope, photo transfers, and stitched yarn, his free-hanging immersive works blur the boundaries between painting, sculpture, and installation. For his U-M project, Nyamai will present one large unstretched piece and two framed paintings at the Institute for the Humanities, as well as a second free-hanging work at the U-M Museum of Art.\r\n\r\nThe physicality of his complex constructions inspire wonder in the viewer. The works are vast in scale, embedded with stories, where past and future merge both poetically and conceptually. In each composition, the artist proposes a powerful alternative to the flatness of singular narratives of Kenyan history and identity presented as the definitive postcolonial account. He likens the formal act of stitching to symbolically unifying a wounded or fractured community.\r\n\r\nNyamai founded the Kamene Cultural & Research Center in Nairobi, a creative and collaborative hub dedicated to the preservation, promotion, and innovation of African cultural practices.\r\n\r\nAbout the artist:\r\nKaloki Nyamai (*1985 in Kitui, Kenya) is a multidisciplinary artist working with installation, painting, and sculpture based in Nairobi. From an early age, his mother introduced him to painting and taught him to draw, fostering an ever-lasting interest in art throughout his life. He often finds inspiration in his grandmother\u2019s stories of the Kamba people, a Bantu ethnic group of eastern Kenya. Using materials like acrylic paint, sisal rope, photo transfers, and stitched yarn, Nyamai\u2019s free-hanging pieces evoke the healing of historical wounds and a collective yearning for renewal. His works blur the boundaries between painting, sculpture, and installation, creating cohesive, immersive experiences where past, present, and future converge poetically.\r\n\r\nNyamai studied Interior Design at the Buruburu Institute Of Fine Arts (BIFA) and then pursued painting after working in other creative fields. His large-scale paintings and mixed-media installations intricately explore historical narratives, examining their resonance in the present. Nyamai has shown his work across the globe in solo exhibitions at the Norval Foundation, Cape Town (2024); James Cohan Gallery, New York (2024); Galerie Barbara Thumm, Berlin (2023 and 2022); SEPTIEME Gallery, Paris (2019), and other venues. In 2023, he featured part of his series Dining in Chaos in the \u201cUnlimited\u201d section at Art Basel in Basel. He has participated in group exhibitions and biennials, most recently at the Sharjah Biennial 16, Sharjah (2025); The V\u00f6lklinger H\u00fctte, V\u00f6lklingen (2024); the Kenyan Pavilion at the Venice Biennale, Venice (2022); and the Dakar Biennale (2022). His works are part of numerous private and institutional collections around the world, such as the Dallas Art Museum, the Southern African Foundation for Contemporary Art, and the Arthur Primas Museum.",
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    ,        {
        "id":"142517-21891066",
        "datetime_modified":"20260218T160802",
        "datetime_start":"20260227T120000",
        "datetime_end":"20260227T140000",
        "has_end_time":1,
        "date_start":"2026-02-27",
        "date_end":"2026-02-27",
        "time_start":"12:00:00",
        "time_end":"14:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"EIHS Workshop: Gender Unruliness, Power, and Order",
        "occurrence_title":"",
        "combined_title":"EIHS Workshop: Gender Unruliness, Power, and Order: Jess Hasper, Yee Ting Leong, Kai Ngu, Scott Spector (moderator)",
        "event_subtitle":"Jess Hasper, Yee Ting Leong, Kai Ngu, Scott Spector (moderator)",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
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        "event_title":"Jews & Other Minorities in the 20th-Century Middle East",
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        "combined_title":"Jews & Other Minorities in the 20th-Century Middle East: Guest Speaker: Lior Sternfeld",
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        "description":"Lior Sternfeld is an assistant professor of History and Jewish Studies at Penn State University. He is a social historian of the modern Middle East with particular interests in the histories of the Jewish people and other minorities of the region. In this lecture, Sternfeld focuses on how the study of minorities, especially Jewish communities, to better understand the histories of Middle Eastern societies in the transformative period of the twentieth century.",
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        "datetime_start":"20260319T183000",
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        "event_title":"Opening Reception for *Flyways*",
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        "combined_title":"Opening Reception for *Flyways*: With artist Sheida Soleimani.",
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        "description":"We propose that schools can build social capital through an explicit school governance framework called Balancing Voices that concerns decisions about implementing and evaluating new schoolwide policies or practices, engaging community members, and evaluating teachers and administrators.  In an RCT of role play simulations, those assigned to a Balancing Voices approach versus business-as-usual reported higher levels of key precursors of social capital \u2014 procedural fairness and legitimacy of authority figures.  The estimated effects are especially positive for those who played roles other than administrator. Accordingly, schools that more explicitly and formally balance the interests of different stakeholders in their decision making may be able to cultivate greater flows of social capital to improve instructional practices and student outcomes, including equity.",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Schokoladenstunde",
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        "description":"German Lecturer, Mary Gell (magell@umich.edu), brings German chocolate to snack on and games to play (e.g. Tabu), all while chatting in German.",
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        "datetime_modified":"20251028T155427",
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        "event_title":"Black Girlhood Unfolded: Reclaiming Puberty Narratives in a Digital Archive",
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        "event_title":"Pause Caf\u00e9: French Conversation Hour",
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        "description":"-Enjoy coffee, tea, and snacks while improving your French skills!\r\n\r\n-Chat for 10 minutes or the entire hour. All language levels are welcome.\r\n\r\nThe RLL Commons is located in the center hallway of the 4th floor of the Modern Languages Building.\r\n\r\nFor more information contact Alan Ames at (alanames@umich.edu).",
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        "event_title":"How Ford Transformed Religion in America",
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        "combined_title":"How Ford Transformed Religion in America: Kati Curts (University of the South)",
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        "description":"What does a motor company and its founder have to do with religion in America? A lot, it turns out. Henry Ford did not just mass produce cars. As a member of the Episcopal Church, reader of New Thought texts, believer in the \u201cgospel of reincarnation,\u201d mass marketer of antisemitic material, and employer who institutionalized a social gospel, Henry Ford\u2019s contributions to American models of business were informed by and produced for an America he understood to be broadly Christian. Though Ford\u2019s efforts at the head of the Ford Motor Company have commonly been understood as secular, the Motor King was explicit that his work in engineering and auto production was prophetic and meant to remake the world. This talk offers a religious history of Henry Ford and the Ford Motor Company, repositioning them within critical studies of religion and examining how Ford transformed American religion in the twentieth century.\r\n\r\nDr. Katherine J. Curtis is Buttel-Sewell Professor of Community & Environmental Sociology and the Director of the Center for Demography & Ecology at the University of Wisconsin\u2013Madison. Her work is centered in demography and extends to spatial, environmental, rural, and applied demography, and focuses on two central themes: population-environment interactions, most centrally the relationship between demographic, economic, and environmental forces; and spatial and temporal dimensions of social and economic inequality, most centrally historical and local forces perpetuating racial disparities. In her work, Curtis adopts place-based theoretical frameworks and employs advanced spatial and spatio-temporal statistical approaches to analyze questions about inequality, which has profound and far-reaching impacts on population wellbeing. Current projects focus on spatial differentiation in migration and fertility responses to environmental events (NICHD and NSF), age- and race-specific net migration (NICHD), and rural livelihoods and spatial connectedness (USDA).",
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        "time_start":"17:30:00",
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        "event_title":"Author Event: \"Something in the Woods Loves You\", by Jarod K. Anderson",
        "occurrence_title":"",
        "combined_title":"Author Event: \"Something in the Woods Loves You\", by Jarod K. Anderson: Reading+Q&A+Book Signing",
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        "description":"Program in the Environment is bringing author Jarod K. Anderson to campus March 24th for an author chat on his memoir, \"Something in the Woods Loves You\". This book chronicles his journey through mental health struggles and finding solace, strength, and healing through engagement in the natural world. PitE will be hosting Jarod for an evening book chat, where he'll complete a reading of an excerpt of his book. We will then host a Q&A session with him about his experiences writing this memoir and delve a bit deeper into the relationship between nature and mental health. Immediately following the Q&A we will host a book sale (with Schuler's Books) and signing with Jarod.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"DAAS Faculty Forum",
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        "description":"In the spirit of creating stronger departmental connections,  DAAS is presenting a faculty forum in honor of DAAS's 55th anniversary. Members of the DAAS faculty will discuss their projects, research, and\/or publications to share more about their work and interests. The DAAS Faculty Forum will be held monthly on Wednesdays at noon.\r\n\r\nSeptember 17 - Stephen Ward, Associate Director of the Residential College; Arthur F Thurnau Professor; Associate Professor of Afroamerican and African Studies; Associate Professor in the Residential College\r\n\r\nOctober 22 - Magdalena Zaborowska, Chair and Professor of American Culture, Professor of Afroamerican and African Studies\r\n\r\nNovember 5 - Jessica Walker, Assistant Professor of Afroamerican and African Studies; Assistant Professor of American Culture\r\n\r\nDecember 3 - Al Young Jr., Associate Director of Center for Social Solutions; Arthur F Thurnau Professor; Edgar G. Epps Collegiate Professor of Sociology; Professor of Afroamerican and African studies; Professor of Public Policy\r\n\r\nJanuary 21- Aliyah Khan, Director of the Global Islamic Studies Center, International Institute; Associate Professor of English; Associate Professor of Afroamerican and African Studies\r\n\r\nFebruary 18 - Scott Ellsworth, Teaching Professor in Afroamerican and African Studies\r\n\r\nMarch 25 - Saraellen Strongman, Assistant Professor of Afroamerican and African Studies\r\n\r\nApril 8 - David Doris, Associate Professor of Afroamerican and African Studies; Associate Professor of African Art and Visual Culture",
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        "event_title":"Meet a Humanities Graduate Student",
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        "event_title":"36th Annual David W. Belin Lecture: Orthodox Jewish Wellness Influencers in the Age of Viral Politics",
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        "combined_title":"36th Annual David W. Belin Lecture: Orthodox Jewish Wellness Influencers in the Age of Viral Politics: Ayala Fader (Fordham University)",
        "event_subtitle":"Ayala Fader (Fordham University)",
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        "description":"The University of Michigan Frankel Center for Judaic Studies is pleased to announce that Professor Ayala Fader of Fordham University will deliver the 36th Annual David W. Belin Lecture, titled \u201cOrthodox Jewish Wellness Influencers in the Age of Viral Politics.\u201d \r\n\r\nOver the past decade, frum (Orthodox) Jewish women wellness influencers on social media have become a significant presence. Despite attempts by some rabbis to silence them, frum influencers in the United States and Israel continue to share intimate details of their everyday lives online, earning a living through the promotion of products linked to their platforms. Professor Fader\u2019s talk examines the seemingly contradictory worlds these influencers navigate: while claiming new forms of gendered authority, they simultaneously reinforce traditional Jewish family structures and gender roles.\r\n\r\nDrawing inspiration from conservative Christian wellness influencers, frum influencers create content that asserts Jewish exceptionalism while fostering unexpected exchanges with conservative Christian women. The lecture will consider whether frum social media influencers are subtly promoting illiberal politics through the gendered language of wellness.\r\n\r\nAyala Fader is Professor of Anthropology and Jewish Studies at Fordham University. She is the author of the award-winning books Mitzvah Girls (2009) and Hidden Heretics (2020). Professor Fader\u2019s research has been generously supported by numerous fellowships and grants, including those from the National Science Foundation and the National Endowment for the Humanities. As the founding director of Fordham\u2019s New York Center for Public Anthropology & Sociology, she leads the Demystifying Language Project, which makes linguistic anthropology a social justice resource for public high schools.\r\n\r\n\r\nABOUT THE BELIN LECTURE:\r\n\r\nThe David W. Belin Lecture in American Jewish Affairs was established in 1991 through a generous gift from the late David W. Belin of Des Moines (IA) and New York to provide an academic forum for the discussion of contemporary Jewish life in the United States. As the founding chair of Reform Judaism's Outreach Commission and a founding member of the Jewish Foundation for the Righteous, Belin served the American Jewish community in numerous leadership roles. His commitment to the future of American Jewry inspired him to endow this annual lectureship, providing a forum for meaningful discussion of contemporary Jewish life in the United States.",
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        "event_title":"Interfaith Photovoice: Discovering Human Connection Through the Lens",
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        "combined_title":"Interfaith Photovoice: Discovering Human Connection Through the Lens",
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        "description":"What if a set of photos could completely transform how you understand your purpose, the experiences of others, and the value of humanity? With over 5 billion pictures taken globally every day, Photovoice uses this powerful medium to foster deeper connections and understanding between participants. In this 90-minute interactive session, you\u2019ll use photographs to reflect, share your story, and engage in meaningful dialogue with others. Whether you're looking to explore your own journey or connect with diverse perspectives, this innovative experience is designed for everyone. No photography skills are needed\u2014just bring your curiosity and an open mind! Come capture more than just a moment\u2014discover the stories behind the images!\n\nThe theme for February is \"transformation.\" The Lunar New Year, Lent, Ramadan, and the turn into spring all touch on this theme. Snap 3-5 photos that relate to the theme of transformation for you, and be prepared to share and talk about them with others during this event. \n\nWe strongly encourage you to print the photos or bring them in a slidedeck on your laptop.",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Terence Swafford Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Inclusive History Project Summit 2026",
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        "description":"Registration: http:\/\/myumi.ch\/QwEbz\n\nJoin us for the Inclusive History Project Summit on Friday, March 27, 2026, which will bring together students, faculty, staff, alumni, and the public to explore histories of inclusion and exclusion at the University of Michigan.\n\nAt the Summit, engage in dialogue about the work of inclusive history; learn about research, engagement, and teaching taking place across the three campuses; and see student-led projects in a variety of forms. There will also be opportunities for you to share your stories about the University of Michigan.\n\nThe Inclusive History Project Summit is an annual event that is hosted on a different campus each year. Join us for the summit at UM-Flint in 2026!\n\nThe IHP Summit is free and open to all. Registration is encouraged but not required. We will send out reminder emails and event updates when you register. Check back for speakers.\n\nFor more information or questions, please contact inclusivehistory@umich.edu.\n\n--\n\nSessions\n\nSession 1: Whose History, Whose University? Power, Memory, and Narrative Panel Discussion \n9:30am \u2013 10:45am\n\nPanelists: Camron Michael Amin, Jay Cook, and Lisa M. Lapeyrouse.\nModerated by Earl Lewis.\n\nThis panel explores how the Inclusive History Project moves beyond traditional origin stories and what some of its Origins and Trajectories project sites have revealed through the research process. Emphasizing the importance of multiple voices, perspectives, oral traditions, and diverse ways of knowing, the conversation aims to highlight inclusive history as both a practice and a responsibility, with each project being discussed illustrating how it does those things. The panel will conclude with a public Q&A.\n\n--\nSession 2: Geographies of Justice and the Changing City Roundtable Discussion\n11:00am \u2013 12\/noon\n\nPanelists: Callum Carr-Marquis, Rodney Brown, and Benjamin Gaydos.\nTalk and moderation by Shana M. griffin.\n\nThis roundtable discussion will explore the history and impact of urban renewal in Flint, examining the role of UM-Flint, patterns of displacement, and the experiences and voices of affected communities. Participants will also reflect on the power of archives in documenting these histories and discuss the collaborative process behind organizing the Blueprints of Power exhibition. The conversation will conclude by considering future directions for research, community engagement, and public storytelling on these issues. The roundtable will conclude with a public Q&A.\n\n--\nSession 3: Make, Meet, Learn: Free LUNCH + Drop-in Workshop, Reflection Activities, and Community Tabling Fair\n12\/noon \u2013 2:00pm\n\nJoin us for a free, catered lunch and a unique opportunity to build connections, strengthen networks, and inspire collective action within the Inclusive History community and beyond. Visit the Community Tabling Fair featuring tri-campus university departments, local Flint community organizations, and Inclusive History Project initiatives. Participate in hands-on workshops and activities, including button-making with Flint artists, tactile community brainstorming sessions, and opportunities to share your stories, ideas, and reflections. Attendees can also contribute to interactive installations created by U-M undergraduate and graduate students, such as the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee. Guided tours and a postering session for the Origins of the UM-Flint\u2019s Student Support Services Center Project will be available throughout the event, offering additional insight into ongoing work and future directions.\n\nFeatured Events:\n\nFrom Protest to Pride: Button-Making as Storytelling\nMake a button at this drop-in button-making workshop led by Flint-based artist and educator My Proulx. Materials, supplies, and onsite instruction will be provided.\n\nBelonging Interactive Photo Mural\nJoin us to make your mark and help ensure that our collective history reflects all of us by participating in the Belonging Interactive Photo Mural led by the IHP Student Advisory Committee.\n\nGuided History Tour of UM-Flint\u2019s Student Support Services Centers\nEmbark on a guided history tour of the Student Support Services Centers located throughout the Harding Mott University Center, the architectural and social heart of UM-Flint\u2019s campus. This tour offers participants the opportunity to move through the building, explore its design, and reflect on how student advocacy, institutional change, and campus space intersect.\n\n--\nSessions 4, 5, and 6: Making Our Stories Heard: Talk, Question, and Engage Lightning Talks and Q&A\u2019s by and with IHP practitioners\n1:45pm \u2013 4:30pm (Multiple Sessions):\n\nSession 1\u30211:45pm \u2013 2:45pm\n\nSpeakers: Christina Blitchok (The 1956 Project, UM-Flint); Rose Wellman and Amny Shuraydi (Centering Arab American Studies and Students: Past and Present Place-making, Identity, and Inclusion at the UM-Dearborn); Jodi Mae and David Mori (Towards Community-based Shared Stewardship), Wallace Bowie III (Architects of Change: Documenting the Legacy of White & Griffin (Michigan\u2019s First Black Architects)).\n\nSession 2\u30213:00pm \u2013 4:00pm\n\nSpeakers: Ivy Forsythe-Brown and Terri Laws (The African and African American Studies Oral History Project); Mark Clague, Cayenne Harris, and Emily Lyon (Hill Auditorium); Yodit Mesfin Johnson and Matthew Countryman (Black Community Conversations on the Past, Present and Future of Land Use in Ann Arbor); Emma Davis (Cultivating Communities of Belonging).\n\nWrap-up and Reflection: 4:00pm \u2013 4:30pm\n\nSpeakers: Lisa Lapeyrouse and Earl Lewis.\n\n--\nSession 7: Spoken Word by Poet, Activist, and Flint Native Shea Phire Cobb\n4:30pm \u2013 5:00pm\n\nJoin us for a spoken word performance by poet, activist, mother, musician, and Flint native Shea Phire Cobb.\n\n--\nSession 8: Blueprints of Power Exhibition Celebration and Inclusive History Project Summit Afterparty\n5:00pm \u2013 6:00pm\n\nGet up close and personal with the Blueprints of Power exhibition and enjoy light fare and music as we wrap up and celebrate the day.\n\n--\nEngage throughout the day:\n\nBlueprints of Power: The University and Urban Renewal in Flint Exhibition\n8:00am \u2013 6:00pm\n\nThe Shape of Repair: An Interactive Installation\n9:30am \u2013 5:30pm\n\nA participatory engagement to spark critical thinking, imagination, reflection, and the exchange of ideas about the outcomes the Inclusive History Project (IHP) is working toward.\n\nWolverine Stories Video Booth by the Inclusive Storytelling Hub\n11:00am \u2013 3:00pm\n\nStep into a video recording booth to tell YOUR story about the University of Michigan.",
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        "event_title":"Bus Tour of Yiddish Detroit",
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        "combined_title":"Bus Tour of Yiddish Detroit: With Tour Guide Nadav Pais-Greenapple",
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        "description":"Learn about the history of Yiddish Detroit in the places where it happened! From Belle Isle to the suburbs, we\u2019ll cover a century of Yiddish education, politics, literature, and culture\u2014all intertwined with the urban, labor, and social histories of the Motor City from 1900 to the present day.\n\nSEE:\n\u2026a statue which inspired decades of Yiddish cultural activism\u2026\n\u2026the last remaining block of the street once home to Detroit\u2019s Yiddish quarter\u2026\n\u2026the still-standing buildings where students learned to read and write Yiddish literature\u2026\n\u2026and more!\n\nTour guide bio: Nadav Pais-Greenapple is an award-winning public historian, literary translator, writer, and educator born and raised in Southfield, Michigan. He earned a BA in History and Judaic Studies from Wayne State University and was recently a 2025 YIVO Centennial Scholar. His research, published in Michigan Jewish History, In geveb, and forthcoming in American Jewish History, focuses on Yiddish life and culture in the industrial Midwest in the early 20th century. His particular interest is in Detroit\u2019s role as a central node in a larger regional, international network of Yiddish cultural production and activism. His most recent publication for \"In geveb, 'In Ford\u2019s Factory,'\" is a translation of Yiddish writer Joseph Opatoshu\u2019s 1929 report on working conditions in Ford\u2019s River Rouge factory complex.",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "event_title":"Eat Off Art Poetry Workshop",
        "occurrence_title":"Eat Off Art Poetry Workshop #1",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"137882-21881027",
        "datetime_modified":"20250904T085750",
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        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"DAAS Faculty Forum",
        "occurrence_title":"",
        "combined_title":"DAAS Faculty Forum: DAAS@55",
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        "description":"In the spirit of creating stronger departmental connections,  DAAS is presenting a faculty forum in honor of DAAS's 55th anniversary. Members of the DAAS faculty will discuss their projects, research, and\/or publications to share more about their work and interests. The DAAS Faculty Forum will be held monthly on Wednesdays at noon.\r\n\r\nSeptember 17 - Stephen Ward, Associate Director of the Residential College; Arthur F Thurnau Professor; Associate Professor of Afroamerican and African Studies; Associate Professor in the Residential College\r\n\r\nOctober 22 - Magdalena Zaborowska, Chair and Professor of American Culture, Professor of Afroamerican and African Studies\r\n\r\nNovember 5 - Jessica Walker, Assistant Professor of Afroamerican and African Studies; Assistant Professor of American Culture\r\n\r\nDecember 3 - Al Young Jr., Associate Director of Center for Social Solutions; Arthur F Thurnau Professor; Edgar G. Epps Collegiate Professor of Sociology; Professor of Afroamerican and African studies; Professor of Public Policy\r\n\r\nJanuary 21- Aliyah Khan, Director of the Global Islamic Studies Center, International Institute; Associate Professor of English; Associate Professor of Afroamerican and African Studies\r\n\r\nFebruary 18 - Scott Ellsworth, Teaching Professor in Afroamerican and African Studies\r\n\r\nMarch 25 - Saraellen Strongman, Assistant Professor of Afroamerican and African Studies\r\n\r\nApril 8 - David Doris, Associate Professor of Afroamerican and African Studies; Associate Professor of African Art and Visual Culture",
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        "room":"4701 Haven Hall (DAAS Conference Room)",
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        "id":"142790-21891536",
        "datetime_modified":"20260224T111055",
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        "time_end":"14:00:00",
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        "event_title":"Eating Off Art Creative Writing Workshop led by Edreys and Alexa Wajed",
        "occurrence_title":"Eating Off Art Creative Writing Workshop",
        "combined_title":"Eating Off Art Creative Writing Workshop led by Edreys and Alexa Wajed: An \"Eat Off Art for 3 Days!\" event: Eating Off Art Creative Writing Workshop",
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        "event_type_id":"21",
        "description":"In a vibrant celebration of National Poetry Month, the dynamic duo behind the art collective Eat Off Art, Edreys and Alexa Wajed, spend three action-packed days immersed in poetry, art, creative expression and social responsibility at the Institute for the Humanities.\n\nToday: Explore playful, generative approaches to self-investigation through prose, poetry, and expressive storytelling. Drawing from lived experience or creative imagination, participants will experiment with voice and form in a supportive space, with a strongly encouraged share-out at the end.\n\nOpen to writers, nonwriters, and the writing-curious\u2014no prior experience necessary. Brunch included. \n\nWhat to Expect:\n-Guided prompts to support independent writing\n-Time to refine and rehearse your creative process\n-Community, conversation, and a good time\n\nAbout Eat Off Art:\nEat Off Art, founded by Alexa and Edreys Wajed, is a creative design agency focused on building community based in Buffalo, NY. It is a multi-dimensional agency, platform, and affirmation all in one, providing transformative experiences through creativity, food, and art, countering the adage of the \u201cstarving artist,\u201d in subscription to a new narrative of \u201cthriving artists.\u201d\n\nAbout Edreys:\nEdreys is an artist, educator, emcee, poet, playwright, and entrepreneur. His positivity and creativity stem from a desire to inspire others.\n\nAbout Alexa:\nAlexa is a chef, jewelry designer, and businesswoman who blends her savvy to empower others to eat off their art.",
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    ,        {
        "id":"142816-21891710",
        "datetime_modified":"20251216T151229",
        "datetime_start":"20260408T180000",
        "datetime_end":"20260408T200000",
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        "date_start":"2026-04-08",
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        "event_title":"*This Is Not a Film*",
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        "combined_title":"*This Is Not a Film*: Humanities Film Series featuring artist Sheida Soleimani in conversation with Matthew Biro and Amanda Krugliak",
        "event_subtitle":"Humanities Film Series featuring artist Sheida Soleimani in conversation with Matthew Biro and Amanda Krugliak",
        "event_type":"Film Screening",
        "event_type_id":"11",
        "description":"This clandestine documentary, shot partially on an iPhone and smuggled into France in a cake for a last-minute submission to Cannes, depicts the day-to-day life of acclaimed director Jafar Panahi (*Offside*, *The Circle*) during his house arrest in his Tehran apartment. While appealing his sentence - six years in prison and a 20 year ban from filmmaking - Panahi is seen talking to his family and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting on the meaning of the art of filmmaking. In Persian with English subtitles.\r\n\r\nThe film is being shown in conjunction with Sheida Soleimani's exhibition Flyways at the Institute for the Humanities March 19 - May 1, 2026 and will be followed by a conversation with Sheida Soleimani, Matthew Biro (History of Art), moderated by arts curator Amanda Krugliak.\r\n\r\nFree and open to the public. No ticket necessary.",
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        "datetime_start":"20260409T090000",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Is There a Path Forward? Two Views from the Gaza Border",
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        "description":"Acclaimed writer and cultural critic Roxane Gay will read from her work and participate in a Q&A. Dr. Gay's books will be available for purchase and signing. All are welcome to this free event co-sponsored by the Hopwood Awards Program and The Spectrum Center.",
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        "event_title":"EIHS Lecture: A Pretense of Ownership: The Peremptory Enslavement of Rose Bazile (Port-au-Prince, Santiago de Cuba, New Orleans)",
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        "combined_title":"EIHS Lecture: A Pretense of Ownership: The Peremptory Enslavement of Rose Bazile (Port-au-Prince, Santiago de Cuba, New Orleans): Rebecca Scott (University of Michigan)",
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        "description":"Almost a decade after the Haitian Revolution led to the abolition of slavery in the French colony of Saint-Domingue, Napoleon Bonaparte sent an expeditionary force to try to crush the Revolution and reverse emancipation. Though he failed on both counts, the destruction his assault unleashed turned thousands into refugees. Among those who fled in 1803 were a man born in southern France named Pierre Bazy, an African-born woman named Gertrude, and Gertrude\u2019s child named Rose.\r\n\r\nUpon arrival in Cuba and later in Louisiana, Pierre claimed to own Rose, and thus to control her labor, her behavior, and access to her body. Rose nonetheless found ways to live according to her own contrary claim to free status, and to document that freedom. Enraged, Pierre reported her to the New Orleans police as marronne (a runaway from slavery), leading to her arrest and jailing. Soon judges, lawyers, and dozens of witnesses had to address in court variants of the question: What is evidence of ownership, and what is evidence of freedom? Or, as we might put it: What could keep the legal fiction of property in a person afloat, and what might sink it?\r\n\r\nThis event presented by the Eisenberg Institute for Historical Studies. It is made possible in part by a generous contribution from Kenneth and Frances Aftel Eisenberg.",
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        "event_title":"Interfaith Photovoice: Discovering Human Connection Through the Lens",
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        "description":"What if a set of photos could completely transform how you understand your purpose, the experiences of others, and the value of humanity? With over 5 billion pictures taken globally every day, Photovoice uses this powerful medium to foster deeper connections and understanding between participants. In this 90-minute interactive session, you\u2019ll use photographs to reflect, share your story, and engage in meaningful dialogue with others. Whether you're looking to explore your own journey or connect with diverse perspectives, this innovative experience is designed for everyone. No photography skills are needed\u2014just bring your curiosity and an open mind! Come capture more than just a moment\u2014discover the stories behind the images!\n\nThe theme for February is \"transformation.\" The Lunar New Year, Lent, Ramadan, and the turn into spring all touch on this theme. Snap 3-5 photos that relate to the theme of transformation for you, and be prepared to share and talk about them with others during this event. \n\nWe strongly encourage you to print the photos or bring them in a slidedeck on your laptop.",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "time_start":"12:00:00",
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        "event_title":"Bate-Papo: Portuguese Conversation Hour",
        "occurrence_title":"",
        "combined_title":"Bate-Papo: Portuguese Conversation Hour",
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        "event_type_id":"19",
        "description":"-Enjoy coffee, tea, and light snacks while improving your Portuguese! All language levels are welcome.\r\n\r\n-Meet in the RLL Commons: located in the center hallway of the 4th floor of the Modern Languages Building.\r\n\r\nQuestions? Contact Maria Teresa Mattos at (mtmattos@umich.edu).",
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        "event_title":"Two Steps Forward, One Step Back: How Progress Steadiness Affects Motivation",
        "occurrence_title":"",
        "combined_title":"Two Steps Forward, One Step Back: How Progress Steadiness Affects Motivation: Gr\u00e1inne Fitzsimons, Duke University",
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        "event_type":"Workshop \/ Seminar",
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        "description":"Rarely is the path to goal accomplishment perfectly smooth. Making progress on everyday goals is often unsteady, in that each unit of effort or time spent generates unequal results. In this research, we examine how progress steadiness affects motivation. Although unsteady goal progress is common in both work and personal pursuits, we suggest that goal pursuers find it discouraging. We hypothesize that even when goal progress is equal in amount and speed, unsteady (vs. steady) progress decreases people\u2019s sense of accomplishment and motivation to continue, and increases quitting. Across a variety of goal domains, findings from vignette experiments, recall studies, and real-time achievement tasks support these hypotheses. We also explore the mediating psychological variables and identify how manipulations targeting expectations about progress steadiness and encouraging a more abstract view of progress can reduce the negative effects of unsteady progress.",
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        "datetime_modified":"20260218T094424",
        "datetime_start":"20260419T100000",
        "datetime_end":"20260419T180000",
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        "event_title":"Symposium on Judaism and Film",
        "occurrence_title":"",
        "combined_title":"Symposium on Judaism and Film: Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long, the field has circled around a narrow set of places and stories, about immigration, assimilation, antisemitism, and the Holocaust. This Handbook proposes a broader, more capacious understanding of Jewish film\u2014one that moves past the assumption that Jewishness on screen must be mimetic, historical, or tied to the US, Europe, and Israel. Highlighting new research on Jews on and off screen in India, Ethiopia, Turkey, Mexico, the Arab world, and beyond, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking, cultural practices, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations, we will have three kinds of sessions: Salons, Classrooms, and Screenings.\n\nSUNDAY, APRIL 19\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:30 AM\t\tWelcome\n10:30-11:15 AM\t\tSession 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM \tSession 2: Jews in Indian Cinemas\n12:30 - 2:15 PM\t\tLunch Break\n2:15 - 3:00 PM\t\tSession 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM\t\tSession 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM\t\tSession 5: Pedagogy, Judaism, and Film\n\n\nMONDAY, APRIL 20\nMichigan League, Room D (3rd Floor)\n10:00 - 10:45 AM\t\tSession 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM\tSession 7: Judaism on Screen: from \u201cOff the Derech\u201d to Haredi \n12:15 - 2:00 PM\t\tLunch Break \n2:00 - 2:45 PM\t\tSession 8: Erwin Leiser\u2019s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM\t\tSession 9: Jewish Film Festivals\n4:15 - 5:00 PM\t\tSession 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t        Film Screening: \"Sabbath Queen\" (2024, dir. Sandi Simcha DuBowski, USA, 105 min)\n8:30 - 9:00 PM\t\tSession 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel, a queer bio-dad and the founder of Lab\/Shul, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual, challenges patriarchy and supremacy, champions interfaith love, and stands up for peace and an end to the Occupation in Israel\/Palestine.\nTrailer\n\n\nTUESDAY, APRIL 21\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:45 AM\t\tSession 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM\tSession 13: Jews in Arab Cinemas\n12:15 - 2:00 PM\t\tLunch Break\n2:00 - 2:45 PM\t\tSession 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM\t\tSession 15:  Jewish British Cinema\n\t\t\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t\tFilm Screening:  \"My One and Only\" (2025, dir. David Tauber, Israel, 104 min.)\n8:30 - 9:00 PM\t\tSession 16: Post-screening Discussion\n\nWeeks after giving birth to her first child, a young ultra-Orthodox woman arrives at her rabbi's wife's home, claiming her husband has been replaced. He looks identical, but she insists he's a double. Does she need psychiatric care, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film, Television, and Media\nAnn Arbor Jewish Film Festival",
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        "event_title":"Flyways",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "datetime_modified":"20260218T094424",
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        "event_title":"Symposium on Judaism and Film",
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        "combined_title":"Symposium on Judaism and Film: Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
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        "description":"This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long, the field has circled around a narrow set of places and stories, about immigration, assimilation, antisemitism, and the Holocaust. This Handbook proposes a broader, more capacious understanding of Jewish film\u2014one that moves past the assumption that Jewishness on screen must be mimetic, historical, or tied to the US, Europe, and Israel. Highlighting new research on Jews on and off screen in India, Ethiopia, Turkey, Mexico, the Arab world, and beyond, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking, cultural practices, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations, we will have three kinds of sessions: Salons, Classrooms, and Screenings.\n\nSUNDAY, APRIL 19\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:30 AM\t\tWelcome\n10:30-11:15 AM\t\tSession 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM \tSession 2: Jews in Indian Cinemas\n12:30 - 2:15 PM\t\tLunch Break\n2:15 - 3:00 PM\t\tSession 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM\t\tSession 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM\t\tSession 5: Pedagogy, Judaism, and Film\n\n\nMONDAY, APRIL 20\nMichigan League, Room D (3rd Floor)\n10:00 - 10:45 AM\t\tSession 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM\tSession 7: Judaism on Screen: from \u201cOff the Derech\u201d to Haredi \n12:15 - 2:00 PM\t\tLunch Break \n2:00 - 2:45 PM\t\tSession 8: Erwin Leiser\u2019s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM\t\tSession 9: Jewish Film Festivals\n4:15 - 5:00 PM\t\tSession 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t        Film Screening: \"Sabbath Queen\" (2024, dir. Sandi Simcha DuBowski, USA, 105 min)\n8:30 - 9:00 PM\t\tSession 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel, a queer bio-dad and the founder of Lab\/Shul, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual, challenges patriarchy and supremacy, champions interfaith love, and stands up for peace and an end to the Occupation in Israel\/Palestine.\nTrailer\n\n\nTUESDAY, APRIL 21\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:45 AM\t\tSession 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM\tSession 13: Jews in Arab Cinemas\n12:15 - 2:00 PM\t\tLunch Break\n2:00 - 2:45 PM\t\tSession 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM\t\tSession 15:  Jewish British Cinema\n\t\t\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t\tFilm Screening:  \"My One and Only\" (2025, dir. David Tauber, Israel, 104 min.)\n8:30 - 9:00 PM\t\tSession 16: Post-screening Discussion\n\nWeeks after giving birth to her first child, a young ultra-Orthodox woman arrives at her rabbi's wife's home, claiming her husband has been replaced. He looks identical, but she insists he's a double. Does she need psychiatric care, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film, Television, and Media\nAnn Arbor Jewish Film Festival",
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        "event_title":"Flyways",
        "occurrence_title":"",
        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
        "event_subtitle":"An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Schokoladenstunde",
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        "datetime_modified":"20260218T094424",
        "datetime_start":"20260421T100000",
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        "event_title":"Symposium on Judaism and Film",
        "occurrence_title":"",
        "combined_title":"Symposium on Judaism and Film: Presented by 2025-26 Frankel Institute \"Jews & Media\" Theme Year",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This symposium celebrates the forthcoming 38-chapter volume The Oxford Handbook of Judaism and Film edited by Olga Gershenson. This volume offers the first comprehensive survey of the flourishing interdisciplinary field, while challenging the geographic and conceptual boundaries of Jewish cinema. For too long, the field has circled around a narrow set of places and stories, about immigration, assimilation, antisemitism, and the Holocaust. This Handbook proposes a broader, more capacious understanding of Jewish film\u2014one that moves past the assumption that Jewishness on screen must be mimetic, historical, or tied to the US, Europe, and Israel. Highlighting new research on Jews on and off screen in India, Ethiopia, Turkey, Mexico, the Arab world, and beyond, the contributions show how Jewishness operates as a global interpretive mode rather than a fixed set of themes. This expanded lens reveals how Jewish frames of thinking, cultural practices, and historical experiences structure filmmaking and spectatorship across wildly diverse geographies and contexts. The result challenges old stereotypes and opens up a bigger, more complex world of Jewish film.\n\nThis symposium is an experimental and experiential format. Instead of formal presentations, we will have three kinds of sessions: Salons, Classrooms, and Screenings.\n\nSUNDAY, APRIL 19\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:30 AM\t\tWelcome\n10:30-11:15 AM\t\tSession 1: Judaism in Hollywood Biblical Epics\n11:30 AM - 12:30 PM \tSession 2: Jews in Indian Cinemas\n12:30 - 2:15 PM\t\tLunch Break\n2:15 - 3:00 PM\t\tSession 3: Reading Jewish Films as Jewish Texts \n3:15 - 4:15 PM\t\tSession 4: Disability films and the Aftermath of the Holocaust\n4:30 - 5:15 PM\t\tSession 5: Pedagogy, Judaism, and Film\n\n\nMONDAY, APRIL 20\nMichigan League, Room D (3rd Floor)\n10:00 - 10:45 AM\t\tSession 6: Fashion and Whiteness in American Jewish Immigration Films\n11:00 AM - 12:15 PM\tSession 7: Judaism on Screen: from \u201cOff the Derech\u201d to Haredi \n12:15 - 2:00 PM\t\tLunch Break \n2:00 - 2:45 PM\t\tSession 8: Erwin Leiser\u2019s Holocaust Documentary \"Mein Kampf\" (1960)\n3:00 - 4:00 PM\t\tSession 9: Jewish Film Festivals\n4:15 - 5:00 PM\t\tSession 10: Jewishness in Post-Stalinist Soviet Cinema and TV\n\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t        Film Screening: \"Sabbath Queen\" (2024, dir. Sandi Simcha DuBowski, USA, 105 min)\n8:30 - 9:00 PM\t\tSession 11: Post-screening Discussion\n\nThis feature documentary follows Rabbi Amichai Lau-Lavie's epic journey as the dynastic heir of 38 generations of Orthodox rabbis including the Chief Rabbis of Israel. He is torn between rejecting and embracing his destiny and becomes a drag-queen rebel, a queer bio-dad and the founder of Lab\/Shul, a pop-up experimental congregation. Sabbath Queen joins Amichai as he reinvents religion and ritual, challenges patriarchy and supremacy, champions interfaith love, and stands up for peace and an end to the Occupation in Israel\/Palestine.\nTrailer\n\n\nTUESDAY, APRIL 21\nMichigan League, Koessler Room (3rd Floor)\n10:00 - 10:45 AM\t\tSession 12: Ethiopian Jews on Screens\n11:00 AM - 12:15 PM\tSession 13: Jews in Arab Cinemas\n12:15 - 2:00 PM\t\tLunch Break\n2:00 - 2:45 PM\t\tSession 14: Jewish-Muslim Relations in Film\n3:00 - 4:00 PM\t\tSession 15:  Jewish British Cinema\n\t\t\nRackham Graduate School, Amphitheater (4th Floor)\n6:30 - 8:30 PM\t\tFilm Screening:  \"My One and Only\" (2025, dir. David Tauber, Israel, 104 min.)\n8:30 - 9:00 PM\t\tSession 16: Post-screening Discussion\n\nWeeks after giving birth to her first child, a young ultra-Orthodox woman arrives at her rabbi's wife's home, claiming her husband has been replaced. He looks identical, but she insists he's a double. Does she need psychiatric care, or is her husband a demon? This mystery drama can be read as a nuanced exploration of how people change in relationships or as a new instance of Israeli horror productions.\n\n\nCo-Sponsors: \nDepartment of Film, Television, and Media\nAnn Arbor Jewish Film Festival",
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        "event_title":"\"My One and Only\" (2025) Film Screening",
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        "combined_title":"\"My One and Only\" (2025) Film Screening: Featuring Post-Screening Discussion with Expert Scholars",
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        "event_title":"Momentary Landscape Artist Talk & Opening Reception",
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        "combined_title":"Momentary Landscape Artist Talk & Opening Reception: A public art installation by Diane Lavoie",
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        "description":"Please join us for the opening reception of Diane Lavoie\u2019s debut Michigan exhibition *Momentary Landscapes*.  Lavoie will be in conversation with curator Amanda Krugliak about her art practice. Following the talk, there will a be a guided walk with the artist to view the installation.\r\n\r\nAbout the installation:\r\nDiane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.\r\n\r\nAbout the artist:\r\nDiane Lavoie is a North American visual artist based in Berlin, Germany. Her art represents a dialogue between the natural and artificial world, and explores the boundaries between reality and perception. In her practice, Lavoie creates large-scale, textile representations of natural environments in contrast and connection with the actual environs surrounding them. Lavoie holds an MFA in painting from California State University Long Beach and a BFA in illustration from Massachusetts College of Art. Her work has been exhibited internationally and is held in private and public collections in the US and Europe.",
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        "event_title":"Flyways",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "combined_title":"Flyways: An exhibition by  Sheida Soleimani",
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        "description":"Iranian-American artist Sheida Soleimani explores themes of migration, political exile, queerness, and environmental crisis through the wildly imaginative and intricate scenarios she first stages in her studio. The tableaus\u2014which often include live animals, props, even her parents\u2014are then photographed, documenting the artist\u2019s process. Each photograph becomes a part of Soleimani\u2019s rich visual storytelling.      \n\n*Flyways *presents a series of new photographs that include images evocative of her family\u2019s history and migration story in juxtaposition with images of injured birds that are representative of Soleimani\u2019s work as a wildlife rehabilitator. (In 2018, Soleimani founded Congress of Birds, a wild bird rehabilitation center in Rhode Island.) The change in her practice to include bird rescue results in a revolutionary body of work steeped in passion and articulated in a completely original visual language. Learn more at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/sheida-soleimani.html.",
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        "description":"Diane Lavoie\u2019s *Momentary Landscape* project is a site-specific pop-up installation located on the U-M campus grounds in close proximity to the School for Environment and Sustainability. The project intends to engage the campus community by embedding large textile panels into the tree line. All of the textiles will be made from up-cycled materials, showcasing sustainability and environmental issues. Taking inspiration from the foliage of southeast Michigan, Lavoie\u2019s on-campus interventions aim to celebrate the positive impact of the beautiful campus landscape on our everyday experiences. The project offers students and visitors a restorative and joyful experience through public art installation.",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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