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        "event_title":"Jake Nowell, French horn",
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        "event_title":"[Cancelled] Maitri White, voice",
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        "combined_title":"[Cancelled] Maitri White, voice",
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        "description":"This performance has been cancelled. We apologize for any inconvenience.",
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        "room":"Britton Recital Hall",
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        "event_title":"Telegraph Quartet",
        "occurrence_title":"",
        "combined_title":"Telegraph Quartet: Music of Kenji Bunch and George Rochberg",
        "event_subtitle":"Music of Kenji Bunch and George Rochberg",
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        "description":"Known for their technical prowess and appreciation for the history behind the music, the Telegraph Quartet brings fluid synchronicity and refined artistry to a program that showcases the work of two contemporary American composers, Kenji Bunch (b. 1973) and George Rochberg (1918 \u2013 2005). \n\nThe ensemble will perform Kenji Bunch\u2019s String Quartet No. 5, *Music for a Shared Space*, and George Rochberg\u2019s String Quartet No. 3. Bunch\u2019s fifth string quartet encrypts beautiful lines from the second movement of W.A. Mozart\u2019s divertimenti, which pulse throughout the work, culminating in a joyous, rocking final anthem. Rochberg\u2019s String Quartet No. 3 was born of profound loss and a longing for meaning. Rochberg breaks from strict modernism and rebuilds his musical world using memory, woven into something newly vulnerable. The resulting quartet feels like a raw confession of grief and slow recovery of beauty.\n\nOf these two works, the Telegraph Quartet says:\n\n\u201cDespite being written 50 years apart, both the Rochberg and the Bunch share a kinship as art that finds its voice and power by embodying the styles of others as their own. Rochberg's String Quartet No. 3 marked a turning point for this composer, who released himself from only composing in a dissonant, academically acceptable 20th-century style.  Instead, he allowed himself what was then the heresy of speaking fluently in the musical language of past composers like Mahler and late Beethoven, juxtaposing those with his former thorny modernist dialect. Similarly, Kenji Bunch's *Music for a Shared Space* accomplishes something very similar; between Afro-funk grooves and rhythm and blues versions of Mozart divertimenti, we find Bunch moving fluently from one popular style to the next and sweetly mixing that music with those of the past, continuing this opening of styles, cultural and chronological, that Rochberg dared to break open during his time.\u201d\n\n\nABOUT TELEGRAPH QUARTET\nErin Chin & Joseph Maile, violins\nPei-Ling Lin, viola\nJeremiah Shaw, cello\n\nThe TELEGRAPH QUARTET formed in 2013 with an equal passion for standard and contemporary chamber music repertoire. Described by the *San Francisco Chronicle* as \u201c\u2026an incredibly valuable addition to the cultural landscape\u201d and \u201cpowerfully adept\u2026 with a combination of brilliance and subtlety,\u201d the Telegraph Quartet was awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. The quartet is currently the quartet-in-residence at the University of Michigan.\n\nThe quartet has performed in New York City\u2019s Carnegie Hall and Lincoln Center, San Francisco\u2019s Herbst Theatre, the San Francisco Conservatory of Music\u2019s *Chamber Masters Series*, and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. They have collaborated with pianists Leon Fleisher and Simone Dinnerstein; cellists Norman Fischer and Bonnie Hampton; violinist Ian Swensen; and the St. Lawrence Quartet and Henschel Quartett. A fervent champion of 20th- and 21st-century repertoire, the Telegraph Quartet has premiered works by Osvaldo Golijov, John Harbison, Robert Sirota, and Richard Festinger.\n\nIn 2023, the Telegraph Quartet released *20th Century Vantage Points: Divergent Paths*, the first in a trilogy of recordings on Azica Records exploring the string quartets of the first half of the 20th century \u2013 an era of music that the group has felt especially called to perform since its formation. *Divergent Paths*features two works that (to the best of the quartet\u2019s knowledge) have never been recorded on the same album before: Maurice Ravel\u2019s String Quartet in F Major and Arnold Schoenberg\u2019s String Quartet no. 1 in D minor, op. 7. The quartet\u2019s new album, *20th Century Vantage Points: Edge of the Storm* is out now on Azica Records.\n\nwww.telegraphquartet.com",
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        "event_title":"Felix Guggenheim, violin",
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        "event_title":"Alan Cook, flute",
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        "event_title":"Michael Baker, chamber euphonium",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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        "id":"145287-21897008",
        "datetime_modified":"20260209T181640",
        "datetime_start":"20260317T120000",
        "datetime_end":"20260317T130000",
        "has_end_time":1,
        "date_start":"2026-03-17",
        "date_end":"2026-03-17",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stearns Collection Lunchtime Concert Series",
        "occurrence_title":"",
        "combined_title":"Stearns Collection Lunchtime Concert Series: At NCRC (North Campus Research Complex)",
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        "description":"Join us for this month's free lunchtime concert at NCRC. In celebration of St. Patrick's Day, local musicians offer a set of traditional Irish dance tunes for the season including jigs, reels, polkas, and more! In addition, members of the SMTD Baroque Orchestra will perform on historical instruments. \n\nFeatured performers:\nMarty Somberg, fiddle; Hannah Harris, fiddle; Alberto \u201cBear\" Whitmer, guitar; John Driscoll, flute; Tristan Pruss, Irish *uilleann* pipes, tin whistle, and *bodhr\u00e1n*; Evan Chambers, fiddle\n\nFeel free to bring your lunch or buy it in the NCRC cafe. Paid visitor parking is available across the street with the AMP parking app.",
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        "location_name":"NCRC Building 18 Cafeteria Auditorium, 2800 Plymouth Rd., Ann Arbor, MI 48109",
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        "datetime_modified":"20260126T121740",
        "datetime_start":"20260317T132000",
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        "date_start":"2026-03-17",
        "date_end":"2026-03-17",
        "time_start":"13:20:00",
        "time_end":"13:50:00",
        "time_zone":"America\/Detroit",
        "event_title":"Adam Lenhart, carillon",
        "occurrence_title":"",
        "combined_title":"Adam Lenhart, carillon",
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        "id":"145409-21897261",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260317T180000",
        "datetime_end":"20260317T210000",
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        "date_start":"2026-03-17",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":null,
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        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "tags":["North Campus"],
        "website":"http:\/\/www.prisonarts.org",
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                "url":"http:\/\/www.prisonarts.org",
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                "url":"https:\/\/myumi.ch\/mRD14",
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                "group_id":"3275",
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                "group_id":"3478",
                "website":""                },             {
                "group_name":"Arts Initiative",
                "group_id":"4583",
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                "group_id":"5222",
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                "group_id":"5319",
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    ,        {
        "id":"146409-21899049",
        "datetime_modified":"20260312T181652",
        "datetime_start":"20260317T183000",
        "datetime_end":"20260317T193000",
        "has_end_time":1,
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        "date_end":"2026-03-17",
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        "time_end":"19:30:00",
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        "event_title":"Chamber Music & Dance with a View",
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        "id":"142773-21891482",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260318T090000",
        "datetime_end":"20260318T170000",
        "has_end_time":1,
        "date_start":"2026-03-18",
        "date_end":"2026-03-18",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "datetime_modified":"20251215T163232",
        "datetime_start":"20260318T090000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"145409-21897272",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260318T100000",
        "datetime_end":"20260318T190000",
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        "time_start":"10:00:00",
        "time_end":"19:00:00",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_type":"Exhibition",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":null,
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "tags":["North Campus"],
        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"3478",
                "website":""                },             {
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                "group_id":"4583",
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                "group_id":"5222",
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                "group_id":"5319",
                "website":""                }                    ],
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        "image_description":"A detailed drawing shows a hanging light bulb containing water and a small plant, with a branch and a bird flying nearby. Blue and yellow event text highlights the 30th Annual Exhibition of Artists in Michigan Prisons.",
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        "id":"143482-21893255",
        "datetime_modified":"20260108T120322",
        "datetime_start":"20260318T120000",
        "datetime_end":"20260318T130000",
        "has_end_time":1,
        "date_start":"2026-03-18",
        "date_end":"2026-03-18",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Navigating Different Types of Relationships",
        "occurrence_title":"",
        "combined_title":"Navigating Different Types of Relationships: Campus Mind Works Wellness Group",
        "event_subtitle":"Campus Mind Works Wellness Group",
        "event_type":"Well-being",
        "event_type_id":"12",
        "description":"College has a lot of different relationships - friends, advisors, professors, peers, family. Join our wellness group on Navigating Different Types of Relationships to learn some tips for balancing relationships, hear from other students and get some free lunch! This FREE in-person educational wellness group is for students only and will include an interactive presentation facilitated by staff from the Eisenberg Family Depression Center and is a collaborative service with U-M Engineering's C.A.R.E. Center and the Newnan Academic Advising Center.\r\n\r\nRegistration is not required for in-person wellness groups, but is recommended so there is enough lunch for all attendees. You can register using the link. Learn more at campusmindworks.org",
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        "building_name":"Chrysler Center",
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                "url":"https:\/\/campusmindworks.org\/",
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        "date_end":"2026-03-18",
        "time_start":"13:20:00",
        "time_end":"13:50:00",
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        "event_title":"Eva Albalghiti, carillon",
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        "event_title":"Omari Booker: Resident Curator Talk",
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        "datetime_modified":"20260306T181649",
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        "event_title":"Horszowski Trio",
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        "description":"As part of a residency hosted by the Department of Chamber Music, the Horszowski Trio performs a guest recital. The trio will present a program featuring works by Mozart, Wuorinen, Bernstein and Ravel. The ensemble members are:\nJesse Mills, violin\nOle Akahosi, cello\nRieko Aizawa, piano\n\nGiving performances that are \u201clithe, persuasive\u201d (*The New York Times*), \u201celoquent and enthralling\u201d (*The Boston Globe*), and described as \u201cthe most compelling American group to come on the scene\u201d (*The New Yorker*), the HORSZOWSKI TRIO has quickly become a vital force in the international chamber music world. Since their debut performance in New York City in 2011, they have toured extensively throughout North America, Europe, the Far East, and India, traversing the extensive oeuvre of traditional piano trio repertoire and introducing audiences to new music that they have commissioned and premiered.\n\nIn 2023, the \u201cHorszowski Trio Prize\u201d was created at the Fischoff National Competition to award the piano chamber groups in both Senior and Junior divisions every year.",
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        "location_name":"Walgreen Drama Center",
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        "id":"142773-21891483",
        "datetime_modified":"20251215T165341",
        "datetime_start":"20260319T090000",
        "datetime_end":"20260319T170000",
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        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
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        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Rotunda Gallery",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "datetime_modified":"20260313T143918",
        "datetime_start":"20260319T104500",
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        "time_start":"10:45:00",
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        "time_zone":"America\/Detroit",
        "event_title":"IES Energy Seminar Series - Solving Optimal Transmission Switching with De-energization",
        "occurrence_title":"",
        "combined_title":"IES Energy Seminar Series - Solving Optimal Transmission Switching with De-energization: Benoit Jeanson, RTE",
        "event_subtitle":"Benoit Jeanson, RTE",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Abstract:\nOptimal Transmission Switching (OTS) has been widely studied as a way to improve the secure operation of power systems by adjusting network topology. This presentation introduces an extension of OTS that explicitly allows partial grid de-energization following contingencies. Such a formulation reflects operational situations where disconnecting a limited portion of the grid may be preferable to operating the system under severe overload conditions. The problem is formulated as an optimization model capturing switching decisions and post-contingency feasibility. A fast heuristic based on this model is used to quickly identify feasible network configurations and detect critical contingencies. Building on the same formulation, the optimization problem is further addressed using a Benders decomposition approach with specialized mechanisms to maintain computational tractability. Results on realistic grid instances illustrate how this approach can improve system resilience by reducing contingency-induced de-energization.\n\nBiography:\nAfter graduating as an electrical engineer from ENSEEIHT (Toulouse, France), Beno\u00eet spent more than 20 years at RTE, the French transmission system operator, where he held several positions mainly related to power system operations. He first worked as a short-term planning engineer before joining the headquarters, where he contributed to the development and dissemination of new power system study methodologies. During this time, he was also involved in European coordination initiatives within ENTSO-E. He later contributed to the development of open-source initiatives for power systems in collaboration with the Linux Foundation Energy. Since 2023, he has been pursuing a PhD at TU Delft through CRESYM, focusing on topology optimization of power grids, with support from RTE.",
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        "event_title":"Meghan Wysocki & Joe Antrim, carillon",
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        "id":"145466-21897381",
        "datetime_modified":"20260216T113714",
        "datetime_start":"20260319T153000",
        "datetime_end":"20260319T163000",
        "has_end_time":1,
        "date_start":"2026-03-19",
        "date_end":"2026-03-19",
        "time_start":"15:30:00",
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        "event_title":"IES Energy Seminar Series - Energy Needs and Opportunities in Wastewater Treatment AND In situ treatment of PFAS using adsorptive and reactive barrier walls",
        "occurrence_title":"",
        "combined_title":"IES Energy Seminar Series - Energy Needs and Opportunities in Wastewater Treatment AND In situ treatment of PFAS using adsorptive and reactive barrier walls: Charlie Werth, UT Austin & ARPA-E",
        "event_subtitle":"Charlie Werth, UT Austin & ARPA-E",
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        "description":"IES Seminar Abstract:\nEnergy demands to treat municipal wastewater can represent up to 2% of U.S. electricity consumption, and 40 to 60% of this demand is required for aeration to biologically oxidize organic waste and nitrify urea-sourced ammonia.  This energy consumption is ironic, given that organics in domestic wastewater have the potential to favorably deliver more than 5 billion amps of current, and that 50 million GJ\/yr of energy are used each year to produce the equivalent amount of ammonia via the Haber-Bosch process.  In this talk, I will explore opportunities to transform wastewater treatment plants into energy factories, where electrochemical methods are used to direct electrons in wastewater toward synthesis of value-added products, and advanced separation methods are used to recovery ammonia as a commodity fertilizer.\n\nCEE Seminar Abstract:\nPer and poly-fluoroalkyl substances (PFAS) are extraordinarily stable and widely used chemicals used to create many consumer and industrial products, including non-stick cookware, water-resistant textile coatings, food packaging, cosmetics, semi-conductors, and aqueous film-forming foams (AFFFs).  Due to their widespread use, PFAS have been released to the environment and have contaminated at least 9,500 different sites in the United States.  This is a concern because even at very low concentrations PFAS ingestion has been correlated to negative health impacts, including delayed developmental, immune system suppression, and cancer.  Efforts to clean up PFAS in groundwater have mainly relied on ex situ approaches, where contaminated groundwater is pumped it to the ground surface and treated in engineered reactors using energy intensive thermal, (electro)chemical, ultrasonic, or plasma-based technologies.  An emerging in situ approach is to create barriers to PFAS migration in contaminated aquifers from sorbent materials, e.g., by injecting colloidal activated carbon (CAC) through wells into contaminated aquifers, where it becomes immobilized.  However, there remains great uncertainty in how long these sorptive barriers will prevent PFAS migration, and if sorptive barrier amendments can be engineered to promote PFAS degradation.  In this talk, I will present experimental and modeling results that address mechanisms controlling PFAS migration in CAC barriers, CAC barrier effectiveness and lifetimes, and an abiotic reaction pathway that complements CAC barriers by promoting in situ PFAS destruction.\n\nBiography:\nDr. Charles Werth is a Professor and the Bettie Margaret Smith Chair in Environmental Health Engineering in the Maseeh Department of Civil, Architectural and Environmental Engineering at the University of Texas at Austin.  Dr. Werth\u2019s research and teaching background includes fundamental and applied studies on pollutant fate and treatment in both natural and engineered water systems, with applications in electro(catalytic) drinking water treatment, in situ groundwater remediation, and subsurface storage of carbon dioxide and hydrogen.  Dr. Werth received his B.S. in Mechanical Engineering from Texas A&M University, and M.S. and Ph.D. in Civil and Environmental Engineering from Stanford University.",
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        "id":"146340-21898921",
        "datetime_modified":"20260309T121645",
        "datetime_start":"20260319T163000",
        "datetime_end":"20260319T183000",
        "has_end_time":1,
        "date_start":"2026-03-19",
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        "time_start":"16:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Suzannah Clark Lecture: Distinguished Resident in Music Theory",
        "occurrence_title":"",
        "combined_title":"Suzannah Clark Lecture: Distinguished Resident in Music Theory: Reconstructing the Early Performance Practices of Schubert\u2019s \u201cGreat\u201d Symphony in C Major (D. 944): A view from the autograph, orchestral parts, and conductors\u2019 scores",
        "event_subtitle":"Reconstructing the Early Performance Practices of Schubert\u2019s \u201cGreat\u201d Symphony in C Major (D. 944): A view from the autograph, orchestral parts, and conductors\u2019 scores",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Schubert began composing the \u201cGreat\u201d Symphony in C Major (D. 944) during the summer of 1825 and is presumed to have finished it in early 1826. Based on letters by Schubert\u2019s friends, performances were lined up during that season, but they fell through. Schubert then gifted the autograph to the Viennese *Gesellschaft der Musikfreunde* in October 1826. The following summer, the Society produced orchestral parts, which are still held in the *Gesellschaft* archives. While no public performance occurred during Schubert\u2019s lifetime, posthumous annotations in these orchestral parts hold clues to how nineteenth-century musicians performed the work. Based on new archival research, this paper focuses on these nineteenth-century performance choices and illustrates what they reveal about nineteenth-century attitudes towards Schubert\u2019s symphonic structures. The paper will also examine conductor scores belonging to Gustav Mahler and Leonard Bernstein, which are held in the archives of the New York Philharmonic, in order to reveal how certain modern-day performance choices came about. A comparison with tell-tale markings in Schubert\u2019s own autograph will be used to propose what Schubert himself may have had in mind.\n\nGUEST BIO\n\nSUZANNAH CLARK is the Morton B. Knafel Professor of Music and the Director of the Mahindra Humanities Center at Harvard University. She has written on the music of Franz Schubert, the history of tonal music theory, and medieval vernacular music, particularly on the songs of the trouv\u00e8res and the thirteenth-century motet. She has published on theorists ranging from Gottfried Weber, Arthur von Oettingen, Hugo Riemann to Heinrich Schenker. Her book *Analyzing Schubert* was published in 2011. Material for her talk at UMich is taken from her forthcoming book *Franz Schubert: The \u201cGreat\u201d Symphony in C Major (D. 944)*, which is commissioned by Cambridge University Press as part of the New Cambridge Music Handbooks series. She is also currently writing a book *Music Theory: A Very Short Introduction* for the Very Short Introductions series from Oxford University Press.",
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        "room":"Watkins Lecture Hall",
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        "datetime_modified":"20260302T171321",
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        "date_start":"2026-03-19",
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        "time_start":"18:30:00",
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        "event_title":"New Art\/\/New Music: Gallery Tour",
        "occurrence_title":"",
        "combined_title":"New Art\/\/New Music: Gallery Tour: 30th Annual Exhibition of Artists in Michigan Prisons",
        "event_subtitle":"30th Annual Exhibition of Artists in Michigan Prisons",
        "event_type":"Tours",
        "event_type_id":"25",
        "description":"Enjoy a tour of the 30th Annual Exhibition of Artists in Michigan Prisons and a concert featuring music created by University of Michigan School of Music, Theatre, and Dance student composers. These pieces will be performed by the contemporary music collective FLYDLPHN and the chamber ensemble Myriad Project and will be inspired by artwork featured at the exhibition. \n\nPublic tour of the 30th Annual Exhibition \n6:30 pm Duderstadt Gallery\n\nConcert\n8pm Stamps Auditorium\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "datetime_modified":"20260312T181654",
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        "datetime_end":"20260319T210000",
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        "event_title":"Naomi Fan, violin",
        "occurrence_title":"",
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        "description":"Graduate student Naomi Fan performs a final master's degree recital.",
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        "event_title":"New Art \/ New Music: Collaborative Concert",
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        "datetime_modified":"20251215T165341",
        "datetime_start":"20260320T090000",
        "datetime_end":"20260320T170000",
        "has_end_time":1,
        "date_start":"2026-03-20",
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        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lynn Galbreath Exhibition",
        "occurrence_title":"",
        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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    ,        {
        "id":"145409-21897274",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260320T100000",
        "datetime_end":"20260320T190000",
        "has_end_time":1,
        "date_start":"2026-03-20",
        "date_end":"2026-03-20",
        "time_start":"10:00:00",
        "time_end":"19:00:00",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
        "occurrence_notes":null,
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        "campus_maps_id":"181",
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        "room":"Gallery",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
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        "tags":["North Campus"],
        "website":"http:\/\/www.prisonarts.org",
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                "title":"PCAP website"
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                "url":"https:\/\/myumi.ch\/mRD14",
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                "group_id":"3478",
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                "group_id":"4583",
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                "group_id":"5222",
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                "group_id":"5319",
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    ,        {
        "id":"146144-21898441",
        "datetime_modified":"20260305T155353",
        "datetime_start":"20260320T113000",
        "datetime_end":"20260320T122000",
        "has_end_time":1,
        "date_start":"2026-03-20",
        "date_end":"2026-03-20",
        "time_start":"11:30:00",
        "time_end":"12:20:00",
        "time_zone":"America\/Detroit",
        "event_title":"EHour: Fred Richard",
        "occurrence_title":"",
        "combined_title":"EHour: Fred Richard: Featuring Fred Richard, Olympic Gymnast and CEO of FrederickFlips",
        "event_subtitle":"Featuring Fred Richard, Olympic Gymnast and CEO of FrederickFlips",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Ready to flip your perspective on entrepreneurship and resilience? \n\nJoin us for Entrepreneurship Hour featuring Frederick Richard, Olympic bronze medalist, NCAA champion, U-M student athlete, and CEO of FrederickFlips. Fred\u2019s journey as the youngest American male to medal at the World Championships and Paris Olympics is all about breaking boundaries\u2014both in sport and in business.\n\nDuring this inspiring session, Fred will share how he turned challenges into strengths, from overcoming adversity in gymnastics to leading his own startup. Hear about the mentality and creative process behind FrederickFlips, practical lessons in brand-building, leadership, and making your passion accessible. No matter your academic background, you\u2019ll leave with real, actionable insights on turning resilience into opportunity.\n\nEntrepreneurship Hour is open to everyone at Michigan. Don\u2019t miss this chance to connect, ask questions, and learn from an Olympic athlete who\u2019s making an impact beyond the gymnastics mat.\n\nFriday, March 20\n11:30 AM \u2013 12:30 PM\nStamps Auditorium, North Campus",
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        "building_name":"Walgreen Drama Center",
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                "title":"Learn More"
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        "event_title":"Jenna Moon, carillon",
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        "event_title":"Christopher Kendall Alumni Award Talk and Gathering with recipient Jessica Bonenfant (MFA \u201913, dance)",
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        "event_title":"Angela Bonello, voice",
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        "event_title":"Catherine Yoon, piano chamber music",
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        "event_title":"This Dance is About Leslie Cheung - Dance MFA Thesis Performance by Tim Tsang",
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        "event_title":"Lynn Galbreath Exhibition",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_title":"[Cancelled] Tiffany Ng, carillon",
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        "description":"Master's degree student Jingbo Zong performs piano in a chamber music recital.",
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        "room":"McIntosh Theatre",
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        "time_end":"21:30:00",
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        "event_title":"Shuaizhi Wang, piano",
        "occurrence_title":"",
        "combined_title":"Shuaizhi Wang, piano",
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        "description":"DMA candidate in piano performance Shuaizhi Wang performs a dissertation recital.",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "datetime_modified":"20251215T163232",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"145409-21897278",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260324T100000",
        "datetime_end":"20260324T190000",
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        "date_start":"2026-03-24",
        "date_end":"2026-03-24",
        "time_start":"10:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "event_title":"[Cancelled] Bella Pabian & Genesis Morales, trombones",
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        "combined_title":"[Cancelled] Bella Pabian & Genesis Morales, trombones",
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        "description":"This performance has been cancelled. We apologize for any inconvenience.",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20260322T094645",
        "datetime_start":"20260325T100000",
        "datetime_end":"20260325T190000",
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        "date_start":"2026-03-25",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_title":"Eva Albalghiti, carillon",
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        "event_title":"Master Class with Noa Kageyama: Shrinking the Gap Between Practice and Performance",
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        "description":"Elite athletes and coaches have known for decades that physical preparation alone is not enough to perform optimally under pressure. And increasingly, musicians too are engaging in mental skills training and ways of practicing and preparing which can lead to more consistent, inspired, and engaged performances.\n\nIn this session, you\u2019ll find out what common practice habit leads to \u201cbut it sounded better at home\u201d syndrome (and the more effective alternative), discover the two causes of \u201cchoking\u201d under pressure (and a simple strategy to prevent this from happening), and learn a \u201cbackwards\u201d method for structuring your daily practice that leads to more consistent and confident performances.\n\nStudents should bring their instruments in order to apply practices and try out strategies in real time during the session. Any playing will be altogether as a group. No individual or 1:1 playing is required!\n\nFree and open to the public. Presented by the Department of Strings and the U-M Arts Initiative.\n\nGUEST ARTIST BIO\n\nPerformance psychologist NOA KAGEYAMA is on the faculty of The Juilliard School and the Cleveland Institute of Music. A conservatory-trained violinist with degrees from Oberlin and Juilliard before completing a Ph.D. in psychology at Indiana University, Noa specializes in teaching musicians how to utilize sport psychology principles and more consistently perform up to their full abilities under pressure.\n\nHe has conducted workshops for institutions including Curtis, Eastman, Peabody, and the U.S. Armed Forces School of Music, programs such as the Starling-Delay Symposium and the Perlman Music Program, and for organizations like the Music Teachers\u2019 National Association, Performing Arts Medicine Association, and the Association for Applied Sport Psychology.\n\nNoa's work has appeared in CNN, NBC News, The Wall Street Journal, and other media outlets. He authors *The Bulletproof Musician* blog and podcast, reaching over 45,000 subscribers every week.",
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        "event_title":"Innovation Challenge",
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        "description":"In 2017, University of Michigan students launched the 100-Year Space Mission, an ambitious effort to preserve the voices of the U-M community for a century. A CubeSat was designed and built, but technical and regulatory barriers prevented the mission from launching.\n\nThe archive still exists. The CubeSat still exists. The engineering challenge remains open.\n\nThis year\u2019s MPowered Innovation Challenge invites student teams to design a CubeSat-class robotic system capable of:\n\n\u2022 Emerging from a spacecraft near or on the lunar surface\n\u2022 Delivering a U-M time capsule to a designated location\n\u2022 Planting a University of Michigan flag\n\u2022 Capturing and returning video or images documenting the deployment\n\nThis is a conceptual systems engineering challenge grounded in real aerospace constraints.\n\nTeams will be expected to:\n\u2022 Define and justify Size, Weight, and Power, also known as SWaP\n\u2022 Consider launch cost implications based on mass\n\u2022 Design a communications strategy to return images or video\n\u2022 Defend engineering tradeoffs clearly and realistically\n\u2022 Present a physical, digital, or hybrid demonstration\n\nWhy Participate?\n\u2022 Compete for cash prizes\n\u2022 Showcase your work to faculty and space technology experts\n\u2022 Build a high-impact portfolio project\n\u2022 Contribute ideas that could inform a near-term lunar mission concept\n\nPrizes will be awarded for:\n\u2022 Best in Show\n\u2022 Best SWaP Optimization, Feasible Design\n\u2022 Best Communications Concept\n\nImportant Dates\nTeaser released: February 25\nChallenge announcement: March 4\nTeam registration deadline: March 14\nCompetition night: March 25, 6 to 9 PM\n\nThis challenge is open to students across engineering, robotics, computer science, design, business, and beyond.\n\nStart with constraints. Design within them. Defend your tradeoffs. We look forward to seeing what you build.\n\nAny questions? Contact MPowered Innovation Challenge Director Bodhi White bodhes@umich.edu\n\nWe Will Reach Out Within 72 Hours of Form Submission.\n\nMore details about the challenge and RSVP info: https:\/\/myumi.ch\/VVjNW",
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        "event_title":"Sawyer Englund, jazz trumpet",
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        "building_name":"Earl V. Moore Building",
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        "room":"McIntosh Theatre",
        "location_name":"Earl V. Moore Building",
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        "datetime_modified":"20251215T165341",
        "datetime_start":"20260326T090000",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
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        "datetime_modified":"20260322T094645",
        "datetime_start":"20260326T100000",
        "datetime_end":"20260326T190000",
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        "time_start":"10:00:00",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "location_name":"Duderstadt Center",
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        "website":"http:\/\/www.prisonarts.org",
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                "group_id":"4583",
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        "id":"145768-21897796",
        "datetime_modified":"20260220T102635",
        "datetime_start":"20260326T100000",
        "datetime_end":"20260326T114500",
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        "date_end":"2026-03-26",
        "time_start":"10:00:00",
        "time_end":"11:45:00",
        "time_zone":"America\/Detroit",
        "event_title":"SCSAP Special Research Seminar and Town Hall Event",
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        "combined_title":"SCSAP Special Research Seminar and Town Hall Event: Aviv Regev, PhD, Genentech",
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        "time_start":"20:00:00",
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        "event_title":"Trombone Studio Recital",
        "occurrence_title":"",
        "combined_title":"Trombone Studio Recital",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"Trombone students of Professor David Jackson perform a recital.",
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        "room":"McIntosh Theatre",
        "location_name":"Earl V. Moore Building",
        "has_livestream":0,
        "cost":"Free - no tickets required",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
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        "datetime_modified":"20260322T094645",
        "datetime_start":"20260327T100000",
        "datetime_end":"20260327T190000",
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        "date_start":"2026-03-27",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "event_title":"\u201cWhy did you live? Is it all a terrible joke?\u201d: A Mahler Talk by Joseph Horowitz",
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        "combined_title":"\u201cWhy did you live? Is it all a terrible joke?\u201d: A Mahler Talk by Joseph Horowitz: Sally Fleming Master Class Series",
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        "description":"Join the University Symphony Orchestra for a program with guest artist and author Joseph Horowitz, generously sponsored by the Sally Fleming Master Class Fund. Free and open to the public.\n\nGustav Mahler once said: \u201cWhy did you live? Why did you suffer? Is it all a terrible joke? We have to solve these questions in some way if we are to continue living. Anyone whose life has heard this call must give an answer.\u201d\n\nAmong Mahler\u2019s nine symphonies, the Sixth \u2013 known as \u201cThe Tragic\u201d \u2013 furnishes the darkest record of his inner life. After conducting the dress rehearsal for the premiere, in 1904, he paced up and down, sobbing, wringing his hands, unable to control himself. At the concert itself, he was so afraid of the demons he had unleashed that he conducted badly. He subsequently conducted his Sixth Symphony only two times. According to his wife Alma: \u201cNo other work flowed so directly from his heart. We both cried at the time; we felt so deeply what this music meant, what it forebodingly told us.\u201d Mahler himself felt he possessed a power to intuit the future.  \n\nWhat happens in Mahler\u2019s Sixth? What is the \u201cdark omen\u201d of the finale, with its three hammer blows of fate? And why should it matter to us \u2013 more than ever \u2013 today?\n\nMahler also said: \u201cTradition is not the worship of ashes, but the preservation of fire.\u201d His disciples revered him; one \u2013 the conductor Oskar Fried \u2013 called him \u201cpure in a superhuman way\u201d\n\nJoseph Horowitz\u2019s Mahler talk \u2013 with copious audio and video clips \u2013 will explore Mahler\u2019s Sixth Symphony in the context of Mahler\u2019s life and times. Then he\u2019ll be joined by conductor Kenneth Kiesler to ask: What can we learn today from Mahler the conductor? \n\nABOUT THE SPEAKER\n\nJOSEPH HOROWITZ is an award-winning author, concert producer, film-maker, and broadcaster. He is one of the most prominent and widely published writers on topics in American music. As an orchestral administrator and advisor, he has been a pioneering force in the development of thematic programming and new concert formats. Horowitz\u2019s most recent books include a novel, *The Marriage: The Mahlers in New York*, about which Clive Paget wrote in *Musical America*: \u201cWith his unparalleled knowledge of fin-de-sie\u0300cle classical music in America, Joseph Horowitz [has] brought us closer to Mahler and his wife Alma than any other author I have read. . . . At times, your heart breaks for them both. . . . In Gustav and Alma Mahler, Horowitz has created two of classical music\u2019s most convincing fictional portraits.\u201d Another Horowitz book, *Dvorak\u2019s Prophecy and the Vexed Fate of Black Classical Music*, tells a story that \u201cmust be heard if classical music is to contribute to the national discussion on racial justice\u201d (according to Mark Clague of the University of Michigan). A former *New York Times* music critic, and Executive Director of the Brooklyn Philharmonic Orchestra, Horowitz works as an artistic consultant for orchestras throughout the US, and also regularly produces 50-minute \u201cMore than Music\u201d documentaries for National Public Radio. ",
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        "event_title":"Lon Mitchell, carillon",
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        "datetime_modified":"20260323T181648",
        "datetime_start":"20260329T190000",
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        "date_end":"2026-03-29",
        "time_start":"19:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Thomas Welnick, chamber oboe",
        "occurrence_title":"",
        "combined_title":"Thomas Welnick, chamber oboe",
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        "event_type_id":"15",
        "description":"Master's degree student Thomas Welnick performs oboe in a chamber music recital.",
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        "building_name":"Earl V. Moore Building",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "datetime_modified":"20251215T163232",
        "datetime_start":"20260330T090000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"145409-21897284",
        "datetime_modified":"20260322T094645",
        "datetime_start":"20260330T100000",
        "datetime_end":"20260330T180000",
        "has_end_time":1,
        "date_start":"2026-03-30",
        "date_end":"2026-03-30",
        "time_start":"10:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "description":"Prison Creative Arts Project's Annual Exhibition is the largest and longest-running art show of its kind in the U.S. Now in its 30th anniversary, this exhibition features over 800 original works by 600+ artists currently incarcerated in Michigan. The artwork featured in the exhibit is a testament to the resilience of artists and the power of art under the most difficult of circumstances \u2013 incarceration, isolation, and unimaginable loss. It is an important reminder of the connections that sustain us all, both in the free world and behind the walls. \n\nGallery Opening and Celebration: March 17, 2026, 6-9pm\n\nGallery Hours following Opening Night:\nSun\u2013Mon: 12pm\u20136pm\nTues\u2013Sat: 10am\u20137pm\n\nGallery Closes: 5pm, March 31\n\nDuderstadt Center Gallery\n2281 Bonisteel Blvd\nAnn Arbor, MI 48109\n\nPresented with support from Michigan Arts and Culture Council, Bank of Ann Arbor, Eckhart Tolle Foundation, Arts Initiative, The Carceral State Project, Center for World Performance Studies, Department of Afroamerican and African Studies, Department of Sociology, Institute for the Humanities, Residential College, School of Social Work.",
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        "location_name":"Duderstadt Center",
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        "website":"http:\/\/www.prisonarts.org",
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        "datetime_modified":"20260325T181643",
        "datetime_start":"20260330T200000",
        "datetime_end":"20260330T213000",
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        "date_start":"2026-03-30",
        "date_end":"2026-03-30",
        "time_start":"20:00:00",
        "time_end":"21:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"[Cancelled] David Molina, chamber clarinet",
        "occurrence_title":"",
        "combined_title":"[Cancelled] David Molina, chamber clarinet",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"This performance has been cancelled. We apologize for any inconvenience.",
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        "location_name":"Walgreen Drama Center",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
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        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_name":"North Campus Research Complex Building 18",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20260322T094645",
        "datetime_start":"20260331T100000",
        "datetime_end":"20260331T170000",
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        "date_start":"2026-03-31",
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        "event_title":"30th Annual Exhibition of Artists in Michigan Prisons",
        "occurrence_title":"",
        "combined_title":"30th Annual Exhibition of Artists in Michigan Prisons",
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        "time_start":"13:20:00",
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        "event_title":"Adam Lenhart, carillon",
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        "event_title":"Yu-Shan Lee, violin",
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        "description":"Jayce Ogren, conductor\n\nPROGRAM\n*For Ashley*, Andrew Norman\n*Farnsworth: Four Portraits of a House*, Andrew Norman\n*Try*, Andrew Norman\n*The Companion Guide to Rome*, Andrew Norman            \n\nFollowing the concert, join us for a public reception in Soderquist Atrium.\n\nThis concert takes place in conjunction with Andrew Norman's SMTD guest residency. Norman, an American composer and educator known for high-energy orchestral and chamber works, is visiting U-M as part of the William Bolcom Guest Residency program. These residencies provide SMTD students with opportunities for learning and connection. They also help connect the guest artist with people beyond SMTD through public performances, master classes, Penny Stamps lectures, and other outreach events.",
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        "event_title":"Lynn Galbreath Exhibition",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_type_id":"15",
        "description":"Graduate student Whitney Corpany performs trumpet in a chamber music recital featuring the SHE-nanigans Brass Quintet.",
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        "building_name":"Walgreen Drama Center",
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        "room":"Stamps Auditorium",
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        "date_start":"2026-04-02",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "date_end":"2026-04-02",
        "time_start":"13:20:00",
        "time_end":"13:50:00",
        "time_zone":"America\/Detroit",
        "event_title":"Carillon Lesson open to public observation",
        "occurrence_title":"",
        "combined_title":"Carillon Lesson open to public observation",
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        "event_type":"Class \/ Instruction",
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        "description":"In place of a regular recital, the public is welcome to visit and observe as students take a lesson on the carillon led by Prof. Tiffany Ng.\n\nThe Ann & Robert H. Lurie Carillon is an instrument of 60 bells with the lowest bell (bourdon) weighing 6 tons.\n\nThirty-minute recitals are performed on the Lurie Carillon every weekday that classes are in session. During these recitals, visitors may take the elevator to level 2 to view the largest bells, or to level 3 to see the carillonist performing. (Visitors subject to acrophobia are recommended to visit level 2 only.) An optional spiral stairway between levels 2 and 3 allows for up-close views of some of the largest bells.",
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        "event_title":"IES Energy Seminar Series - Global copper demand outstrips supply, threatening electrification and industrial growth",
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        "combined_title":"IES Energy Seminar Series - Global copper demand outstrips supply, threatening electrification and industrial growth: Adam Simon, Earth & Environmental Sciences",
        "event_subtitle":"Adam Simon, Earth & Environmental Sciences",
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        "event_type_id":"21",
        "description":"Abstract:\nCopper is arguably the most important metal for economic development and energy scenarios because it is essential for manufacture and deployment of low-carbon electricity generation, transmission and storage, and vehicle electrification. Copper is also essential for modern economies because it is required for expansion of infrastructure such as wiring for electricity distribution and telecommunications, air conditioning and space heating, plumbing, industrial equipment, rail and public transportation systems, and vehicles. Consider that the built environment of the European Union, United Kingdom, United States and other high-income countries contains 150-200 kg\/capita, whereas there is less than 10 kg\/capita in low-income countries across Africa and India. Hence, global economic development will require an enormous amount of copper. Our challenge is that this copper demand is significantly greater than projected copper supply. Copper production from existing mines will decrease over the next few decades because due to announced mine closures and decreasing ore grades, and the discovery of new copper occurrences that can be mined continues to decline. The dearth of discovery of new copper occurrences indicates that available exploration methods are no longer successful. In this presentation I will discuss novel hydrogeochemical methods that use the metal isotopic composition of ground and surface water as a probe for the presence of copper sulfide minerals beneath cover. The technique was developed by collaborating with mining companies around the world. The non-invasive technique can identify and distinguish among chalcopyrite, chalcocite and bornite and whether chalcocite is hypogene or supergene. The technique can be used for brownfield expansion projects and greenfield exploration. The hydrogeochemical technique can also be used to monitor mineralogy during heap leaching operations, allowing operators to tailor lixiviant chemistry to increase production rates and total recovery. The technique can also be used to quantitatively determine the source(s) of metals in the environment.\n\nBiography:\nAdam C. Simon is an Arthur F. Thurnau Professor of Mineral Resources at the University of Michigan, and a co-founder of VectOres Science, Inc., a consulting company that uses patented technology for mineral exploration and processing. His research focuses on mineral exploration, ore deposit genesis, the integration of geological and geochemical data to understand ore formation, and the use of metal isotopes to monitor mineralogy in heap leaching operations and tracing environmental metal sources. He has worked on a range of mineral deposits: porphyry, epithermal, Carlin-type, iron oxide-copper-gold, iron oxide-apatite, layered mafic intrusions, and magmatic sulfide. Adam has led research programs on all seven continents. He co-authored the books Mineral Resources, Economics and the Environment, and Earth Materials: Components of a Diverse Planet. He has published 125 scientific articles and has received awards for his transformative approaches to education and. He was the global 2024 Society of Economic Geologists Distinguished Lecturer and regularly gives presentations to general and expert audiences on all aspects of energy and mineral resources.",
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        "website":"https:\/\/ies.engin.umich.edu\/energy-seminar-series\/",
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        "event_title":"Maggie Brady, violin",
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        "event_title":"Uncle Vanya",
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        "description":"Chekhov\u2019s tragicomedy about a dysfunctional family and the country property they share has been a perennial favorite since it premiered in 1899 in Moscow. Schmidt\u2019s translation highlights the humor in the conflict between two brothers \u2013 the one who left for the city, and the one who remained. \n\nContent Advisory: This play contains a reference to suicide and gun violence.\nRecommended Ages: 15+\n\nWritten by Anton Chekhov\nTranslation by Paul Schmidt\nDirected by Dan Cantor\n\n*April 5 is Easter Sunday\n\n*Buying Tickets\nFlex Series ticket packages available beginning June 10; Single tickets available beginning August 4.*\n",
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        "event_title":"Jingbo Zong, piano chamber music",
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        "room":"McIntosh Theatre",
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        "date_end":"2026-04-03",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
        "occurrence_notes":"Hours Mon-Fri 9 am to 5 pm or by appointment (serrag@med.umich.edu)",
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        "room":"Rotunda Gallery",
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        "id":"142768-21891414",
        "datetime_modified":"20251215T163232",
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        "datetime_end":"20260406T170000",
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        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
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        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
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        "time_start":"13:20:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Tiffany Ng, carillon",
        "occurrence_title":"",
        "combined_title":"Tiffany Ng, carillon",
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        "event_title":"[Cancelled] Takeshi Nagayasu, piano",
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        "description":"This performance has been cancelled. We apologize for any inconvenience.",
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        "event_title":"Bear Quartet",
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        "datetime_start":"20260407T090000",
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        "date_start":"2026-04-07",
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        "event_title":"Lynn Galbreath Exhibition",
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        "combined_title":"Lynn Galbreath Exhibition: Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
        "event_subtitle":"Twenty-two paintings from the series \u201cTelegraph\u201d, \u201cWorking Hard For A Living\u201d, and Storyboard\u201d",
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        "description":"Lynn Galbreath, a Detroit based artist who grew up in Argentina, is a former recipient of the Creative Artists\u2019 Grant from the Arts Foundation of Michigan and the Michigan Individual Artist Grant from Michigan Council For The Arts. Galbreath\u2019s work has been showcased locally, nationally and internationally in over 20 solo\/two person and over 100 group exhibitions.\r\n\r\nGalbreath has an M.F.A. from the James Pearson Duffy Department of Art, Art History, & Design, Wayne State University, Detroit, MI; and a B.F.A. with Permanent K-12 Certification from The Gwen Frostic School of Art, Western MI University, Kalamazoo, MI. Galbreath has chaperoned eleven intensive, immersive art experiences to Italy, Spain, France, Belgium, England, Germany, the Netherlands, Austria, and the Czech Republic. Lynn is a retired Adjunct Associate Professor of Studio Art from Oakland University, where she has been on the faculty of the Department of Art & Art History since 2000. Lynn has also instructed studio art and design at the College For Creative Studies, University of Detroit Mercy \u2014 School of Architecture, Macomb Community College, Wayne State University, and Bloomfield University School. Her work can be seen in the collections of Oakland University, Wayne State University, Detroit Receiving Hospital, Children\u2019s Hospital of Michigan, Pontiac Osteopathic Hospital and numerous private collections.\r\n\r\nThis exhibition consists of works from a variety of series created by Galbreath over the years: Telegraph, Storyboard, and Working Hard for a Living. Each series represents a unique exploration of themes, techniques, and social commentaries that reflect Galbreath\u2019s artistic journey and concerns for the world.\r\n\r\nTelegraph explores the aesthetic visual weights and balances between harmony and content, diving deep into how visual elements can convey messages and emotions. This series invites viewers to reflect on the way art communicates through its formal qualities, as well as its narrative possibilities. The careful interplay of shapes, colors, and textures in these works prompts an examination of the viewer's perception and emotional response. By utilizing abstract forms, Galbreath encourages an engagement that goes beyond mere observation, seeking to provoke thought about how aesthetic choices influence understanding and meaning.\r\n\r\nOn the other hand, Storyboard is a series of image-driven installation paintings that vary greatly in size, showcasing Galbreath\u2019s versatility and creative ingenuity. The titles of the works draw inspiration from the years spent creating visuals for TV commercials and public service announcements, illustrating how commercial art often intertwines with societal messages. This series emphasizes the profound impact visual narratives have on consumer culture and public perception, underscoring the artist's belief in the potency of imagery to shape narratives. The installations weave a complex fabric of storytelling that challenges viewers to reconsider their relationship with media and the messages they consume daily.\r\n\r\nWorking Hard for a Living pays tribute to our sustainable and unsustainable resources, shedding light on the individuals who toil diligently within these economic frameworks. This series highlights the hard-working suppliers of essential products, including Farm Market Managers, Fishmongers, and Beach Vendors. By portraying these self-employed individuals, often operating within informal economies, Galbreath draws attention to the unique challenges they face. These individuals frequently contend with low, inconsistent incomes, long hours, and sometimes exploitative conditions, fostering a sense of solidarity with those who labor under such circumstances.\r\n\r\nFurthermore, the series invites viewers to confront the broader societal structures that contribute to these inequities. Galbreath's work serves not only as a tribute but also as a call to action to consider how our consumer habits and economic policies affect the livelihoods of others. The layered narratives present in this series open a dialogue about the value we place on labor and the often unseen struggles that support our day-to-day lives. Through these explorations, Galbreath establishes a multifaceted narrative that intertwines art with activism, compelling audiences to engage both aesthetically and ethically with the realities depicted in the exhibition.",
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