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        "event_title":"CCPS Lecture. Polish Diaspora Identities in Archival Home Movies",
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        "combined_title":"CCPS Lecture. Polish Diaspora Identities in Archival Home Movies: Agata Zborowska, Marie Sk\u0142odowska-Curie Global Fellow; postdoctoral fellow, University of Chicago and Katholieke Universiteit Leuven; and assistant professor, Institute of Polish Culture, University of Warsaw",
        "event_subtitle":"Agata Zborowska, Marie Sk\u0142odowska-Curie Global Fellow; postdoctoral fellow, University of Chicago and Katholieke Universiteit Leuven; and assistant professor, Institute of Polish Culture, University of Warsaw",
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        "description":"In this talk, Zborowska will examine home movies and related oral histories as sources for studying the transformation of the Polish-American diaspora. Her project \u201cCritical Archives of Ordinariness: Vernacular Moving Image Practices and Migrant Identity in Polish Chicago\u201d juxtaposes home movies \u2014 \u201cordinary\u201d motion pictures created for family and close friends \u2014 with interviews with their creators to uncover the \u201cnot-so-ordinary\u201d capabilities of this underused data source for studying and empowering underrepresented groups. Zborowska\u2019s work shows how analogue home movies offer a unique insight into the lives of individuals and families, as well as the experience of migration, adaptation to new environments, and changing lifestyles, habits, values, and norms.\r\n\r\n   Agata Zborowska is a cultural historian with research interests at the intersection of material and visual cultures, property relations, and critical archival studies. Her project \u201cCritical Archives of Ordinariness: Vernacular Moving Image Practices and Migrant Identity in Polish Chicago\u201d investigates pre-digital era home movies and related oral histories to challenge and broaden our understanding of evolving migrant and diaspora identities. As a Chicago Film Archives scholar in residence, she works on the Polish diaspora film collection to increase community access to archival material. Her research has been supported by the European Commission, Kosciuszko Foundation, Franke Institute for Humanities at the University of Chicago, Al Larvick Conservation Fund, and Polish National Science Centre.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Master and Newcomer Film Festival. Wojciech Has Retrospective and Debut",
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        "combined_title":"CCPS Master and Newcomer Film Festival. Wojciech Has Retrospective and Debut: *Loss of Balance* (2024, dir. Korek Bojanowski), *The Sandglass* (1973, dir. Wojciech Has)",
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        "description":"Commemorating 100 years since the birth of renowned Polish director Wojciech Jerzy Has, CCPS presents a special film series pairing four of Has\u2019s acclaimed classics with impressive debuts from emerging Polish filmmakers. These free, back-to-back screenings highlight both the innovative voices shaping Polish cinema today and the enduring legacy of one of its most influential masters.\r\n   Co-financed by the Ministry of Culture and National Heritage of the Republic of Poland from the Culture Promotion Fund.\r\nKlara Bogus\u0142awska (Film Curator)\r\n   Free and open to the public. Seating is on a first-come, first-served basis.\r\n   In Polish with English subtitles.\r\n   \r\n   6:00 PM\r\n   *Loss of Balance* (97 min)\r\n   Maja has devoted her entire life to acting, yet she struggles to believe in her talent. After graduating from drama school, she plans to leave the stage behind to pursue a career in marketing and management. However, everything changes when a visionary director enters her life.\r\n   Trailer: https:\/\/www.youtube.com\/watch?v=kgv8SBTUCJw\r\n   \r\n   8:00 PM\r\n   *The Sandglass* (124 min)\r\n   A man visits the sanatorium where his late father stayed many years ago. The trip becomes a journey through time and space, leading him through a labyrinth of the past. It allows him to relive childhood memories as well as imagined situations, all presented in a truly surreal form.\r\n   Trailer: https:\/\/www.youtube.com\/watch?v=GaR5LcUi30Q\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "combined_title":"CCPS Master and Newcomer Film Festival. Wojciech Has Retrospective and Debut: *It\u2019s Not My Film* (2024, dir. Maria Zb\u0105ska), *How To Be Loved* (1962, dir. Wojciech Has)",
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        "datetime_modified":"20250819T145601",
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        "event_title":"CCPS Master and Newcomer Film Festival. Wojciech Has Retrospective and Debut",
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        "combined_title":"CCPS Master and Newcomer Film Festival. Wojciech Has Retrospective and Debut: *Sparrow* (2024, dir. Tomasz G\u0105ssowski), *The Noose* (1957, dir. Wojciech Has)",
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        "description":"Commemorating 100 years since the birth of renowned Polish director Wojciech Jerzy Has, CCPS presents a special film series pairing four of Has\u2019s acclaimed classics with impressive debuts from emerging Polish filmmakers. These free, back-to-back screenings highlight both the innovative voices shaping Polish cinema today and the enduring legacy of one of its most influential masters.\r\n   \r\n   Co-financed by the Ministry of Culture and National Heritage of the Republic of Poland from the Culture Promotion Fund.\r\n   Klara Bogus\u0142awska (Film Curator).\r\n   \r\n   Free and open to the public. Seating is on a first-come, first-served basis.\r\n   \r\n   In Polish with English subtitles.\r\n   \r\n   6:00 PM\r\n   *Sparrow* (106 min)\r\n   Remek, a bachelor postman with a passion for soccer and studying, has his orderly life turned upside down when he unexpectedly encounters his long-lost grandfather and meets his new neighbor, Marzenka. Forced to adapt, he must navigate the surprising changes that disrupt his routine.\r\n   \r\n   Trailer: https:\/\/www.youtube.com\/watch?v=OZCwMyrFr0I\r\n   \r\n   8:00 PM\r\n   *The Noose* (96 min)\r\n   The Noose is a remarkable debut feature, notable for both its formal mastery and its uncompromisingly dark vision of postwar Poland. For 24 hours, we follow Kuba (Gustav Holoubek), a wry and perceptive alcoholic who intends to begin treatment for his addiction. Wojciech Has transforms Marek H\u0142asko\u2019s short story into a richly textured cinematic experience.\r\n   Starring Gustav Holoubek, Aleksandra \u015al\u0105ska, and Teresa Szmigiel\u00f3wna.\r\n   \r\n   Trailer: https:\/\/www.youtube.com\/watch?v=e_y2nWeSZU0\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"32nd Ann Arbor Polish Film Festival",
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        "datetime_modified":"20251119T085348",
        "datetime_start":"20251201T170000",
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        "time_start":"17:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Roundtable. Polish Cinema in the 20th and 21st Centuries: From the Center to the Margins",
        "occurrence_title":"",
        "combined_title":"CCPS Roundtable. Polish Cinema in the 20th and 21st Centuries: From the Center to the Margins: El\u017cbieta Durys, Widzinski Senior Fellow, Fall 2025; Magdalena Zdrodowska, Widzinski Senior Fellow, Fall 2025",
        "event_subtitle":"El\u017cbieta Durys, Widzinski Senior Fellow, Fall 2025; Magdalena Zdrodowska, Widzinski Senior Fellow, Fall 2025",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"*Contemporary Polish Cinema of National Remembrance*\r\n   \r\nPolish cinema remains deeply embedded within the framework of national memory, actively participating in the (re)production of Polishness shaped by romanticism, the experience of partitions, and the traumas of twentieth-century regimes. Within this field, historical cinema has occupied a particularly prominent position, encompassing both the artistic auteur cinema of figures such as Andrzej Wajda and the Cinema of New Memory of the 1960s. Following the political and economic transformations of 1989, historical cinema retained its significance: between 1990 and 2023, approximately 200 historical films were produced in Poland, marking a gradual yet visible resurgence at the turn of the century through the wave of Polish heritage cinema. This trajectory intensified following the establishment of the Polish Film Institute in 2005, which facilitated the emergence of what is now referred to as the Cinema of National Remembrance (CNR).\r\n   \r\nFocused predominantly on the twentieth-century history of the Polish state and nation, the CNR is a diverse and multifaceted phenomenon. In this presentation, Durys proposes to examine the CNR as a site in which affective practices engender communities of memory, thus negotiating the relationship between the center and the margins of Polish cultural memory. By employing melodrama as a mode and the crime genre as a narrative framework, Durys will delineate the central images and affective investments within these films, while simultaneously attending to the silences and omissions that persist at the margins of this cinematic discourse. Through this approach, she aims to demonstrate how contemporary Polish historical cinema functions as a dynamic field of cultural production, articulating contested visions of Polishness while also exposing the affective and ideological limits of these representations.\r\n   \r\n   El\u017cbieta Durys is a Fall 2025 Widzinski Senior Fellow at CCPS and an associate professor of education (Cultural Studies Center) at the University of Warsaw. Her recent research focuses on film and history, remediation of memory in film, contemporary Polish historical cinema, as well as film education. In her work, she stresses gender perspective and critical theories. Durys has written numerous articles on film, co-edited two volumes on American cinema (2006, 2007) and two volumes on gender in culture (2005, 2014), and published three books in Polish\u2014the analysis of John Cassavetes oeuvre (2009), the monograph of American police movies (2013), and *Film as a Source of Historical Knowledge* (2019). She is a member of the editorial boards of *Literatura i Kultura Popularna* (since 2018) and *Education Research Quarterly* (since 2021).\r\n   \r\n*Deaf Cinema*\r\n   \r\n   As the first technology capable of recording sign language, film was deliberately adopted by\r\n   deaf communities as early as the 1910s. The exclusion caused by the introduction of sound in\r\n   the late 1920s proved to be a catalyst for the growth of deaf audiences. Today, films by deaf\r\n   filmmakers are flourishing thanks to the accessibility of affordable filming and editing\r\n   equipment, and the distribution systems of disability and deaf film festivals and the internet.\r\n   \r\n   Similar to other Eastern European countries, the deaf film movement flourished in Poland from the late 1960s onwards. In this presentation, Zdrodowska will present the dynamics of the Polish deaf film movement and how it correlates with political, social, and cultural changes in Poland and the Polish deaf community. In the socialist state, fostering a distinct deaf identity was discouraged, and social, political, and cultural activities were controlled by the state and its institutions. This influenced deaf filmmaking during communism and after its collapse. Another significant development was the adoption of the concept of Deaf culture, which reshaped Polish d\/Deaf filmmaking in the 2010s.\r\n   \r\n   Magdalena Zdrodowska is a Fall 2025 Widzinski Senior Fellow at CCPS and an associate professor of media studies and cultural studies at the Institute of Audiovisual Arts at the Jagiellonian University in Krakow, Poland. She works at the intersection of disability studies, deaf studies, history of technology, and film studies. She currently focuses on the relationship between cinema and deafness and approaches deaf-related technologies, deaf spectatorship, and deaf filmmaking as lenses through which to view the history of cinema as both art and technology. She serves as a chair of the Disability Studies in East Europe research platform and as a member of the executive committee of the Society for the History of Technology SHOT. Zdrodowska has translated L. Davies' *Enforcing Normalcy into Polish* (2022). She is currently working on her third book, *Deaf Cinema*. Her earlier monographs are *Telewizja na pograniczach* [Television on the Borderlands] (2013) and *Telefon, kino i cyborgi* [Telephone, Cinema and Cyborgs] (2021).\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "id":"143471-21893238",
        "datetime_modified":"20260108T105703",
        "datetime_start":"20260330T170000",
        "datetime_end":"20260330T183000",
        "has_end_time":1,
        "date_start":"2026-03-30",
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        "time_start":"17:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"CCPS Lecture. Poland\u2019s Socialist Globalisation",
        "occurrence_title":"",
        "combined_title":"CCPS Lecture. Poland\u2019s Socialist Globalisation: Max Cegielski, journalist, writer and curator",
        "event_subtitle":"Max Cegielski, journalist, writer and curator",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Between the political thaw of 1955 and the collapse of the socialist project in 1989, the Polish People's Republic developed close, equal relations with many decolonizing countries in Asia, Africa, and the Middle East. This was not solely the result of Cold War expansion and competition between political camps. However, socialist globalization, although based on the ideals of left-wing internationalism, also brought tangible benefits to the country rebuilding itself after the war. It was both a long and difficult process of establishing institutions and of Poles developing and learning a new, anti-colonial, non-racist language of international cooperation. Cegielski will illustrate this through three artistic exhibitions he is curating. They arose and are being developed based on scholarly work with forgotten archives from Poland, India, Ghana, and Iraq.\r\n   \r\n   Max Cegielski is a writer, curator, and researcher, who has authored several novels and works of non-fiction. As a curator, he developed *Sklep Polsko-Indyjski\/Prince Polonia* (co-curated with Janek Simon), which has been presented at the Museum of Modern Art in Warsaw, Clark House Initiative in Mumbai, and TRAFO Center for Contemporary Art in Szczecin (2017\u20132018). He is currently collaborating with Simon on the research project and exhibition *One Man Does Not Rule a Nation*, which explores Polish\u2013Ghanaian relations in the 1960s and has been presented at the Ljubljana Biennale of Graphic Arts, TRAFO Szczecin, FCA Ghana, Red Clay Studio in Tamale, and the Museum of African Art in Belgrade.\r\n   He is a member of the Interdisciplinary Research Group \"Socialist Poland and the Global South\" at the Polish Academy of Sciences.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Lecture. The Trauma of Serfdom: The Psychological Legacy of Unfree Labor in Poland",
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        "description":"Coerced labor was a defining feature of the early modern world. While Atlantic slavery has received most scholarly attention, Eastern European serfdom remains comparatively understudied. Twentieth-century historiography portrayed it as relatively meek system. In his book *Chamstwo*, Kacper Pob\u0142ocki challenges this view by exposing the profound brutality of serfdom. As Adam Bu\u0107kiewicz observed in 1830, Polish serfs \u201clived as if enveloped in a foggy, heavy, and putrid atmosphere.\u201d Pob\u0142ocki argues that peasant culture emerged as a creative response to systemic class violence\u2014for instance, the ritual cultivation of matted hair, the Polish plait, functioned as a form of vernacular therapy.\r\n   \r\n   Around 19 percent of Poles today suffer from post-traumatic stress disorder\u2014a rate exceeding the global average of 5 to 10 percent. This is typically attributed to World War II, yet Pob\u0142ocki\u2019s research suggests that its roots reach deeper. In the sequel to *Chamstwo*, he examines how the first generation of peasants freed from serfdom coped with the psychological burden of their parents\u2019 subjugation, revealing how they developed strategies to free themselves from its legacy. Remarkably, these strategies\u2014devised by largely illiterate peasants at the turn of the nineteenth and twentieth centuries\u2014anticipate contemporary psychological insights into trauma recovery.\r\n   \r\n   Kacper Pob\u0142ocki is a social anthropologist, writer, and associate professor at the University of Warsaw. He is a graduate of the Central European University and a former fellow at the Center for Place, Culture and Politics at CUNY (directed by David Harvey). He has published academic articles in journals such as the *International Journal of Urban and Regional Research* and has authored two books in Polish: *Spatial Origins of Capitalism* (2017), which received the \u201cEconomicus\u201d Award for the best Polish economics book of the year, and *Chamstwo* (2021), which was a finalist for the \u201cNike\u201d \u2014Poland\u2019s most prestigious literary award. His current work intersects historical anthropology and psychology and deals with the experience of serfdom and its social, political and psychological aftermath.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us at gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "event_title":"CCPS Lecture. East of the Atlantic. Black and White (But Not Quite)",
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        "description":"Oliwia Bosomtwe, the author of *Jak bia\u0142y cz\u0142owiek* (2024) [Like a White Man], explores the stories of people of African descent who were born in Poland, chose it as their homeland, or passed through briefly, and examines what it means to be Black in a predominantly white society, surrounded by stereotypes, fantasies, and projections of Blackness.\r\n   \r\n   Oliwia Bosomtwe\u2019s work focuses on the history of Polish engagements with Blackness and Sub-Saharan Africa. She writes, moderates public discussions, and occasionally curates exhibitions. A graduate of the Interdisciplinary Individual Studies in the Humanities at the University of Warsaw, she is currently pursuing a PhD in sociology at SWPS University. Bosomtwe is the former editor-in-chief of the portal Noizz.pl, and she also collaborates with the magazine Znak, among others.\r\n   \r\nIf there is anything we can do to make this event accessible to you, please contact us at gosiak@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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