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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "time_end":"18:00:00",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "room":"Rotunda Gallery",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"Student Art Meetup: Ann Arbor Comic Arts Festival (A2CAF): Small + Indie Press",
        "occurrence_title":"",
        "combined_title":"Student Art Meetup: Ann Arbor Comic Arts Festival (A2CAF): Small + Indie Press: Check out the local arts scene and meet new people!",
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Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. 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This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "event_title":"Behind the Screens:  Breaking Into Film, TV, and Media",
        "occurrence_title":"",
        "combined_title":"Behind the Screens:  Breaking Into Film, TV, and Media",
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        "event_type":"Lecture \/ Discussion",
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        "description":"On Wednesday, October 15th, FTVM and the LSA Opportunity HUB will present BEHIND THE SCREENS: Breaking Into Film, TV, and Media, featuring six esteemed alumni who have gone on to have dazzling careers in film, television, and media. \r\n\r\nPanelists: \r\nJon Goldstein- President, Highline Investments LLC \r\nIan David Harris- Editor \r\nAshley Josephson- Talent Manager \r\nAndrew Portnoy- Media Executive \r\nEmily Rose- Talent Manager\r\nPhonz Williams- Screenwriter & Producer\r\n\r\nFrom 4:00 PM to 6:00 PM in the Rackham Amphitheater, our six alumni will be taking part in a PANEL, discussing their experiences in the entertainment industry and answering questions presented by students. This event is open to all UM students.",
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        "room":"4th Floor Amphitheater",
        "location_name":"Rackham Graduate School (Horace H.)",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251016T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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    ,        {
        "id":"138080-21881766",
        "datetime_modified":"20250904T103904",
        "datetime_start":"20251016T090000",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "datetime_modified":"20250820T083627",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
        "event_subtitle":"An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "datetime_start":"20251016T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
        "occurrence_title":"",
        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
        "event_type":"Exhibition",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "datetime_start":"20251016T120000",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "room":"Gallery 1019",
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                "group_id":"4245",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251017T080000",
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        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"By Means of a Pencil",
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        "combined_title":"By Means of a Pencil: Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "room":"Rotunda Gallery",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "event_type_id":"7",
        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "room":"Lane Hall Exhibit Space--First Floor",
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        "tags":["Visual Arts"],
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        "image_description":"Image of a map of the U.S. with markers on Mt. Pleasant, IA; O\u2019Neill, NE; Salem and Sandusky, OH; Bean Station, TN; and Sumner, TX. Large text reads ICE IN THE HEARTLAND. Artist: Carolina Jones Ortiz.",
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        "event_title":"Shifting Roots:  Hair is the Garden We Wear",
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        "combined_title":"Shifting Roots:  Hair is the Garden We Wear: Tzu Por\u00e9 in conversation with Kahn Santori Davison",
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        "description":"Detroit barber and artist Tzu Por\u00e9 talks with writer Kahn Santori Davison about Por\u00e9's project Shifting Roots. The project fuses symbolic hair design, ritual healing, and fine art into one unified ecosystem of transformation. Through intentional grooming, visual storytelling, and community activation, this initiative presents identity as terrain\u2014where hair becomes soil, and fine art becomes the bloom. Por\u00e9 will share how his cultural roots shape his work in the garden, on canvas, and as a trained barber\/cultural griot.\r\n\r\nAbout Tzu Por\u00e9:\r\nEducated in the early '90s at College for Creative Studies in Detroit, Michigan, Tzu Por\u00e9 is an award-winning interdisciplinary artist whose work explores the themes of Black Afro-Caribbean Americana humanity, historical socio-economic position, and ancient tradition in the modern world, richly informed by strong community-family bonds.\r\n\r\nWith West Indian origins and a Pan-African world view, Por\u00e9, in 1997, enlisted in the US Army. While serving as an aviation mechanic, Por\u00e9 honed a deeper understanding of methods and processes of fusing materials such as minerals and solids that he has since used to increase the physical texture and visual depth in his paintings.\r\n\r\nShortly after being discharged in 2001, he embarked on an exploration of hair as an artistic medium of texture and sculpture, both on and off the canvas, while moonlighting as a barber in three major African-American markets\u2014Detroit, Philadelphia, and Los Angeles.\r\n\r\nWith nearly three decades of travel and experience, Por\u00e9 reemerges with new work that culminates in the perfect union of interdisciplinary artistry and a vividly dynamic multinational skillset. Por\u00e9's continued evolution as an artist allows him to boldly express with the unconventional creative range of mediums and processes that he uses to confront the challenge of affecting depth within two-dimensional art.\r\n\r\nAbout Kahn Santori Davison\r\nKahn Santori Davison, based in Detroit, is a music writer for *The Metro Times*. He was formerly an art columnist for *The Gazette News *and an Arts and Entertainment writer for *The Michigan Citizen*. He has served as a creative writing instructor at Detroit Impact Community Center and InsideOut Literary Arts Project. He was one half of the poetry group Khaos and co-star in the award-winning play Mahogany Dreams. He\u2019s a Cave Canem fellow whose work has been featured in *The Alabama Poetry Society*, *The Entoitist*, *The Baltimore Review*, *London\u2019s X-Bout*, *Barbaric Yap*, *Callaloo*, *Black Reniaissance Noire*, and *The Litchfield Review*. He has read and lectured widely in Europe and the United States.\r\n\r\nDavison served as a 2023 Kresge Eminent Artist panelist, and a 2017 Kresge Artist Fellowship panelist in Literary Arts.",
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        "room":"Flint Room",
        "location_name":"U-M Detroit Center, 3663 Woodward Ave, Detroit",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251021T080000",
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        "date_start":"2025-10-21",
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        "time_start":"08:00:00",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "datetime_start":"20251021T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "id":"140228-21886770",
        "datetime_modified":"20251002T142353",
        "datetime_start":"20251021T120000",
        "datetime_end":"20251021T180000",
        "has_end_time":1,
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        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "datetime_start":"20251021T163000",
        "datetime_end":"20251021T180000",
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        "time_start":"16:30:00",
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        "event_title":"Shifting Roots:  Hair is the Garden We Wear",
        "occurrence_title":"",
        "combined_title":"Shifting Roots:  Hair is the Garden We Wear: Tzu Por\u00e9 in conversation with Kahn Santori Davison",
        "event_subtitle":"Tzu Por\u00e9 in conversation with Kahn Santori Davison",
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        "description":"Detroit barber and artist Tzu Por\u00e9 talks with writer Kahn Santori Davison about Por\u00e9's project Shifting Roots. The project fuses symbolic hair design, ritual healing, and fine art into one unified ecosystem of transformation. Through intentional grooming, visual storytelling, and community activation, this initiative presents identity as terrain\u2014where hair becomes soil, and fine art becomes the bloom. Por\u00e9 will share how his cultural roots shape his work in the garden, on canvas, and as a trained barber\/cultural griot.\r\n\r\nAbout Tzu Por\u00e9:\r\nEducated in the early '90s at College for Creative Studies in Detroit, Michigan, Tzu Por\u00e9 is an award-winning interdisciplinary artist whose work explores the themes of Black Afro-Caribbean Americana humanity, historical socio-economic position, and ancient tradition in the modern world, richly informed by strong community-family bonds.\r\n\r\nWith West Indian origins and a Pan-African world view, Por\u00e9, in 1997, enlisted in the US Army. While serving as an aviation mechanic, Por\u00e9 honed a deeper understanding of methods and processes of fusing materials such as minerals and solids that he has since used to increase the physical texture and visual depth in his paintings.\r\n\r\nShortly after being discharged in 2001, he embarked on an exploration of hair as an artistic medium of texture and sculpture, both on and off the canvas, while moonlighting as a barber in three major African-American markets\u2014Detroit, Philadelphia, and Los Angeles.\r\n\r\nWith nearly three decades of travel and experience, Por\u00e9 reemerges with new work that culminates in the perfect union of interdisciplinary artistry and a vividly dynamic multinational skillset. Por\u00e9's continued evolution as an artist allows him to boldly express with the unconventional creative range of mediums and processes that he uses to confront the challenge of affecting depth within two-dimensional art.\r\n\r\nAbout Kahn Santori Davison\r\nKahn Santori Davison, based in Detroit, is a music writer for *The Metro Times*. He was formerly an art columnist for *The Gazette News *and an Arts and Entertainment writer for *The Michigan Citizen*. He has served as a creative writing instructor at Detroit Impact Community Center and InsideOut Literary Arts Project. He was one half of the poetry group Khaos and co-star in the award-winning play Mahogany Dreams. He\u2019s a Cave Canem fellow whose work has been featured in *The Alabama Poetry Society*, *The Entoitist*, *The Baltimore Review*, *London\u2019s X-Bout*, *Barbaric Yap*, *Callaloo*, *Black Reniaissance Noire*, and *The Litchfield Review*. He has read and lectured widely in Europe and the United States.\r\n\r\nDavison served as a 2023 Kresge Eminent Artist panelist, and a 2017 Kresge Artist Fellowship panelist in Literary Arts.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "id":"139065-21884754",
        "datetime_modified":"20251118T140117",
        "datetime_start":"20251022T090000",
        "datetime_end":"20251022T170000",
        "has_end_time":1,
        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
        "occurrence_title":"",
        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "building_name":"Lane Hall",
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        "room":"Lane Hall Exhibit Space--First Floor",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"http:\/\/irwg.umich.edu\/",
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    ,        {
        "id":"140228-21886771",
        "datetime_modified":"20251002T142353",
        "datetime_start":"20251022T120000",
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        "has_end_time":1,
        "date_start":"2025-10-22",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
        "occurrence_notes":null,
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        "room":"Gallery 1019",
        "location_name":"Duderstadt Center",
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                "group_id":"4245",
                "website":"http:\/\/dc.umich.edu"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
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        "id":"135975-21877596",
        "datetime_modified":"20250603T092419",
        "datetime_start":"20251022T180000",
        "datetime_end":"20251022T210000",
        "has_end_time":1,
        "date_start":"2025-10-22",
        "date_end":"2025-10-22",
        "time_start":"18:00:00",
        "time_end":"21:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"19th Annual Prechter Lecture Featuring Ellen Forney",
        "occurrence_title":"",
        "combined_title":"19th Annual Prechter Lecture Featuring Ellen Forney: Ellen Forney, artist, speaker, mental health coach, and author of New York Times bestselling graphic memoir, *Marbles: Mania, Depression, Michelangelo, & Me*.",
        "event_subtitle":"Ellen Forney, artist, speaker, mental health coach, and author of New York Times bestselling graphic memoir, *Marbles: Mania, Depression, Michelangelo, & Me*.",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The 19th Annual Prechter Lecture will feature keynote speaker, Ellen Forney, author, artist, speaker, and mental health coach. \r\n\r\nHer work includes the *New York Times* bestselling graphic memoir, *Marbles: Mania, Depression, Michelangelo, & Me*, the story of her diagnosis and struggle with bipolar disorder, and its companion book, *Rock Steady: Brilliant Advice From My Bipolar Life*, a mental health guide and the basis for her coaching. *Marbles* has been translated into six foreign languages, and was selected for campus-wide book programs at the University of Washington and the University of California, Davis. *Rock Steady* was selected as a Best Graphic Medicine Publication by *JAMA* (Journal of the American Medical Association). For both books, Ellen was awarded the Media Partner Award from the Washington National Alliance for Mental Illness.\r\n\r\nEllen curated \u201cGraphic Medicine: Ill-Conceived & Well-Drawn,\u201d a traveling exhibition on comics and health, for the National Library of Medicine.\r\n\r\nEllen has given talks and lectures at universities, conferences, and institutions, including as a keynote speaker at the Comics & Medicine Conference at Johns Hopkins, George Washington University\u2019s symposium on disability, the Women In Medicine Conference, and her TED talk, \u201cFinding balance in bipolar\u201d.\r\n\r\nAs a visual artist, she created two permanent large-scale porcelain enamel murals for Sound Transit\u2019s Capitol Hill light rail station in Seattle.\r\n\r\nHer work has been published and reviewed in a variety of media, including *Washington Post, New York Times, Psychology Today, NPR, and LA Times*, among others. She was awarded fellowships from MacDowell, Artist Trust, Atlantic Center for the Arts, and Civitella Ranieri.\r\n\r\nEllen grew up in Philadelphia and lives in Seattle.\r\n\r\nFollowing Ellen Forney's keynote presentation, there will be a panel discussion with research, clinical, and lived experience experts. The evening will conclude with a public reception from 8:00-9:00 PM with local mental health resources and light refreshments.",
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        "building_id":"1000120",
        "building_name":"Michigan Union",
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        "campus_maps_id":"191",
        "campus_maps_link_path":"michigan-union",
        "campus_maps_link":"https:\/\/maps.studentlife.umich.edu\/building\/michigan-union",
        "room":"Rogel Ballroom",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
        "website":"https:\/\/medicine.umich.edu\/dept\/prechter-program\/events\/202510\/19th-annual-prechter-lecture-featuring-ellen-forney",
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                "title":"Event Information"
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                "type":"registration",
                "url":"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLScCM2mB1nsvjOsdCAAtllBlo95xLq1WG--qflSJmMFnYgTvTA\/viewform",
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    ,        {
        "id":"138082-21881856",
        "datetime_modified":"20250904T104107",
        "datetime_start":"20251023T080000",
        "datetime_end":"20251023T170000",
        "has_end_time":1,
        "date_start":"2025-10-23",
        "date_end":"2025-10-23",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Conifer Trees, Bark Beetles, and Fire",
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        "combined_title":"Conifer Trees, Bark Beetles, and Fire: An exhibition by Catherine Chalmers",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "website":"http:\/\/irwg.umich.edu\/",
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        "id":"140228-21886772",
        "datetime_modified":"20251002T142353",
        "datetime_start":"20251023T120000",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "date_end":"2025-10-23",
        "time_start":"17:00:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Robertson Lecture with Jeffrey Seller",
        "occurrence_title":"",
        "combined_title":"Robertson Lecture with Jeffrey Seller: Presented by the Residential College, College of LSA",
        "event_subtitle":"Presented by the Residential College, College of LSA",
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        "description":"The Residential College is honored to welcome Jeffrey Seller, Tony Award-winning producer of Rent, Avenue Q, In the Heights, and Hamilton, as the featured speaker for its annual Robertson Lecture. Seller will reflect on his career in theater, the art of storytelling, and the impact of the liberal arts on creative work.\r\n\r\nFollowing the lecture, a moderated discussion will open space for audience questions.\r\n\r\nAbout the Robertson Lecture:\r\nThe James and Jean Robertson Memorial Lecture honors the RC\u2019s founding director and celebrates engaged liberal arts learning. Each year, the series brings visionary artists, scholars, and activists to campus to spark dialogue and inspire the RC community.\r\n\r\nAdmission:\r\nFree and open to the public. Seating is first-come, first-served.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "event_title":"Flexing the Museum: The Global Museum in the 21st Century?",
        "occurrence_title":"",
        "combined_title":"Flexing the Museum: The Global Museum in the 21st Century?: Christina Olsen, UMMA Director",
        "event_subtitle":"Christina Olsen, UMMA Director",
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        "description":"Exploring museums across Argentina, the UK, Belgium and Portugal visited on a recent sabbatical, museum director Christina Olsen wrestles with museums' changing shapes and missions, ethics and publics in a wide-ranging conversation about why and how art museums matter in the world today.\r\n\r\nChristina Olsen is the director of the University of Michigan\u2019s Museum of Art. Olsen has more than 25 years of leadership experience in museums, and lectures and writes frequently on the future and changing role of art museums. She received her PhD in art history from the University of Pennsylvania.\r\n\r\nhttps:\/\/ummsp.rackham.umich.edu\/tribe-event\/flexing-the-museum\/",
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        "event_title":"The Glassworker",
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        "combined_title":"The Glassworker: Pakistan's First Hand-drawn Animated Feature Film",
        "event_subtitle":"Pakistan's First Hand-drawn Animated Feature Film",
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        "event_type_id":"11",
        "description":"The Language Resource Center is excited to host a screening of Usman Riaz's \"The Glassworker\" (\u0634\u06cc\u0634\u06c1 \u06af\u0631), Pakistan's first hand-drawn animated feature film and official entry for Best International Feature at the 97th Academy Awards. \r\n\r\n\"In a town divided by duty and class, Vincent, a glassmaker\u2019s son, and Alliz, a violinist who is the colonel\u2019s daughter, fall in love. As their bond grows, rising tensions between their families threaten to pull them apart. Brought to life through stunning hand-drawn animation, The Glassworker is a poetic tale of first love, family, and the price of staying true to your art.\"\r\n\r\nFree coffee, tea, and hot chocolate will be available at the screening.\r\nThank you to Watermelon Pictures.",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251024T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
                "guid":"138082-21881857@events.umich.edu",
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        "building_name":"North Campus Research Complex Building 18",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "description":"Catherine Chalmers\u2019s debut Michigan exhibition* Conifer Trees, Bark Beetles, and Fire* delves into the dramas unfolding in America\u2019s western forests. With imagery and materials gathered during her extensive fieldwork in the Rocky Mountains, she reveals the fragile interplay among trees, insects, and wildfire. Chalmers\u2019s visual language is both beautiful and unsettling \u2013 a meditation on the forces reshaping alpine ecosystems. More details and related events at https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/catherine-chalmers.html.\r\n\r\n*Catherine Chalmers is the Jean Yokes Woodhead Visiting Artist at the Institute for the Humanities. *",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "datetime_start":"20251024T120000",
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        "event_title":"By Means of a Pencil",
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        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "date_start":"2025-10-26",
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        "time_start":"12:00:00",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "room":"Gallery 1019",
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        "datetime_start":"20251027T080000",
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        "date_start":"2025-10-27",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "id":"138080-21881777",
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        "time_zone":"America\/Detroit",
        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
                "guid":"138080-21881777@events.umich.edu",
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        "room":"Connection Gallery lower level",
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        "id":"139065-21884759",
        "datetime_modified":"20251118T140117",
        "datetime_start":"20251027T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "room":"Lane Hall Exhibit Space--First Floor",
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                "title":"Institute for Research on Women and Gender"
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"By Means of a Pencil",
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        "combined_title":"By Means of a Pencil: Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "room":"Gallery 1019",
        "location_name":"Duderstadt Center",
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                "group_id":"4245",
                "website":"http:\/\/dc.umich.edu"                },             {
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        "id":"138082-21881862",
        "datetime_modified":"20250904T104107",
        "datetime_start":"20251029T080000",
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        "has_end_time":1,
        "date_start":"2025-10-29",
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        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "id":"138080-21881779",
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        "time_zone":"America\/Detroit",
        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
                "guid":"138080-21881779@events.umich.edu",
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        "room":"Connection Gallery lower level",
        "location_name":"North Campus Research Complex Building 18",
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        "id":"139065-21884761",
        "datetime_modified":"20251118T140117",
        "datetime_start":"20251029T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "room":"Lane Hall Exhibit Space--First Floor",
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                "title":"Institute for Research on Women and Gender"
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    ,        {
        "id":"140228-21886778",
        "datetime_modified":"20251002T142353",
        "datetime_start":"20251029T120000",
        "datetime_end":"20251029T180000",
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        "date_start":"2025-10-29",
        "date_end":"2025-10-29",
        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "room":"Gallery 1019",
        "location_name":"Duderstadt Center",
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                "website":"http:\/\/dc.umich.edu"                },             {
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        "id":"138082-21881863",
        "datetime_modified":"20250904T104107",
        "datetime_start":"20251030T080000",
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        "has_end_time":1,
        "date_start":"2025-10-30",
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        "time_zone":"America\/Detroit",
        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "id":"138080-21881780",
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        "time_zone":"America\/Detroit",
        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
        "location_name":"North Campus Research Complex Building 18",
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        "datetime_modified":"20251118T140117",
        "datetime_start":"20251030T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "room":"Lane Hall Exhibit Space--First Floor",
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                "title":"Institute for Research on Women and Gender"
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        "datetime_start":"20251030T120000",
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        "date_start":"2025-10-30",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "room":"Gallery 1019",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251031T080000",
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        "has_end_time":1,
        "date_start":"2025-10-31",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "id":"138080-21881781",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "datetime_modified":"20251118T140117",
        "datetime_start":"20251031T090000",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
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        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "room":"Lane Hall Exhibit Space--First Floor",
        "location_name":"Lane Hall",
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        "website":"http:\/\/irwg.umich.edu\/",
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                "group_id":"1031",
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        "image_description":"Image of a map of the U.S. with markers on Mt. Pleasant, IA; O\u2019Neill, NE; Salem and Sandusky, OH; Bean Station, TN; and Sumner, TX. Large text reads ICE IN THE HEARTLAND. Artist: Carolina Jones Ortiz.",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "combined_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
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        "time_start":"12:00:00",
        "time_end":"18:00:00",
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        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
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        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
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        "time_start":"18:30:00",
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        "event_title":"BAPS Campus Diwali",
        "occurrence_title":"",
        "combined_title":"BAPS Campus Diwali",
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        "description":"Please join us for an interactive exhibition on Diwali! There will be live music, activities, and a photobooth provided!\r\nThe exhibition is an open event taking around 20 minutes, so please come at any time convenient to you - no dress code is required!\r\n\r\nDate: November 4th, 2025\r\nLocation: Rogel Ballroom at The Union\r\nAnytime from 6:30 to 8:30 for 20 minutes",
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        "room":"Rogel Ballroom - 3rd floor",
        "location_name":"Michigan Union",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251105T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Rotunda Gallery",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
        "occurrence_title":"",
        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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                "guid":"139065-21884768@events.umich.edu",
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        "building_official_id":1000183,
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        "room":"Lane Hall Exhibit Space--First Floor",
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        "tags":["Visual Arts"],
        "website":"http:\/\/irwg.umich.edu\/",
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                "url":"http:\/\/irwg.umich.edu\/",
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                }                    ],
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                "group_id":"1031",
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        "image_description":"Image of a map of the U.S. with markers on Mt. Pleasant, IA; O\u2019Neill, NE; Salem and Sandusky, OH; Bean Station, TN; and Sumner, TX. Large text reads ICE IN THE HEARTLAND. Artist: Carolina Jones Ortiz.",
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        "id":"141375-21888726",
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        "time_start":"10:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
        "occurrence_title":"",
        "combined_title":"Art Exhibit- Closer: A look at the tiny world around us",
        "event_subtitle":"",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
        "occurrence_notes":null,
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        "website":"https:\/\/mbgna.umich.edu\/event\/art-exhibit-closer-look-tiny-world-around-us",
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                "url":"https:\/\/mbgna.umich.edu\/event\/art-exhibit-closer-look-tiny-world-around-us",
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        "sponsors":[
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    ,        {
        "id":"140228-21886785",
        "datetime_modified":"20251002T142353",
        "datetime_start":"20251105T120000",
        "datetime_end":"20251105T180000",
        "has_end_time":1,
        "date_start":"2025-11-05",
        "date_end":"2025-11-05",
        "time_start":"12:00:00",
        "time_end":"18:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"By Means of a Pencil",
        "occurrence_title":"",
        "combined_title":"By Means of a Pencil: Nathan Byrne",
        "event_subtitle":"Nathan Byrne",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"October 9 \u2013 November 5, 2025\r\nOpening Reception October 9, 5:00-8:00 pm\r\nClosing Reception: November 2, 2:00-5:00 pm\r\n\r\nThe U-M Duderstadt Center Gallery presents By Means of a Pencil a solo exhibition by artist and Stamps School of Art & Design LEO Lecturer I Nathan Byrne.\r\n\r\nBy Means of a Pencil brings together a body of work centered around the quirky and enigmatic Swiss author Robert Walser. In this exhibition poetic gestures and nods to Walser are able to flourish as visual forms and objects. The work comprises spontaneous and excessively durational works of drawing, collage, and sculpture.\r\n\r\nFor years, I have been intrigued by the author Robert Walser\u2019s  mark making which he referred to as his \u201cpencil method\u201d where he would sketch out stories in a radically miniaturized script on diminutive paper fragments. Walser\u2019s pencil method began when he was experiencing severe writer\u2019s cramp and: \u201chideously and frightfully hated his pen.\u201d He goes on in a letter written in 1927 describing the freeing nature of this process: \u201cI suffered a real breakdown in my hand on account of the pen, a sort of cramp from whose clutches I slowly, laboriously freed myself by means of the pencil.\u201d\r\n\r\nJust as it was with Walser \u201cby means of a pencil\u201d I was able  to make peace with drawing by radically altering the process by which I approached the act itself. Eventually, this became processes like my transcription drawings, in which I write out an entire novel as a form of mark making.\r\n\r\nWhile this exhibition mines the Walser archive and the spirit of this author, this work is just as much about me and my immersion in this \u201cworld of Walser.\u201d It is about my own engagement with relationships between language and mark making, language and sculpture, language and longing.\r\n\r\nThis project was made possible by the generous support of Stamps School of Art & Design at the University of Michigan.\r\n\r\nPoster design by Sky Christoph.\r\n\r\nHours: 12 \u2013 6 pm, Tues. \u2013 Fri. & Sun.\r\n\r\nLocation: 2281 Bonisteel Blvd, Ann Arbor, MI 48109",
        "occurrence_notes":null,
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        "building_name":"Duderstadt Center",
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        "campus_maps_id":"181",
        "campus_maps_link_path":"james-and-anne-duderstadt-center",
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        "room":"Gallery 1019",
        "location_name":"Duderstadt Center",
        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts"],
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                "group_id":"4245",
                "website":"http:\/\/dc.umich.edu"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
                "group_id":"3157",
                "website":"http:\/\/stamps.umich.edu\/"                }                    ],
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        "datetime_start":"20251105T180000",
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        "date_end":"2025-11-05",
        "time_start":"18:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Art, Labor, and Class: A Conversation with Narsiso Martinez",
        "occurrence_title":"",
        "combined_title":"Art, Labor, and Class: A Conversation with Narsiso Martinez: Presented by the Public Humanities Interns",
        "event_subtitle":"Presented by the Public Humanities Interns",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"'Art, Labor, and Class' is an event centering conversation with artist Narsiso Martinez held over dinner. Attendees will hear Narsiso's thoughts on topics related to art, labor, and class through guided discussion, where opening questions will segue into open conversations for participants to ask Narsiso any questions of their own. The evening will conclude with a preview of Narsiso's exhibition *Best Used By*, opening at the Institute for the Humanities Gallery on November 13th. Register to attend at\r\nhttps:\/\/sessions.studentlife.umich.edu\/p\/track\/15579.\r\n\r\nLearn more about the exhition and related events at https:\/\/myumi.ch\/mRgwk.",
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        "building_name":"202 S. Thayer",
        "building_official_id":1005179,
        "campus_maps_id":"524",
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                "url":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/15579",
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                },             {
                "type":"other",
                "url":"https:\/\/lsa.umich.edu\/humanities\/gallery\/current-exhibitions\/narsiso-martinez.html",
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                "group_id":"1130",
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        "time_start":"18:00:00",
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        "event_title":"Queer Art Showcase",
        "occurrence_title":"",
        "combined_title":"Queer Art Showcase: Presented by Spectrum Center's Programming Board",
        "event_subtitle":"Presented by Spectrum Center's Programming Board",
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        "description":"Join Spectrum Center and Stamps Gallery for an incredible showcase of queer and trans art from U-M students of all genders and sexualities. Enjoy a variety of mediums and methods, and stay for a panel discussion with the artists, including a Q&A session with performing artist Stacey L. Kirby.\r\n\r\nCALL FOR ARTISTS\r\nCalling all student artists\u2014share in our celebration of queer and trans artists and art at the 2025 Queer Art Showcase. Students of all sexualities and genders are welcome to submit. Submissions may not contain hate speech, slurs, or other content prohibited by U-M.\r\n\r\nInterest is due via the \"Show your art\" form link October 5 by 11:59 pm. If you would like to submit your artwork for event promotional purposes, please email a picture of your artwork to Eli Gonzalez (lizbethg@umich.edu).\r\n\r\n\r\nQUESTIONS?\r\n- For questions regarding art submission, contact Noemie Durand (durandn@umich.edu).\r\n- For general questions about the art showcase, contact Eli Gonzalez (lizbethg@umich.edu).\r\n- If you would like to submit your artwork for event promotional purposes, please email a picture of your artwork to Eli Gonzalez (lizbethg@umich.edu).\r\n\r\n\r\nMORE SPECTRUM CENTER EVENTS\r\nhttps:\/\/spectrumcenter.umich.edu\/events",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "room":"Connection Gallery lower level",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Visual History of the Unions",
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        "combined_title":"Visual History of the Unions: New art in conversation with our history",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Visual History of the Unions",
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        "combined_title":"Visual History of the Unions: New art in conversation with our history",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
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        "datetime_start":"20251110T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "datetime_modified":"20251021T162007",
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        "event_title":"Close to Home: A Conversation on the Experiences of Migrant Farmworkers",
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        "combined_title":"Close to Home: A Conversation on the Experiences of Migrant Farmworkers: with Lisbeth Iglesias-Rios, artist Narsiso Martinez, and arts curator Amanda Krugliak",
        "event_subtitle":"with Lisbeth Iglesias-Rios, artist Narsiso Martinez, and arts curator Amanda Krugliak",
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        "description":"In conjunction with the exhibition* Best Used By*, a roundtable discussion with social epidemiologist Lisbeth Iglesias-Rios, artist Narsiso Martinez, and arts curator Amanda Krugliak. The conversation will explore the complex and challenging experiences faced by farmworkers today, as well as their heightened precarity due to the policies of the current administration, through the lens of academic research, public health, visual storytelling, and legal advocacy.\r\n\r\nMeet the Participants:\r\n\r\nNarsiso Martinez (b. 1977, Oaxaca, Mexico) came to the United States when he was 20 years old. He attended Evans Community Adult School and completed high school in 2006 at the age of 29. He earned an Associate of Arts degree in 2009 from Los Angeles City College. In the fall of 2012 Narsiso earned his Bachelor of Fine Arts from California State University Long Beach. In the spring of 2018 he received a Master of Fine Arts degree in drawing and painting from California State University Long Beach, and was awarded the prestigious Dedalus Foundation MFA Fellowship in Painting and Sculpture. His work has been exhibited both locally and internationally. His work is in the collections of the Hammer Museum, OCMA, Amon Carter Museum of American Art, University of Arizona Museum of Art, Long Beach Museum of Art, Crocker Art Museum, Jordan Schnitzer Museum of Art at the University of Oregon, and the Santa Barbara Museum of Art. Martinez lives and works in Long Beach, CA.\r\n\r\nDr. Iglesias-Rios\u2019s research interests are the intersection of environmental and occupational health with precarious employment and labor exploitation in vulnerable populations. Her previous research assessed the impact of labor trafficking by studying how patterns of violence and coercion affect the mental health of female and male trafficking survivors including children, adolescents and adults. She also sought to understand how the living and working conditions during trafficking affect the mental health of survivors. Dr. Iglesias-Rios is the Co-Investigator of the Michigan Farmworker Project, a community-based participatory project that assess the working and living conditions of migrant and seasonal farmworkers in the state of Michigan. The focus of the research is to investigate indicators of precarious employment and labor exploitation that involve psychosocial, occupational and environmental exposures and complex contextual conditions (social, economic and physical milieu) of farmworkers.\r\n\r\nAmanda Krugliak is a curator and artist known for performative, conceptual, and experiential installations, in charge of programming for the Institute for the Humanities Gallery since 2009. In 2012, she co-created the internationally recognized installation *State of Exception *with artist Richard Barnes and U-M anthropologist Jason De Le\u00f3n based upon De Le\u00f3n\u2019s Undocumented Migration Project. She is frequently a guest lecturer and leads workshops on curating scholarship and the gallery as a social justice practice.",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251111T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
        "event_type":"Exhibition",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
                "guid":"138080-21881792@events.umich.edu",
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        "room":"Connection Gallery lower level",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
        "event_subtitle":"Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Visual History of the Unions",
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        "combined_title":"Visual History of the Unions: New art in conversation with our history",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
        "occurrence_title":"",
        "combined_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
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        "event_title":"Collapsed Walls",
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        "combined_title":"Collapsed Walls: Humanities Film Series featuring a film by Moroccan auteur Hakim Belabbes",
        "event_subtitle":"Humanities Film Series featuring a film by Moroccan auteur Hakim Belabbes",
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        "description":"From Moroccan auteur Hakim Belabbes, this haunting memory piece takes place in a small Moroccan town, where residents go through cycles of loss and happiness, coping with grief while life continues. Connected by family, friendship, and community, they both support and hurt each other through weddings, funerals, love, and forgiveness. As the living strive for hope and connection, the spirits of the dead remain close, watching over their loved ones.\r\n\r\nThe presentation features seven vignettes from *Collapsed Walls* (60 min). Following the film, Belabbes will be in conversation with Said Hannouchi, Director of the U-M Arabic Language Program. Q & A to follow.\r\n\r\nRelated event: Tea with Hakim Belabbes at Mynt House Cafe. More details at https:\/\/myumi.ch\/jJDPV.\r\n\r\n*About Hakim Belabbes*\r\nHakim Belabbes was born in the Moroccan town of Boujad, where his father owned the only movie theatre. He earned a BA in American and African literature in 1983 from Mohamed V University in Rabat, Morocco, and an MFA in film and video from Columbia College in Chicago, where he is an adjunct professor in film direction and production. He is also the director of The Higher Institute of Audio-Visual Professions and Cinema in Rabat. \r\n\r\n*About Said Hannouchi*\r\nSaid Hannouchi is the director of the Arabic Language Program at the University of Michigan. He earned a PhD from the University of Wisconsin-Madison in 2017. His research focuses on Arabic language learners\u2019 intercultural communicative competence and intercultural identity development via study abroad experiences. Additional areas of interest include language policy in multilingual contexts and language education in Morocco and North Africa.",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251113T080000",
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        "date_start":"2025-11-13",
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        "time_start":"08:00:00",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "datetime_start":"20251113T090000",
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        "event_title":"Best Used By",
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        "combined_title":"Best Used By: An Exhibition by Narsiso Martinez",
        "event_subtitle":"An Exhibition by Narsiso Martinez",
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        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "combined_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
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        "event_title":"Opening Reception for *Best Used By*",
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        "combined_title":"Opening Reception for *Best Used By*: With artist Narsiso Martinez",
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        "description":"Please join us for the opening reception of Narsiso Martinez\u2019s debut Michigan exhibition *Best Used By* immediately following Martinez's Penny Stamps Lecture at the Michigan Theater. See the exhibition, meet the artist, and enjoy some light refreshments. All are welcome!\r\n\r\nNarsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers. Learn more at https:\/\/myumi.ch\/mRgwk.",
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        "datetime_modified":"20250904T104107",
        "datetime_start":"20251114T080000",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Best Used By",
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        "combined_title":"Best Used By: An Exhibition by Narsiso Martinez",
        "event_subtitle":"An Exhibition by Narsiso Martinez",
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        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
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        "event_title":"Rock Painting for IEW 2025",
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        "time_start":"08:00:00",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "event_title":"Best Used By",
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        "combined_title":"Best Used By: An Exhibition by Narsiso Martinez",
        "event_subtitle":"An Exhibition by Narsiso Martinez",
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        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Visual History of the Unions",
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        "combined_title":"Visual History of the Unions: New art in conversation with our history",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. 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These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. 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Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Best Used By",
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        "description":"Join us for an exhibit featuring the photography of Joseph Ferraro, free and open to the public at Matthaei Botanical Gardens.\r\n\r\n \r\n\r\nBIO\r\n\r\nJoseph is a conservation photographer living and working in southeast Michigan. In 2014, using macro photography to explore his backyard garden, he unknowingly began walking a naturalist\u2019s path and documenting native pollinators and invertebrates. His large format prints of local invertebrates are currently on exhibit outside of the Belle Isle Nature Center, with other works on exhibit inside the Center. With them, he seeks to inspire viewers to take a closer look at the tiny world around us.\r\n\r\n \r\n\r\nArtist Statement\r\n\r\nTo me, the little things matter.\r\n\r\nThrough my work as a photographer, I share the unseen and overlooked world of nature that surrounds us. My focus is exploring the world of invertebrates and showcasing these creatures in their natural habitat.\r\n\r\nMy creative process has evolved into a moving mediation, as I Slow down to observe, document and connect with my subjects as we interact in the environment. Ultimately, I seek to capture the unique beauty of creatures not usually perceived as beautiful and aim to create images that evoke emotion and curiosity. In so doing I strive to raise awareness of the importance of these creatures in our world and dispel any fears the viewer may have.\r\n\r\nInstagram: https:\/\/www.instagram.com\/josephferraro\/\r\n\r\nWeb: https:\/\/www.joseph-ferraro.com",
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        "id":"138082-21881883",
        "datetime_modified":"20250904T104107",
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        "has_end_time":1,
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
        "occurrence_title":"",
        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_type":"Exhibition",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
        "occurrence_notes":"for further information contact: serrag@med.umich.edu",
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        "event_title":"Best Used By",
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        "combined_title":"Best Used By: An Exhibition by Narsiso Martinez",
        "event_subtitle":"An Exhibition by Narsiso Martinez",
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        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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        "event_title":"Cathy Barry Art Exhibition",
        "occurrence_title":"",
        "combined_title":"Cathy Barry Art Exhibition: Tended Time",
        "event_subtitle":"Tended Time",
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        "description":"Cathy Barry has a profound connection to the natural world, which has shaped her artistic journey. She focuses on expressing gratitude, compassion, and a sense of responsibility towards environmental protection. After years of working with traditional media such as oil, acrylic, and watercolor, her art is transitioning to more sustainable materials. The pigments she uses in her collages are sourced entirely from plants, all collected and processed by Cathy herself from various locations throughout Michigan. This natural paint has become a vital part of her expressive palette, driving her to approach her work with a renewed sense of integrity and awareness of our interconnected ecosystem.\r\n\r\nIn her collages, Cathy skillfully combines paper painted with her homemade botanical pigments and intricately punched shapes, creating a distinctive micro-scale vocabulary. These miniature worlds are thoughtfully assembled within larger contexts, challenging our perceptions of the universe and our place within it.\r\n\r\nRecently, Cathy has embarked on a new adventure: creating art directly from plant materials. By collecting, drying, and weaving leaves, she has developed an exciting rhythm in her process. Through simple weaving, twining, and basketry techniques, she has deepened her enthusiasm for and connection to the plants surrounding her in her yard and neighborhood. This integration of materials with form and subject in her work evokes a serene wholeness that reflects nature's inherent wisdom. Additionally, her journey has sparked a curiosity to explore the historical uses and roles of plants throughout history.\r\n\r\nCathy Barry is an artist and instructor living and working in Ann Arbor, Mi. She is a Lecturer in the University of Michigan (UM) Stamps School of Art and Design, the UM Program in the Environment and the UM Biological Station.",
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        "event_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids",
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        "combined_title":"ICE in the Heartland: Community Impacts of Worksite Immigration Raids: Exhibition at Lane Hall",
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        "description":"ICE in the Heartland showcases a multifaceted project that gathers and disseminates the stories of communities impacted by immigration worksite raids with the aim of bringing underrepresented narratives to news media, classroom, and public discourse. This project comprises qualitative public health research conducted in impacted communities and visual arts generated from the research outcomes. Research teams of graduate and undergraduate students from the University of Michigan, led by Professor William Lopez, and the University of Iowa, led by Professor Nicole Novak, collaborated with a range of community members and organizers at sites of six large-scale immigration worksite raids that occurred in 2018 in Iowa, Nebraska, Ohio, Tennessee, and Texas. The researchers visited these sites, spoke to advocates, detainees, their families, and other community members. In conversation with the seventy-seven interviews, artists Dalia Harris and Carolina Jones Ortiz generated ten images that comprise ICE in the Heartland. On display with the artworks are community member testimonies, analysis on the public health detriments to immigration worksite raids and deportation, insights to the artists\u2019 methods, and the curricular materials used in public outreach programs. \r\n\r\nHosted and sponsored by the Institute for Research on Women and Gender and the Department of Women\u2019s and Gender Studies, U-M.",
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        "event_title":"Visual History of the Unions",
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        "time_start":"10:00:00",
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        "event_title":"Art Exhibit- Closer: A look at the tiny world around us",
        "occurrence_title":"",
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        "occurrence_title":"2025 Global Photo Showcase",
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        "event_subtitle":"Global Photo Showcase",
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        "description":"Join various U-M International Education units at the 2025 Global Photo Showcase, featuring student photography from all over the world! Vote for your favorite photos and enter raffles to win U-M prizes. Chat with study abroad returnees, international students, and international education professionals. Enjoy food and music from around the globe and learn about upcoming international opportunities!\r\n\r\n\r\nThis event is organized by the Center for Global & Intercultural Study, Global Engagement \u2014 Office of the Provost, the International Institute, International Programs in Engineering, Ross Global Initiatives, Global Public Health, and the International Center.",
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        "image_description":"Flyer for the Global Photo Showcase event celebrating International Education Week, inviting the U-M community to view student photography from around the world and vote for favorite photos. The flyer features nine photos, including a group holding colorful kites, a mosque with vibrant lighting, a crepe shop scene, a person exploring a green mountain landscape, a QR code for RSVPing, a person standing in an illuminated ice cave, a walkway lined with colorful lanterns, a close-up of a quokka, and a person walking through a golden, ornate archway. Event details: November 19th, 5\u20137pm, Weiser Hall, 10th floor. Hosted by Global Michigan, University of Michigan.",
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        "event_title":"Consequence - Group Art Exhibition - Art as Environmental Activism",
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        "combined_title":"Consequence - Group Art Exhibition - Art as Environmental Activism: Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
        "event_subtitle":"Susan Goethel Campbell, Halima Afi Cassells and Shanna Merola Collaboration, Sandra Osip, Clinton Snider and Leslie Sobel",
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        "description":"This group exhibition is an in-depth exploration of the role of art as a powerful catalyst for environmental activism. At first glance, these works each possess striking beauty. However, a closer inspection reveals a profound and often unsettling depth that challenges one\u2019s perceptions. \r\n\r\nThe artworks are imbued with many layers of meaning, inviting us to engage critically with the themes presented and encouraging us to reflect on our often-fraught relationship with the natural world.   Through a variety of mediums and techniques, these works prompt us to confront uncomfortable truths about climate change, habitat loss, and the disappearing biodiversity around us. \r\n\r\nCampbell\u2019s captivating \u201cHeatscape\u201d series transforms what is often an intangible concept into the tangible realm by visually translating heat distribution data to depict the impact of urban design on climate.  This series offers a profound exploration of the intriguing phenomenon known as \"urban heat islands\u201d, a term that describes urban areas that absorb and radiate significantly more heat than their surrounding rural landscapes due to human activities and infrastructure.\r\n\r\n\u201cHeatscape\u201d invites us to engage in a deeper reflection about the profound impact that human ingenuity has wielded over the natural world, serving as a visual reminder of our responsibility to urban design that is considerate to the environment and communities it impacts. This work challenges us to recognize the interplay between our lifestyles and the environment, urging a dialogue about sustainable practices that could mitigate the effects of these heat islands.\r\n\r\nSnider\u2019s work powerfully illustrates the remnants of industrialization, capturing the unsettling essence of its aftermath. In his art, we encounter an urban landscape that is strikingly devoid of human presence, creating an almost haunting atmosphere. This absence of people amplifies the eerie feeling and serves as a warning about the enduring consequences of industrial progress. It prompts viewers to reflect on the environmental impact and the transformations that society has undergone, urging us to consider what aspects of our world will persist in the wake of such change. Ultimately, Snider\u2019s poignant depictions challenge us to confront the stark reality of a landscape altered by human activity, inviting contemplation on both the beauty and the desolation that can coexist in our modern environments.\r\n\r\nSandra Osip\u2019s sculptures delve deeply into the juxtaposition of decay and destruction alongside the concepts of life and growth. Through her abstract structures, she illustrates the profound effects climate change has on our urban landscapes and the planet as a whole. These pieces serve as a poignant reminder of the delicate balance between nature and human impact, while Osip\u2019s imaginative flowers evoke a sense of nostalgia and loss, symbolizing the beauty of what has been irretrievably diminished in our world. By celebrating these natural forms, she not only honors the richness of biodiversity but also raises awareness about the environmental crisis we face.\r\n\r\nCassells\u2019 work not only celebrates a profound connection to nature and sustainable practices but also serves to illuminate the significant impact that climate change has on vulnerable communities. Through her art, she investigates the intricate relationships between different environmental systems, emphasizing how they are all interconnected. \r\n\r\nBy delving into these themes, Cassells sheds light on the challenges faced by communities that often bear the brunt of climate change despite contributing the least to the problem. Her exploration encourages a deeper understanding of how environmental changes affect social structures and the lives of people in marginalized areas. In doing so, she advocates for greater awareness and action to address these issues, ultimately promoting a more sustainable and equitable future for all. \r\n\r\nShanna Merola\u2019s photo-collages are informed by the stories of environmental justice struggles past and present.  Shanna Merola and Halima Afi Cassells collaborated on collage and interactive installations for over five years. Researching, wandering, photographing, and creating together while interrogating the interconnectedness of environmental degradation, and global corporatism, and community response.\r\n\r\nSobel takes a more straightforward approach by helping us begin to grasp the reality of living in a world affected by climate change.  Her work described as \u201cwilderness-based, science-inspired\u201d, serves as a bridge, connecting viewers to experiences that might seem too distant or unfolding too slowly for most people to comprehend firsthand. In doing so, she not only raises awareness but also encourages dialogue about the pressing challenges our planet faces. Through her work, Sobel facilitates a deeper understanding of the interconnection between humanity and the environment, compelling us to reflect on our role in addressing these urgent issues.\r\n\r\nThese diverse approaches to creating art serve as powerful connections to the most critical and pressing environmental issues of our time. This engagement serves to deepen our understanding of these challenges from multiple perspectives, including cultural, social, and scientific viewpoints.  \r\nFurthermore, these approaches are not only meant to inform but also to inspire. They challenge us to reconsider our relationship with the planet and encourage us to take actionable steps toward sustainability.",
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        "description":"Narsiso Martinez\u2019s art practice, drawing upon his own experience as a farmworker, honors the people performing the essential labor required to fill produce sections and restaurant kitchens around the country through portraiture on discarded materials, such as cardboard boxes and paper grocery bags. Best Used By highlights timely issues regarding worker invisibility and anonymity. As part of his project, Martinez will be researching archives related to regional agricultural history and engaging with local food service workers.",
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        "event_title":"Cathy Barry Art Exhibition",
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