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    "40469-8571656":
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        "datetime_modified":"20170410T215244",
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        "datetime_end":"20170601T170000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Cosmogonic Tattoos",
        "occurrence_title":"",
        "combined_title":"Cosmogonic Tattoos",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In celebration of the University of Michigan\u2019s Bicentennial in 2017, artist and distinguished U\u200b\u2013M art professor Jim Cogswell has been invited to create a series of public window installations in response to the holdings of the University of Michigan Museum of Art and the Kelsey Museum of Archaeology. For this visionary project, the artist will adhere a procession of vivid images to the glass walls of the museums in a rhythmically evocative narrative, based on reassembled fragments from a diverse range of artworks in both museums\u2019 permanent collections. The juxtaposed images will address our shared histories and experiences while connecting the viewer to the origins and meaning of objects and their power to shape knowledge, memory, and identity. By leveraging the buildings\u2019 unique architecture, the artist expands our understanding of a museum as a cultural repository and highlights the significant role of these institutions in the life of the campus community.\r\nCosmogonic Tattoos is on view at UMMA April 22 through December 3, 2017 and at the Kelsey Museum of Archaeology from June 2 through December 17, 2017.\r\nLead support for Cosmogonic Tattoos is provided by the University of Michigan Office of the Provost.",
        "occurrence_notes":null,
                "guid":"40469-8571656@events.umich.edu",
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        "room":"",
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        "has_livestream":0,
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        "tags":["Art","Culture","Exhibition","Museum","Visual Arts","UMMA"],
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        "datetime_modified":"20170309T142003",
        "datetime_start":"20170601T110000",
        "datetime_end":"20170601T170000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Ernestine Ruben at Willow Run",
        "occurrence_title":"",
        "combined_title":"Ernestine Ruben at Willow Run: Mobilizing Memory",
        "event_subtitle":"Mobilizing Memory",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In 2013, artist Ernestine Ruben (BSDEs \u201953) photographed the once-famed industrial complex Willow Run in Washtenaw County, Michigan. Designed by her grandfather, Detroit architect Albert Kahn, for the Ford Motor Company, Willow Run was an exemplar of American defense manufacturing because of its efficient mass-production of B-24 Liberators during World War II.\r\n\r\nFor this exhibition, Ruben overlaid interior views of the now-dormant factory with imagined glimpses into her body\u2019s interior landscape. The resulting compositions seem to breathe energy and light into the stagnant and cavernous spaces of Willow Run and suggest a longing for a productive existence undeterred by mortality for both Willow Run and the artist. Her grandfather\u2019s role in the history of the site underscores Ruben\u2019s personal connection.\r\n\r\nThe exhibition presents Ruben\u2019s photographs of Willow Run in UMMA\u2019s Photography Gallery and an original film\u2014co-created by Ruben and video artist Seth Bernstein and featuring an original score by award-winning composer Stephen Hartke\u2014in the Museum\u2019s Forum.\r\n\r\nLead support for Ernestine Ruben at Willow Run: Mobilizing Memory is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.",
        "occurrence_notes":"Closed Mondays",
                "guid":"39107-7692743@events.umich.edu",
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        "building_id":"1000151",
        "building_name":"Museum of Art",
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        "has_livestream":0,
        "cost":"",
        "tags":["Visual Arts","Art","Bicentennial","Culture","Film","Free","Museum","Theater","UMMA"],
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        "sponsors":[
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                "group_id":"1177",
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    {
        "datetime_modified":"20170507T180053",
        "datetime_start":"20170601T110000",
        "datetime_end":"20170601T170000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Picturing Buildings",
        "occurrence_title":"",
        "combined_title":"Picturing Buildings: Photographers and Architecture, 1855\u20131985",
        "event_subtitle":"Photographers and Architecture, 1855\u20131985",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Featuring a selection of nineteenth- and twentieth-century photographs from the Museum\u2019s collection, Picturing Buildings illuminates the enduring appeal of photographing architecture, from historic Turkish mosques and New York City skyscrapers, to industrial factories and intimate domestic interiors. Each of these visually and spatially complex sites provides photographers with representational challenges and endless opportunities to innovate. This exhibition explores how photographers working in a range of contexts\u2014from travel photography and photojournalism to historical documentation and modern art\u2014use architecture to develop pictorial strategies in their own medium. Through selective framing, dramatic perspectival distortion, and heightened contrasts between light and dark, photographers reinterpret their architectural subjects by focusing on the creative act of constructing a photograph. The resulting images reveal our surrounding built environment in new ways and highlight the intriguing transformation that takes place when the camera converts three dimensions into two.\r\n\r\nLead support for Picturing Buildings: Photographers and Architecture, 1855-1985 is provided by the University of Michigan Office of the Provost and the Herbert W. and Susan L. Johe Endowment.",
        "occurrence_notes":"Closed Mondays",
                "guid":"40823-8790953@events.umich.edu",
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        "has_livestream":0,
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        "tags":["Visual Arts","Architecture","Environment","Storytelling","UMMA"],
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    {
        "datetime_modified":"20170410T214735",
        "datetime_start":"20170601T110000",
        "datetime_end":"20170601T170000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Rafael Lozano-Hemmer",
        "occurrence_title":"",
        "combined_title":"Rafael Lozano-Hemmer: Wavefunction, Subsculpture 9",
        "event_subtitle":"Wavefunction, Subsculpture 9",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Wavefunction, Subsculpture 9, by Mexican-Canadian artist Rafael Lozano-Hemmer, is a kinetic sculpture and interactive installation that plays on the work of mid-century American designers Charles and Ray Eames.\r\n\r\nThe installation consists of 42 molded plastic chairs (designed by the Eameses in 1948) arranged in a grid and attached to electromechanical pistons. When visitors approach the chairs, a surveillance system detects their presence and the closest chairs lift gently off the ground. The adjacent chairs follow, and a wave movement spreads across the array. The software controlling the pistons is based on fluid dynamics, so as more visitors approach the grid, the chairs\u2014whose iconic curving contours were also generated mathematically\u2014 mimic the complex interaction of multiple waves in water.\r\n\r\nThis performative installation complements the concurrent exhibition Moving Image: Performance, which together constitute the second of three presentations at UMMA drawn from the collection of Borusan Contemporary, Istanbul. The works in this year-long trio of exhibitions represent traditional categories such as portraiture, landscape, and performance that find new resonance when explored through the strategies of dynamic technology.\r\n\r\nLead support for Rafael Lozano-Hemmer: Wavefunction, Subsculpture 9 is provided by the Herbert W. and Susan L. Johe Endowment and Michigan Engineering. Additional generous support is provided by the University of Michigan Latina\/o Studies.",
        "occurrence_notes":"Closed Mondays",
                "guid":"40468-8571555@events.umich.edu",
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        "tags":["Visual Arts","UMMA","Museum","Exhibition","Culture","Art"],
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    {
        "datetime_modified":"20170131T190500",
        "datetime_start":"20170601T110000",
        "datetime_end":"20170601T170000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Victors for Art: Michigan's Alumni Collectors\u2013Part I: Figuration",
        "occurrence_title":"",
        "combined_title":"Victors for Art: Michigan's Alumni Collectors\u2013Part I: Figuration",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Commemorating the University of Michigan\u2019s 2017 Bicentennial, Victors for Art: Michigan\u2019s Alumni Collectors celebrates the deep impact of Michigan alumni in the global art world. This two-part exhibition (Part I: Figuration followed by Part II: Abstraction on view July 1\u2013 October 29) presents works collected by a diverse group of alumni that represent the breadth of the University and over seventy years of graduating classes. The works themselves are equally diverse, ranging from ancient sculptures to contemporary multimedia works. Part I: Figuration features works by Henri Matisse, Elizabeth Louise Vige\u0301e Le Brun, Mark Tansey, and Mickalene Thomas, among others, and allows visitors to explore the variety of artistic responses and purposes encompassed by the term \u201cfiguration\u201d. It also offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise\u2014and most certainly, not all together. For visitors, and especially for future Michigan alumni, Victors for Art illuminates the shared passion for art fostered by the Michigan experience.\r\n\r\nThis exhibition was organized by Joseph Rosa, Guest Curator, in collaboration with Laura De Becker, Helmut & Candis Stern Associate Curator of African Art, Jennifer Friess, Assistant Curator of Photography, Lehti Mairike Keelman, Assistant Curator of Western Art, and Natsu Oyobe, Curator of Asian Art.\r\n\r\nLead support for Victors for the Arts: Michigan's Alumni Collectors is provided by the University of Michigan Office of the Provost, the University of Michigan Health System, the University of Michigan Office of the President, the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts, and the University of Michigan Bicentennial Office.",
        "occurrence_notes":"Closed Mondays",
                "guid":"38428-7178873@events.umich.edu",
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        "building_name":"Museum of Art",
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    {
        "datetime_modified":"20170525T142904",
        "datetime_start":"20170601T113000",
        "datetime_end":"20170601T130000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"11:30:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"A Special CSCS Seminar:  Principle of least rattling:  a general framework or an over-idealization?",
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        "combined_title":"A Special CSCS Seminar:  Principle of least rattling:  a general framework or an over-idealization?: Pavel Chvykov - MIT Physics Dept",
        "event_subtitle":"Pavel Chvykov - MIT Physics Dept",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"We begin with the loose observation that in many complex real-world systems, dynamics seem to settle into some relatively simple behaviors, rather than remaining completely chaotic. Think of planets solidifying out of a chaotically moving gas, sand-dunes forming with reproducible shapes and sizes, debris on a river getting trapped near the shores, active colloids accumulating in corners, or DNA reliably copying itself via proofreading mechanisms. While vastly different mechanisms account for each of these phenomena, the emergence of simplicity seems to be a common thread. So: how general is this phenomenon? How easy is it to break? Is there some common mathematical framework that can capture some of it? To begin a discussion of these questions, I will restrict to non-equilibrium dynamical systems with two strongly separated time-scales - which is another common feature of the above examples. In this context, the structures from field theory prove relevant, and we derive that under fairly general conditions, slow variables will settle into configurations where fast dynamics become least stochastic. Illustrating the relevance of the framework on a toy example, I will then talk about the steps for extending it to broader contexts.\r\n\r\nIf you are interested in meeting with Pavel after his talk, please email him directly at pchvykov@mit.edu",
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        "tags":["Science","Complex Systems"],
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    {
        "datetime_modified":"20170403T125717",
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        "datetime_end":"20170601T130000",
        "has_end_time":1,
        "date_start":"2017-06-01",
        "date_end":"2017-06-01",
        "time_start":"12:00:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"9\/22--Fall 2017 Application Deadline",
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        "combined_title":"9\/22--Fall 2017 Application Deadline",
        "event_subtitle":"",
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        "event_type_id":"22",
        "description":"The application deadline for Winter 2018 and early-admission Fall 2018. Please apply through M-Compass.",
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                "guid":"40173-8508944@events.umich.edu",
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        "tags":["Social Justice","Deadlines","Interdisciplinary","Internship","Majors","Social Impact","Student Org","Study Abroad","Transfer Students","Undergraduate","Social","Scholarships","Leadership","Networking","Public Policy","Research"],
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        "event_title":"Gifts of Art presents Rock, Blues & Motown",
        "occurrence_title":"",
        "combined_title":"Gifts of Art presents Rock, Blues & Motown: Rock Jones",
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        "description":"Come celebrate Michigan Medicine\u2019s Gifts of Art Summer Courtyard Concert Series opener with Rock Jones. The quintet of Rock Jones is Larry Genoa, Pat Forchione, Brian Genoa, Phil Ryski and Doug Wolgat. Ryski and Wolgat made up one half of longtime Ann Arbor favorites, The Bluescasters. Rock Jones\u2019 Detroit rockin\u2019 soul style covers a mix of songs from Gladys Knight to Van Morrison to the Beatles. Harmonies and up-tempo rhythm gets their audiences dancing, singing along, or both! Look for live stream video and event subscriptions on UMHS Gifts of Art Facebook. \r\n\r\nRain or heat location: University Hospital Main Lobby, Floor 1.",
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        "tags":["Music","Children","Outdoors","Concert","Family","Culture","Health & Wellness","Free"],
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        "event_title":"Reach: A Stamps Faculty Exhibition",
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        "description":"The University of Michigan Stamps School of Art & Design is pleased to announce Reach: A Stamps Faculty Exhibition, on view Tuesday, May 16 - Saturday July 8, 2017 in the new downtown Ann Arbor Stamps Gallery (201 S. Division St., Ann Arbor). An exhibition reception will take place on Friday, June 16 from 6 - 8 pm. The exhibition and the reception are free and open to the public.\r\n\r\nReach: A Stamps Faculty Exhibition brings together a cross-section of rigorous and research-based works that highlight the range and diversity of creative practices emerging from the University of Michigan\u2019s Stamps School of Art & Design. Stamps Faculty wear multiple hats as educators, storytellers, artists, and designers.\u00a0 Their work is a vehicle to deepen research and expand the pedagogical frameworks of contemporary art and design practices in the 21st Century. By experimenting with mediums, materials, audience interaction, and participation, Reach brings together energizing and compelling paintings, sculpture, new media installations, collage and found objects, video, performance, and textile design. Reach is the first of a series of projects that will examine and highlight art, design and creative work produced by Stamps faculty in the years to come.\r\n\r\nParticipating faculty members include: \r\n\r\n\r\n\tJames Cogswell\r\n\tRoland Graf\r\n\tHolly Hughes\r\n\tOsman Khan  \r\n\tHeidi Kumao\r\n\tLouis Marinaro\r\n\tRebekah Modrak\r\n\tAnne Mondro\r\n\tRobert Platt\r\n\tMarianetta Porter\r\n\tMichael Rodemer\r\n\tStephanie Rowden and Jennifer Metsker\r\n\tSherri Smith\r\n\tBruce Tharp and Stephanie Tharp\r\n\tNick Tobier\r\n\tJoseph Trumpey\r\n\r\n\r\nReach: A Stamps Faculty Exhibition\r\nExhibition Dates: Tuesday, May 16 - Saturday July 8, 2017\r\nExhibition Reception: Friday, June 16 from 6 - 8 pm\r\n\r\nImage: Sherri Smith, Mercury, 2015. Woven fiber, 114\u201d x 60\u201d",
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    {
        "datetime_modified":"20170524T181504",
        "datetime_start":"20170601T144500",
        "datetime_end":"20170601T203000",
        "has_end_time":1,
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        "date_end":"2017-06-01",
        "time_start":"14:45:00",
        "time_end":"20:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Sgt. Pepper Symposium",
        "occurrence_title":"",
        "combined_title":"Sgt. Pepper Symposium",
        "event_subtitle":"",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"June 1, 2017, will mark the 50th anniversary of the worldwide release of the Beatles' album, Sgt. Pepper's Lonely Hearts Club Band.  While a handful of other titles may vie for the honor of the group's \"best\" album, Pepper inarguably marks the peak of the band's creativity, and stands among the most imaginative and culturally significant artistic products of its age.\n\nThe \"Summit of Creativity\" conference will bring together prominent Beatles-based scholars, inner-circle figures, and journalists to lead a gathering of academics, students and the general public in exploring Pepper and its world.  The event is to take place at the School of Music, Theatre and Dance, from the afternoon of Thursday through the morning of Sunday, June 1-4, 2017.\n\nConference registration closed",
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