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        "date_end":"2023-02-28",
        "time_start":"00:00:00",
        "time_end":"23:59:59",
        "time_zone":"America\/Detroit",
        "event_title":"Spring Break Training Trip",
        "occurrence_title":"",
        "combined_title":"Spring Break Training Trip",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"The Team enters the bubble dimension that is Gainesville on Spring Break.",
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        "location_name":"Gainesville, GA",
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        "website":"https:\/\/maizepages.umich.edu\/event\/8890423",
        "sponsors":[
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                "group_id":"2390",
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        "date_end":"2023-02-28",
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        "event_title":"Select Works By James Charles  Morris",
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        "combined_title":"Select Works By James Charles  Morris",
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        "event_type":"Exhibition",
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        "description":"An exhibition by James Charles Morris will be at Palmer Commons, 4th Floor Atrium, February 13 - March 10. \r\n\r\nAbout the Artist:\r\nJames Charles Morris (b. 1984), is a self-taught multidisciplinary artist, who has engaged in the creative visual media  practices of photography, collage, painting, and printmaking for 20 years. Morris has used his work to engage in various  social conversations addressing themes of race, spirituality, history, mental wellness and community. As a native  Detroiter, Morris has always had a fondness for his hometown, which is evident in his work. \r\n\r\nMorris\u2019 artistic influence began to manifest at a very early age, as he took found objects from around his home and  created new works. However, his familial connections also informed his development. Grandmother, Dell Pryor, a  gallerist in the city of Detroit across four decades, exposed James to many emerging and master artists. Some of those  names that ultimately influenced and inspired Morris include Adger Cowans, Hugh Grannum, Lester Sloan, Al Loving,  Gilda Snowden, Shirley Woodson, Anthony Barboza, and Eric Pryor among others. \r\n\r\nIn 2008, Morris founded Definitive Style Exclusive (DSE Detroit), a brand that uses an array of visual statements and  designs created with a simple yet blunt approach to touch on difficult and controversial topics within our society. \r\n\r\nIn 2019, Morris began developing an artistic style that combines collage, photo montage, and abstract expressionism.  This collage-montage style has led Morris to create a series of figurative works, that have engaged many within the  artistic community.",
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                "guid":"104713-21809940@events.umich.edu",
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        "building_name":"Palmer Commons",
        "campus_maps_id":"188",
        "room":"4th Floor Atrium",
        "location_name":"Palmer Commons",
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        "tags":["Art","Palmercommons","Lloyd Scholars For Writing And The Arts","Exhibition","Diversity Equity and Inclusion","Culture","Black History Month"],
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        "date_start":"2023-02-28",
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        "event_title":"Early Astronomy in the University of Michigan Collections",
        "occurrence_title":"",
        "combined_title":"Early Astronomy in the University of Michigan Collections",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Trace how astronomy was developed, studied, and disseminated through the centuries, from 1500 BCE to the Renaissance. On display is material drawn from the University of Michigan collections dealing with the history of early astronomy: manuscripts, early printed books, and artifacts illustrating Mesopotamian, Greek, Islamic, and Western European astronomy.\r\n\r\nThis exhibit and its permanent online counterpart (https:\/\/umlib.us\/earlyastronomy) are part of the Aratus Project, which was sponsored by the National Science Foundation and led by Prof. Francesca Schironi. The core of the project has been to study Aratus\u2019 \"Phaenomena,\" the most important poem on stars and constellations of the Graeco-Roman ancient world, and its exegetical tradition. Read an annotated edition and English translation of \"Phaenomena\" and its commentaries (https:\/\/aratus.classics.lsa.umich.edu\/). The physical and online exhibits place this research work within its later intellectual and historical context.\r\n\r\nCurated by: John Steele, Professor of the History of the Exact Sciences in Antiquity, Department of Egyptology and Assyriology, Brown University; Francesca Schironi, U-M Professor of Classical Studies; Evyn Kropf, U-M Librarian for Middle Eastern & North African Studies; Pablo Alvarez, U-M Curator (Special Collections Research Center).\r\n\r\nCheck Hatcher Gallery Exhibit Room hours: https:\/\/myumi.ch\/2mx44",
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                "guid":"101826-21811762@events.umich.edu",
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        "room":"Hatcher Gallery Exhibit Room",
        "location_name":"Hatcher Graduate Library",
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        "tags":["Library","Astronomy","Free"],
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        "datetime_modified":"20230227T063155",
        "datetime_start":"20230228T090000",
        "datetime_end":"20230228T150000",
        "has_end_time":1,
        "date_start":"2023-02-28",
        "date_end":"2023-02-28",
        "time_start":"09:00:00",
        "time_end":"15:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Nucor Raw Materials Open Interview Day",
        "occurrence_title":"",
        "combined_title":"Nucor Raw Materials Open Interview Day",
        "event_subtitle":"",
        "event_type":"Careers \/ Jobs",
        "event_type_id":"2",
        "description":"Nucor Raw Materials Group; a division of Nucor Corporation, a Fortune 100 company and world leader in scrap metal recycling, trading, and transportation is hiring!!\n\nThis Open Interview Day gives studentsand alumni the chance to meet with Nucor Raw Materials Group to discuss career opportunities.\n\nJoin us Tuesday, February 28th from 9am-3 pm EST to do a 15-minute, virtual interview! \nIt's open invitation, so if interested, please schedule a time slot using link below to connect with one of our team members. \n\nhttps:\/\/app.joinhandshake.com\/schedules\/recurring\/58884\/public_invite",
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                "group_id":"1140",
                "website":"http:\/\/careercenter.umich.edu"                }                    ],
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        "datetime_modified":"20230112T102807",
        "datetime_start":"20230228T090000",
        "datetime_end":"20230228T160000",
        "has_end_time":1,
        "date_start":"2023-02-28",
        "date_end":"2023-02-28",
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        "time_zone":"America\/Detroit",
        "event_title":"Portraits of Feminism in Japan",
        "occurrence_title":"",
        "combined_title":"Portraits of Feminism in Japan: Winter 2023 Lane Hall Exhibit",
        "event_subtitle":"Winter 2023 Lane Hall Exhibit",
        "event_type":"Exhibition",
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        "description":"What is feminism in Japan? Rather than imagining it as a singular, coherent object, this exhibit seeks to introduce the diversity, difference, and complexity inherent in feminist activism in Japan. As in other cultural contexts, \u201cfeminism\u201d in Japan can invoke sharply different associations, from office workers trying to reshape taken-for-granted structures of power and authority, to mothers advocating for safer school lunches after the 2011 Fukushima nuclear disasters, and queer couples seeking legal recognition for the families they have created. Mainstream feminist activism in Japan has focused on advocating for change in families, workplaces, schools, political institutions, and laws, among many other contexts. Many \u00ad\u2013 but certainly not all \u2013 feminist activists in Japan are also responding to the lasting legacies of Japanese colonial projects, working toward recognition, repair, and meaningful reparations for racial and gender-based violence that continue to impact communities disproportionately.\r\n\r\nThis exhibit features original portraits of feminists who have shaped the landscape of women's and gender rights in Japan and beyond. Created by nine contemporary artists in Japan and the United States, the portraits and accompanying texts challenge simplistic understandings of \"feminism\" while also drawing attention to a diversity of experiences, needs, and activism within Japan. This exhibit also spotlights the history of Japanese studies at the University of Michigan in conjunction with the Center for Japanese Studies' 75th anniversary celebration. \r\n\r\n\u201cPortraits of Feminism in Japan\u201d is open for viewing M-F 9am-4pm or by appointment. University of Michigan instructors can email LaneHallExhibits@umich.edu to request a group tour or schedule a class visit.\r\n\r\nFeatured artists:\r\nElaine Cromie, JenClare B. Gawaran, Takatoshi Hayashi, ivokuma (\u3044\u307c\u304f\u307e), Nami Kaneko (\u91d1\u5b50\u5948\u7f8e), Kang Jungsook, Lisa Taka Miyagi, Nancy Nishihira (\u897f\u5e73\u30fb\u30ca\u30f3\u30b7\u30fc), and Shigeki Shibata (\u67f4\u7530\u6ecb\u7d00)\r\n\r\nCuration team: \r\nAllison Alexy,  Bradly Hammond, Grace Mahoney, and Alexandria Molinari",
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        "building_name":"Lane Hall",
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        "location_name":"Lane Hall",
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        "tags":["Women's Studies","Art","Asia","Exhibition","Japanese Studies","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1003",
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        "datetime_modified":"20230210T135118",
        "datetime_start":"20230228T090000",
        "datetime_end":"20230228T170000",
        "has_end_time":1,
        "date_start":"2023-02-28",
        "date_end":"2023-02-28",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"With Care",
        "occurrence_title":"",
        "combined_title":"With Care: An installation by Nicole Marroquin",
        "event_subtitle":"An installation by Nicole Marroquin",
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        "description":"About the Exhibition\r\nNicole Marroquin is an interdisciplinary artist, researcher, and educator whose practice explores spatial justice and Latinx history. Deeply rooted in community, she cultivates and reaffirms the human connections that ultimately sustain us. Her recent work explores the emergent themes of belonging as seen through the histories of student rebellions in Chicago public schools between 1968 and 1980.\r\n\r\nHer site-specific installation *With Care*, created for the Institute for the Humanities Gallery, presents the documentary photographs of influential Mexican-born artist, teacher, and friend Diana Sol\u00eds in visual dialogue with Marroquin\u2019s own creative work which includes ceramic sculptures and printmaking. Sol\u00eds\u2019s photography reflects over 25 years of transnational Chicana and lesbian organizing primarily in Chicago and Mexico City between 1975 and 1990. \r\n\r\nAbout the Artist\r\nNicole Marroquin is an interdisciplinary artist, researcher, and teacher educator whose work explores spatial justice and Latinx history. Marroquin works with youth and communities to decenter dominant narratives and to address displacement and erasure. Her current work explores belonging through histories of student rebellions in Chicago Public Schools from 1968 to 1980. Through research and creative practice, she aims to recover and re-present histories of Black and brown youth and women\u2019s leadership in the struggle for justice in Chicago. \r\n\r\nMarroquin has presented her work at the Kochi Biennale, the Annual Conference of the American Association of Research Librarians, University of Maine, New York Archivist Round Table, Jane Addams Hull House Museum, Northwestern University, DePaul Museum of Art, on WLPN Lumpen Radio, Gallery 400, Hyde Park Art Center and more. Her essays are included in the Visual Art Research Journal, Counter-Signals, the Chicago Social Practice History Series, Revista Contratiempo, Where the Future Came From, and Organize Your Own: The Politics and Poetics of Self-Determination Movements. She has been an artist in residence at the Chicago Cultural Center supported by the Propeller Fund at Mana Contemporary, at Watershed, Ragdale, ACRE, Oxbow, and was recently awarded the coveted USA Artist Fellowship, recognizing the most compelling artists working and living in the United States today.",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "tags":["Visual Arts","Multicultural","Exhibition","american culture","Humanities"],
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        "event_title":"CoderSpaces: Tuesdays Winter 2023",
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        "description":"Are you grappling with a piece of code, trying to compute on a cluster, or just getting started with a new method such as machine learning? Then we might have just the right space for you. \r\n\r\nAll members of the U-M community are invited to join our weekly virtual CoderSpaces to get research support and connect with others.",
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        "website":"https:\/\/datascience.isr.umich.edu\/events\/coderspaces\/",
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        "event_title":"Openings: Title Pages in the History of Printed Books",
        "occurrence_title":"",
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        "event_title":"Select Works By James Charles  Morris",
        "occurrence_title":"",
        "combined_title":"Select Works By James Charles  Morris",
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        "event_type":"Exhibition",
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        "description":"An exhibition by James Charles Morris will be at Palmer Commons, 4th Floor Atrium, February 13 - March 10. \r\n\r\nAbout the Artist:\r\nJames Charles Morris (b. 1984), is a self-taught multidisciplinary artist, who has engaged in the creative visual media  practices of photography, collage, painting, and printmaking for 20 years. Morris has used his work to engage in various  social conversations addressing themes of race, spirituality, history, mental wellness and community. As a native  Detroiter, Morris has always had a fondness for his hometown, which is evident in his work. \r\n\r\nMorris\u2019 artistic influence began to manifest at a very early age, as he took found objects from around his home and  created new works. However, his familial connections also informed his development. Grandmother, Dell Pryor, a  gallerist in the city of Detroit across four decades, exposed James to many emerging and master artists. Some of those  names that ultimately influenced and inspired Morris include Adger Cowans, Hugh Grannum, Lester Sloan, Al Loving,  Gilda Snowden, Shirley Woodson, Anthony Barboza, and Eric Pryor among others. \r\n\r\nIn 2008, Morris founded Definitive Style Exclusive (DSE Detroit), a brand that uses an array of visual statements and  designs created with a simple yet blunt approach to touch on difficult and controversial topics within our society. \r\n\r\nIn 2019, Morris began developing an artistic style that combines collage, photo montage, and abstract expressionism.  This collage-montage style has led Morris to create a series of figurative works, that have engaged many within the  artistic community.",
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