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Main Street, Ann Arbor, MI", "has_livestream":0, "cost":"General Admission: $20. Reserved: $27. 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Over the last few decades, scholars in German, Film, Music, and Literary Studies, and beyond, have continued to expand on Kittler\u2019s initial insights into the material nature of sound, image, and text, and the medial operations they entail. Both borrowing from and looking beyond Kittler, this conference seeks to explore productive points of contact between contemporary media theory, on the one hand, and the literary and cultural histories of mediation, remediation, and intermediation, on the other.\r\n\r\nFrom Herder\u2019s origins of language and Kant\u2019s public sphere to Nazi propaganda and Siegert\u2019s Kulturtechniken\u200b , media and mediation have remained central concepts for understanding German modernities. Social and political transformations, in conjunction with technological innovations around 1800\/1900\/2000 exerted pressure on\u200b \u200bexisting notions of sound, image, and text and vice versa: this feedback loop serves as the springboard for our conference, \u201cMediating the Modern: Sound\/Image\/Text.\u201d\r\n\r\nSean Franzel of the University of Missouri will give the conference keynote address on Friday afternoon, September 29. Preceding the conference, participants will also have the opportunity to attend the annual Werner Grilk Lecture in German Studies, given by Celia Applegate, on Thursday evening, September 28. Professor Applegate will conduct a workshop for University of Michigan graduate students and conference participants on Friday morning.\r\n\r\nWe invite graduate students working in all fields of German studies and related disciplines in the humanities and social sciences to submit proposals for papers. Possible topics include:\r\n- The technicity and\/or historicity of listening, seeing, and reading - The times and spaces of sound\/image\/text \r\n- Medial inscription and identity (race, religion, gender, sexuality) - Aesthetic boundaries and boundary-crossings of music and sound - Mediumship and the occult \r\n- Literature as media technology \r\n- Romantic techniques of reading and writing \r\n- The Gesamtkunstwerk \r\n- War, violence, and media\r\n- Intermediality and remediation of literature in the age of electronic technology - Technology and mass culture \r\n- Economies of media labor, production, and consumption \r\n- Sound\/image\/text and screen cultures \r\n- Medial \u200bEigensinn\u200b and aesthetic form \r\n- Avant-garde conceptualizations of sound\/image\/text \r\n- Media as practice, process, and event \r\n- Digital and computer-based media\r\n\r\nPlease send abstracts (300 words max.) to mediatingthemodern@gmail.com by July 1. 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