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experience.\nAnnualSalary: $36,390 (based on full time schedule)\n\n\nNYC Health + Hospitaloffers a competitive benefits package that includes:\n\nComprehensive health benefits for employees hired to work 20+ hrs. per week\nRetirement Savings and Pension Plans\nLoan Forgiveness programs for eligible employees\nPaid Holidays and Vacation in accordance with employee\u2019s Collectively bargained contracts\nCollege tuition discounts and professional development opportunities\nMultiple employee discount programs\n\n\n\n", "occurrence_notes":null, "guid":"104697-21809894@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/104697", "building_id":"", "building_name":"", "campus_maps_id":"", "room":"", "location_name":"1901 1st Avenue, New York City, New York 10029, United States", "has_livestream":0, "cost":"", "tags":[], "website":"", "sponsors":[ { "group_name":"University Career Center UCC", "group_id":"1140", "website":"http:\/\/careercenter.umich.edu" } ], "image_url":"", 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Morris has used his work to engage in various social conversations addressing themes of race, spirituality, history, mental wellness and community. As a native Detroiter, Morris has always had a fondness for his hometown, which is evident in his work. \r\n\r\nMorris\u2019 artistic influence began to manifest at a very early age, as he took found objects from around his home and created new works. However, his familial connections also informed his development. Grandmother, Dell Pryor, a gallerist in the city of Detroit across four decades, exposed James to many emerging and master artists. Some of those names that ultimately influenced and inspired Morris include Adger Cowans, Hugh Grannum, Lester Sloan, Al Loving, Gilda Snowden, Shirley Woodson, Anthony Barboza, and Eric Pryor among others. \r\n\r\nIn 2008, Morris founded Definitive Style Exclusive (DSE Detroit), a brand that uses an array of visual statements and designs created with a simple yet blunt approach to touch on difficult and controversial topics within our society. \r\n\r\nIn 2019, Morris began developing an artistic style that combines collage, photo montage, and abstract expressionism. This collage-montage style has led Morris to create a series of figurative works, that have engaged many within the artistic community.", "occurrence_notes":null, "guid":"104713-21809995@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/104713", "building_id":"1005047", "building_name":"Palmer Commons", "campus_maps_id":"188", "room":"4th Floor Atrium", "location_name":"Palmer Commons", "has_livestream":0, "cost":"", "tags":["Art","Black History Month","Culture","Diversity Equity and Inclusion","Exhibition","Lloyd Scholars For Writing And The Arts","Palmercommons"], "website":"", "sponsors":[ { "group_name":"Palmer Commons", "group_id":"3423", "website":"" }, { "group_name":"Lloyd Scholars for Writing and the Arts", "group_id":"1041", "website":"" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2023\/02\/event_104713_original-1.png", "styled_images":{ 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constructive like artistic practices and that it even forbids many forms of artistic production, there is a presumption that contemporary art that engages with Islam as religion and faith (rather than simply as identity) cannot exist. \r\n\r\nThere is an additional assumption that those who identify as women, queer, trans, and non-binary are unlikely to engage with Islam in their work outside of critique, because of the belief that Islam is inherently (and uniquely) oppressive of and therefore contradictory to individuals who identify as such. \r\n\r\nIn an attempt to disabuse viewers of these notions, as well as give a space of exploration to these often overlooked or excluded voices, this exhibition brings together women, queer, trans, and non-binary Muslim artists who explore their connection to religion, their other identities (be those related to their race, ethnicity, gender, sexuality, or status as artists), and their practices.\r\n\r\nParticipating Artists:\r\nNour 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