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"time_zone":"America\/Detroit", "event_title":"Prison Creative Arts Project Traveling Exhibit", "occurrence_title":"", "combined_title":"Prison Creative Arts Project Traveling Exhibit", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"PCAP's traveling exhibition includes reproductions of artwork from 20 years of the Annual Exhibition of Art by Michigan Prisoners. 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His style drew upon numerous international influences, ranging from the Modernism of Edward Weston and Tina Modotti, whom he met when they spent time in Mexico in the 1920s, to the formally exquisite photojournalism of Henri Cartier-Bresson and Walker Evans, whose work he knew in New York, and the Surrealism of Andr\u00e9 Breton, who visited Mexico around 1940.\r\n\r\nAlthough not strictly Surrealist, many of \u00c1lvarez Bravo\u2019s works manifest a similarly fantastical mood; one of the artist\u2019s most arresting qualities is his ability to imbue scenes of everyday life with an otherworldly, metaphysical power. The twenty-three photographs in the exhibition, drawn from UMMA\u2019s collections, show the artist\u2019s ability to synthesize a personal\u2014even nationalistic\u2014style that merged the motifs of Mexican religious and indigenous works and plant forms (such as agave leaves) with a Modernist approach to image making. Throughout, the presence of light as a wondrous metaphor and revealer of life animates even the emptiest and most silent of \u00c1lvarez Bravo\u2019s scenes.\r\n\r\n**Special hours Sundays: 12\u20135pm, CLOSED Mondays", "occurrence_notes":"**Special hours Sundays: 12\u20135pm, CLOSED Mondays", "guid":"30043-3321469@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/30043", "building_id":"1000151", "building_name":"Museum of Art", "campus_maps_id":"11", "room":"Photography Gallery", "location_name":"Museum of Art", "has_livestream":0, "cost":"", "tags":["Museum","Exhibition","UMMA","Visual Arts"], "website":"http:\/\/umma.umich.edu\/view\/exhibitions\/2016-alvarez-bravo.php", "sponsors":[ { "group_name":"University of Michigan Museum of Art (UMMA)", "group_id":"1177", "website":"http:\/\/www.umma.umich.edu\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_thumb\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_large":"https:\/\/events.umich.edu\/media\/cache\/event_large\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_large_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_2x\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/event_large_lightbox\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "group_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "group_thumb_square":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_thumb_square\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "group_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_large\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "group_large_lightbox":"https:\/\/events.umich.edu\/media\/cache\/resolve\/group_large_lightbox\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_large_crop":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_large_crop\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_list":"https:\/\/events.umich.edu\/media\/cache\/event_list\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_list_2x":"https:\/\/events.umich.edu\/media\/cache\/event_list_2x\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_grid":"https:\/\/events.umich.edu\/media\/cache\/event_grid\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_grid_2x":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_grid_2x\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_feature_large":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_feature_large\/media\/attachments\/2016\/03\/event_30043_original.jpeg", "event_feature_thumb":"https:\/\/events.umich.edu\/media\/cache\/event_feature_thumb\/media\/attachments\/2016\/03\/event_30043_original.jpeg" }, "occurrence_count":163, "first_occurrence":3321344 } , "31189-4136564": { "datetime_modified":"20160706T154352", "datetime_start":"20160916T110000", "datetime_end":"20160916T170000", "has_end_time":1, "date_start":"2016-09-16", "date_end":"2016-09-16", "time_start":"11:00:00", "time_end":"17:00:00", "time_zone":"America\/Detroit", "event_title":"Mira Henry: The View Inside", "occurrence_title":"", "combined_title":"Mira Henry: The View Inside", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"Before joining the faculty of the Southern California Institute of Architecture in Los Angeles, Mira Henry spent several years as a project architect, immersed in the everyday, banal details of how buildings get built: construction drawings, material specs, and building codes. She became an expert in seeing the world the way an architect sees it. But as a progressive architectural thinker, Henry\u2019s inspiration has been to deconstruct that vision, to \u201cunsee\u201d the very forms and representations that constitute an architect\u2019s basic language.\r\n\r\nThrough speculative experiments and conceptual drawings Henry discovers in static architectural details an unsettling range of figurative expression, including, for example, the way the profiles of roof eaves resemble human heads. Wallpaper, with its ability to mask, transform, or animate a space, is also a prominent element in her work. Her projects explore how these features animate our subjective experience\u2014what she calls our \u201cshifting fantasies\u201d\u2014of architectural space.\r\nLead support for this exhibition is provided by the Herbert W. and Susan L. Johe Endowment.", "occurrence_notes":null, "guid":"31189-4136564@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/31189", "building_id":"null", "building_name":"Off Campus Location", "campus_maps_id":"1", "room":"", "location_name":"Off Campus Location", "has_livestream":0, "cost":"", "tags":["Architecture","Art","UMMA"], "website":"", "sponsors":[ { "group_name":"University of Michigan Museum of Art (UMMA)", "group_id":"1177", "website":"http:\/\/www.umma.umich.edu\/" } ], "image_url":"", "styled_images":{ "event_thumb":"", "event_large":"", "event_large_2x":"", "event_large_lightbox":"", "group_thumb":"", "group_thumb_square":"", "group_large":"", "group_large_lightbox":"", "event_large_crop":"", "event_list":"", "event_list_2x":"", "event_grid":"", "event_grid_2x":"", "event_feature_large":"", "event_feature_thumb":"" }, "occurrence_count":92, "first_occurrence":4136491 } , "32519-4589876": { "datetime_modified":"20160826T111548", "datetime_start":"20160916T110000", "datetime_end":"20160916T120000", "has_end_time":1, "date_start":"2016-09-16", "date_end":"2016-09-16", "time_start":"11:00:00", "time_end":"12:00:00", "time_zone":"America\/Detroit", "event_title":"Tech Talk: MWireless & Beyond", "occurrence_title":"", "combined_title":"Tech Talk: MWireless & Beyond: Computer Showcase Workshop Series", "event_subtitle":"Computer Showcase Workshop Series", "event_type":"Workshop \/ Seminar", "event_type_id":"21", "description":"Get Connected: Part 3\r\n\r\nLearn how to securely connect to university data networks. We'll discuss wireless and wired networks, how to access resources from off-campus locations through a virtual private network (VPN), and what personal devices can be used on U-M data networks. We'll also show you how to easily configure your devices, so that they\u2019re ready to use at the university, wherever you may be.\r\n\r\nAdvance registration encouraged, but not required. 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Nesta Spink, curator at UMMA from 1967 to 1979, is regarded as the preeminent authority on the lithographs of James McNeill Whistler. U-M professor emeritus Walter Spink is a world-renowned specialist on early Buddhist art and architecture in India. This selection of their gifts, exhibited together for the first time, provides insight into the minds of two connoisseurs with tastes that range far beyond their areas of specialization; highlights include exquisite Whistler prints that are rarely on display and a rich representation of South Asian folk art. The Connoisseurs\u2019 Legacy also honors the Spinks\u2019 long relationship with the museum, their roles as teachers of future scholars and curators, and their commitment to public education.", "occurrence_notes":"**Special hours Sundays: 12\u20135pm, CLOSED Mondays", "guid":"30500-3530804@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/30500", "building_id":"1000151", "building_name":"Museum of Art", "campus_maps_id":"11", "room":"A. 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He will present a general overview of what sorts of work Federal Contractors perform, and what sorts of projects physicists and astronomers might find interesting in the industry. He will describe his transition to industry and his experiences working in four different job functions in three different states in his four years with the company: RF Engineer, Ionospheric Physicist, Data Scientist, and Lead Software Engineer. He will also talk about opportunities with Northrop Grumman, and where they are around the country. Nortrhrop Grumman is looking to hire. 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We draw from western training styles, but we also draw from many other traditions. This workshop helps participants to experience song\/dance\/stories as a communal act. The warm up incorporates African diaspora traditions and unites students through chants and circle dances. Dancers then use movement and song to collectively shape choreographic space. Later, they explore how each student\u2019s personal rituals can expand to become fragments of choreography. At the end of the class, dancers share their work and create a new devised piece of collaborative storytelling.\u201d \nEach Modern Lab session features a different guest artist teaching a master class and sections from their repertory. This panorama of the contemporary dance field is presented to broaden the students\u2019 awareness of potential career possibilities.\nEach guest artist conducts a 30-minute technique class\/warm-up and then teaches repertory that is performed by the class. 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