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    "104713-21809929":
    {
        "datetime_modified":"20230213T123623",
        "datetime_start":"20230217T080000",
        "datetime_end":"20230217T200000",
        "has_end_time":1,
        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"08:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Select Works By James Charles  Morris",
        "occurrence_title":"",
        "combined_title":"Select Works By James Charles  Morris",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"An exhibition by James Charles Morris will be at Palmer Commons, 4th Floor Atrium, February 13 - March 10. \r\n\r\nAbout the Artist:\r\nJames Charles Morris (b. 1984), is a self-taught multidisciplinary artist, who has engaged in the creative visual media  practices of photography, collage, painting, and printmaking for 20 years. Morris has used his work to engage in various  social conversations addressing themes of race, spirituality, history, mental wellness and community. As a native  Detroiter, Morris has always had a fondness for his hometown, which is evident in his work. \r\n\r\nMorris\u2019 artistic influence began to manifest at a very early age, as he took found objects from around his home and  created new works. However, his familial connections also informed his development. Grandmother, Dell Pryor, a  gallerist in the city of Detroit across four decades, exposed James to many emerging and master artists. Some of those  names that ultimately influenced and inspired Morris include Adger Cowans, Hugh Grannum, Lester Sloan, Al Loving,  Gilda Snowden, Shirley Woodson, Anthony Barboza, and Eric Pryor among others. \r\n\r\nIn 2008, Morris founded Definitive Style Exclusive (DSE Detroit), a brand that uses an array of visual statements and  designs created with a simple yet blunt approach to touch on difficult and controversial topics within our society. \r\n\r\nIn 2019, Morris began developing an artistic style that combines collage, photo montage, and abstract expressionism.  This collage-montage style has led Morris to create a series of figurative works, that have engaged many within the  artistic community.",
        "occurrence_notes":null,
                "guid":"104713-21809929@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/104713",
        "building_id":"1005047",
        "building_name":"Palmer Commons",
        "campus_maps_id":"188",
        "room":"4th Floor Atrium",
        "location_name":"Palmer Commons",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Black History Month","Culture","Diversity Equity and Inclusion","Exhibition","Lloyd Scholars For Writing And The Arts","Palmercommons"],
        "website":"",
        "sponsors":[
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                "group_name":"Palmer Commons",
                "group_id":"3423",
                "website":""                },             {
                "group_name":"Lloyd Scholars for Writing and the Arts",
                "group_id":"1041",
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        "datetime_modified":"20230220T000021",
        "datetime_start":"20230217T090000",
        "datetime_end":"20230217T235959",
        "has_end_time":1,
        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"09:00:00",
        "time_end":"23:59:59",
        "time_zone":"America\/Detroit",
        "event_title":"Commonwealth Cup",
        "occurrence_title":"",
        "combined_title":"Commonwealth Cup",
        "event_subtitle":"",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"This tournament is an excellent opportunity for our B-team to develop against other high-level developmental teams as well as many A-teams.",
        "occurrence_notes":null,
                "guid":"104478-21809122@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/104478",
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        "room":"",
        "location_name":"Martinsville, VA",
        "has_livestream":0,
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        "tags":[],
        "website":"https:\/\/maizepages.umich.edu\/event\/8848154",
        "sponsors":[
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                "group_name":"Maize Pages Student Organizations",
                "group_id":"2390",
                "website":""                }                    ],
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    {
        "datetime_modified":"20230112T102807",
        "datetime_start":"20230217T090000",
        "datetime_end":"20230217T160000",
        "has_end_time":1,
        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Portraits of Feminism in Japan",
        "occurrence_title":"",
        "combined_title":"Portraits of Feminism in Japan: Winter 2023 Lane Hall Exhibit",
        "event_subtitle":"Winter 2023 Lane Hall Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"What is feminism in Japan? Rather than imagining it as a singular, coherent object, this exhibit seeks to introduce the diversity, difference, and complexity inherent in feminist activism in Japan. As in other cultural contexts, \u201cfeminism\u201d in Japan can invoke sharply different associations, from office workers trying to reshape taken-for-granted structures of power and authority, to mothers advocating for safer school lunches after the 2011 Fukushima nuclear disasters, and queer couples seeking legal recognition for the families they have created. Mainstream feminist activism in Japan has focused on advocating for change in families, workplaces, schools, political institutions, and laws, among many other contexts. Many \u00ad\u2013 but certainly not all \u2013 feminist activists in Japan are also responding to the lasting legacies of Japanese colonial projects, working toward recognition, repair, and meaningful reparations for racial and gender-based violence that continue to impact communities disproportionately.\r\n\r\nThis exhibit features original portraits of feminists who have shaped the landscape of women's and gender rights in Japan and beyond. Created by nine contemporary artists in Japan and the United States, the portraits and accompanying texts challenge simplistic understandings of \"feminism\" while also drawing attention to a diversity of experiences, needs, and activism within Japan. This exhibit also spotlights the history of Japanese studies at the University of Michigan in conjunction with the Center for Japanese Studies' 75th anniversary celebration. \r\n\r\n\u201cPortraits of Feminism in Japan\u201d is open for viewing M-F 9am-4pm or by appointment. University of Michigan instructors can email LaneHallExhibits@umich.edu to request a group tour or schedule a class visit.\r\n\r\nFeatured artists:\r\nElaine Cromie, JenClare B. Gawaran, Takatoshi Hayashi, ivokuma (\u3044\u307c\u304f\u307e), Nami Kaneko (\u91d1\u5b50\u5948\u7f8e), Kang Jungsook, Lisa Taka Miyagi, Nancy Nishihira (\u897f\u5e73\u30fb\u30ca\u30f3\u30b7\u30fc), and Shigeki Shibata (\u67f4\u7530\u6ecb\u7d00)\r\n\r\nCuration team: \r\nAllison Alexy,  Bradly Hammond, Grace Mahoney, and Alexandria Molinari",
        "occurrence_notes":null,
                "guid":"103305-21806916@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/103305",
        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Asia","Exhibition","Japanese Studies","Visual Arts","Women's Studies"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
        "sponsors":[
             {
                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
                "group_name":"Center for Japanese Studies",
                "group_id":"1003",
                "website":""                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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    {
        "datetime_modified":"20230202T095929",
        "datetime_start":"20230217T090000",
        "datetime_end":"20230217T230000",
        "has_end_time":1,
        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"09:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Future Is With Our People: Sustainability Art Exhibition",
        "occurrence_title":"",
        "combined_title":"The Future Is With Our People: Sustainability Art Exhibition: Stories of Strength and Creativity in a Changing Climate",
        "event_subtitle":"Stories of Strength and Creativity in a Changing Climate",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Sometimes, the solutions to the climate crisis aren\u2019t complex technological innovations. They can be as personal as your auntie\u2019s renegade community kitchen that she built after a natural disaster, or cooking with your dad, who grew up poor, and taught you how to be resourceful in the kitchen. It can be choosing to share moments of laughter with your loved ones in a time of hardship, or sitting on the porch with your elders and learning from their stories of the past. Too often, climate conversations ignore these narratives of community resourcefulness and creativity in times of adversity. \r\n\r\nThe Future Is With Our People brings together work from 10+ UM students who live, work, play, love, and hope in the face of uncertainties and injustices. Through these pieces, the artists tell stories about the customs, communities, relationships, and experiences that bring them joy and a drive to demand a better future. As the climate crisis intensifies, we must recognize that solutions often lie within us, our communities, and our cultures. This art exhibit attempts to express just how vital our stories can be in building a sustainable and just future for present and future generations to thrive in.  \r\n\r\nJoin the Student Life Sustainabilty Cultural Organizers and the Center for Campus Involvement for an art exhibition on the first floor of the Union from Feb 13-Feb 24.",
        "occurrence_notes":null,
                "guid":"104064-21808348@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/104064",
        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"First floor, to the right of the Info desk (if entering via State Street)",
        "location_name":"Michigan Union",
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        "tags":["activism","Art","Sustainability"],
        "website":"https:\/\/www.instagram.com\/umsustiescult\/",
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                "group_name":"Student Life Sustainability",
                "group_id":"4678",
                "website":""                },             {
                "group_name":"Center for Campus Involvement CCI",
                "group_id":"1023",
                "website":"http:\/\/campusinvolvement.umich.edu"                }                    ],
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        "datetime_modified":"20230210T135118",
        "datetime_start":"20230217T090000",
        "datetime_end":"20230217T170000",
        "has_end_time":1,
        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"With Care",
        "occurrence_title":"",
        "combined_title":"With Care: An installation by Nicole Marroquin",
        "event_subtitle":"An installation by Nicole Marroquin",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"About the Exhibition\r\nNicole Marroquin is an interdisciplinary artist, researcher, and educator whose practice explores spatial justice and Latinx history. Deeply rooted in community, she cultivates and reaffirms the human connections that ultimately sustain us. Her recent work explores the emergent themes of belonging as seen through the histories of student rebellions in Chicago public schools between 1968 and 1980.\r\n\r\nHer site-specific installation *With Care*, created for the Institute for the Humanities Gallery, presents the documentary photographs of influential Mexican-born artist, teacher, and friend Diana Sol\u00eds in visual dialogue with Marroquin\u2019s own creative work which includes ceramic sculptures and printmaking. Sol\u00eds\u2019s photography reflects over 25 years of transnational Chicana and lesbian organizing primarily in Chicago and Mexico City between 1975 and 1990. \r\n\r\nAbout the Artist\r\nNicole Marroquin is an interdisciplinary artist, researcher, and teacher educator whose work explores spatial justice and Latinx history. Marroquin works with youth and communities to decenter dominant narratives and to address displacement and erasure. Her current work explores belonging through histories of student rebellions in Chicago Public Schools from 1968 to 1980. Through research and creative practice, she aims to recover and re-present histories of Black and brown youth and women\u2019s leadership in the struggle for justice in Chicago. \r\n\r\nMarroquin has presented her work at the Kochi Biennale, the Annual Conference of the American Association of Research Librarians, University of Maine, New York Archivist Round Table, Jane Addams Hull House Museum, Northwestern University, DePaul Museum of Art, on WLPN Lumpen Radio, Gallery 400, Hyde Park Art Center and more. Her essays are included in the Visual Art Research Journal, Counter-Signals, the Chicago Social Practice History Series, Revista Contratiempo, Where the Future Came From, and Organize Your Own: The Politics and Poetics of Self-Determination Movements. She has been an artist in residence at the Chicago Cultural Center supported by the Propeller Fund at Mana Contemporary, at Watershed, Ragdale, ACRE, Oxbow, and was recently awarded the coveted USA Artist Fellowship, recognizing the most compelling artists working and living in the United States today.",
        "occurrence_notes":null,
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        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
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        "tags":["american culture","Exhibition","Humanities","Multicultural","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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                "group_name":"Institute for the Humanities",
                "group_id":"1130",
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        "datetime_modified":"20230304T123058",
        "datetime_start":"20230217T100000",
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        "date_start":"2023-02-17",
        "date_end":"2023-02-17",
        "time_start":"10:00:00",
        "time_end":"10:45:00",
        "time_zone":"America\/Detroit",
        "event_title":"Black in business: career advice for young Black professionals",
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        "event_title":"Select Works By James Charles  Morris",
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        "event_type":"Exhibition",
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        "event_title":"Sense of Self: The Islamic Contemporary",
        "occurrence_title":"",
        "combined_title":"Sense of Self: The Islamic Contemporary: Curated by Sascha Crasnow",
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        "description":"Despite recent panels and scholarship aiming to dispel the notion, there is a conception that contemporary art and religion are incompatible. \r\n\r\nWhen paired with the Islamophobic sentiment that Islam is destructive, rather than constructive like artistic practices and that it even forbids many forms of artistic production, there is a presumption that contemporary art that engages with Islam as religion and faith (rather than simply as identity) cannot exist. \r\n\r\nThere is an additional assumption that those who identify as women, queer, trans, and non-binary are unlikely to engage with Islam in their work outside of critique, because of the belief that Islam is inherently (and uniquely) oppressive of and therefore contradictory to individuals who identify as such. \r\n\r\nIn an attempt to disabuse viewers of these notions, as well as give a space of exploration to these often overlooked or excluded voices, this exhibition brings together women, queer, trans, and non-binary Muslim artists who explore their connection to religion, their other identities (be those related to their race, ethnicity, gender, sexuality, or status as artists), and their practices.\r\n\r\nParticipating Artists:\r\nNour Ballout\r\nYasmine Diaz\r\nArshia Fatima Haq\r\nYasmine Kasem\r\nManal Shoukair\r\nSaba Taj",
        "occurrence_notes":"Enter through East University Ave. Open to the public.",
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        "room":"RC Art Gallery",
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        "tags":["Activism","Arab","arab american studies","Art","artists","artists and curators","arts","arts at michigan","Arts of Islam","center for middle eastern and north african studies","Community","cultural","Culture","Diversity Equity and Inclusion","Education","Faculty","Free","Global Islamic Studies","History","Humanities","Inclusion","Interdisciplinary","International","Islamic Art","islamic studies","LGBT","Middle East Studies","Multicultural","Muslim","Muslim Identity","Social","Social Impact","Social Justice","Undergraduate Students","Visual Arts","Women's Studies"],
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        "tags":["Career","Graduate Students","Michigan Engineering","Undergraduate Students"],
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