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        "date_end":"2017-09-22",
        "time_start":"16:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"NERS Colloquium: Fred Becchetti, Professor Emeritus, Univ of Mich",
        "occurrence_title":"",
        "combined_title":"NERS Colloquium: Fred Becchetti, Professor Emeritus, Univ of Mich: Recent Developments and Applications of Neutron Detectors",
        "event_subtitle":"Recent Developments and Applications of Neutron Detectors",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Title: Recent Developments and Applications of Neutron Detectors\r\n\r\nHost: YY Lau",
        "occurrence_notes":null,
                "guid":"44341-9908972@events.umich.edu",
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        "building_id":"1000403",
        "building_name":"Cooley Building",
        "campus_maps_id":"42",
        "room":"2906 Baer Room",
        "location_name":"Cooley Building",
        "has_livestream":0,
        "cost":"",
        "tags":["Lecture","Nuclear Engineering and Radiological Sciences"],
        "website":"",
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    {
        "datetime_modified":"20170914T121529",
        "datetime_start":"20170922T170000",
        "datetime_end":"20170922T183000",
        "has_end_time":1,
        "date_start":"2017-09-22",
        "date_end":"2017-09-22",
        "time_start":"17:00:00",
        "time_end":"18:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Hiroshi Yoshioka: Hiroshima, Fukushima, and Beyond",
        "occurrence_title":"",
        "combined_title":"Hiroshi Yoshioka: Hiroshima, Fukushima, and Beyond",
        "event_subtitle":"",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Hiroshima, Fukushima, and Beyond: Borders and Transgressions in Nuclear Imagination\r\nA talk by Hiroshi Yoshioka, Professor, Kokoro Research Center \r\nGraduate School of Art and Letters, Kyoto University\r\n\r\nOrganized by the Stamps School of Art & Design at the University of Michigan in collaboration with the Center for Japanese Studies, this talk focuses on several different images and narratives related to nuclear power, radiation, explosion, and nuclear disasters in the context of postwar Japan. They include visions inspired by atomic bombings in Hiroshima and Nagasaki in 1945, the diffusion of a legend hiding a possible atomic bombing, and images representing both hopes and fears about nuclear experiments and construction of nuclear power plants during the period of postwar economic growth after the 1950s. Today we find various images and narratives related to the Fukushima nuclear crisis caused by the earthquake and tsunami in 2011. Many people in Japan in the 1950s who longed for industrial development were convinced that nuclear power would be okay because it would be used for peaceful purposes and because experts assured it was technically safe, although they were still obsessed by nightmarish memories of the nuclear attacks exerted on the nation only a decade before. Their mind was, in a way, split into two totally different perceptions of nuclear power: a kind of psychological \u201cborder\u201d was set in people\u2019s mind, a border dividing a \u201cgood\u201d nuclear energy from a \u201cbad\u201d one. In the realm of imagination, however, this border is sometimes transgressed in unexpected ways, and we find such transgressions in images in popular culture as well as in works of art, including most recently in the animated film, In This Corner of the World.\r\n\r\nHiroshi Yoshioka is professor at Kokoro Research Center, Kyoto University. He is a researcher of aesthetics and art theory, freelance curator, editor, and artist. He has taught at IAMAS (Institute of Advanced Media Arts and Sciences), and other universities. He is the author of many books such as Shiso no genzaikei: Fukuzatsukeu, dennokukan, afodansu (The Present Tense of Thought: Complex Systems, Cyberspace, and Affordance Theory), Kodansha, 1997; Joho to seimei: No, kompyuta, uchu (Information and Life: The Brain, Computers and the Universe) with Hisashi Muroi, Shin\u2019yosha, 1993; and many essays and articles on philosophy, art, and media culture. He was the general director of Kyoto Biennale 2003 and Gifu-Ogaki Biennale of New Media Arts 2006. He was the editor of Diatxt (the critical quarterly of the Kyoto Art Center) and other publications such as Yorobon, which focuses on culture of the city of Yamaguchi, and Parajin, the publication project of PARASOPHIA Kyoto International Festival of Contemporary Culture 2015. He was the chair of ICOMAG (International Conference of Manga, Animation, Games and Media Arts) organized by the Agency of Cultural Affairs, 2011-13. He has been a member of the multimedia installation project BEACON since 1999. He is the president of the Japanese Society of Aesthetics.",
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        "room":"Hatcher Library Gallery",
        "location_name":"Hatcher Library Gallery, Harlan Hatcher Graduate Library, 913 S University Ave, Ann Arbor, MI 48109",
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    {
        "datetime_modified":"20170830T190955",
        "datetime_start":"20170922T170000",
        "datetime_end":"20170922T190000",
        "has_end_time":1,
        "date_start":"2017-09-22",
        "date_end":"2017-09-22",
        "time_start":"17:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"History of Art Symposium: Visualizing the Social",
        "occurrence_title":"",
        "combined_title":"History of Art Symposium: Visualizing the Social",
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        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This conference explores the powerful engagement with the social in visual art and media, from the aftermath of the Revolutions of 1848 and the Paris Commune of 1871 to the reshaping of the political landscape by the Bolshevik Revolution of 1917\u2014a period whenexperimentation, painting and photography, to imagery in the printed media.\r\n\r\nThe conference begins on Friday evening with introductory talks on the conference theme. On Saturday presentations by an international panel of distinguished speakers will be complemented by discussion of the broader issues raised by the conference, including the continued relevance of social art history for our contemporary political period and for cultural history more generally.\r\n\r\nThe featured speakers are Darcy Grimaldo Grigsby (History of Art, University of California Berkeley, author of Extremities: Painting Empire in Post-Revolutionary France, 2002), Steve Edwards (History of Art, Birkbeck University of London, UK, author of The Making of English Photography: Allegories, 2006), Andre\u0301 Dombrowski (History of Art and Gender, Sexuality and Women\u2019s Studies, University of Pennsylvania, author of Ce\u0301zanne, Murder, and Modern Life, 2013), Marnin Young (Art History, Yeshiva University, author of Realism in the Age of Impressionism: Painting and the Politics of Time, 2015), Andre\u0301s Mario Zervigo\u0301n (Rutgers University, Art History and Center for Cultural Analysis, author of John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage, 2012), Andrew Hemingway (History of Art, University College London, UK, Emeritus, author of Artists on the Left: American Artists and the Communist Movement, 1926-1956, 2002); Christina Kiaer (Northwestern University, Art History and Slavic Languages and Literature, author of Imagine No Possessions: The Socialist Objects of Russian Constructivism, 2005), and Gail Day (History of Art and Cultural Studies, University of Leeds, UK, author of Dialectical Passions: Negation and Postwar Art Theory, 2010)\r\nFor more information please visit the History of Art website.\r\n\r\nThis program is organized by the U-M History of Art Department with support from the Rackham Graduate School Dean's Strategic Initiative Fund, the Departments of English, History, Sociology, and the University of Michigan Museum of Art.",
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        "tags":["Art","Culture","Exhibition","Festival","Multicultural","Storytelling","Theater","UMMA"],
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    {
        "datetime_modified":"20170802T181516",
        "datetime_start":"20170922T170000",
        "datetime_end":"20170922T190000",
        "has_end_time":1,
        "date_start":"2017-09-22",
        "date_end":"2017-09-22",
        "time_start":"17:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Sheryl Oring: I Wish to Say - Vital Signs for a New America",
        "occurrence_title":"",
        "combined_title":"Sheryl Oring: I Wish to Say - Vital Signs for a New America",
        "event_subtitle":"",
        "event_type":"Performance",
        "event_type_id":"15",
        "description":"On view from September 8-October 14, 2017 in the Stamps Gallery (201 S. Division St., Ann Arbor), Vital Signs for a New America is a group exhibition including work by Dylan Miner, Sheryl Oring, and the performance collective The Hinterlands. There will be an exhibition reception on Friday, September 8 from 6-8 pm. The exhibition and reception are free and open to the public.\r\n\r\nCurated by Srimoyee Mitra, Vital Signs for a New America uses a range of meaningful and compelling of community-engaged approaches to invite the public to join Miner, Oring, and The Hinterlands in speaking out and sharing stories; listening and re-learning; and remembering the past to imagine new possibilities for the future.\r\n\r\nActive public engagement is at the heart of Vital Signs for a New America. Each work on view in this group exhibition offers opportunities to interact directly with the artists and their art. As part of the exhibition programming, the gallery will become a common space for storytelling and tea drinking with Dylan Miner; a bustling executive assistant\u2019s office with Sheryl Oring; and a tactile, expansive personal archive with the performance collective The Hinterlands. Vital Signs invites the public to speak out, listen, and imagine new models for inclusive futures.",
        "occurrence_notes":null,
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        "location_name":"Stamps Gallery, 201 S. Division Street, Ann Arbor MI 48104",
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        "tags":["Art","Exhibition"],
        "website":"http:\/\/stamps.umich.edu\/calendar\/event\/16408",
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    {
        "datetime_modified":"20170830T080744",
        "datetime_start":"20170922T170000",
        "datetime_end":"20170922T190000",
        "has_end_time":1,
        "date_start":"2017-09-22",
        "date_end":"2017-09-22",
        "time_start":"17:00:00",
        "time_end":"19:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Visualizing the Social--Introductory Talks",
        "occurrence_title":"",
        "combined_title":"Visualizing the Social--Introductory Talks: 2017 History of Art Fall Symposium",
        "event_subtitle":"2017 History of Art Fall Symposium",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"This conference explores the powerful and variegated engagement with the social in visual art from the aftermath of the Revolutions of 1848 and the Paris Commune of 1871 to the reshaping of the political landscape by the Bolshevik Revolution of 1917. How did producers of pictures and other forms of visual imagery respond to and assist in the construction of an environment configured by the class divisions and conflicts endemic to developed capitalism? Our aim is to examine how this new social landscape was visualized in artistic initiatives that took a variety of forms, from social realism to avant-garde experimentation. \r\n\r\nThe conference begins on Friday evening with introductory talks on the conference theme. On Saturday presentations by an international panel of distinguished speakers will be complemented by discussion of the broader issues raised by the conference, including the continued relevance of social art history for our contemporary political period and for cultural history more generally.\r\n\r\nVISUALIZING THE SOCIAL - Schedule\r\n\r\nFriday  September 22, 5pm-7pm\r\nAlex Potts (History of Art, University of Michigan) \u2018Introduction: Visual Art and the Politics of the Social\u2019\r\nGeoff Eley (History, University of Michigan), keynote talk \u2018Intellectuals, Socialism, and the Social: Germany, 1875-1933\u2019. \r\n\r\nSaturday September 23, 9am-6pm\r\n\r\nThe Age of Capital\r\n9:00-9:15 Introductory comments\r\n9:15 - 10:45\r\nDarcy Grimaldo Grigsby (History of Art, University of California Berkeley)  \u2018Creole Degas\u2019 \r\nSteve Edwards (History of Art, Birkbeck College, UK) \u2018Suspended Time: Antoine Claudet's studio at Regent Street and the Shock of 1848\u2019 \r\n10:45-11:00 Coffee break\r\n1:00 \u2013 12:30\r\nAndr\u00e9 Dombrowski (History of Art and Gender, Sexuality and Women\u2019s Studies, University of Pennsylvania) \u2018Instants, Moments, Minutes: Monet and Time Discipline\u2019 \r\nMarnin Young (Art History, Yeshiva University) \u2018Seurat, Spatiality and the Politics of Form\u2019\r\n12:30-1:00 Response paper by Alex Fraser (University of Michigan, History of Art) and general discussion\r\n\r\n1:00-2:00 Lunch\r\n\r\nCommunism, Revolution and the Social \r\n2:00-3:30\r\nAndr\u00e9s Mario  Zervig\u00f3n (Rutgers University, Art History and Center for Cultural Analysis) \u2018The Raised and Mangled Hand of Leftist Solidarity,1911-1933\u2019\r\nAndrew Hemingway (History of Art, University College London, UK, Emeritus) \u2018Class Compositions: Visual Forms of the Mass in American Realist Art, c. 1905-35\u2019 \r\n3:30-3:45 Break\r\n3:45-5:15\r\nChristina Kiaer (Northwestern University, Art History) \u2018Revolution Every Day: Propagandizing Women in Early Soviet Russia\u2019\r\nGail Day (History of Art and Cultural Studies, University of Leeds, UK) \u2018Every day, something happens to us: Realism at the crossroads\u2019\r\n5:15-5:45 Response paper by Grant Mandarino (History of Art, University of Michigan) and general discussion\r\n5:45-6:00 Concluding discussion",
        "occurrence_notes":null,
                "guid":"41390-9199029@events.umich.edu",
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        "room":"Helmut Stern Auditorium",
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        "tags":["Art","History","International","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/histart\/events",
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                "group_id":"1204",
                "website":"http:\/\/www.ii.umich.edu\/ces"                },             {
                "group_name":"U-M Office of Research",
                "group_id":"3378",
                "website":"http:\/\/research.umich.edu\/umor\/"                },             {
                "group_name":"Department of History",
                "group_id":"3470",
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                "group_id":"3478",
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        "event_title":"Celeste Ng with Douglas Trevor",
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        "combined_title":"Celeste Ng with Douglas Trevor: Literati Bookstore",
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        "description":"Celeste Ng grew up in Pittsburgh, Pennsylvania, and Shaker Heights, Ohio, in a family of scientists. She attended Harvard University and earned an MFA from the University of Michigan (now the Helen Zell Writers\u2019 Program at the University of Michigan), where she won the Hopwood Award. Her fiction and essays have appeared in One Story, TriQuarterly, Bellevue Literary Review, the Kenyon Review Online, and elsewhere, and she is the recipient of the Pushcart Prize. She lives in Cambridge, Massachusetts, with her husband and son.\r\n\r\nCeleste will be in conversation with Douglas Trevor, Director of the Helen Zell Writers' Program at the University of Michigan\r\n\r\nAbout Little Fires Everywhere:\r\nIn Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned\u2014from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principal is playing by the rules.\r\n\r\nEnter Mia Warren- an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the alluring mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.\r\n\r\nWhen the Richardsons\u2019 friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town and puts Mia and Mrs. Richardson on opposing sides. Suspicious of Mia and her motives, Mrs. Richardson becomes determined to uncover the secrets in Mia\u2019s past. But her obsession will come at unexpected and devastating costs to her own family\u2014and Mia\u2019s.\r\n\r\nLittle Fires Everywhere explores the weight of long-held secrets and the ferocious pull of motherhood\u2014and the danger of believing that planning and following the rules can avert disaster, or heartbreak.",
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        "event_title":"First CSTF Meeting",
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        "description":"The first meeting of CSTF of the 2017-2018 academic year. We plan on discussing our plans for the year on how to defend campus from clowns, their allies, and how to ensure students know more about the safety resources available to them.",
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