{ "35740-5313767": { "datetime_modified":"20170106T143503", "datetime_start":"20161104T100000", "datetime_end":"20161104T160000", "has_end_time":1, "date_start":"2016-11-04", "date_end":"2016-11-04", "time_start":"10:00:00", "time_end":"16:00:00", "time_zone":"America\/Detroit", "event_title":"Out of the Ordinary", "occurrence_title":"", "combined_title":"Out of the Ordinary: Gems & Oddities in the Clements Library", "event_subtitle":"Gems & Oddities in the Clements Library", "event_type":"Exhibition", "event_type_id":"7", "description":"The Library has been in collecting mode almost non-stop since it opened in 1923, and many unusual or extraordinary objects have found a home within its walls. The four Clements Library curators have each contributed to this exhibit a selection of interesting, remarkable, or peculiar items. As we celebrate the return of the Clements collection to 909 South University Avenue, we invite you to peruse a few of the oddball items that have turned up in a great library.\r\n\r\nExhibit open: November 4, 2016 - April 28, 2017\r\nExhibit hours are Fridays 10:00am - 4:00pm", "occurrence_notes":null, "guid":"35740-5313767@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/35740", "building_id":"1000159", "building_name":"William Clements Library", "campus_maps_id":"165", "room":"Avenir Foundation Room", "location_name":"William Clements Library", "has_livestream":0, "cost":"", "tags":["Exhibition","Graduate","Graduate School","History","Information and Technology","Library","Undergraduate"], "website":"http:\/\/myumi.ch\/6Or4R", "sponsors":[ { "group_name":"William L. 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"description":"Abstract and paper not yet available.", "occurrence_notes":null, "guid":"34985-5057499@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/34985", "building_id":"1005188", "building_name":"Ross School of Business", "campus_maps_id":"547", "room":"R1230", "location_name":"Ross School of Business", "has_livestream":0, "cost":"", "tags":["Business","Economics","seminar"], "website":"http:\/\/lsa.umich.edu\/econ\/news-events\/seminars\/mitsui-finance.html#date=2016-11-12&view=month", "sponsors":[ { "group_name":"Department of Economics", "group_id":"3302", "website":"http:\/\/www.lsa.umich.edu\/econ" }, { "group_name":"Department of Economics Seminars", "group_id":"3566", "website":"" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2016\/10\/event_34985_original.png", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_thumb\/media\/attachments\/2016\/10\/event_34985_original.png", 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Her investigations combine architectural research, material studies, and art experiments, a strategy she began as a student that now defines her career.\r\n\r\nThe most important element in her formal vocabulary is light, not only as a \u201cmaterial\u201d in its own right, but also as a condition. Varying in strength, form, and duration, light constructs architecture as a situational experience rather than a fixed space. Newell\u2019s fascination with light is a fascination with darkness. Through urban interventions, installations, and photographs, she investigates how darkness creates alternate environments, with unseen geographies, untold histories, and secret identities.\r\n\r\nNewell, assistant professor of architecture at U-M Taubman College of Architecture and Urban Planning, is a recent recipient of the Rome Prize in architecture. Overnight includes photographs from her Rome project as well as new photography from the series Nightly, featuring nighttime images of Detroit streetscapes and interiors, alongside a site-specific sculptural installation commissioned by the Museum.", "occurrence_notes":"**Special hours Sundays: 12\u20135pm, CLOSED Mondays", "guid":"30497-3530709@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/30497", "building_id":"1000151", "building_name":"Museum of Art", "campus_maps_id":"11", "room":"Irving Stenn, Jr. Family Gallery", "location_name":"Museum of Art", "has_livestream":0, "cost":"", "tags":["Art","Exhibition","Museum","UMMA"], "website":"", "sponsors":[ { "group_name":"University of Michigan Museum of Art (UMMA)", "group_id":"1177", "website":"http:\/\/www.umma.umich.edu\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2016\/04\/event_30497_original.jpeg", "styled_images":{ 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"first_occurrence":5046431 } , "34760-4987525": { "datetime_modified":"20161006T114729", "datetime_start":"20161104T110000", "datetime_end":"20161104T170000", "has_end_time":1, "date_start":"2016-11-04", "date_end":"2016-11-04", "time_start":"11:00:00", "time_end":"17:00:00", "time_zone":"America\/Detroit", "event_title":"Japanese Prints of Kabuki Theater from the Collection of the University of Michigan Museum of Art", "occurrence_title":"", "combined_title":"Japanese Prints of Kabuki Theater from the Collection of the University of Michigan Museum of Art", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"Kabuki actors were superstars in eighteenth- and nineteenth-century Japan. They were admired by passionate fans with an insatiable appetite for images of them, fed by a publishing industry that mass-produced colorful woodblock prints of actors on stage that could be cheaply purchased as souvenirs of or substitutes for a theater experience. Japanese Prints of Kabuki Theater from the Collection of the University of Michigan Museum of Art presents a selection of these dramatic prints that connected fans to their idols, including off- or backstage portrayals that satisfied fans\u2019 voyeuristic curiosity about their favorite actors\u2019 lives, fantasy scenes of actors in unlikely groupings, and even death portraits of especially famous actors. This introduction to the visual culture surrounding kabuki theater includes prints by major artists such as Utagawa Toyokuni (1769\u20131825), Utagawa Kunisada (1786\u20131865), Utagawa Kuniyoshi (1797\u20131861), and Toyohara Kunichika (1835\u20131900).\r\n\r\nLead support for this exhibition is provided by the University of Michigan Office of the Provost, the National Endowment for the Arts, the William T. and Dora G. Hunter Endowment, AISIN, the E. Rhodes and Leona B. Carpenter Foundation, and the University of Michigan Center for Japanese Studies. Additional generous support is provided by the Japan Foundation and the University of Michigan Institute for Research on Women and Gender.", "occurrence_notes":null, "guid":"34760-4987525@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/34760", "building_id":"1000151", "building_name":"Museum of Art", "campus_maps_id":"11", "room":"", "location_name":"Museum of Art", "has_livestream":0, "cost":"", "tags":["Art","Asia","Exhibition","Japanese Studies","Multicultural","Museum","Storytelling","UMMA","Visual Arts"], "website":"http:\/\/www.umma.umich.edu\/exhibitions\/upcoming", "sponsors":[ { "group_name":"University of Michigan Museum of Art (UMMA)", "group_id":"1177", "website":"http:\/\/www.umma.umich.edu\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2016\/10\/event_34760_original.jpeg", "styled_images":{ "event_thumb":"https:\/\/events.umich.edu\/media\/cache\/resolve\/event_thumb\/media\/attachments\/2016\/10\/event_34760_original.jpeg", 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"description":"Pictorialism was the first truly international photography movement, and its practitioners, among them Alfred Stieglitz, Edward Steichen and Gertrude K\u00e4sebier, sought to position photography as a legitimate aesthetic art form. They favored soft-focus images that drew upon the conventions of important artists and movements of the late nineteenth and early twentieth centuries\u2014the influence of the Pre-Raphaelites, James McNeill Whistler, Japonisme, and Art Nouveau are readily seen in the images on view in this exhibition.\r\n\r\nIn 1902 Alfred Stieglitz and other Pictorialist photographers founded the Photo-Secession in New York, with Camera Work as the flagship periodical that published images by the group. Their poetic compositions drawn from contemporary life, combined with the use of expensive and labor-intensive printing materials such as platinum and gum bichromate, established these photographs as complex and nuanced works of high artistic quality. The exhibition features work by the principal Pictorialists, including Stieglitz, Steichen, K\u00e4sebier, Clarence White, Paul Strand, and Alvin Langdon Coburn.\r\n\r\nLead support for this exhibition is provided by the Herbert W. and Susan L. 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Its presence at UMMA today\u2014almost 7,500 miles away from the context in which it was originally created, used, and valued\u2014is the result of a long and tumultuous journey, spanning a hundred years, three continents, and numerous people whose lives are forever connected to the artifact that passed through their hands.\r\nTraces tells the stories of some of these individuals as it reconstructs the \u201cbiography\u201d of the mask. Drawing on the Museum\u2019s African art collection and complemented with national loans, the exhibition is informed by research that exposes the mask\u2019s many layers and restores some of its historical complexity. Visitors will be able to look closely, and in great detail, at this intriguing artwork and its fascinating story.\r\nLead support for this exhibition is provided by the James and Vivian Curtis Endowment. 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The growing evidence shows that research teams with raised ambitions to find practical solutions and seek foundational theories simultaneously have a greater chance of achieving both (ABC Principle: Applied & Basic Combined).\r\n\r\nThis talk will guide students, faculty, business leaders, and government policy makers on how to produce high-impact research. Teamwork becomes an even more valuable approach since it facilitates the blending of research methods (SED Principle: Blend Science, Engineering and Design Thinking). 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