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"event_type_id":"5", "description":"Speakers Include: Jean-Paul Amoureux (France), Amir Goldbourt (Israel), Anne Lesage (France), Sung Joon Kim (USA), Guido Pintacuda (Italy) and many more.\r\n\r\nConference co-chairs: Dr. Ayyalusamy Ramamoorthy (University of Michigan) and Dr. David Weliky (Michigan State University)", "occurrence_notes":null, "guid":"30288-3399999@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/30288", "building_id":"1000158", "building_name":"Chemistry Dow Lab", "campus_maps_id":"34", "room":"1640", "location_name":"Chemistry Dow Lab", "has_livestream":0, "cost":"", "tags":["Physics","Chemistry","Research","Science","symposium"], "website":"", "sponsors":[ { "group_name":"LSA Biophysics", "group_id":"3767", "website":"" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2016\/04\/event_30288_original.jpeg", "styled_images":{ 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Starting with the Second Folio (1632), our display includes a selection of landmark editions by authors and scholars like John Dryden, Nicholas Rowe, Alexander Pope, Samuel Johnson, and Edmond Malone. It explores the staging and costuming of productions such as Charles Kean\u2019s archaeologically-informed, elaborately-costumed 1856 production of The Winter\u2019s Tale, and Maurice Browne-Ellen Van Volkenburg 1930 production of Othello casting Paul Robeson as the first black actor to play Othello in a century.\r\n\r\nMost of the titles included in this display come from the McMillan Shakespeare Library. Materials are also displayed from the Maurice Browne and Ellen Van Volkenburg Papers, 1792-1968 and the Zelma Weisfeld Archive, 1954-2006. 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The Fellows will present their projects to the college at 6:00 p.m. in the Auditorium. The projects present their ongoing research during their yearlong fellowship. A reception will follow the presentations, with exhibition on view in the college gallery.\r\n\r\n\r\nCyrus Pe\u00f1arroyo - William Muschenheim Fellow\r\n\r\nBLDG_DRWG\r\nBLDG_DRWG recoups handwrought drawing effects and rearranges drawing conventions at the building scale in order to reorient the ways in which architecture is produced and consumed. Oscillating between analog methods (ink, paint, tape) and digital processes (scanning, photoshop filtering, milling), this project intensifies attributes of drawing otherwise lost in translation. A series of 1:1 investigations harnesses the potency of these effects and uses them to emphasize, deemphasize, or reconstitute existing architectural conditions. The results of these studies are reassembled in the gallery as a room\u2013\u2013one fragment of an unfinished building\u2013\u2013that speaks to the instability of its own representation.\r\n\r\nTeam members: Andrew Barkhouse, Peter Watkins\r\nWith assistance from: Chris Campbell, Samantha Eng, Matt Culver, Asa Peller, Tafhim Rahman\r\n\r\n\r\nAshley Bigham - Walter B. Sanders Fellow\r\n\r\nSafety Not Guaranteed\r\nArchitecture is inseparable from defense. From its most primitive and revered \u201corigins,\u201d architecture was rehearsed in environments of conflict. As an alternative to the term defense architecture, a category which typically refers to forms and types (fortresses, citadels, bastions, urban walls), this project proposes the idea of an architecture of defense. An architecture of defense sees all of architecture as a reaction to some measure of paranoia and studies the built environment to recognize measures and methods used to subdue these fears. Safety Not Guaranteed explores the architecture of paranoia through a series of design manipulations and exaggerations. Its setting is the network of suburbia and everyday domestic scenes\u2014spaces most commonly associated with privacy, safety, and security and where fortification occurs on the scale of the front door, the home, the cul-de-sac, and the neighborhood.\r\n\r\nTeam Members: Connor Brindza, James Howe, Neall Oliver, Sasha Pfeiffer, Mark Boynton, Kamsy Anyachebelu\r\n\r\n\r\nDavid Eskenazi - Willard A. Oberdick Fellow\r\n\r\nFor the Trees\r\nAt first I noticed how naked the papers were, since they didn\u2019t seem to be acting like something else. I guess they were supposed to be models, it was an architecture exhibit after all, but they were missing all those things that point elsewhere: no doors, no windows, nothing that particularly looks like anything but itself. They were formed, sure, but that\u2019s not really enough to point outwards. Or is it? Before you answer, there was one more thing: some of the papers were near an enlarged duplicate. Actually, maybe they were shrunken copies. It was a lot like that moment at the top of Runyon Canyon when you turn around and realize there\u2019s an entire other, slightly smaller Los Angeles behind you. Were you just looking at the original, or the copy? I think the most interesting part is right afterwards when your focus shifts around you to the ground, the dirt, the trees.. all that stuff that frames what you\u2019re looking at, like the base of a model or scale figures or model trees. Come to think of it, the papers did look like trees. But the resemblance is fleeting, and now I\u2019m certain the papers were in fact models pointing around at each other. Or were they in the background, acting like a frame for something else, something that wasn\u2019t there?\r\n\r\n\r\nAbout University of Michigan Taubman College of Architecture and Urban Planning:\r\n\r\nThe Taubman College of Architecture and Urban Planning at the University of Michigan is a leader in interdisciplinary education and research with a focus on creating a more beautiful, inclusive and better built environment. The college and its alumni are committed to pushing the boundaries of architectural practice, advancing global engagement, and significantly enhancing diversity in the profession. 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