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        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"How It All Works: Ritual in the Ancient Mediterranean",
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        "combined_title":"How It All Works: Ritual in the Ancient Mediterranean",
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        "event_type":"Conference \/ Symposium",
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        "description":"Students of Greek and Roman religion have often noted that people in the ancient Mediterranean were more interested in ritual participation (orthopraxy) than theological dogma (orthodoxy). But what can we know about whether and how the ancient Greeks and Romans thought their rituals accomplished anything? How did they think ritual worked? This interdisciplinary conference explores the understudied question of the efficacy of ritual, i.e., how people in the ancient world understood the positive (and sometimes negative) functions of religious practices such as sacrifice, prayer, choral dance, and temple cult. The conference aims to bring together scholars from various disciplines, such as religious studies, history, philosophy, and archeology.\r\n\r\nWednesday, May 22, 2024\r\nSession 1 | 1:00 - 4:30 pm\r\n1:00 - 1:15 pm - Opening Remarks, Celia E. Schultz, University of Michigan\r\n1:15 - 2:00 pm - The Walls Have Eyes: Apotropaism and Iconoclasm in Late Antique Egypt, presented by Alex Bridges (University of Edinburgh)\r\n2:00 - 2:45 pm - Understanding Ritual Causality in Mithraic Rituals, presented by Alison Griffith (University of Canterbury)\r\n2:45 - 3:00 pm - Coffee Break\r\n3:00 - 3:45 pm - Cognitive Insights into the Trustworthiness of Roman Divination, presented by Rebecca Hachamovitch (University of St Andrews)\r\n3:45 - 4:30 pm - Ritual Determinants of Social Status and Social Power in the Roman World, presented by Jacob Mackey (Occidental College)\r\n\r\nThursday, May 23\r\nSession 2 | 9:00 am - 12:15 pm\r\n9:00 - 9:45 am - Plato\u2019s Debt to Dionysiac Ritual, presented by Lucy Walsh (Trinity College, Dublin)\r\n9:45 - 10:30 am - Can Plato\u2019s Gods be Persuaded? presented by Justin Barney (Western Michigan University)\r\n10:30 - 10:45 am - Coffee Break\r\n10:45 - 11:30 am - The Theorization of Animal Sacrifice in Greek Philosophy, presented by James Rives (University of North Carolina at Chapel Hill)\r\n11:30 - 12:15 am - Ritual Error: Causes, Consequences, and Remedies from the Oracular Tablets of Dodona to Lydian Miracle Narratives, presented by Jan-Mathieu Carbon (Queen's University)\r\n12:15 - 1:30 pm - Lunch Break\r\n\r\nSession 3 | 1:30 - 5:00 pm\r\n1:30 - 2:15 pm - Did Votive Offerings Stop Working? The End of the \u201cVotive Habit\u201d in Republican Italy, presented by Alexandra Sofroniew (University of California, Davis)\r\n2:15 - 3:00 pm - From the \u2018periphery of the Classical world\u2019: Pre-Roman Italy between scrupulous rituals and fluid \u2018theology\u2019, presented by Massimiliano Di Fazio (Universit\u00e0 di Pavia)\r\n3:00 - 3:15 pm - Coffee Break\r\n3:15 - 4:00 pm - Roman Prayers, A Mix of Law and Magic? The Cases of Evocatio, Devotio and Defixio, presented by Alain Blomart (Universitat Ramon Llull (Blanquerna -FPCEE), Barcelona)\r\n4:00 - 4:45 pm - Roman Oaths Between Theology and Ethics, presented by Duncan MacRae (University of California, Berkeley)\r\n4:45-5:00 pm - Concluding remarks, Celia E. Schultz (University of Michigan)",
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        "building_id":"1000150",
        "building_name":"LSA Building",
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        "room":"Multipurpose Room, 1040",
        "location_name":"LSA Building",
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        "tags":["Ancient Greece","Ancient Rome","Archaeology","Classical Studies","conference","Free","History","Mediterranean","Philosophy","Romance Languages And Literatures"],
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                "group_name":"Classical Studies",
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                "group_name":"Department of History",
                "group_id":"3470",
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                "group_name":"Interdepartmental Program in Ancient Mediterranean Art and Archaeology",
                "group_id":"3719",
                "website":""                },             {
                "group_name":"Kelsey Museum of Archaeology Lectures",
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        "datetime_modified":"20240103T111241",
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        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Diversity","Exhibition","gender studies","Humanities","Immigration","International","Latin America","LGBT","Storytelling","Theater","Visual Arts"],
        "website":"https:\/\/twitter.com\/UMichIRWG",
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
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                "group_id":"1158",
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                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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