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        "datetime_modified":"20260921T181519",
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        "time_start":"07:00:00",
        "time_end":"22:00:00",
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        "event_title":"2026 Second Year Studio Exhibition",
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        "combined_title":"2026 Second Year Studio Exhibition",
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        "description":"\n\nAugust 24 - October 18, 2026\nExhibition Reception: October 1, 1-2:30 p.m.\n\nIn their second year, Stamps students complete a major milestone: Second Year Studio (SYS). It\u2019s a course where, per the syllabus, students \"develop the capacity to work independently by identifying, exploring, and pursuing a single independent project that involves multiple iterations.\" \n\nStamps Lecturer & Student Exhibitions Coordinator Sally Clegg notes, \"Each student takes their own path, encountering questions that can shape the direction of their creative practice\u2014how do I manage my time? How much constraint vs. freedom do I thrive on? What subject matter do I care about most deeply? How do my ideas about my future goals intersect with the work I want to make now?\" At the end of the semester, students formally report on their experience in a presentation called the Sophomore Review, and a faculty panel offers individualized feedback. \n\nInstalled throughout the Art & Architecture Building, the Second Year Studio Exhibition showcases the art and design work created in this pivotal course by our rising third-year and transfer students, and invites first-year students and other newcomers to explore both the building and the creative possibilities ahead. The show features 50 students who have volunteered to participate, yet it honors every Stamps major who reaches the SYS milestone. The pieces on view span a wide array of media and capture a specific moment in each maker\u2019s path: experiments in previously unfamiliar methods, emergent passions, creative risks taken, iterations and reiterations, and the seeds of so much future work.\n\nAs Course Coordinator, Stamps Assistant Professor Pedram Baldari both teaches and works directly with all the faculty overseeing each section to collaboratively support the entire class. He offers this reflection on the diverse collection of work on view in this year\u2019s exhibition.\n\nThese works engage a wide range of questions and concerns. Students investigate memory, identity, materiality, ecology, technology, labor, social relationships, and the built environment through equally diverse formal approaches. While these subjects recur across the exhibition, what stands out most is not a dominant thematic direction, but a shared commitment to sustained inquiry.\n\nSYS is intentionally structured around a different learning model than project-based courses. Rather than responding to predetermined assignments, students identify their own questions and spend an entire semester developing them through research, experimentation, critique, and multiple iterations. The emphasis is not on arriving quickly at a resolved outcome, but on cultivating the capacity to work independently, remain responsive to new discoveries, and allow the project itself to evolve through sustained engagement.\n\nAs a result, the exhibition presents more than a collection of finished works. It documents different ways of investigating, testing, and refining ideas. Some students advance through material experimentation, others through drawing, installation, performance, digital media, social engagement, or speculative approaches. Each project reflects a distinct methodology that has developed through repeated cycles of making, reflection, critique, and revision. In a sense, the dialectical process generated by the nature of this course is the most significant thread connecting this year\u2019s exhibition. It marks a point at which students begin moving beyond solving assignments toward constructing independent practices, developing the habits of inquiry, critical reflection, and experimentation that will continue to shape their work well beyond SYS.\n\n\n\nExhibiting Artists and Designers\n<ul class=\"twocol\">\n\nNailah Aguilar\n\nAkylah Archer\n\nZachary Berenbaum\n\nSamantha Blaine\n\nLauren Boyce\n\nKas Brajkovic\n\nAnna Browne\n\nLilah Chow\n\nIsabella Cortes\n\nMagdalena Dimovski\n\nLeah Elliott\n\nAya Fadlelzebair\n\nM. Faurote\n\nClaire Fuller\n\nNoelle Gall\n\nLacy Galligan\n\nAbigail Garcia\n\nElise Goldberg\n\nAva Grace\n\nElla Graeb\n\nDeja Green\n\nGrace Hardy\n\nKore Hern\u00e1ndez\n\nMikayla Holcomb\n\nReese Johnson\n\nOonagh Kossman\n\nKade Kuba\n\nAvelina Kusiak\n\nOliver Levans\n\nAlef Liu\n\nFiona Maier\n\nCaitlyn McConville\n\nTyler Meerschaert\n\nEve Mellis\n\nErica Meunier\n\nAlexis Minor\n\nCatherine Mitzel\n\nCharlotte Mullin\n\nAnupama Narayan\n\nMia Noel\n\nAva Paananen\n\nDominique Robinson\n\nSophie Scott\n\nVictoria Selektor\n\nSamridhi Sharma\n\nJanet Shasha\n\nSadie Smith\n\nGabriella Spagnuolo\n\nAva Sproull\n\nJesse Strohauer\n\nDavid Wang\n\nZimu Wang\n\nLily Whitcomb\n\nLexi Wu\n\nMelaniya Zazovskaya\n\n",
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        "website":"https:\/\/stamps.umich.edu\/events\/second-year-studio-exhibition-2026",
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        "datetime_modified":"20260911T104038",
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        "date_end":"2026-09-24",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
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        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["russia","Ukraine"],
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                "group_name":"Copernicus Center for Polish Studies",
                "group_id":"3110",
                "website":"http:\/\/www.ii.umich.edu\/polish"                },             {
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