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        "event_title":"Nicole Ray Art Exhibit: State of Play",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "event_title":"Elizabeth Youngblood: Syntax",
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        "description":"Opening Reception: June 20, 6-8 p.m.On View: June 21 - August 3, 2024\nStamps Gallery is proud to present a solo exhibition that celebrates the important work of Detroit-based artist, educator, and designer Elizabeth Youngblood (BFA 1973). This exhibition explores the expansive and experimental nature of her prolific and interstitial art practice. Syntax sheds light on Youngblood\u2019s embodied practice that encompasses a deep commitment and respect for the process and the material with which she is working - be it found objects, fur, hair, surfaces of different types of paper, pigments, ink, wire, porcelain, threads, and\/or clay, that may have inspired her. The work occupies the spaces between art and design, abstract and concrete, making and becoming. In Syntax, the viewers will encounter over 30 works from the last four decades that range from large-scale drawings to intimate mixed-media works, sculptural objects, and weavings. The exhibition will also include Youngblood's early design work where her explorations with dots, dashes, lines and accumulation of lines and space emerged and became a framework for a way to consider form as ever-evolving and iterative. These recurring forms were the points of departure for her experiments with materiality as they became reconstituted across different mediums and disciplines, transformed over and over again to create Youngblood\u2019s unique visual vocabulary and her Syntax of making and meaning.\nCurated by Srimoyee Mitra.\nArtist\u2019s Bio\nBorn in Detroit and educated in southeastern Michigan, Elizabeth Youngblood is an artist, educator, designer and maker of interesting things. From her high school education at Cass Technical High School to her undergraduate education at the University of Michigan, through graduate work at Cranbrook, she has always maintained a dual interest in making by hand and in design for production. Youngblood\u2019s art-making practice includes working in the mediums of drawing, ceramics, weaving, bookbinding and more. She\u2019s been a faculty member at the University of Michigan, Ann Arbor and SUNY Purchase, NY, managed branding with Unisys and designed at The New York Times. After a stint on the east coast, Youngblood has returned to Detroit where she maintains a studio practice and continues to investigate the intersection of her range of interests.\n",
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