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        "event_title":"Legacies: Contemporary Art Dialogues with Clay",
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        "combined_title":"Legacies: Contemporary Art Dialogues with Clay",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"\n\nOn the occasion of the 2026 NCECA conference in Detroit, Stamps Gallery presents an exhibition of new and recent work by diverse intergenerational artists working in clay locally and nationally. Collectively, these works preserve and evolve age-old artistic traditions from weaving, mark-making, and pottery as contemporary forms of resistance and resilience; recovery and regeneration that draw on diasporic and ancestral knowledge of world-building and translation.\n\nFeaturing work by Maya Davis, Adebunmi Gbadebo, Nicole Marroquin, Marie Woo, and Hedy Yang. Curated by Srimoyee Mitra.\n\nDDD Project Space, 2857 East Grand Blvd Suite 104, Detroit MI\n\nExhibition Dates and Hours: March 13\u2009\u2013\u200928, 2026\n\nFri., March 13 and 20: 12\u20146 p.m.\nSat., March 14 and 21: 12\u20145 p.m.\nTue\u2014Wed, March 24\u201425: 11 a.m.\u20145 p.m.\nThu., March 26: 12\u20147 p.m.\nFri., March 27: 12\u20149 p.m.\nSat., March 28: 12\u20145 p.m.\n\nExhibition Reception: Fri., March 27, 5:30\u2009\u2014\u20099 p.m.",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/legacies-contemporary-art-dialogues-with-clay",
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        "datetime_modified":"20260109T125900",
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        "datetime_end":"20260317T130000",
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        "date_start":"2026-03-17",
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        "event_title":"LRCCS Noon Lecture Series | Globalizing Chinese Theatre: Chinese Dramatists and Transnational Media Ecologies",
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        "combined_title":"LRCCS Noon Lecture Series | Globalizing Chinese Theatre: Chinese Dramatists and Transnational Media Ecologies: Sophia Tingting Zhao, Associate Professor, Department of Modern and Classical Languages and Literatures, Virginia Tech",
        "event_subtitle":"Sophia Tingting Zhao, Associate Professor, Department of Modern and Classical Languages and Literatures, Virginia Tech",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Please note: This lecture will be held in person and virtually on Zoom. The webinar is free and open to the public, but registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/mRz1N\r\n\r\nDr. Zhao\u2019s new project investigates the transnational engagements of Chinese dramatists, actors, and intellectuals with world theatre from the 1910s to the 1930s and illustrates how they significantly shaped the global perceptions of Chinese theatre. Through case studies of Chinese dramatists working in the United States, France, and Britain, this talk will present how they articulated their own visions of Chinese theatre, establishing it not as an exotic spectacle but as a site of theoretical experimentation and aesthetic authority. By re-centering Chinese agency within transnational theatre networks, their work reframed Chinese theatre as a constitutive rather than derivative force in global theatre history and laid the groundwork for the forms and debates that continue to shape Chinese theatre today.\r\n   \r\n   Sophia Tingting Zhao (Ph.D., East Asian Languages and Cultures, Stanford University) is an Associate Professor in the Department of Modern and Classical Languages and Literatures at Virginia Tech, where she also serves as director of the Chinese program. Her research focuses on Chinese theatre and performance, performance historiography, and the intersections of literature, gender, urban space, media, and global modernity, with particular emphasis on transnational Chinese theatre. She is the co-author of three scholarly books on Chinese theatre, including two scholarly editions of traditional poetry on Chinese Kun opera and a scholarly edition of a sixteenth-century dramatic text.\r\n   \r\n   Her forthcoming monograph, \u201cGlobalizing Chinese Theatre\u201d\u300a\u9762\u5411\u4e16\u754c\u7684\u4e2d\u56fd\u620f\u5267\u300b (Fudan University Press, 2026), examines how Chinese dramatists, performers, and intellectuals engaged transnationally with world theatre and reshaped global narratives of Chinese theatre between 1911 and 1949. She is also the author of Mei Lanfang and Gender Studies \u300a\u6885\u5170\u82b3\u4e0e\u5973\u6027\u6587\u5316\u7814\u7a76\u300b(Beijing Publishing House, 2026), the first book-length gender analysis of female impersonation and theatrical stardom in twentieth-century Chinese theatre. Her article \u201cWang Guowei\u2019s Weltanschauung: Chinese Theatre in the Age of Globalization\u201d won the 2019 Wang Guowei Award for Academic Paper on Drama. Her scholarship on Mei Lanfang has also been recognized as Top-Ten Papers at the 1st, 2nd, and 7th Mei Lanfang Research Young Scholars Forums. Additional honors include the Emerging Scholar Award from the Association for Asian Performance.",
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        "tags":["Asian Languages And Cultures","China","chinese","Performance","Theater"],
        "website":"https:\/\/myumi.ch\/mRz1N",
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                "website":"http:\/\/ii.umich.edu\/lrccs\/"                },             {
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