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        "datetime_modified":"20260123T132939",
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        "datetime_end":"20260206T163000",
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        "date_start":"2026-02-06",
        "date_end":"2026-02-06",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Stamping and Stomping: community inspired relief prints",
        "occurrence_title":"",
        "combined_title":"Stamping and Stomping: community inspired relief prints: Paloma N\u00fa\u00f1ez-Regueiro",
        "event_subtitle":"Paloma N\u00fa\u00f1ez-Regueiro",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Currently based in Ann Arbor, Paloma N\u00fa\u00f1ez-Regueiro is a Mexican printmaker born in Lima, Peru. Paloma attended art college in Mexico, where she came face to face with printmaking during her first year at the Facultad de Artes Pl\u00e1sticas (College of Arts) in Xalapa, Veracruz. She became fascinated with the possibilities that printmaking offers, as well as its importance in popular resistance throughout history. In 1997, she transferred to the Rochester Institute of Technology with an International Student Scholarship.\n-- \n\nAmongst the subjects that interest her are human migration, social in-visibility, and the intrinsic relation of humans to the universe as well as our dislocated relationship to it. She currently explores the vicissitudes of minorities and their stories in order to create a better understanding of their issues. By offering portraits of minorities and their stories, Nunez-Regueiro\u2019s goal is to create supportive communities for those who need to feel rooted in their geographical space and their present time. \n\nN\u00fa\u00f1ez-Regueiro work is closely related to her experiences of living abroad \u2014 the impermanence, the precarious construction of one's present and even less of one\u2019s future. It is about the rootlessness of those of us who move from place to place. She is an incessantly positive artist and she profoundly believes in art as a tool to create the social change that can lead us to thoughtful actions, and the bettering of ourselves and our communities.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
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        "building_id":"1000054",
        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["social justice","Free","Culture","Arts Initiative","arts at michigan","Arts And Ideas In The Humanities","Arts Ambassadors","arts","artists","art","visual arts","Humanities","Social Impact","multicultural","Interdisciplinary"],
        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
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                "website":"http:\/\/www.livingarts.umich.edu"                },             {
                "group_name":"Latina\/o Studies",
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                "group_name":"Arts Initiative",
                "group_id":"4583",
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        "date_start":"2026-02-06",
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        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Terence Swafford Exhibition",
        "occurrence_title":"",
        "combined_title":"Terence Swafford Exhibition: On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_subtitle":"On Site:  Paintings from Detroit\u2019s East Side (2015-2025)",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibition showcases a decade of artist Terry Swafford\u2019s work in Detroit, marking the culmination of years spent composing scenes from the untamed edges of urban communities. These paintings serve as a visual record of Detroit\u2019s transformation, capturing humanity\u2019s impact on the environment alongside nature\u2019s persistent efforts to reclaim these spaces. As the city continues to change, many of these depicted scenes are vanishing, no longer visible in the landscape today. The significance of this documentation goes beyond mere nostalgia; it invites viewers to reflect on the dynamic interplay between urban development and ecological restoration, prompting a deeper understanding of how cities evolve while retaining traces of their history.\r\n\r\nSwafford\u2019s paintings are created on location and in one session. The natural conditions, including light, shadow, and atmosphere, change dramatically from hour to hour and day to day, forcing the artist to respond quickly and decisively. This approach, born of a direct engagement with the subject and the fleeting nature of the scene, along with his wet-on-wet technique, keeps the work fresh and immediate. By immersing himself in the environment, Swafford captures the diverse textures and vibrant colors that characterize Detroit\u2019s landscape, imbuing his work with a sense of urgency and spontaneity. Each brushstroke conveys a commitment not only to visual accuracy but also to emotional resonance, as he strives to encapsulate the spirit of a place that is both loved and contested.\r\n\r\nIn addition to these works, the artist constantly sketches ideas both for paintings and for designing projects in his business. These sketches serve as visual language, helping him clarify and refine his concepts before bringing them to life. They become a means to communicate ideas to clients and his crew and become an extension of his voice\u2014an academic exercise rooted in artistic practice that fosters collaboration and innovation. The act of sketching also reflects his evolving relationship with the city, as each drawing encapsulates fleeting moments of inspiration drawn directly from his surroundings. This duality of function\u2014creating art for exhibition and conceptualizing designs for projects\u2014demonstrates Swafford\u2019s versatility and adaptability as an artist.\r\n\r\nSwafford received a Bachelor of Fine Arts degree in painting from the Rhode Island School of Design, and while at RISD, he was part of the European Honors Program. His education not only honed his technical skills but also broadened his artistic perspective through exposure to varied artistic traditions. He has shown his work in both solo and group exhibitions in Chicago, Kansas City, and New York State. Each exhibition serves as a testament to his commitment to his craft and his ability to engage diverse audiences, offering them an opportunity to explore the complex narratives woven into each landscape.",
        "occurrence_notes":"Open Mon-Fri, 9am-5pm or by appointment (serrag@med.umich.edu)",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery",
        "location_name":"North Campus Research Complex Building 18",
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        "tags":["ArtsEngine","Culture","Detroit","Exhibition","Free","Humanities","North Campus","Visual Arts","Art"],
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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