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        "datetime_modified":"20240506T181533",
        "datetime_start":"20240519T110000",
        "datetime_end":"20240519T133000",
        "has_end_time":1,
        "date_start":"2024-05-19",
        "date_end":"2024-05-19",
        "time_start":"11:00:00",
        "time_end":"13:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Pre-professional Vocal Master Class (part 2) with Darryl Taylor",
        "occurrence_title":"",
        "combined_title":"Pre-professional Vocal Master Class (part 2) with Darryl Taylor: Part of the 2024 George Shirley Vocal Competition",
        "event_subtitle":"Part of the 2024 George Shirley Vocal Competition",
        "event_type":"Class \/ Instruction",
        "event_type_id":"8",
        "description":"Guest artist Darryl Taylor presents a Master Class featuring pre-professional competitors singing African American art song.\n\nParker Konkle, pianist.\n\nDarryl Taylor's international career is highlighted by performances of art song, opera and oratorio. Opera highlights include the title role in Phillip Glass' *Akhnaten* for Long Beach Opera; L.A. Opera\u2019s *Dido and Aeneas*; Purcell\u2019s *The Fairy Queen and King Arthur* for Long Beach Opera; Pergolesi and Vivaldi *Stabat Mater* with Lyra Baroque Orchestra of St. Paul, Minnesota; performances with the Carmel Bach Festival; the Bach Collegium San Diego under Richard Egarr, *Solomon* with the City Choir of Washington under Robert Shafer and performances at New York\u2019s Carnegie Hall. He is founder of the African American Art Song Alliance <https:\/\/artsongalliance.org>, and his extensive discography of recordings on Naxos and Albany record labels has received lavish praise. He was recently inducted to the American Academy of Teachers of Singing, and served as a 2022 Master Teacher for the NATS Intern Program.\n\nFree and open to the public. For more information about the 2024 George Shirley Vocal Competition and schedule, visit: \nhttp:\/\/georgeshirleycompetition.org\/schedule\/ ",
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        "building_id":"1000440",
        "building_name":"Earl V. Moore Building",
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        "room":"Watkins Lecture Hall",
        "location_name":"Earl V. Moore Building",
        "has_livestream":0,
        "cost":"Free - no tickets required",
        "tags":["Workshop","Talk","North Campus","Music","Free","Diversity"],
        "website":"",
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20240519T110000",
        "datetime_end":"20240519T200000",
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        "date_start":"2024-05-19",
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        "time_start":"11:00:00",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["History","UMMA","Museum","Art","Exhibition","European"],
        "website":"https:\/\/twitter.com\/ummamuseum",
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                "website":"http:\/\/www.umma.umich.edu\/"                }                    ],
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