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        "date_end":"2020-02-06",
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        "event_title":"Abstraction, Color, and Politics:",
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        "combined_title":"Abstraction, Color, and Politics:: The 1960s and 1970s",
        "event_subtitle":"The 1960s and 1970s",
        "event_type":"Exhibition",
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        "description":"In the midst of the political and cultural upheavals of the 60s and 70s, artists, critics, and the public grappled with the relationship between art, politics, race, and feminism. During these decades, the notion that abstraction was a purely formal and American art form, concerned only with timeless themes disconnected from the present, was met with increased skepticism. Women artists and artists of color began to actively and assertively explore abstraction\u2019s possibilities. The artworks in Abstraction, Color, and Politics: The 1960s and 1970s demonstrate both radical and disarming changes in how artists worked and what they thought their art was about. Their new formal and intellectual strategies\u2014seen here across large-scale and miniature work\u2014dramatically transformed the practice of abstraction in the 1960s and 1970s in a politically shifting American landscape.\n\nUMMA\u00a0gratefully acknowledges the following donors for their generous support:\n\nLead Exhibition Sponsors: University of Michigan Office of the Provost, Michigan Medicine, and College of Literature, Science, and the Arts\n\nExhibition Endowment Donors: \u00a0Richard and\u00a0Rosann\u00a0Noel Endowment Fund, Herbert W. and Susan L.\u00a0Johe\u00a0Endowment, and Robert and Janet Miller Fund\n\nUniversity of Michigan Funding Partners: Institute for Research on Women and Gender, School of Social Work, Department of Political Science, and Department of Women's Studies",
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        "room":"A. Alfred Taubman Gallery II",
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        "tags":["Art","UMMA","Politics","Museum","Exhibition"],
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        "datetime_modified":"20191004T181807",
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        "event_title":"Collection Ensemble",
        "occurrence_title":"",
        "combined_title":"Collection Ensemble",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Collection Ensemble presents the first major reinstallation of UMMA's iconic entry space in over a decade. It exchanges Alumni Memorial Hall's previous focus on European and American painting for a broad mix of American, European, African, and Asian art from across media, sampling the Museum's remarkable, disparate holdings. The installation is organized into thematic and formal vignettes that respond to the concepts and ideas resonating from an extraordinary large-scale photograph of a vacant cathedral by contemporary German artist Candida H\u00f6fer. Featuring works of art by numerous famous and not-so-famous artists, many of them artists of color and women\u2014including Charles Alston, Christo, Theaster Gates, Jenny Holzer, Roni Horn, Do-Ho Suh, Kara Walker, and others, Collection Ensemble reimagines the collection not as a fixed entity with one set of meanings to be unearthed, but instead as an active, creative, sometimes startling source of material and ideas, open for debate and interpretation.\n\n",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "tags":["Exhibition","European","Art","UMMA","Media","Museum","Alumni","Africa"],
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    {
        "datetime_modified":"20200108T181705",
        "datetime_start":"20200206T110000",
        "datetime_end":"20200206T170000",
        "has_end_time":1,
        "date_start":"2020-02-06",
        "date_end":"2020-02-06",
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        "time_zone":"America\/Detroit",
        "event_title":"Cullen Washington, Jr.: The Public Square",
        "occurrence_title":"",
        "combined_title":"Cullen Washington, Jr.: The Public Square",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This expansive look at the work and concerns of emerging contemporary artist Cullen Washington, Jr. pivots around the artist\u2019s most recent series, Agoras. The compositions explore the ancient Greek public space as a site for activated assembly and the heart of the artistic, spiritual, and political life of the city. UMMA\u2019s installation is designed with an actual public square at its center, complete with sound components featuring noted political and aesthetic discourse and surrounded by Washington\u2019s soaring monumental collages. Works from four earlier series by the artist form the perimeter of the Museum\u2019s largest special exhibition space. The artist describes his work as \u201cabstract meditations on the grid and humanity.\u201d\n\nLead support for this exhibition is provided by Erica\u00a0Gervais\u00a0Pappendick\u00a0and Ted\u00a0Pappendick, Candy and Michael Barasch, the University of Michigan Office of the Provost, Michigan Medicine, the Michigan Council for Arts and Cultural Affairs, and the Institute for the Humanities. Additional generous support is provided by the University of Michigan Department of History of Art, School of Education, Department of Afroamerican and African Studies, School of Social Work, and Gerald R. Ford School of Public Policy.\u00a0",
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        "campus_maps_id":"11",
        "room":"A. Alfred Taubman Gallery I",
        "location_name":"Museum of Art",
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        "tags":["Art","Exhibition","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2020\/cullen-washington-jr-the-public-square",
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