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        "date_start":"2020-02-07",
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        "event_title":"Art Exhibition: The Indexical Print, curated by Andrew Thompson",
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        "combined_title":"Art Exhibition: The Indexical Print, curated by Andrew Thompson: A multimedia exhibition of contemporary art with a focus on printmaking and other methods of image replication and reproduction",
        "event_subtitle":"A multimedia exhibition of contemporary art with a focus on printmaking and other methods of image replication and reproduction",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\u201c...pronouns announce themselves as belonging to a different type of sign: the kind that is termed the index. As distinct from symbols, indexes establish their meaning along the axis of a physical relationship to their referents.\u201d\r\nKrauss, Rosalind, \u201cNotes on the Index\u201d 1977\r\n\r\nNotes on the Index was Rosalind Krauss\u2019s attempt to corral some of the divergent, pluralistic themes in contemporary art of the late 1970\u2019s under a unifying identifier: the index. Indexical art was defined as artworks whose physical and aesthetic manifestation was correlated and contingent upon specific conditions of the work\u2019s subject matter or, as more broadly described, \u2018the referent\u2019 of the work.\r\n\r\nUnder the guise of \u201cthe index\u201d, the artist\u2019s internal monologue of creative decision-making might follow like: \u201cHow big should the work be? As big as that.\u201d \u201cHow much should the work cost? As much as this.\u201d \u201cWhat color should I use? The color of that.\u201d \u201cWhat shape should it be? It should be shaped like this.\u201d\r\n\r\nFor this exhibition, The Indexical Print, Krauss\u2019s notion of indexical art is being narrowed towards printmaking and other methods of image replication & reproduction that follow printmaking\u2019s lead. The artists in this exhibition might work a plate, or a digital image, or computer code to conduct the idea of the image into another medium or visual representation to physically manifest their creative labor. \r\n\r\nFeatured in this exhibition are prints by Jay Fox, Ruth Koelewyn & Lee Marchalonis, 3D printed sculptures by Jason Ferguson, jacquard weaving from Cathryn Amidei, data visualizations by Jeffrey Lancaster and site-specific paintings from Ellen Rutt.\r\n\r\nAbout the Artists:\r\n\r\nCathryn Amidei is a \u201cTextilian\u201d fluent in many forms of textile craft. She has dedicated herself to Jacquard weaving for the past 15+ years and is the studio director at The Jacquard Center in Hendersonville North Carolina. Cathryn holds an MFA in Textiles from Eastern Michigan University and a BFA from the University of Illinois in Anthropology\/Russian. She was Associate Professor at Eastern Michigan University until 2018, when she resigned to pursue her art, and independence. Cathryn is a member of the Washington Street Gallery in Ann Arbor, Michigan.\r\n\r\nJason J Ferguson uses humor, the uncanny, and an absurdist voice to create public interventions, performance, video, and sculptural objects. He was raised in the small town of Poolesville, Maryland and moved to Baltimore to study art at Towson University and then to the University of Delaware where he received his MFA. Ferguson has exhibited his work internationally including exhibitions in Germany, the Netherlands, Brazil and across the US. Ferguson is an Associate Professor in the School of Art & Design at Eastern Michigan University.\r\n\r\nJay Fox is a printmaker, papermaker, and sculptor whose practice is guided by storytelling and objects of importance which take the form of ephemera and memorials. Originally from Morganton, North Carolina, Fox received his BFA in printmaking from the Savannah College of Art and Design in 2008. In 2014, he received his MFA from the University of Wisconsin-Milwaukee Print and Narrative Forms. Jay is currently the press manager of the Small Craft Advisory Press at Florida State University after five years of working at Penland School of Craft as the Print, Letterpress, Books, and Paper coordinator.\r\n\r\nRuth Koelewyn's work uses familiar objects and events to reveal how our interactions with them shape ourselves and our context for living. In addition to her solo work, her practice includes both curatorial and collaborative projects. Ruth\u2019s work is regularly exhibited and has been supported by the Pennsylvania Council of the Arts, the Society of North American Goldsmiths, the Mondriaan Foundation, and the National Foundation for Advancement in the Arts. She studied at Syracuse University and Cranbrook Academy of Art.\r\n#skyshapes\r\n\r\nJeffrey Lancaster has done a lot of different things and worn a number of very different hats: chemist, artist, historian, librarian, developer, educator. He\u2019s a curious person with a breadth and depth of interests and experiences, and loves to bring that diversity of thought to bear on new problems, some of his own making and some from other people. He has a BFA from Washington University, an MS from Oxford, and a PhD from Columbia University in chemistry. Lancaster is based in Rutherford, NJ where he freelances as a product developer and educational & business consultant. He is co-founder and chief technology officer of Fondo, a startup focused on helping young people visualize their paths into the future of work via structured serendipity and exploration. \r\n\r\nLee Marchalonis is a Lecturer in Stamps School of Art & Design and lead printer at Signal Return letterpress shop in Detroit\u2019s Eastern Market. She has a MFA in printmaking from the University of Tennessee, Knoxville where she also worked as a letterpress printer at Yee-Haw Industries. She has printed professionally at Kala Institute in Berkeley, California and studied book arts at the University of Iowa. She was a recipient of a year long Stein Scholarship at the Center for Book Arts in New York City in 2013, and her work is in Special Collections libraries throughout the U.S.\r\n\r\nEllen Rutt is a Detroit-based interdisciplinary artist and activist who has a BFA from the Stamps School of Art & Design. She makes bold mixed-media paintings, murals, installations and wearables. Her recent solo show \u2018This Must Be The Place\u201d was created in large part through a process of travelling the globe & capturing visual elements or \u2018environmental mementos\u2019 through direct tracing of the physical environment, both natural & human-made. Rutt has exhibited her work nationally and most recently completed her second artist residency at Temple Children in Hilo, Hawaii.\r\n\r\nAbout the Curator:\r\n\r\nAndrew Thompson is a sculptor and installation artist, educator, curator, and musician based in Southwest Detroit. Thompson grew up in Kansas City, MO and received his BFA in Sculpture from the Kansas City Art Institute. Thompson moved from Cowtown to Motown to receive his MFA in Sculpture from Cranbrook Academy of Art. He has been exhibiting his sculptures and installations throughout Southeast Michigan for over a decade and helps to curate and coordinate shows at a number of venues including as an exhibition committee member with Detroit Artists Market. He is a lecturer in the Stamps School of Art & Design and has taught at a number of other schools, most notably for one year at Antioch College in Yellow Springs, OH.",
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        "building_name":"East Quadrangle",
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        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["Culture","Art","Writing","Visual Arts","Free","Exhibition"],
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        "datetime_modified":"20200130T145706",
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        "event_title":"Craft Lecture: How Poets Speak to, Learn From, and Steal From Other Poems",
        "occurrence_title":"",
        "combined_title":"Craft Lecture: How Poets Speak to, Learn From, and Steal From Other Poems: Ilya Kaminsky, Janey Lack Visiting Writer in Poetry",
        "event_subtitle":"Ilya Kaminsky, Janey Lack Visiting Writer in Poetry",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Participants in this craft lecture workshop will look at various poets from around the world and discuss ways on which they influence one another. If Shakespeare learned from Ovid and Greek drama, if Whitman & Dickinson learned from the Bible and Hymns, if Eliot learned from the French, if many American poets of 60s and 70s learned from Polish poets and Latin American poets-- what about us, our contemporaries? Where is our place in this conversation? What can we take from it for our own work?\r\n\r\nIlya Kaminsky\u2019s widely acclaimed parable in poems, Deaf Republic (Graywolf, 2019), reads like a two-act political drama in which lyric poems trace the experiences of citizens living under martial law. A New Yorker review called it a work of \u201cprofound imagination.\u201d Poems from Deaf Republic were awarded Poetry magazine's Levinson Prize and the Pushcart Prize. \r\n\r\nKaminsky is also the author of Dancing In Odessa (Tupelo Press, 2004), and Musica Humana (Chapiteau Press, 2002). Kaminsky has won the Whiting Writer's Award, the American Academy of Arts and Letters' Metcalf Award, the Dorset Prize, a Ruth Lilly Fellowship, and the Foreword Magazine\u2019s Best Poetry Book of the Year award. Recently, he was on the short-list for the Neusdadt International Literature Prize. His poems have been translated into numerous languages and his books have been published in many countries including Turkey, Holland, Russia, France, Mexico, Macedonia, Romania, Spain and China, where his poetry was awarded the Yinchuan International Poetry Prize. His poems have been compared to work by Anna Akhmatova, Osip Mandelstam, and Marina Tsvetaeva. \r\n\r\nHe is the editor of several anthologies, among them The Ecco Anthology of International Poetry (Ecco, 2010), co-edited with Susan Harris, which John Ashbery praised as \u201cimmediately indispensable;\u201d A God in the House: Poets Talk About Faith (Tupelo Press, 2012), co-edited with Katherine Towler; Gossip and Metaphysics: Russian Modernist Poets and Prose (Tupelo Press, 2014), co-edited with Katie Farris and Valzhyna Mort; and In the Shape of the Human Body I am Visiting the Earth: Poems from Far and Wide (McSweeney's, 2017) with Dominic Luxford and Jesse Nathan. With Jean Valentine, he has co-translated Dark Elderberry Branch: Poems of Marina Tsvetaeva. \r\n\r\nThis event is free and open to the public. \r\n\r\nThe Zell Visiting Writers Series brings outstanding writers to campus each semester. The Series is made possible through a generous gift from U-M alumna Helen Zell (BA \u201964, LLDHon \u201913). For more information, please visit the Zell Visiting Writers Program webpage: https:\/\/lsa.umich.edu\/writers \r\n\r\nFor any questions about the event or to share accommodation needs, please email asbates@umich.edu-- we are eager to help ensure that this event is inclusive and welcoming to you. The building, event space, and restrooms are wheelchair accessible. A lactation room (Angell Hall #5209), reflection room (Haven Hall #1506), and gender-inclusive restroom (Angell Hall 5th floor) are available on site. ASL interpreters and CART services are available upon request; please email asbates@umich.edu two weeks prior to the event whenever possible, to allow time to arrange services. \r\n\r\nU-M employees with a U-M parking permit may use the Church Street Parking Structure (525 Church St., Ann Arbor) or the Thompson Parking Structure (500 Thompson St., Ann Arbor). There is limited metered street parking on State Street and South University Avenue. The Forest Avenue Public Parking Structure (650 South Forest Ave., Ann Arbor) is five blocks away, and the parking rate is $1.20 per hour. All of these options include parking spots for individuals with disabilities.",
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        "datetime_modified":"20200317T181446",
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        "time_zone":"America\/Detroit",
        "event_title":"Food Literacy for All",
        "occurrence_title":"",
        "combined_title":"Food Literacy for All: Setting the Table for Health Equity",
        "event_subtitle":"Setting the Table for Health Equity",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"UPDATE: All remaining Food Literacy for All sessions will take place virtually starting on Tuesday, March 17. Community members will still be able to tune in at 6:30pm here: https:\/\/zoom.us\/j\/998944566\r\n\r\n--\r\n\r\nFood Literacy for All is a community-academic partnership course started in 2017. Structured as an evening lecture series, Food Literacy for All features different guest speakers each week to address challenges and opportunities of diverse food systems. The course is designed to prioritize engaged scholarship that connects theory and practice. By bringing national and global leaders, we aim to ignite new conversations and deepen existing commitments to building more equitable, health-promoting, and ecologically sustainable food systems.\r\n\r\nThe course is co-led by Cindy Leung (School of Public Health), Jerry Ann Hebron (Oakland Ave. Farm) and Lilly Fink Shapiro (Sustainable Food Systems Initiative). In partnership with Detroit Food Policy Council and FoodLab Detroit.\r\n\r\nSee here for more information: https:\/\/sites.lsa.umich.edu\/sustainablefoodsystems\/foodliteracyforall\/\r\n\r\nCommunity members should register for each Food Literacy for All session here: https:\/\/sites.lsa.umich.edu\/sustainablefoodsystems\/community-rsvp\/\r\n\r\nThis course is presented by the UM Sustainable Food Systems Initiative, with support from the Food Systems Theme in the School of Environment and Sustainability (SEAS), the Center for Latin and Caribbean Studies (LACS), the CEW+ Frances and Sydney Lewis Visiting Leaders Fund, the Residential College, the School of Public Health\u2019s Department of Nutritional Sciences, the Department of English Language and Literature, the Center for Academic Innovation, and the King\u2022Ch\u00e1vez\u2022Parks Visiting Professors Program.\r\n\r\n\r\nWinter 2020 Speakers:\r\n\r\nJanuary 14: Cindy Leung, Jerry Hebron, Lilly Fink Shapiro, Devita Davison, Winona Bynum\r\n\u201cSetting the Table for Health Equity\u201d\r\n\r\nJanuary 21: Jessica Holmes\r\n\u201cHealth Inequities: The Poor Person\u2019s Experience in America\u201d\r\n\r\nJanuary 28: Pakou Hang\r\n\u201cRacial Justice and Equity in the Food System: Going Beyond the Roots\u201d\r\n\r\nFebruary 4: Robert Lustig\r\n\u201cCorporate Wealth or Public Health?\u201d\r\n\r\nFebruary 11: Zahir Janmohamed\r\n\u201cDe-colonizing Food Journalism\u201d\r\n\r\nFebruary 18: Nicole Taylor\r\n\u201cThe Disruption of Traditional Food Media\u201d\r\n\r\nFebruary 25: Panel\r\n\u201cThe Hidden Plight of Modern Growers\u201d\r\n\r\nMarch 10: Leah Penniman\r\n\u201cFarming While Black: Uprooting Racism, Seeding Sovereignty\u201d\r\n\r\nMarch 17: Maryn McKenna\r\n\u201cMeat, Antibiotics, and the Power of Consumer Pressure\u201d\r\n\r\nMarch 24: Panel\r\n\u201cTo Impossible & Beyond: Are the New Plant Based Burgers Too Good to be True?\u201d\r\n\r\nMarch 31: Marlene Schwartz\r\n\u201cPromoting Wellness Through the Charitable Food System\u201d\r\n\r\nApril 7: Terry Campbell\r\n\u201cThe Farm Bill and National Food Policy\u201d\r\n\r\nApril 14: Jennifer Falbe\r\n\u201cBig Soda vs. Public Health: Soda Taxes and Public Policy\u201d\r\n\r\nApril 21: Course Conclusion",
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        "tags":["Sustainability","Social Justice","Social Impact","Public Health","Nutrition","Latin America","Food","Earth Day at 50","agriculture"],
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