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        "event_title":"SMBC Reality Series: Authentic Voices & Honest Perspectives on a Career in Banking 7",
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        "combined_title":"SMBC Reality Series: Authentic Voices & Honest Perspectives on a Career in Banking 7",
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        "event_type":"Careers \/ Jobs",
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        "description":"Our SMBC Reality Series offers an inspiring lineup of virtual events where you\u2019ll have the unique opportunity to engage in open andmeaningful conversations with diverse leaders at our firm. These leaders will share their journeys to success at SMBC, offering insights into how they\u2019ve navigated challenges in the workplace and turned them into opportunities for growth and impact.By joining us at these sessions, you will learn directly from leaders in financial services about how you canbring your true self to work every day. Each panel session will be followed by an open-forum Q&amp;A where participants can address questions to our panelists.Each session features personal and professional insights from business leaders, analysts, members from one of our Employee Resource Groups (ERGs), and our Campus Recruiters.&nbsp;At SMBC, wehave seven Enterprise Resource Groups (ERGs) that foster a sense of inclusion and belonging. These groups provide opportunities for professional development, networking, and community building. You can learn more about our ERGs&nbsp;here.Event Details:Date and Time:&nbsp;February 27 at 4:00 p.m. to 5:00 p.m. ETSession Format:&nbsp;Virtual via TeamsWho Can Attend:&nbsp;Freshmen, sophomores and juniors who are pursuing an undergraduate degree. Candidates from all backgrounds and majors are welcome!Additional Information:&nbsp;You are welcome to attend as manysessions as you like. Find more details on our&nbsp;events central page.Please Note\u2013 Campus recruiters focus on the recruitment and development of undergraduate talent for our summer internship programs. If you are a graduate student or young professional, please check out our professional recruitment opportunities&nbsp;here to learn more.",
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        "event_title":"Student DGT: Symbolic Dynamics, Geodesic Coding, and Resonances",
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        "combined_title":"Student DGT: Symbolic Dynamics, Geodesic Coding, and Resonances: Henry Talbott",
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        "description":"I will discuss how to set up symbolic coding system to represent geodesics on a given hyperbolic surface. Furthermore, I will explain how the \"spine\" of a surface can be used to construct a particularly good dynamical coding, and how this coding relates dynamics on a surface to dynamics on a metric graph. This relation will be applied to analyze surface properties such as the critical exponent.",
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        "event_title":"Dr. Loren Kajikawa, \u201cRapping Republicans: Hip Hop and the Multiracial Right\"",
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        "combined_title":"Dr. Loren Kajikawa, \u201cRapping Republicans: Hip Hop and the Multiracial Right\": Presented by the U-M Department of Musicology",
        "event_subtitle":"Presented by the U-M Department of Musicology",
        "event_type":"Lecture \/ Discussion",
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        "description":"In recent years, rapper Eminem has been vocal about his political allegiances. In 2017, just months after Donald Trump took office, Eminem appeared in a BET \u201cCypher,\u201d a freestyle rap session where emcees show off their skills, and used the entirety of his allotted time to accuse President Trump of being a cowardly racist who represented an immediate threat to the American people. Less than three months ago, Eminem took the stage again, this time at a Detroit rally in support of Kamala Harris. He once again called out Trump as a threat to the country and introduced former president Barack Obama, who began his speech by rapping lyrics from one of Eminem\u2019s most famous songs, \u201cLose Yourself.\u201d Despite Eminem\u2019s stated support for Democratic candidates and his rejection of Trump, the white rapper also has been claimed by Republican politicians including Marco Rubio and Vivek Ramaswamy. In fact, early in his career, Eminem branded himself as a politically incorrect provocateur who, as the title to one of his first songs put it, \u201cJust Don\u2019t Give a Fuck.\u201d By emphasizing contradictions in whiteness, particularly with respect to class, Eminem\u2019s early commercial recordings, along with his semi-autobiographical 2002 film *8 Mile*, cast him as an angry underdog. Thus, despite his recent efforts to position himself firmly in opposition to Donald Trump, much of Eminem\u2019s early work aligns well with the cultural logic of conservative grievance politics. This lecture explores these contradictions and examines how Eminem can be claimed by politicians on both sides of the aisle. Why was Eminem\u2019s music and legacy open to being adopted by both Democrats and Republicans during the 2024 presidential campaign? How do Barack Obama and Vivek Ramaswamy, both of whom chose to rap the opening lines of \u201cLose Yourself\u201d at different campaign events, draw on hip hop history to bolster their respective positions? What does Eminem\u2019s relevance twenty-five years after his mainstream debut tell us about hip hop\u2019s political evolution? And, finally, what can hip hop teach us about recent trends in electoral politics that have seen more people of color, especially young men, identifying with the GOP?\n\nGUEST SPEAKER BIO\n\nLOREN KAJIKAWA is Associate Professor and Chair of the music program at the George Washington University\u2019s Corcoran School of the Arts & Design. His main area of research and teaching is American music of the twentieth and twenty-first centuries, with special attention to the dynamics of race and politics. Kajikawa\u2019s writings have appeared in *American Music*, *Black Music Research Journal*, *ECHO: a music-centered journal*, *Journal of the Society for American Music*, and *Popular Music and Society*, among others. His book *Sounding Race in Rap Songs* (University of California Press, 2015) explores the relationship between rap music\u2019s backing tracks and racial representation. In addition to his publications, Kajikawa is a former Editor-in-Chief of the *Journal of the Society for American Music* (Vol. 12-13) and he currently serves as co-editor of \u201cTracking Pop,\u201d the University of Michigan Press\u2019s series of books about popular music.\n\n*This program is organized by the Department of Musicology at the University of Michigan School of Music, Theatre & Dance.*\n",
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