{ "115811-21835643": { "datetime_modified":"20231205T144915", "datetime_start":"20240411T090000", "datetime_end":"20240411T230000", "has_end_time":1, "date_start":"2024-04-11", "date_end":"2024-04-11", "time_start":"09:00:00", "time_end":"23:00:00", "time_zone":"America\/Detroit", "event_title":"Orson Welles as Family Man: Son, Husband, Father", "occurrence_title":"", "combined_title":"Orson Welles as Family Man: Son, Husband, Father", "event_subtitle":"", "event_type":"Exhibition", "event_type_id":"7", "description":"This exhibit provides a unique glimpse into the actor\/director Orson Welles\u2019 private life. Unlike previous U-M Library exhibits that focused on the artist at work, this display shows him in informal and familial environments, revealing a depth and complexity of character that are often overshadowed by his fame and professional achievements. The photographs and documents displayed showcase a variety of emotional tones \u2014 warmth, humor, tenderness, and passion. Candid and relaxed more than posed, they are similar to most people's pictures in old family albums.\r\n\r\nCulled from the Orson Welles-Beatrice Welles materials that are part of the Mavericks & Makers collection within the U-M Library\u2019s Special Collections Research Center, each photo or letter tells a story of a connection Welles held dearly. The materials included are from two periods: the late 1920s and early 1930s, when Welles was a teenager, and the mid-1950s to early 1960s, during the early years of his marriage to his third wife, Paola Mori.\u00a0\r\n\r\nIt should be noted that Welles\u2019s personal life was messy at best. Other collections housed at U-M that include personal materials related to Welles document his first and second marriages, including the\u00a0Welles-Feder Collection\u00a0and the\u00a0Wilson-Welles Collection. The items on display here were saved by his third and final child, Beatrice Welles, and reflect her childhood memories of her parents.\r\n\r\nThe exhibit is available during Hatcher Gallery Exhibit Room hours (https:\/\/umlib.us\/hatchergalleryexhibits).", "occurrence_notes":null, "guid":"115811-21835643@events.umich.edu", "permalink":"http:\/\/events.umich.edu\/event\/115811", "building_id":"1000181", "building_name":"Hatcher Graduate Library", "campus_maps_id":"65", "room":"Gallery Exhibit Room (1st floor)", "location_name":"Hatcher Graduate Library", "has_livestream":0, "cost":"", "tags":["Exhibition","Free","Library"], "website":"", "sponsors":[ { "group_name":"University Library", "group_id":"1186", "website":"https:\/\/www.facebook.com\/UMichLibrary\/" } ], "image_url":"https:\/\/events.umich.edu\/media\/attachments\/2023\/12\/event_115811_original-1.jpeg", "styled_images":{ 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Whether designing furniture or developing the ideas for sculpture, the process has always been the same. Ideas begin as\r\nscribbled images that are then stretched and refined with CAD software. At its core, much of the work studies the manipulation of simple geometry. Dunn looks at the form from different forced perspectives \u2013 exploding, augmenting, slicing, repeating, and lighting. This body of work is a study of perception, sympathy, hierarchy, and reality. The \u201cWe Are Virus\u201d series is an adaptation from an initial design where it continued to evolve and adapt through manipulation of parts and scale.\r\n\r\nPeter Dunn received his BFA from Wayne State University and MFA from University of Michigan. 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