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        "event_title":"The Cherry Orchard",
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        "combined_title":"The Cherry Orchard: The Department of Theatre & Drama",
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        "description":"Anton Chekhov\u2019s *The Cherry Orchard* is considered one of the great classic works of Russian theatre, having been translated into countless languages and produced all over the world. Some of the greatest American playwrights \u2013 such as Arthur Miller, David Mamet, and Eugene O\u2019Neill \u2013 were directly influenced by Chekhov.\n\nAfter a prolonged absence following the death of her son, noblewoman Lyobov Ranevskaya returns to her estate  and finds the cherry orchard on the estate in full bloom. Despite this outward sign of prosperity, her home is on the verge of financial ruin. Along with her brother, Gaev, Lyobov struggles to maintain the fa\u00e7ade of gentility as their world crumbles around them.\n\nWritten by Anton Chekhov\nTranslated by Paul Schmidt\nDirected by Daniel Cantor\n\nFUN FACTS: Is *The Cherry Orchard* a comedy or a tragedy? It depends on who you ask. According to artlark.org, \u201cThe original intention of Chekhov was for *The Cherry Orchard* to be a comedy; yet, [Constantin] Stanislavsky [famous actor\/director and creator of the eponymous Stanislavsky method, known as \u2018method acting\u2019] turned it into a tragedy.\u201d Russian literature scholar Svetlana Evdokimova quotes Stanislavsky as saying, \u201c\u2018This is not a comedy, not a farce, as you wrote; it is a tragedy, whatever outlet for a better life you may have offered in the last act\u2026 I hear you saying: \u201cWait a minute, but this is a farce\u2026\u201d No, for an ordinary person this is a tragedy.\u2019\u201d Yet this conflict is what makes *The Cherry Orchard* such good theatre. As Evdokimova says, \u201cClearly, the source of the comic lies not in the play\u2019s fabula or situation, not in what happens, but in how it happens and to whom it happens. The enigmatic, captivating, and almost mesmerising effect that *The Cherry Orchard* continues to exert on its audience is to be found in its good-humoured but foolish protagonists \u2013 both charming in their gullibility and pathetic in their utter confusion.\u201d",
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        "cost":"General Admission by Floor $30 | Students $13 with ID",
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        "event_title":"\"People Are Things\" \u2013 Devised",
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        "combined_title":"\"People Are Things\" \u2013 Devised: Theatre Directing Senior Thesis by Tiara Partsch",
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        "description":"Undergraduate student Tiara Partsch directs this senior thesis show, a performance of the devised work, *People Are Things*.\n\nSylvie is a woman like any other. She does not cry when her husband leaves her; in fact, she does not say a word \u2013 that is, until she slips a knife in her bag, before heading out to work. \n\nAs she navigates presence, absence and their respective boundaries, Sylvie finds herself on the edge of the world: although no one *really* gets hurt, this story deals in all-absorbing violence, the silent kind: the kind which Sylvie finds in every area of her life, her marriage, her house, her employer \u2013 an existential violence she attempts (and fails) to contain and define. *People Are Things* is a study of silence. The aura of it; the sound it might long for at night.\n\nPresented in partial fulfillment of the requirements for the degree Bachelor of Fine Arts in Theatre Performance: Directing.",
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