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        "event_title":"\ud83c\udfc0 Basketball Game",
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        "combined_title":"\ud83c\udfc0 Basketball Game",
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        "event_type":"Sporting Event",
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        "description":"Calling all U-M faculty, students, and community members!Join us for a FREE and fun \ud83c\udfc0 basketball game this Saturday at 3 PM at St. Luke Ann Arbor (4205 Washtenaw, Ann Arbor).Meet new people, get some exercise, and boost your weekend spirit! We hope to see you there!",
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        "website":"https:\/\/maizepages.umich.edu\/event\/10357755",
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    {
        "datetime_modified":"20240823T170444",
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        "date_start":"2024-09-07",
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        "event_title":"CAS Event. *Azad* Storytelling: Interactive Karagoz Puppetry Experience",
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        "combined_title":"CAS Event. *Azad* Storytelling: Interactive Karagoz Puppetry Experience: Sona Tatoyan, Hakawati; and Ayhan Hulagu, Actor",
        "event_subtitle":"Sona Tatoyan, Hakawati; and Ayhan Hulagu, Actor",
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        "description":"FREE ADMISSION - Click here to get tickets: https:\/\/forms.gle\/ewWZDHQBwm5VPfzW7\r\n\r\n*Azad* Storytelling Performance is a live storytelling performance. A woman\u2019s magical, multi-generational, healing journey from the Armenian Genocide to the Syrian war, weaving Karago\u0308z shadow puppetry, traditional Hakawati storytelling, and indigenous Middle-Eastern music.\r\n   \r\n*Azad* ( \u201cFree\u201d in Armenian, Farsi, Kurdish) is a kaleidoscopic story within a story, centered on a storyteller\u2019s discovery of her great-great grandfather\u2019s shadow puppets in Aleppo during the Syrian war.\r\n   \r\nA century after Abkar Knadjian salvaged his family and his art from the Armenian Genocide, his great-great-granddaughter Sona Tatoyan unearths a trunk in the attic of the family home, filled with his handmade puppets and ancient magic tricks. This journey leads Sona to discover 1001 Nights and ScherAzad (the bold, brilliant weaver of tales who counters destruction with creation) and catalyzes an epiphany: the frame story of 1001 Nights is a story of how trauma transpires and how it is healed.\r\n\r\n- - -\r\n\r\nActress, screenwriter, and storyteller, Sona Tatoyan, has been invited as this year\u2019s distinguished guest to speak about and preview the art of Karagoz puppetry. Sona Tatoyan is a first-generation Syrian-Armenian-American actor\/writer\/producer with bases in Aleppo, Syria; Berlin, Germany; LA, California; and Yerevan, Armenia.\r\n\r\nAs an actress, her stage credits include world premieres at Yale Repertory Theatre, The Goodman Theatre, The American Conservatory Theatre, and others. She starred in The Journey, the first American independent film shot in Armenia (winner, Audience Award Milan Film Festival, 2002). As a writer, her first feature film script, The First Full Moon, was a 2011 Sundance\/RAWI Screenwriters Lab participant and 2012 Dubai Film Connection\/Festival Project.\r\n\r\nAs a writer and actress, Ms. Tatoyan created the storytelling piece Azad. The first iteration performances took place in April 2022 at the Pico Playhouse in Los Angeles, followed by solo iterations in Boston at NAASR and recently at the Pergamon Museum in Berlin. Azad Storytelling gave birth to the multimedia theatrical experience entitled Azad (the Rabbit and the Wolf), which began development in January 2023 at The Vineyard Theater in NYC, directed by Bill Pullman, who remains Azad\u2019s producer. It has continued development with two-time Obie Award-winning director and multimedia designer Jared Mezzocchi and was the recipient of the inaugural University of Connecticut Global Affairs Digital Media residency in May 2023 and the closing night performance of the Northeast Human Rights + film festival. It has also had residences at Harvard Artlab in September 2023 and received the Wake Forest University Character and Leadership guest artist residency and performance in January\/February 2024. A final development residency is scheduled for September 2024 at the Massachusetts Institute of Technology.\r\n\r\nMs. Tatoyan founded Hakawati, a non-profit storytelling vehicle focusing on elevating the voices of frontline and marginalized communities. Currently, Ms. Tatoyan is in development on a TV series on Aleppo through the 20th century entitled Three Apples Fell from Heaven.\r\n\r\nMs. Tatoyan served on the World Cinema Jury of the Duhok IFF in Iraqi Kurdistan (2016) and as Rudolf Arnheim Guest Artist Professor at Humboldt University in Berlin, (2017). Speaking engagements include: \u201cStorytelling as Spiritual Vehicle: A response to the Armenian Genocide and Syrian Refugee Crisis\u201d at The Brandenburger Gate Foundation, Berlin; and \u201cTrauma, Magic, Love: Being in Aleppo with Karag\u00f6z Puppets, My Ancestors and the Spirit of Osman Kavala\u201d at CMES Harvard University. Ms. Tatoyan is a second degree black belt in Tae Kwon Do and received her yoga teaching certification in Goa, India. She is a graduate of the William Esper Studio in NYC, where she studied acting with Bill Esper. Ms. Tatoyan is a graduate of Wake Forest University with a B.A. in English and Theater, where she was mentored by Dr. Maya Angelou.\r\n\r\n- - - \r\n\r\n Ayhan Hulagu is a New York-based actor. After obtaining his college degree, he joined the Sahika Tekand Studio Players in Istanbul. Hulagu brought his artistic experience to the U.S. and \u200b\u200bwas granted an \u2018extraordinary ability artist\u2019 status. He founded the U.S. Karagoz Theatre Company in 2017. His shows have been seen in more than 35 states across the U.S., and then he organized masterclass workshops and exhibitions to win new fans and audiences for Turkish Theatre at international festivals and universities. Hulagu has been a guest artist at multiple universities, including New York, Cornell, UC Berkeley, Hawaii, Harvard, and MIT. He directed a postdoctoral about American folktale in Anatolian theatre at the University of California \u2013 Irvine, Department of Drama. A master\u2019s thesis was written at Shangai Theatre Academy on his projects.\r\n\r\n   Cosponsors:\r\n   University of Michigan Arts Initiative\r\n   Center for World Performance Studies, U-M\r\n   University of Michigan Museum of Art\r\n   Arab American National Museum\r\n   Center for Middle Eastern and North African Studies, U-M\r\n   Center for Russian, East European & Eurasian Studies, U-M\r\n   Department of Middle East Studies, U-M\r\n   Stearns Collection of Musical Instrument, U-M\r\n   Hagopian World of Rugs\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact armenianstudies@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"East Quadrangle",
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        "room":"Keene Theater",
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        "tags":["Theater","Storytelling","Armenian Studies","Art","International","Middle East Studies"],
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        "event_title":"Ann Arbor Django Reinhardt Festival",
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        "combined_title":"Ann Arbor Django Reinhardt Festival: Presented by The Ark",
        "event_subtitle":"Presented by The Ark",
        "event_type":"Performance",
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        "description":"The 2nd annual Ann Arbor Django Reinhardt Festival features host band Djangophonique and their new material with the latest addition to the ensemble, vocalist Katie Smith, along with other midwestern musicians who draw inspiration from the Django lineage. Christo Rupenthal's Novelty Combo from Madison, WI, brings a fusion of antique Hawaiian steel guitar and hot club music, and Erik McIntyre from Flint, MI will be playing early American archtop guitar influenced by musicians such as Eddie Lang, whose recordings with violinist Joe Venuti served as the blueprint for Reinhardt and Grapelli's work. With a range of diverse offerings, united together by enthusiasm, skill, and passion for the legacy surrounding the music of Django Reinhardt, this iteration of Ann Arbor's burgeoning new series is sure to delight, transport, and inspire.\r\n  \r\nDjangophonique is an award winning project that delivers the infectious joy, and expressive freedom that is at the heart of Django Reinhardt\u2019s jazz manouche. With respect for the tradition and a fearless creativity that bends the conventions of the style, Djangophonique is keeping the Hot Club revival alive and well. The result is a sound that\u2019s unmistakable to fans of the music, and alluring to the uninitiated\u2014a sound that can bring the lively energy of a Parisian dance hall to the quietest listening room or captivate a buzzing festival audience with the aching nostalgia of a shimmering ballad.\r\n  \r\nChristo Ruppenthal is an award-winning multi-instrumentalist and music entrepreneur whose professional career started in 2003.  He presents a unique mixture of Vaudeville-era novelty infused hot steel guitar playing from the 1920s and 30s \"Hawaiian Craze\" combined with the swinging sounds of Django Reinhardt\u2019s 1930s and 40s guitar-driven Hot Club jazz. Think \u201cHot Hawaiian guitar meets Jazz \u00e0 la Django!\u201d Christo is an avid recording artist and performer with thousands of gigs both across the U.S. and internationally to his credit. \r\n\r\nInspired by a melting pot of moods, styles, and spirit heard in recordings from the 1920s and 30s (by such artists as Eddie Lang, Louis Armstrong, Blind Blake, Lonnie Johnson, Billie Holiday, Django Reinhardt, Blind Boy Fuller, Agust\u00edn Barrios Mangor\u00e9, The Carter Family, Jimmie Rodgers...), Erik McIntyre continues to hone a distinct musical voice that pays homage with a personal touch. His playing is spontaneous yet studious \u2014 synergizing  \u201cmuse\u201d and \u201cic\u201d. Whether as soloist or sideman, his arrangements, improvisations, and compositions weave a tapestry that is filtered through a warm lens of nostalgia and invites listeners to his inner world.",
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        "location_name":"316 S Main St; Ann Arbor MI",
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        "website":"https:\/\/mutotix.umich.edu\/4984\/4985",
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