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        "date_start":"2024-04-29",
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        "time_start":"09:00:00",
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        "event_title":"Exile and the Mentor-student Relationship: A Force for Resistance and Decolonization",
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        "combined_title":"Exile and the Mentor-student Relationship: A Force for Resistance and Decolonization",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This small exhibit features work in reproduction by Iraqi artists Hanaa Malallah and Mohammed Karim, as well as an original painting by Karim. Both Malallah and Karim were significantly influenced by their mentors during and after their training in Iraq, and continue to share their work and ideas with a new generation today.\r\n\r\nIn the United States, Iraq is typically spoken about in a passive position: colonized, under despotic rule, occupied. Post-occupied. Through connections between mentors and students, and students who became mentors to new students, Iraqi artists have been a force for anti-colonialism, claiming their heritage and its future for themselves.\r\n\r\nView the exhibit Monday-Friday in the Fine Arts Library, Tappan Hall, 855 S. University Ave.",
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        "room":"Fine Arts Library, 2nd Floor",
        "location_name":"Tappan Hall",
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        "tags":["Library","Free"],
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        "date_start":"2024-04-29",
        "date_end":"2024-04-29",
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        "event_title":"Garden Repairs",
        "occurrence_title":"",
        "combined_title":"Garden Repairs: An installation by Susan Goethel Campbell",
        "event_subtitle":"An installation by Susan Goethel Campbell",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"About the installation:\r\nGarden Repairs is an installation of paper textiles that loosely narrate the life cycle of plants. It considers the process of germination as a site for the cross-pollination of ideas from diverse disciplines around the future of the built environment. \r\n\r\nAbout the artist:\r\nSusan Goethel Campbell creates multi-disciplinary work that considers the contemporary landscape to be an emergent system where nature, culture, and the engineered environment are indistinguishable from one another. Central to her practice is the collection, documentation, and observation of seasonal change and ephemera in both natural and artificial environments. Her work is realized in several formats, including installation, video, prints, and drawings, as well as projects that engage communities to look at local and global environments.\r\n\r\nCampbell earned an MFA in printmaking from Cranbrook Academy of Art. Her work has been exhibited internationally in Belgium, Germany, Switzerland, and Slovenia and nationally throughout the US, including the National Museum of Women in the Arts, Queens Art Museum, Crystal Bridges Museum, Museum of Contemporary Art Detroit, Grand Rapids Art Museum, the Detroit Institute of Arts, The Drawing Center, and The International Print Center New York. In 2009 she was one of 18 artists selected for the inaugural Kresge Artist Fellowship.\r\n\r\nCampbell has been awarded residencies at the Banff Centre for the Arts, the Flemish Center for Graphic Arts, the Jentel Foundation, Beisinghoff Print Residency, and the Print Research Institute of North Texas. She taught studio art for 15 years at the College for Creative Studies in Detroit and has been a visiting artist in numerous institutions in the United States and abroad. Her work is in the collection of the National Museum of Women in the Arts, New York Public Library, Detroit Institute of Arts, Toledo Museum of Art, and the University of Michigan Special Collections Library.\r\n\r\nThis project is made possible by a grant from the Mellon Foundation as part of the Institute for the Humanities' multi-year High Stakes Art initiative.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
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        "tags":["Art","Exhibition","Humanities","Visual Arts"],
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        "datetime_modified":"20240103T111241",
        "datetime_start":"20240429T090000",
        "datetime_end":"20240429T160000",
        "has_end_time":1,
        "date_start":"2024-04-29",
        "date_end":"2024-04-29",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"My Gender States",
        "occurrence_title":"",
        "combined_title":"My Gender States: Rog\u00e9rio M. Pinto",
        "event_subtitle":"Rog\u00e9rio M. Pinto",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"On display at Lane Hall, Rog\u00e9rio M. Pinto (School of Social Work) invites audiences to take part in an exhibition that examines his embodied gender states based on his intersecting childhood traumas and life experiences. In \"My Gender States,\" Pinto shares his deep and abiding grief related to the childhood death of his sister and the subsequent gender embodiments that ensued stemming from the belief that he was his deceased sister. \r\n\r\nUsing autoethnography, Pinto created a one-person play (\"Mar\u00edlia,\" 2015) and site-specific installation performance (\"The Realm of the Dead,\" 2022). These works explore the intersecting and shaping layers of childhood traumas, gender states, and his life experience\u2014a story of the struggles, fears, and accomplishments he experienced as an immigrant to the United States. In \"Realm,\" audiences circulated around 25 assemblage sculptures created from vintage suitcases and trunks that evoked the cemetery where Pinto\u2019s sister was buried and the literal and figurative baggage that he, a queer immigrant, carried with him. \"My Gender States\" is a selection of materials, images, and texts from \"Mar\u00edlia\" and \"Realm\" curated to more closely examine the themes of gender and sexuality in these works. Collected are portrayals of Pinto\u2019s gender states, gender confusion, gender embodiments, gender doubt, and reactions to gender stigma. \r\n\r\nRog\u00e9rio M. Pinto (Brazilian, American, b. 1965, Belo Horizonte, Brazil) is a University Diversity Social Transformation Professor; Berit Ingersoll-Dayton Collegiate Professor of Social Work; and Professor of Theatre and Drama, School of Music, Theatre & Dance, at the University of Michigan. Pinto uses art-based methods to conduct community-engaged research in the United States and Brazil.\r\n\r\nThe photographs used in \"My Gender States\" are by Emerson Granillo (American, b. 1987); David Newton (American, b. 1993); and Nicholas Williams (American, b. 1994). The \"Realm\" assemblages featured in \"My Gender States\" were conceived by Pinto and designed by him, in collaboration with Sarah Tanner. \r\n\r\n\"My Gender States\" is on display in the Lane Hall Exhibit Space (first floor, 204 S State St) from January 23, to August 13, 2024. The exhibit is free and open to the public, M-F, 9am-4pm.\r\n\r\nHosted by the Institute for Research on Women and Gender and the Women\u2019s and Gender Studies Department.",
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        "tags":["Immigration","Humanities","gender studies","Exhibition","Diversity","Visual Arts","International","Latin America","LGBT","Storytelling","Theater"],
        "website":"http:\/\/irwg.umich.edu\/",
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                "group_id":"1031",
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