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        "event_title":"Propositions to Progress: A Working Atlas of the Global South",
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        "combined_title":"Propositions to Progress: A Working Atlas of the Global South",
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        "event_type_id":"7",
        "description":"Historically, maps have served as a panoptic technology, assisting imperial powers in governance, discipline, and control. In this exhibit, internationally renowned Filipino artist Cian Dayrit acts as a counter-cartographer, reclaiming mapmaking as an emancipatory activity.\r\n\r\nDayrit\u2019s artworks, embroidered on textiles or painted over collages of colonial-era maps, plot the extraction of natural resources, land grabbing, and dispossession and displacement in his native Philippines. At the same time, their resistant lines summon new imaginaries out of the overlaps between places and memories.\r\n\r\nDayrit\u2019s practice is critically and practically informed by the narratives of Filipino communities. Items exhibited alongside his artwork are the result of map-drawing workshops the artist has convened with rural, urban, and indigenous communities across the Philippines. Propositions to Progress invites you to engage in the collaborative endeavor to activate alternative territories from the ground up.\r\n\r\nCian Dayrit is an interdisciplinary artist exploring colonialism and ethnography, archaeology, history, and mythology. Dayrit subverts the language of the state, museum, and military to visualize the contradictions on which these institutions are built. He studied at the University of the Philippines.",
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        "tags":["Free","Library","Maps"],
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        "datetime_modified":"20240308T165618",
        "datetime_start":"20240414T080000",
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        "date_start":"2024-04-14",
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        "event_title":"Souq Stories: Gaza Lives",
        "occurrence_title":"",
        "combined_title":"Souq Stories: Gaza Lives",
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        "event_type":"Exhibition",
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        "description":"This exhibit is an extension of Souq Stories (https:\/\/souqstories.insaniyyat.org\/), which was displayed in 2021 in all seven of the historic markets it depicts in Gaza, Nazareth, Acre, Nablus, Jerusalem, Khalil, and Jaffa. Its youth group organizers aimed to bolster Palestinian unity across the systemic barriers \u2014 colonial divides, military checkpoints, walls, etc. \u2014 that fragment the lives of people living in Palestine. \r\n\r\nSouq Stories: Gaza Lives brings us to present-day Gaza, sharing the stories of, and images captured by, young journalists and photographers who have continued to document the realities of life in Palestine. It also honors one among them, Fouad Abu Khammash, who was killed in January 2024 in an Israeli bomb attack on Gaza.\r\n\r\n< The exhibit includes images of people suffering the aftermath of the ongoing violence. >\r\n\r\nThis exhibit was curated by Souq Stories team members Shareef Sarhan and Waed Abbas in partnership with U-M students Amir Marshi, Zainab Hakim, Mariam Odeh, and Vivian M. Nguyen. It\u2019s offered in conjunction with this year\u2019s Palestine Awareness Week, an annual series of educational events related to Palestinian history, culture, and politics. Presented in association with Insaniyyat: Society of Palestinian Anthropologists.",
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        "room":"Gallery, 1st Floor",
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    {
        "datetime_modified":"20231205T144915",
        "datetime_start":"20240414T090000",
        "datetime_end":"20240414T230000",
        "has_end_time":1,
        "date_start":"2024-04-14",
        "date_end":"2024-04-14",
        "time_start":"09:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Orson Welles as Family Man: Son, Husband, Father",
        "occurrence_title":"",
        "combined_title":"Orson Welles as Family Man: Son, Husband, Father",
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        "event_type":"Exhibition",
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        "description":"This exhibit provides a unique glimpse into the actor\/director Orson Welles\u2019 private life. Unlike previous U-M Library exhibits that focused on the artist at work, this display shows him in informal and familial environments, revealing a depth and complexity of character that are often overshadowed by his fame and professional achievements. The photographs and documents displayed showcase a variety of emotional tones \u2014 warmth, humor, tenderness, and passion. Candid and relaxed more than posed, they are similar to most people's pictures in old family albums.\r\n\r\nCulled from the Orson Welles-Beatrice Welles materials that are part of the Mavericks & Makers collection within the U-M Library\u2019s Special Collections Research Center, each photo or letter tells a story of a connection Welles held dearly. The materials included are from two periods: the late 1920s and early 1930s, when Welles was a teenager, and the mid-1950s to early 1960s, during the early years of his marriage to his third wife, Paola Mori.\u00a0\r\n\r\nIt should be noted that Welles\u2019s personal life was messy at best. Other collections housed at U-M that include personal materials related to Welles document his first and second marriages, including the\u00a0Welles-Feder Collection\u00a0and the\u00a0Wilson-Welles Collection. The items on display here were saved by his third and final child, Beatrice Welles, and reflect her childhood memories of her parents.\r\n\r\nThe exhibit is available during Hatcher Gallery Exhibit Room hours (https:\/\/umlib.us\/hatchergalleryexhibits).",
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