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        "datetime_start":"20250218T090000",
        "datetime_end":"20250218T170000",
        "has_end_time":1,
        "date_start":"2025-02-18",
        "date_end":"2025-02-18",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"On the World With the World",
        "occurrence_title":"",
        "combined_title":"On the World With the World: Pop-up exhibition",
        "event_subtitle":"Pop-up exhibition",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"*On The World With The World* is an exhibition of 40 artworks by over 24 artists from the Progressive Art Studio Collective (PASC) program. PASC is the first progressive art studio and exhibition program in Detroit and Wayne County dedicated to supporting artists with developmental disabilities and mental health differences to advance artistic practices and build individual careers in the art and design fields.\r\n\r\nThis exhibition introduces the PASC program, and the wide range of styles and ways of working that drive this community of artists, to the Ann Arbor community. The exhibition is hung salon style, referencing the communal character of the Osterman Common Room as a social gathering space. It intends to bring engaged people together for conversation on art, disabilities, and questions of access in the art world.\r\n\r\nPASC embraces the philosophy that creating an artwork is an expressive and communal act whereby an individual communicates their unique perspective on the world with the world.",
        "occurrence_notes":null,
                "guid":"130104-21865336@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/130104",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Visual Arts","Humanities","Exhibition"],
        "website":"https:\/\/www.instagram.com\/umichhumanities\/",
        "sponsors":[
             {
                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                }                    ],
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    }    ,    "133001-21872175":
    {
        "datetime_modified":"20250226T104926",
        "datetime_start":"20250218T090000",
        "datetime_end":"20250218T170000",
        "has_end_time":1,
        "date_start":"2025-02-18",
        "date_end":"2025-02-18",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"RAW Exhibit",
        "occurrence_title":"",
        "combined_title":"RAW Exhibit",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"\u201cRAW\u201d is a 2024 printmaking portfolio featuring 25 15\u201dx20\u201d works on paper by a diverse group of primarily student artists, organized by Professor Endi Poskovic of the Stamps Printmedia program. The hand-pulled prints in the set, which has never been exhibited before, span media from colorful laser cut woodblock prints, to lithography, to copper plate etching. The newly formed Stamps Student-led Exhibitions Committee (SEC) will curate and rotate selections of these prints in alignment with the portfolio\u2019s theme\u2014where time and effort transform raw potential.",
        "occurrence_notes":null,
                "guid":"133001-21872175@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/133001",
        "building_id":"1000120",
        "building_name":"Michigan Union",
        "campus_maps_id":"191",
        "room":"First Floor",
        "location_name":"Michigan Union",
        "has_livestream":0,
        "cost":"",
        "tags":["Exhibition","Art"],
        "website":"",
        "sponsors":[
             {
                "group_name":"University Unions",
                "group_id":"2583",
                "website":"http:\/\/www.uunions.umich.edu"                },             {
                "group_name":"Penny W Stamps School of Art & Design",
                "group_id":"3157",
                "website":"http:\/\/stamps.umich.edu\/"                }                    ],
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    }    ,    "131383-21868362":
    {
        "datetime_modified":"20250117T144257",
        "datetime_start":"20250218T090000",
        "datetime_end":"20250218T163000",
        "has_end_time":1,
        "date_start":"2025-02-18",
        "date_end":"2025-02-18",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923",
        "occurrence_title":"",
        "combined_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923: Wendel A. White",
        "event_subtitle":"Wendel A. White",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Red Summer portfolio represents the stories of various locations in the American landscape where racial violence (often characterized as \u201cRace Wars\u201d at the time) erupted between 1917 and 1923. These years of conflict reveal several aspects of racial anxiety that inform our contemporary experience, including, though not limited to; racism, fear of violent black revolt, lynching, poverty, mass incarceration, and competition for employment. The term \u201cRed Summer\u201d was first used by James Weldon Johnson to describe the violent attacks against black communities during 1919.  \r\n\r\nThough the events of the early twentieth century seem to be remote and fading apparitions of an American past; my work is concerned with the power and influence of our shared historical narrative upon the present. The upheaval of Red Summer occurred approximately fifty years after the American Civil War, fifty years before the height of the Civil Rights Era, and three centuries after the first enslaved Africans arrived in English colonies that would become the United States. \r\n\r\nThe project combines photographs of the contemporary landscape made at or near the site of racial conflict with fragmented selections of contemporaneous newspaper reporting (1917-1923). In many cases, the newsprint images include the surrounding stories or advertisements. The combination of the landscape photograph and the reproduction of newspaper fragments (which invade the contemporary with a narrative from the past), is a rupture and a conversation on the timeline between past and present.",
        "occurrence_notes":"Enter through East University Ave. Open to the public.",
                "guid":"131383-21868362@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/131383",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["arts at michigan","Exhibition","free","Visual Arts","arts","artists","Art","Ann Arbor"],
        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
        "sponsors":[
             {
                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                }                    ],
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