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        "event_title":"Nicole Ray Art Exhibit: State of Play",
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        "combined_title":"Nicole Ray Art Exhibit: State of Play",
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        "description":"Dates: Saturday June 8 - Sunday August 25\r\n\r\nReception: Saturday June 8, 2pm-4pm MBG West Lobby\r\n\r\nWhat is play? Who\u2019s to say? The animals of these fields and woods, streams and ponds surely know. They take time each day to adventure and roam, scamper and scout. The plants and trees excitedly join in. Some bend and sway and some glisten in rain. Perhaps each invites their friends from away to come and show them new ways of play. Let\u2019s have a look and spend the day imagining what happens when we look away. An exploration of encounters real and imagined by local artist, Nicole Ray. \r\n\r\nBio\r\n\r\nNicole Ray is an artist and illustrator living in Brighton, Michigan. She grew up in a small beach town in New York with her toes deep in the sand and her head buried in books. Nicole creates a whimsical line of art prints and paper goods under the name Sloe Gin Fizz.\r\n\r\nFrom quirky animal and vegetable characters to nostalgia-filled interiors and calming views of nature, Nicole\u2019s hand-drawn scenes are highly accessible, infused with a playful sense of humor and a strong narrative quality. \r\n\r\nNicole holds a BFA in Illustration from the School of Visual Arts, as well as a BA in History from Trinity College in Hartford, CT. Nicole and her mister live in a log house on a lake just north of Ann Arbor with a spoiled border collie named Stella and an ever-expanding network of critter friends.",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "time_start":"11:00:00",
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        "event_title":"2024 Elevate Summit (Research) - NA - Summer 2024",
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        "description":"Please join us for the 2024 Research Elevate Summit. You will be provided an opportunity to get an inside look at life at Gartner, gain insights into the interview process, and dive deeper into Gartner's research organization. During the program, you\u2019ll get an in-depth overview of the research organization, hear from business leaders on what they look for in a successful candidate and gain some helpful interview tips asyou begin your interviewing journey.August 8th, 2024North America - 11:00 AM - 12:00 PM EST\u00a0Prior to registering, please submit questions for our employee panel discussion here.",
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        "datetime_modified":"20240620T181506",
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        "event_title":"Michelle Hinojosa: Logcabins",
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        "combined_title":"Michelle Hinojosa: Logcabins",
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        "description":"Stamps Gallery commissioned Michelle Hinojosa (MFA, 2023) to reimagine the pillars on Division Street that flank the Gallery. Hinojosa has created log cabin quilts to adorn the columns in front of Stamps Gallery. The log cabin quilts traditionally represent the warm hearth at the center of a home. This installation reflects on the interplay between home, placemaking, labor, and intergenerational memories of migration. Rather than quilting cotton designed to softly embrace the body, these quilts are sewn from outdoor grade, UV-resistant polyester. The quilt is an ode to Hinojosa\u2019s grandmother who illegally crossed the US\/Mexico border holding her babies and her quilts. As she and her family drove across the United States to work in the fields of the Salinas Valley, the quilts offered a safe space for her and her family. Hinojosa celebrates their resilience to her grandmother and elders while also drawing attention to precarity and violence experienced by refugees and migrants crossing the US-Mexico border in our present today.\nArtist\u2019s bio:\nMichelle Inez Hinojosa is an artist, educator, and researcher whose work is informed by Indigenous and Latine\/x\/a\/o studies. Born and raised in Texas, she earned her Bachelor of Fine Arts degree in both drawing and painting and art education with a minor in art history at the University of North Texas. She holds a Master of Fine Arts from the University of Michigan. She works with quilting, bead weaving, embroidery, jewelry, transparent film installations, painting, ceramics, and sculpture to honor and explore the history of migration in her family and humanize the current discourse around migration still occurring at the southern border. Alongside her artwork she maintains a writing practice to re-story, re-make, and re-claim the often subordinated narratives of Latinx, Chicanx, Mexican, and Texican peoples. \n\nRecently, Hinojosa was named an inaugural Creative Careers Artist in Residence at the University of Michigan, she has also attended residencies at Mildred's Lane (Pennsylvania), Anderson Ranch Art Center (Aspen, CO) and The Cedars Union (Dallas, TX). ",
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