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        "datetime_end":"20250520T163000",
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        "date_start":"2025-05-20",
        "date_end":"2025-05-20",
        "time_start":"10:00:00",
        "time_end":"16:30:00",
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        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "building_name":"Matthaei Botanical Gardens",
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        "location_name":"Matthaei Botanical Gardens",
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        "tags":["Visual Arts","In Person","Free","Exhibition","Art"],
        "website":"https:\/\/mbgna.umich.edu\/event\/moth-eden-anne-erlewine-solo-exhibition",
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250520T110000",
        "datetime_end":"20250520T170000",
        "has_end_time":1,
        "date_start":"2025-05-20",
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        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "tags":["Museum","Exhibition","Humanities","Free","Staff","UMMA","Art"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2023\/a-gathering",
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250520T110000",
        "datetime_end":"20250520T170000",
        "has_end_time":1,
        "date_start":"2025-05-20",
        "date_end":"2025-05-20",
        "time_start":"11:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_name":"Museum of Art",
        "campus_maps_id":"11",
        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "tags":["History","Art","Exhibition","European","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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        "datetime_modified":"20250410T145308",
        "datetime_start":"20250520T113000",
        "datetime_end":"20250520T124500",
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        "date_start":"2025-05-20",
        "date_end":"2025-05-20",
        "time_start":"11:30:00",
        "time_end":"12:45:00",
        "time_zone":"America\/Detroit",
        "event_title":"New Electron-Transfer Concepts in Organic Synthesis",
        "occurrence_title":"",
        "combined_title":"New Electron-Transfer Concepts in Organic Synthesis: Eric Nacsa (Penn State)",
        "event_subtitle":"Eric Nacsa (Penn State)",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"The Nacsa Group uses electron transfer techniques to address challenges in organic synthesis. Our lab works in two main areas. The first uses electrochemistry to develop new approaches for dehydration reactions, such as the synthesis of amides and esters from carboxylic acids, with an emphasis on catalysis. Dehydrative transformations are workhorse operations in pharmaceutical R&D, but owing to the wasteful reagents overwhelmingly used to accomplish them, industry has long called for methods that avoid these reagents. We have identified new electrochemical strategies for the substitution of carboxylic acids that meet these demands. Our second program leverages radical-mediated migration events, usually initiated by photoinduced electron transfer, as key design elements in complexity-generating transformations. We have shown that olefin difunctionalizations underpinned by this approach can access product classes and achieve stereoselectivities that have otherwise proven challenging or impossible. More recently, we have discovered a novel and enabling methods for metal-free amination of aromatics from sulfonamides.",
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        "building_name":"Chemistry Dow Lab",
        "campus_maps_id":"34",
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        "location_name":"Chemistry Dow Lab",
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        "tags":["Chemistry","Organic Chemistry"],
        "website":"https:\/\/sites.psu.edu\/nacsagroup\/",
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