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        "event_title":"As Far As There",
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        "combined_title":"As Far As There: 2024 MFA Thesis Exhibition",
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        "description":"The 2024 MFA Thesis Exhibition entitled \"As Far As There,\" is on view at the Stamps Gallery from March 15 - April 13, 2024. The exhibition features the work of MFA students Simranpreet Kaur Anand, Leah Crosby, Jessie Karlsberger, Abigail Lowe, Stephanie Morissette, and Krista Sheneman. An opening reception will be held on March 15 from 6 - 8 p.m. to celebrate the work of the MFA graduate students.",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
        "website":"https:\/\/stamps.umich.edu\/events\/as-far-as-there",
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        "datetime_modified":"20240130T121547",
        "datetime_start":"20240406T110000",
        "datetime_end":"20240406T200000",
        "has_end_time":1,
        "date_start":"2024-04-06",
        "date_end":"2024-04-06",
        "time_start":"11:00:00",
        "time_end":"20:00:00",
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        "event_title":"Curriculum \/ Collection",
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        "combined_title":"Curriculum \/ Collection",
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        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In Curriculum \/ Collection, an incredible variety of University of Michigan courses take material form. Collected for each course are objects that address the nature of materiality, time, and human interaction in relation to our environments, our wars, our relationships, and our eccentricities.\u00a0\n \nWorking in collaboration with University faculty, the works in this exhibition were selected for their capacity to provoke engagement with the guiding questions and themes of their specific courses, while also offering students inspiration for research and art projects in their areas of study. The exhibition demonstrates some of the diverse and creative ways art plays a central role in learning across the disciplines. It also asks us to consider what we can learn from art objects across an infinite variety of specialties and subject matter.\n \nAs classes begin in Fall of 2021, you\u2019ll be able to use these pages to explore the collections designed for each course, dive into the works themselves, and hear from the professors and students about how they are engaging with art and objects in new ways. Who knows, maybe you\u2019ll learn something surprising along the way, too.\n\nLead support for this exhibition is provided by the University of Michigan Office of the Provost, Erica Gervais Pappendick and Ted Pappendick, and the Eleanor Noyes Crumpacker Endowment Fund, and the Oakriver Foundation.\n\u00a0",
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        "room":"Eleanor Noyes Crumpacker Gallery",
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        "tags":["Art","Nature","Exhibition","Faculty","Museum","UMMA","Research"],
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        "datetime_start":"20240406T110000",
        "datetime_end":"20240406T200000",
        "has_end_time":1,
        "date_start":"2024-04-06",
        "date_end":"2024-04-06",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "room":"European and American Decorative Art",
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        "tags":["Art","UMMA","European","Exhibition","History","Museum"],
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        "event_title":"Walking Her Path, Participatory Sound Walk for XR\/XF",
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        "combined_title":"Walking Her Path, Participatory Sound Walk for XR\/XF: Zeynep Ozcan",
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        "description":"RSVP Here: https:\/\/bit.ly\/3IWxM5m\r\n\r\nWalking Her Path is a public soundwalk experience. Participants will engage in the exploration of their sonic environment, with a focus on listening from a perspectives shaped by the experiences of womanhood and gender dynamics. This activity involves walking, listening and recording, serving as an intentional exercise in auditory examination. During the soundwalk, participants will be invited to actively listen to both the cacophony and the subtleties of everyday life through a feminist lens. They will be prompted to tune into sounds that may symbolize the experiences of womanhood, empowerment, or oppression. For example, the sound of footsteps might symbolize independence and determination, whereas the noise from construction sites or the abrupt blare of car horns might be seen as symbolic of societal interruptions or aggressive intrusions. Attendees will be equipped with handheld field recorders and encouraged to capture sounds that resonate with them personally. Moreover, participants will be encouraged to provide narrations during the soundwalk, articulating their reasons for selecting particular sounds and what those sounds represent to them.\r\n\r\nThis event is part of a greater series called, \"XRXF: Extended Realities, Extended Feminisms.\" Learn more here: https:\/\/xrxf.net\/.",
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