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        "event_title":"Critical Visualities Book Showcase & Future Visioning",
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        "combined_title":"Critical Visualities Book Showcase & Future Visioning",
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        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"To wrap up the summer kickoff series, participants will have the opportunity to purchase an academic text of their choosing (in some way related to visual studies\/cultures) through Critical Visualities' funds.\u00a0The first 10 respondents will be allotted up to $100 per person for their book purchase. In order to participate, you must submit your book selection through this form by 11:59 PM Thursday, May 29th. Books will be distributed to the address the participant provides.\n",
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        "tags":["Sessions"],
        "website":"https:\/\/sessions.studentlife.umich.edu\/p\/track\/14431",
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        "event_title":"Dissecting the High Energy Plasma Environment of Sagittarius A",
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        "combined_title":"Dissecting the High Energy Plasma Environment of Sagittarius A: Mayura Balakrishnan",
        "event_subtitle":"Mayura Balakrishnan",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"The crowded central parsecs of our Galaxy offer a unique environment to study accretion physics, plasma dynamics, star formation, and more. Within arcseconds of central supermassive black hole Sagittarius A* (Sgr A*), colliding stellar winds from Wolf-Rayet stars in the nuclear star cluster generate a hot plasma reservoir from which Sgr A* accretes. Given this abundance of accretion material, the SMBH radiates at a lower luminosity than expected. At larger angular scales, the extended Sgr A* plasma environment overlaps in our line of sight with the supernova remnant Sgr A East. Through Chandra spectroscopy and imaging, I examine the extended X-ray plasma at multiple scales. To investigate the spectrum of the accretion flow, I perform forward-modeling of High Energy Transmission Grating-Spectrometer (HETG-S) data, accounting for the accretion geometry and instrumental effects. We found that a Radiatively Inefficient Accretion Flow (RIAF) model fit to the quiescent HETG-S spectrum indicates an outflow balancing inflowing material and a sub-solar iron abundance. Synthetic spectra from smoothed particle hydrodynamic simulations of the stellar\u2010wind plasma fit equally well, but the two scenarios will only be distinguishable with future microcalorimeters that have high spatial resolution. Lastly, I use data-driven signal separation techniques to analyze Chandra imaging data of the extended emission around Sgr A*. In particular, the supernova remnant Sgr A East may yield insight into the recent history of star formation, dust physics, and feedback in the Galactic Center. In this work, I separate Sgr A East from the cooler plasma around Sgr A*. Through comparison with a wide range of multiwavelength datasets, we assess the spatial and spectral relationships among the observed structures and discuss the physical implications.",
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        "building_name":"West Hall",
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        "tags":["Dissertation","Astronomy"],
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        "event_title":"Moth Eden",
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        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "tags":["Visual Arts","In Person","Free","Exhibition","Art"],
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        "datetime_start":"20250530T100000",
        "datetime_end":"20250530T200000",
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        "date_start":"2025-05-30",
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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