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    "149978-21907713":
    {
        "datetime_modified":"20260911T104038",
        "datetime_start":"20260916T080000",
        "datetime_end":"20260916T170000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"CCPS Photo Exhibition. This is the Place",
        "occurrence_title":"",
        "combined_title":"CCPS Photo Exhibition. This is the Place: Anna Liminowicz, Photographer",
        "event_subtitle":"Anna Liminowicz, Photographer",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"There are nearly one million refugees currently living in Poland. While the vast majority arrived from Ukraine, Poland has also welcomed forcibly displaced people from Central Asia, Latin America, Africa, and the Middle East. While refugees may be different, they all search for a place that reminds them of home.\nIn *This Is The Place*, a project supported by the UN Refugee Agency (UNHCR), Anna Liminowicz asked refugees to show what, in Poland, reminds them of their home. These portraits and the personalized confessions her subjects handwrote in their native languages tell poignant stories about safety and hope.\nAnna Liminowicz is an award-winning photographer and reportage journalist based in Warsaw, Poland. A frequent contributor to the *The New York Times*, *The Guardian*, *The Wall Street Journal*, *The Washington Post*, *El Pais*, *Der Spiegel* and UNHCR, Liminowicz divides her time  between assignments and long-term personal projects, mainly focusing on social issues like identity and loss, and what uplifts her subjects. She has covered the war in Ukraine and Ukrainian refugees in Poland since the start of Russia's full-scale invasion, and received the 2022 Grand Press Photo Award for her project \u201cToo Precious to Leave Behind\u201d.\n\nIf there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
        "occurrence_notes":null,
                "guid":"149978-21907713@events.umich.edu",
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        "building_id":"1000165",
        "building_name":"Weiser Hall",
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        "room":"Room 547",
        "location_name":"Weiser Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["Ukraine","russia"],
        "website":"",
        "sponsors":[
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                "group_name":"Copernicus Center for Polish Studies",
                "group_id":"3110",
                "website":"http:\/\/www.ii.umich.edu\/polish"                },             {
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                "group_id":"1968",
                "website":"http:\/\/www.ii.umich.edu"                },             {
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    {
        "datetime_modified":"20260806T162236",
        "datetime_start":"20260916T080000",
        "datetime_end":"20260916T170000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"08:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["russia","Art","ukraine"],
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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    {
        "datetime_modified":"20260915T161734",
        "datetime_start":"20260916T090000",
        "datetime_end":"20260916T163000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
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        "time_zone":"America\/Detroit",
        "event_title":"Art Exhibit: Hands on Fire",
        "occurrence_title":"",
        "combined_title":"Art Exhibit: Hands on Fire: Jim Cogswell: Hands on Fire",
        "event_subtitle":"Jim Cogswell: Hands on Fire",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Jim Cogswell: Hands on Fire\n\n**August 31 to October 9, 2026**\n**Public Reception: Friday, September 18, 4:30 to 6:30 pm**\n\nJim Cogswell\u2019s Hands on Fire is a solo exhibition of mixed media drawings at the Residential College Gallery at the University of Michigan in Ann Arbor. The exhibition features sixty works on paper completed between 2024 and 2026.\n\nThis body of work responds to Greek Cypriot filmmaker Michael Cacoyannis\u2019 cinematic adaptations of three tragedies by Euripides dealing with the Trojan War and its aftermath: Electra (1962), The Trojan Women (1971), and Iphigenia (1977). The work is in close conversation with Vinyl Euripides (2022), Cogswell\u2019s adhesive vinyl installation on three floors of the Michael Cacoyannis Foundation in Athens, Greece, which also responded to the cinematic trilogy. By following Cacoyannis\u2019 adaptations, Cogswell builds on a cross-cultural history of restaging these tragedies to examine the human suffering caused by war, imperial overreach, and abuse of power; and the dehumanizing consequences of revenge as a course of justice.\n\nWithin each drawing multiple scenes from the three narratives are overlaid within single frames, suggesting the unseen entanglements that bind these ancient stories into such a persistent vision of our human position.\n\nThe grid of paintings encircling the gallery proposes a linear narrative but delivers instead a sequence that loops and turns on itself, a stuck frame that stutters until bursting in flames. The grid also evokes the net that is a central feature of the series--the web of fate and circumstance that governs each of our lives, that determines who we are and what is possible for us at any given moment in history.\n\nThe drawings are also characterized by a repeated motif of hands as consuming flames. Hands have unlimited expressive and narrative potential. They testify to the centrality of making in the development of human cognition. They are reminders of the constructed world and the laborers responsible for bringing it into being. We use hands as a form of communication to shape and express our inner states. Hands teach us to feel and to reason, to count and to indicate. They give us agency, as creators but also as destroyers. They give form to our willingness to act in the world, in greed or compassion.\n\n---\n\n**This exhibition is made possible with funding from the Stamps School of Art & Design and the University of Michigan Office of Research.**\n\nFrom the Artist\n\nI am grateful to the Modern Greek Program in the Department of Classical Studies, College of Literature, Science, and the Arts at the University of Michigan, for their ongoing support for my research and the dissemination of this project.",
        "occurrence_notes":"All welcome! Free & Open to the Public",
                "guid":"152223-21913374@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152223",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
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        "tags":["artists","Classical Studies","Art History","art and design","art","Visual Arts","History","free","Exhibition","Arts Initiative","arts at michigan","arts","artists and curators"],
        "website":"http:\/\/lsa.umich.edu\/rc",
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                "group_name":"Residential College [RC]",
                "group_id":"1029",
                "website":""                },             {
                "group_name":"Penny W Stamps School of Art & Design",
                "group_id":"3157",
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    {
        "datetime_modified":"20260827T142116",
        "datetime_start":"20260916T090000",
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        "date_start":"2026-09-16",
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        "event_title":"Ballad for Rodney",
        "occurrence_title":"",
        "combined_title":"Ballad for Rodney: A pop-up exhibition by Cosmo Whyte",
        "event_subtitle":"A pop-up exhibition by Cosmo Whyte",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Institute for the Humanities\u2019 presentation of Cosmo Whyte\u2019s* Ballad for Rodney* (2024) is organized as part of Whyte\u2019s upcoming solo exhibition at the Stamps Gallery entitled *Cosmo Whyte: Under the Quiet, Beyond the Eye*.\n\nThis \u201ccurtain painting\u201d operates simultaneously as painting and sculpture, inviting the viewer to physically engage with the surface, passing through to another layer underneath. \n\nAbout the artist\nCosmo Whyte (b. 1982, St. Andrew, Jamaica) is an interdisciplinary artist who employs drawing, installation, and sculpture to create conceptual work exploring interstitial subjectivity through an engagement with both intimate and public archives, as well as Black spatiality and forms of resistance. He received his MFA from the University of Michigan. In 2022, he joined the UCLA School of the Arts and Architecture as an assistant professor.\n\n\nWhyte\u2019s work has been exhibited nationally and internationally, including at MOCA Georgia, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; The High Museum of Art, Atlanta, GA; The Drawing Center, New York, NY; Atlanta Contemporary, Atlanta, GA; Centre Georges Pompidou, Paris, France; and the National Gallery of Jamaica, Kingston, Jamaica, among others. His work is in public museum collections including the High Museum, Atlanta, GA; Museum of Contemporary Art, Chicago, IL; International African American Museum, Charlotte, NC; MOCA Georgia, Atlanta, GA; National Gallery of Jamaica; P\u00e9rez Art Museum Miami, among others. Whyte lives and works between Montego Bay, Jamaica and Los Angeles, CA.",
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        "building_name":"202 S. Thayer",
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        "room":"Institute for the Humanities Osterman Common Room, #1022",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Visual Arts","Humanities"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
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                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                },             {
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    {
        "datetime_modified":"20260915T123553",
        "datetime_start":"20260916T090000",
        "datetime_end":"20260916T163000",
        "has_end_time":1,
        "date_start":"2026-09-16",
        "date_end":"2026-09-16",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Breakfast, Luncheon, and Dinner: Dining Out in the 1910s, 1920s, and 1930s",
        "occurrence_title":"",
        "combined_title":"Breakfast, Luncheon, and Dinner: Dining Out in the 1910s, 1920s, and 1930s",
        "event_subtitle":"",
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        "event_type_id":"7",
        "description":"Enjoy a buffet selection of early twentieth century menus from the Janice Bluestein Longone Culinary Archive. Visit the Special Collections Research Center on the 6th floor of the Hatcher Library, Monday-Friday, 9:00am-4:30pm.",
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        "permalink":"http:\/\/events.umich.edu\/event\/152203",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Special Collections, 6th floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Culinary History","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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