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        "event_title":"EEB Student Dissertation Defense - Macroevolutionary patterns of a complex phenotype: Disparity, convergence, and integration of the Neotropical cichlid feeding system",
        "occurrence_title":"",
        "combined_title":"EEB Student Dissertation Defense - Macroevolutionary patterns of a complex phenotype: Disparity, convergence, and integration of the Neotropical cichlid feeding system: Benjamin Nicholas",
        "event_subtitle":"Benjamin Nicholas",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Abstract: Organisms consist of many anatomical systems that function together to form complex phenotypes, which are involved in tasks such as feeding, breathing, or locomotion. These phenotypes require the coordinated evolution, or coevolution, of numerous traits to maintain functionality. However, multifunctional phenotypes face trade-offs that may restrict their diversification. The skull of fishes represents a complex phenotype, containing over 100 bones, which perform multiple functions such as feeding, breathing, and brooding eggs. Neotropical cichlids represent a fruitful system to study how a complex phenotype, the feeding system, has evolved in the context of an ancient adaptive continental radiation, with repeated transitions to specialized diets, and a second jaw in their throat, which is thought to have resulted in their immense ecological and species diversity across two continents through functional decoupling. This dissertation investigates the macroevolutionary patterns in cichlid feeding morphology to better understand how complex phenotypes, which are multifunctional, have evolved in the context of constraint and adaptation. Utilizing three-dimensional geometric morphometrics and microcomputed tomography (\u03bcCT) scanning, I explore the diversity and macroevolutionary patterns of the Neotropical cichlid feeding system, including all bones in the oral and pharyngeal jaw for the first time. \r\nIn Chapter 2, I characterize the diversity and phylogenetic trajectories of pharyngeal jaws across Cichlinae. The upper pharyngeal jaw has been largely absent in studies of cichlid feeding, however, with \u00b5CT scanning, I am able to describe the diversity of the upper pharyngeal jaw and measure disparity through time, revealing unexpected patterns in phenotypic divergence. In Chapter 3, I examine the relationship between diet and feeding morphology, highlighting instances of morphological convergence and divergence among ecologically similar species. I also reconstruct the evolutionary history of dietary transitions and test for correlations between diet and previously unstudied morphological traits. Lastly, I test the hypothesis that functional decoupling has led to evolutionary decoupling between the oral and pharyngeal jaws in Chapter 4. My findings challenge traditional views on functional decoupling and suggest that evolutionary integration between the two jaws is necessary for functional decoupling to occur. The findings from this dissertation enhance our understanding of how complex phenotypes have evolved at a continental scale, and the influence diet has on shaping macroevolutionary patterns.",
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        "location_name":"Biological Sciences Building",
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        "tags":["Graduate Students","biological science","Bsbsigns","department of ecology and evolutionary biology","Dissertation","ecology","Ecology & Biology","Ecology And Evolutionary Biology","eeb","Graduate","Graduate School"],
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        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
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        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
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    {
        "datetime_modified":"20250522T131730",
        "datetime_start":"20250528T103000",
        "datetime_end":"20250528T120000",
        "has_end_time":1,
        "date_start":"2025-05-28",
        "date_end":"2025-05-28",
        "time_start":"10:30:00",
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        "time_zone":"America\/Detroit",
        "event_title":"What Does Dialogue Feel Like?",
        "occurrence_title":"",
        "combined_title":"What Does Dialogue Feel Like?: danny alvarez",
        "event_subtitle":"danny alvarez",
        "event_type":"Workshop \/ Seminar",
        "event_type_id":"21",
        "description":"Dialogue\u2014sounds great! But what does it actually feel like when you are in dialogue with a group? How do you know it is dialogue? Come do a deep dive about the differences between dialogue, debate, and discussion, and practice being \"in dialogue\" with this group so you can walk away knowing what we actually mean when we say dialogue.\r\n\r\nABOUT DIFFICULT DIALOGUES\r\nDifficult Dialogues Meet the Moment Initiative is made possible though partnership between LSA Undergraduate Education; Division of Student Life; U-M Year of Democracy, Civic Empowerment, and Global Engagement; Stephen M. Ross School of Business; Raoul Wallenberg Institute; The Program on Intergroup Relations; and Difficult Dialogues National Resource Center. Find workshops, coaching, and more at myumi.ch\/difficult-dialogues.",
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        "tags":["Workshop","Intergroup Dialogue"],
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        "datetime_modified":"20240130T121550",
        "datetime_start":"20250528T110000",
        "datetime_end":"20250528T170000",
        "has_end_time":1,
        "date_start":"2025-05-28",
        "date_end":"2025-05-28",
        "time_start":"11:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"A Gathering",
        "occurrence_title":"",
        "combined_title":"A Gathering",
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        "event_type":"Exhibition",
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        "description":"Welcome. Make Yourself At Home.\n \nA Gathering brings together the newest works of art to enter UMMA\u2019s collection \u2014\u00a0many on display here for the first time.\u00a0\n \nAs a free, public museum, UMMA staff takes care of art for the benefit of the community and society at large. The works on view in this exhibition, all brought into the Museum between 2019 and the present, shows how institutions like UMMA are becoming more permeable to societal challenges, and more nimble in responding to them in service to all in their communities. In this exhibition you will find works that reflect on how global migrations, race, gender, and ecological change shape the way we engage with the world and inform our visions for the future.\n \nThis collection of artistic engagements with issues give us tools to envision who we want to be as individuals, as a museum, and as a society, connected to one another across space and experience.\n \nSo gather here to take in these latest works of art brought here for you. Gather here to be engulfed in their forms and meanings, to discuss their takes, to learn, to disagree. Gather to relax, make a friend, drink a coffee, finish the daily Wordle. Gather to feel full, to be moved and inspired by all the possible imaginations of what is yet to come.\n \nCurated by F\u00e9lix Zamora G\u00f3mez Irving Stenn, Jr. Fellow in Public Humanities & Museum Pedagogy\n\nLead support for this exhibition is provided by Lizzie and Jonathan Tisch, the Richard and Rosann Noel Endowment, and the University of Michigan Office of the Provost.\n\u00a0",
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        "room":"Lizzie and Jonathan Tisch Apse",
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        "tags":["Staff","UMMA","Art","Exhibition","Free","Humanities","Museum"],
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        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
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        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "tags":["Exhibition","European","Art","History","Museum","UMMA"],
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