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        "datetime_modified":"20250219T082822",
        "datetime_start":"20250131T090000",
        "datetime_end":"20250131T170000",
        "has_end_time":1,
        "date_start":"2025-01-31",
        "date_end":"2025-01-31",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Chimera",
        "occurrence_title":"",
        "combined_title":"Chimera: An exhibition by Rashaaad Newsome",
        "event_subtitle":"An exhibition by Rashaaad Newsome",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"*Chimera* is an immersive exhibition centered on a newly commissioned film, also titled *Chimera*, which fuses elements from Newsome's prior works *Hands Performance* and *Build or Destroy* with a new interquel film that bridges their narratives. This connecting piece explores the origins and journey of the bejeweled figure in flames from *Build or Destroy*, revealing where they come from and the purpose that led them to Earth. This exhibition reflects a bold shift in Newsome's practice toward sci-fi filmmaking, layering the architecture of film, movement, and world-building to probe themes of identity, resistance, and creation. Complete details at https:\/\/myumi.ch\/kZbyp.",
        "occurrence_notes":null,
                "guid":"130074-21865230@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/130074",
        "building_id":"1005179",
        "building_name":"202 S. Thayer",
        "campus_maps_id":"524",
        "room":"Institute for the Humanities Gallery",
        "location_name":"202 S. Thayer",
        "has_livestream":0,
        "cost":"",
        "tags":["African American","Art","Exhibition","Film","Humanities","Visual Arts"],
        "website":"http:\/\/www.lsa.umich.edu\/humanities",
        "sponsors":[
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                "group_name":"Institute for the Humanities",
                "group_id":"1130",
                "website":"http:\/\/www.lsa.umich.edu\/humanities"                }                    ],
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    }    ,    "130825-21866937":
    {
        "datetime_modified":"20250109T113426",
        "datetime_start":"20250131T090000",
        "datetime_end":"20250131T170000",
        "has_end_time":1,
        "date_start":"2025-01-31",
        "date_end":"2025-01-31",
        "time_start":"09:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Elizabeth Boyd-Hartmann Dizik Exhibition",
        "occurrence_title":"",
        "combined_title":"Elizabeth Boyd-Hartmann Dizik Exhibition: Cellulae Flores",
        "event_subtitle":"Cellulae Flores",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This body of work represents a playful exploration of form, color, and scale through the lens of cellular shapes. Inspired by the complex patterns of biological life, the pieces are a celebration of growth, transformation, and the joy of experimentation. The use of non-precious materials, such as wood balls and paint, allowed for a liberating approach to composition and color, while the spherical forms and circular panels evoke the look of petri dishes\u2014symbolizing both scientific curiosity and organic development.\r\nBorn in Detroit, Elizabeth is a multidisciplinary artist and mother based in the metro Detroit area, where she works from a studio in her home. With a background in bench jewelry, her earlier work focused on studio jewelry and was represented by Galerie Noel Guyomarc\u2019h in Montreal.\r\nElizabeth\u2019s work has been exhibited both locally and internationally. She holds a BA in Jewelry Design, with First Class Honours, from Central Saint Martins in London, a BFA from the University of Michigan, and an MFA from Cranbrook Academy of Art, where she specialized in Metalsmithing and Architecture. Her diverse practice spans jewelry, sculpture, and installation, blending materials and techniques to explore themes of production, growth, transformation, and organic form.",
        "occurrence_notes":"Or by appointment contact serrag@med.umich.edu",
                "guid":"130825-21866937@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/130825",
        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Rotunda Gallery",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Culture","Exhibition","Free","Humanities","North Campus","Visual Arts"],
        "website":"",
        "sponsors":[
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                "group_name":"North Campus Research Complex NCRC Art Program",
                "group_id":"5062",
                "website":"https:\/\/ncrc.umich.edu\/life-ncrc\/occupant-amenities\/art-program"                }                    ],
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    }    ,    "131383-21868344":
    {
        "datetime_modified":"20250117T144257",
        "datetime_start":"20250131T090000",
        "datetime_end":"20250131T163000",
        "has_end_time":1,
        "date_start":"2025-01-31",
        "date_end":"2025-01-31",
        "time_start":"09:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923",
        "occurrence_title":"",
        "combined_title":"Red Summer: Racial Violence in the American Landscape, 1917-1923: Wendel A. White",
        "event_subtitle":"Wendel A. White",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"The Red Summer portfolio represents the stories of various locations in the American landscape where racial violence (often characterized as \u201cRace Wars\u201d at the time) erupted between 1917 and 1923. These years of conflict reveal several aspects of racial anxiety that inform our contemporary experience, including, though not limited to; racism, fear of violent black revolt, lynching, poverty, mass incarceration, and competition for employment. The term \u201cRed Summer\u201d was first used by James Weldon Johnson to describe the violent attacks against black communities during 1919.  \r\n\r\nThough the events of the early twentieth century seem to be remote and fading apparitions of an American past; my work is concerned with the power and influence of our shared historical narrative upon the present. The upheaval of Red Summer occurred approximately fifty years after the American Civil War, fifty years before the height of the Civil Rights Era, and three centuries after the first enslaved Africans arrived in English colonies that would become the United States. \r\n\r\nThe project combines photographs of the contemporary landscape made at or near the site of racial conflict with fragmented selections of contemporaneous newspaper reporting (1917-1923). In many cases, the newsprint images include the surrounding stories or advertisements. The combination of the landscape photograph and the reproduction of newspaper fragments (which invade the contemporary with a narrative from the past), is a rupture and a conversation on the timeline between past and present.",
        "occurrence_notes":"Enter through East University Ave. Open to the public.",
                "guid":"131383-21868344@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/131383",
        "building_id":"1000054",
        "building_name":"East Quadrangle",
        "campus_maps_id":"54",
        "room":"RC Art Gallery",
        "location_name":"East Quadrangle",
        "has_livestream":0,
        "cost":"",
        "tags":["Ann Arbor","Art","artists","arts","arts at michigan","Exhibition","free","Visual Arts"],
        "website":"https:\/\/lsa.umich.edu\/rc\/reserve-a-room-\/rc-art-gallery.html",
        "sponsors":[
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                "group_name":"Residential College",
                "group_id":"1029",
                "website":""                }                    ],
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    }    ,    "129602-21864028":
    {
        "datetime_modified":"20250211T122734",
        "datetime_start":"20250131T090000",
        "datetime_end":"20250131T160000",
        "has_end_time":1,
        "date_start":"2025-01-31",
        "date_end":"2025-01-31",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Redefining the Crown",
        "occurrence_title":"",
        "combined_title":"Redefining the Crown: The Voices of Black Breast Cancer Survivors",
        "event_subtitle":"The Voices of Black Breast Cancer Survivors",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In Winter 2025, the Lane Hall exhibit space will feature a portraiture series titled Redefining the Crown showcasing the powerful stories of six Black breast cancer survivors.\r\n\r\nBased on a photo essay by U-M Faculty Versha Pleasant (MD\/MPH) and Ava Purkiss (PhD) in Medicine at Michigan, this exhibition examines the cultural and personal significance of hair within Black communities, particularly through the lens of breast cancer treatment and recovery. The term \"crown\" is deeply symbolic in Black culture, signifying beauty, strength, and identity. The featured photo essay by photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman, Tanisha Kennedy, Felecia McDaniel, Shantell Elaine McCoy, Tamara Lynn Myles, and Veleria Banks.\r\n\r\nThrough their narratives and portraits, the exhibit examines how these women have navigated the profound impact of hair loss caused by chemotherapy, inviting the audience to witness their stories with radical empathy. It explores the cultural pride and personal identity intricately tied to their hair, and how these elements are redefined amidst their battles with breast cancer.\r\n\r\nThe exhibit will be on view from January 21, 2025 to August 8, 2025. This exhibition is presented with support from IRWG, the Department of Women's and Gender Studies, and Michigan Medicine. \r\n\r\nLocated on the first floor of Lane Hall (204 S. State Street), the Exhibit Space is free and open to the public, M-F, 9am-4pm.",
        "occurrence_notes":null,
                "guid":"129602-21864028@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/129602",
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        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["african american","Art","institute for research on women and gender","women","Women's And Gender Studies"],
        "website":"http:\/\/irwg.umich.edu\/",
        "sponsors":[
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
                "group_name":"Michigan Medicine",
                "group_id":"1033",
                "website":"https:\/\/www.facebook.com\/MichiganMedicine\/"                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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    {
        "datetime_modified":"20241203T104657",
        "datetime_start":"20250131T090000",
        "datetime_end":"20250131T200000",
        "has_end_time":1,
        "date_start":"2025-01-31",
        "date_end":"2025-01-31",
        "time_start":"09:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Bibliophile and the Library: Private-Press Books from the Collection of Bill Heidrich",
        "occurrence_title":"",
        "combined_title":"The Bibliophile and the Library: Private-Press Books from the Collection of Bill Heidrich",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"View beautifully illustrated books that stand as remarkable testaments to the work of twentieth-century small private presses, which, in contrast to the trend of mass commercialization, produced limited editions that celebrated the uniqueness of manual craftsmanship. Features such as exquisite typeface design, letterpress printing, handmade paper, traditional illustration techniques like woodcut and engraving, and the inclusion of original art by renowned artists highlight the presses' dedication to artistry and detail.\r\n\r\nThe display opens with an edition of \"The Works of Geoffrey Chaucer,\" published in 1896 by William Morris at his Kelmscott Press, a pivotal press that greatly influenced the development of the private press movement as a means of preserving and revitalizing the fine printing and art traditions of the past. Additionally, the exhibit includes some examples of artist\u2019s proofs, offering a glimpse into the intricate creative process behind these exceptional works.\r\n\r\nThese books are on loan from the collection of Bill Heidrich, a long-time supporter of the University of Michigan Library.",
        "occurrence_notes":null,
                "guid":"129585-21863720@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/129585",
        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Hatcher Gallery Exhibit Room, 1st floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Books","Exhibition","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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                "group_name":"University Library",
                "group_id":"1186",
                "website":"https:\/\/www.facebook.com\/UMichLibrary\/"                }                    ],
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