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        "datetime_end":"20250620T160000",
        "has_end_time":1,
        "date_start":"2025-06-20",
        "date_end":"2025-06-20",
        "time_start":"09:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Redefining the Crown",
        "occurrence_title":"",
        "combined_title":"Redefining the Crown: The Voices of Black Breast Cancer Survivors",
        "event_subtitle":"The Voices of Black Breast Cancer Survivors",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"In Winter 2025, the Lane Hall exhibit space will feature a portraiture series titled Redefining the Crown showcasing the powerful stories of six Black breast cancer survivors.\r\n\r\nBased on a photo essay by U-M Faculty Versha Pleasant (MD\/MPH) and Ava Purkiss (PhD) in Medicine at Michigan, this exhibition examines the cultural and personal significance of hair within Black communities, particularly through the lens of breast cancer treatment and recovery. The term \"crown\" is deeply symbolic in Black culture, signifying beauty, strength, and identity. The featured photo essay by photographer Tafari Stevenson-Howard captures the intimate journeys of Ann Chatman, Tanisha Kennedy, Felecia McDaniel, Shantell Elaine McCoy, Tamara Lynn Myles, and Veleria Banks.\r\n\r\nThrough their narratives and portraits, the exhibit examines how these women have navigated the profound impact of hair loss caused by chemotherapy, inviting the audience to witness their stories with radical empathy. It explores the cultural pride and personal identity intricately tied to their hair, and how these elements are redefined amidst their battles with breast cancer.\r\n\r\nThe exhibit will be on view from January 21, 2025 to August 8, 2025. This exhibition is presented with support from IRWG, the Department of Women's and Gender Studies, and Michigan Medicine. \r\n\r\nLocated on the first floor of Lane Hall (204 S. State Street), the Exhibit Space is free and open to the public, M-F, 9am-4pm.",
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        "permalink":"http:\/\/events.umich.edu\/event\/129602",
        "building_id":"1000183",
        "building_name":"Lane Hall",
        "campus_maps_id":"84",
        "room":"",
        "location_name":"Lane Hall",
        "has_livestream":0,
        "cost":"",
        "tags":["african american","Art","institute for research on women and gender","women","Women's And Gender Studies"],
        "website":"http:\/\/irwg.umich.edu\/",
        "sponsors":[
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                "group_name":"Institute for Research on Women and Gender",
                "group_id":"1031",
                "website":"http:\/\/irwg.umich.edu\/"                },             {
                "group_name":"Michigan Medicine",
                "group_id":"1033",
                "website":"https:\/\/www.facebook.com\/MichiganMedicine\/"                },             {
                "group_name":"Women's and Gender Studies Department",
                "group_id":"2809",
                "website":"http:\/\/www.lsa.umich.edu\/wgs"                }                    ],
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        "datetime_end":"20250620T170000",
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        "date_end":"2025-06-20",
        "time_start":"10:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Beyond Survival",
        "occurrence_title":"",
        "combined_title":"Beyond Survival",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Join us for Beyond Survival, an exhibition of works by incarcerated artists in Michigan presented by PCAP co-founder Janie Paul and the Flint Institute of the Arts. The exhibit opens May 30th and runs through September 14th. \r\n\r\nThe pieces span nearly 30 years, many of them having been featured in our Annual Exhibition.\r\n\r\n\"Through drawings, paintings, and sculptures made with simple materials, artists expose the harsh realities of incarceration while imagining life beyond prison. These works reveal a longing for home and family, joy and beauty, connections to nature, flights of the imagination, and journeys toward freedom\u2014acts of creation made despite and in direct response to carceral conditions.\"",
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        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"Graphics Gallery",
        "location_name":"1120 East Kearsley Street Flint, Michigan 48503",
        "has_livestream":0,
        "cost":"$10 for the public $8 for students",
        "tags":["art","Exhibition","Incarceration"],
        "website":"https:\/\/www.facebook.com\/prisonarts\/",
        "sponsors":[
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                "group_name":"Prison Creative Arts Project",
                "group_id":"2376",
                "website":"http:\/\/www.prisonarts.org"                }                    ],
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    {
        "datetime_modified":"20250304T131847",
        "datetime_start":"20250620T100000",
        "datetime_end":"20250620T163000",
        "has_end_time":1,
        "date_start":"2025-06-20",
        "date_end":"2025-06-20",
        "time_start":"10:00:00",
        "time_end":"16:30:00",
        "time_zone":"America\/Detroit",
        "event_title":"Moth Eden",
        "occurrence_title":"",
        "combined_title":"Moth Eden: Anne Erlewine Solo Exhibition",
        "event_subtitle":"Anne Erlewine Solo Exhibition",
        "event_type":"Other",
        "event_type_id":"22",
        "description":"Explore \"Moth Eden,\" an evocative art exhibit by Anne Erlewine, running from April 19 to July 6, 2025. \u2018Moth Eden\u2019 is a series of works exploring the relationship between the sacred reverence of the female form depicted as landscape and the conditioned tension of objectification contrasted by omission through eclipsing desire with the natural essence of bloom and nectar as it pertains to moth sustenance.\r\n\r\nAnne Erlewine, an artist from Ann Arbor, Michigan, cultivated her artistic talents from an early age, inspired by her fine artist grandmother. Her creative journey was further developed at the University of Michigan, where she studied art and writing.",
        "occurrence_notes":null,
                "guid":"133414-21873038@events.umich.edu",
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        "building_id":"0",
        "building_name":"Matthaei Botanical Gardens",
        "campus_maps_id":"554",
        "room":"",
        "location_name":"Matthaei Botanical Gardens",
        "has_livestream":0,
        "cost":"",
        "tags":["Art","Exhibition","Free","In Person","Visual Arts"],
        "website":"https:\/\/mbgna.umich.edu\/event\/moth-eden-anne-erlewine-solo-exhibition",
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                "group_id":"1072",
                "website":""                }                    ],
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    }    ,    "135505-21876895":
    {
        "datetime_modified":"20250507T144259",
        "datetime_start":"20250620T100000",
        "datetime_end":"20250620T120000",
        "has_end_time":1,
        "date_start":"2025-06-20",
        "date_end":"2025-06-20",
        "time_start":"10:00:00",
        "time_end":"12:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"The Clements Bookworm: Author Conversation with Susanna Ashton \"A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom's Cabin\"",
        "occurrence_title":"",
        "combined_title":"The Clements Bookworm: Author Conversation with Susanna Ashton \"A Plausible Man: The True Story of the Escaped Slave Who Inspired Uncle Tom's Cabin\"",
        "event_subtitle":"",
        "event_type":"Livestream \/ Virtual",
        "event_type_id":"24",
        "description":"In December 1850, Harriet Beecher Stowe sheltered fugitive slave John Andrew Jackson for one night in Brunswick, Maine\u2014an encounter that helped inspire *Uncle Tom\u2019s Cabin*.\r\n\r\nIn *A Plausible Man*, Ashton pieces together Jackson\u2019s journey from slavery to freedom and his rise as an international abolitionist, uncovering his story through a historical detective lens.\r\n\r\nThank you to the Alumni Association of the University of Michigan for sponsoring this episode.",
        "occurrence_notes":null,
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        "building_id":"null",
        "building_name":"Off Campus Location",
        "campus_maps_id":"1",
        "room":"",
        "location_name":"Virtual",
        "has_livestream":0,
        "cost":"",
        "tags":["american history","Book Talk","Books","Free","history","libraries","Library","Talk"],
        "website":"https:\/\/umich.zoom.us\/webinar\/register\/WN_6-uBey5BRneGzLydB7kbqA#\/registration",
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                "group_name":"William L. Clements Library",
                "group_id":"1727",
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    {
        "datetime_modified":"20240130T121551",
        "datetime_start":"20250620T100000",
        "datetime_end":"20250620T200000",
        "has_end_time":1,
        "date_start":"2025-06-20",
        "date_end":"2025-06-20",
        "time_start":"10:00:00",
        "time_end":"20:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "occurrence_title":"",
        "combined_title":"Unsettling Histories: Legacies of Slavery and Colonialism",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Organized as a response to the Museum\u2019s recent acquisition of Titus Kaphar\u2019s Flay (James Madison), this upcoming reinstallation of one of our most prominent gallery spaces forces us to grapple with our collection of European and American art, 1650-1850.\n \nIn recent times, growing public awareness of the continued reverberations of the legacy of slavery and colonization has challenged museums to examine the uncomfortable histories contained in our collections, and challenged the public to probe the choices we make about those stories. Choices about which artists you see in our galleries, choices about what relevant facts we share about the works, and choices about what - out of an infinite number of options - we don\u2019t say about them.\n \nPieces in this exhibition were made at a time when the world came to be shaped by the ideologies of colonial expansion and Western domination. And yet, that history and the stories of those marginalized do not readily appear in the still lives and portraits on display here. By grappling with what is visible and what remains hidden, we are forced to examine whose stories and histories are prioritized and why.\u00a0\u00a0\n \nIn this online exhibition, you can explore our efforts to deeply question the Museum\u2019s collection and our own past complicity in favoring colonial voices. In the Museum gallery, which will open in early 2021, you\u2019ll be able to experience the changes we\u2019re making to the physical space to highlight a more honest version of European and American history.\u00a0\n \nBy challenging our own practice, and continuing to add to what we know and what we write about the works we display, UMMA tells a more complex and more complete story of this nation - one that unsettles, and fails to settle for, simple narratives.\u00a0\n \n\u201cInvisible things are not necessarily \u2018not there\u2019.... Certain absences are so stressed, so ornate, so planned, they call attention to themselves; arrest us with intentionality and purpose, like neighborhoods that are defined by the population held away from them.\u201d\u00a0\n \n\u2014 Toni Morrison\n\nLead support for Unsettling Histories: Legacies of Slavery and Colonialism\u00a0is provided by the University of Michigan Office of the Provost,\u00a0the U-M Arts Initiative, and the Susan and Richard Gutow Endowed Fund.\n\u00a0",
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        "building_name":"Museum of Art",
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        "room":"European and American Decorative Art",
        "location_name":"Museum of Art",
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        "tags":["Art","European","Exhibition","History","Museum","UMMA"],
        "website":"https:\/\/umma.umich.edu\/exhibitions\/2021\/unsettling-histories-legacies-of-slavery-and-colonialism",
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                "group_id":"1177",
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