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    "150276-21908511":
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        "datetime_modified":"20260826T132935",
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        "datetime_end":"20261006T230000",
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        "date_end":"2026-10-06",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Comics Beyond Sight",
        "occurrence_title":"",
        "combined_title":"Comics Beyond Sight",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"This exhibit covers a variety of creative approaches to comics visual accessibility, and by extension visual accessibility broadly. Those approaches range from multimedia (audio and textual descriptions) through multidimensional and emerging technologies strategies (3D printing, haptics, and screen-based mobile touch interfaces). It demonstrates that comics can be made accessible. Learn about the international efforts of innovators in the realm of comics accessibility for those who are blind or have low vision, assembled by the Accessible Comics Collective at San Francisco State University (SFSU) with the expertise of blind access professionals. \n\nEmily Beitiks was the accessibility lead for the content creation of the exhibit. She is the co-director for the San Francisco Disability Cultural Center (the first civically funded disability culture center on the planet!), and prior to that, the director of the Longmore Institute on Disability. \n\nNick Sousanis (SFSU), the lead creative organizer of the exhibit, is a Detroit native and was the first person to draw his dissertation in comics format, subsequently published as the graphic novel Unflattening.\n\nView the exhibit anytime the Hatcher Library is open, and join us for an opening presentation on Friday, October 2nd, 1:00pm - 4:00pm.",
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        "building_id":"1000181",
        "building_name":"Hatcher Graduate Library",
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        "room":"Gallery, 1st Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
        "cost":"",
        "tags":["Accessibility","Comics","Disability","Free","Library"],
        "website":"https:\/\/www.lib.umich.edu\/events",
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    {
        "datetime_modified":"20260814T155307",
        "datetime_start":"20261006T080000",
        "datetime_end":"20261006T230000",
        "has_end_time":1,
        "date_start":"2026-10-06",
        "date_end":"2026-10-06",
        "time_start":"08:00:00",
        "time_end":"23:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them",
        "occurrence_title":"",
        "combined_title":"Down in Ann Arbor Town: Pictorial Maps, Campus Traditions, and the Women Who Made Them: Exhibit",
        "event_subtitle":"Exhibit",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Celebrate the centennial of the iconic 1926 \u201cDown in Ann Arbor Town\u201d map by exploring the colorful history, campus traditions, and detailed artistry that made it possible. Created by Jessie Horton Koessler (Class of 1901) to help fund the Michigan League building for women, this celebrated map provides a fascinating view into 1920s campus life and the women who shaped it. Through three distinct exhibit sections, journey from the campus history that led to the map\u2019s creation to a broader look at early 20th-century pictorial mapmaking.\n\nWhile enjoying the exhibit, pick up a scavenger hunt at the Clark Library desk that will inspire you to notice whimsical details in the maps discussed. Return your scavenger hunt at the desk for a small prize, while supplies last.\n\nJoin the curators \u2014 Ava Pustulka (\u201928) and Anna Rohl, map curator at Clark Library \u2014 for a presentation on September 24 (https:\/\/myumi.ch\/X8y3r), where they will share the research that went into creating the exhibit.",
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                "guid":"150290-21908814@events.umich.edu",
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        "building_name":"Hatcher Graduate Library",
        "campus_maps_id":"65",
        "room":"Clark Library, 2nd Floor",
        "location_name":"Hatcher Graduate Library",
        "has_livestream":0,
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        "tags":["Free","Library","Maps"],
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        "datetime_modified":"20260818T114238",
        "datetime_start":"20261006T080000",
        "datetime_end":"20261006T170000",
        "has_end_time":1,
        "date_start":"2026-10-06",
        "date_end":"2026-10-06",
        "time_start":"08:00:00",
        "time_end":"17:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"Lila Kadaj Exhibition",
        "occurrence_title":"",
        "combined_title":"Lila Kadaj Exhibition: Tic Tic",
        "event_subtitle":"Tic Tic",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Lila Kadaj received her MFA from Wayne State University. Her work has been shown at numerous institutions, including the Detroit Institute of Arts, the Cranbrook Art Museum, and the Arab American National Museum.  She spent nearly 27 years teaching art at Detroit Public schools.\n\nArtist statement: \u201cWhen looking at a beautiful flower.  It\u2019s just itself.  Just there......no .....it does not proclaim its purpose for blooming is to make people happy. It just is. Like standing in front of an easel and painting........just is.......no matter......what proclamations may be concluded to sway the viewer. Same thing goes for fine art.  It\u2019s not about I am a woman....it\u2019s not about I am a first generation Arab American.....it\u2019s not about being a child of trauma....it\u2019s not about a member of my family being gunned down on the street....it\u2019s about being born a painter.....standing in front of my easel and working to create a \"Piece of Fine Art\". Not standing on some soap box and expecting my words to somehow qualify my painting. It\u2019s the painting, drawing or sculpture that must speak on its own.......on how the artist......via the intellect and muse uses the elements to create something distinct and first rate.   It can be quiet or loud. I see so much very weak work uplifted not for its quality but because it\u2019s in fashion.\u201d",
        "occurrence_notes":"Monday-Friday hours or by appointment serrag@med.umich.edu",
                "guid":"150406-21909195@events.umich.edu",
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        "building_id":"0",
        "building_name":"North Campus Research Complex Building 18",
        "campus_maps_id":"595",
        "room":"Connections Gallery Concourse Level",
        "location_name":"North Campus Research Complex Building 18",
        "has_livestream":0,
        "cost":"",
        "tags":["ArtsRx","Arab Heritage Month","Art","Culture","Detroit","Diversity","Exhibition","Free","Middle East Studies","North Campus","Visual Arts","Women's Studies"],
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        "datetime_modified":"20260806T162236",
        "datetime_start":"20261006T080000",
        "datetime_end":"20261006T170000",
        "has_end_time":1,
        "date_start":"2026-10-06",
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        "time_zone":"America\/Detroit",
        "event_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "occurrence_title":"",
        "combined_title":"WCEE Exhibition. The Art of Memory, Paintings by Felix Lembersky",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Felix Lembersky (1913-1970) was a painter, theater stage designer, teacher, and leader of artistic groups. He began his career within the Soviet Avant-Garde in Ukraine before studying realist painting in Leningrad (now Saint Petersburg). Throughout his life he worked across realist and modernist styles that fell outside of Soviet-mandated Socialist Realism. His Execution: Babyn Yar series (ca. 1944-52) is the earliest known artistic representation of Babyn Yar, a Holocaust massacre site in Kyiv. For political reasons, these paintings, along with his later nonconformist work, were barred from exhibition in the Soviet Union.\n\nHaving witnessed two world wars, the 1917 revolution, and political terror, Lembersky reflected on these experiences with candor while imbuing his work with hope and optimism. He was drawn to vulnerable, neglected, and marginalized people: children, the elderly, ethnic minorities, and industrial workers subjected to harsh labor and dangerous conditions. Regardless of their circumstances, Lembersky  portrayed his subjects with empathy, dignity, and admiration.  \n\n\u201cFor my father, honesty and integrity meant more than anything else. Art was an expression of freedom, individuality, and personalized creativity, without which it ceased to be art.\u201d\n\u2014 Galina Lembersky, daughter\n\nExhibit curated by Yelena Lembersky, granddaughter of Felix Lembersky, and Genevi\u00e8ve Zubrzycki, WCEE Director.\n\nWorks on loan from the private collection of Yelena Lembersky.\n\nContact weisercenter@umich.edu to schedule a viewing.\n\nIf there is anything we can do to make this event accessible to you, please contact us at weisercenter@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "building_name":"Weiser Hall",
        "campus_maps_id":"47",
        "room":"Room 1010",
        "location_name":"Weiser Hall",
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        "tags":["ukraine","russia","Art"],
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                "group_id":"3111",
                "website":"http:\/\/www.ii.umich.edu\/wcee"                },             {
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        "datetime_modified":"20260806T113000",
        "datetime_start":"20261006T090000",
        "datetime_end":"20261006T210000",
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        "time_zone":"America\/Detroit",
        "event_title":"7th Annual Creating Community Conference",
        "occurrence_title":"",
        "combined_title":"7th Annual Creating Community Conference: The Expanding Landscape of Art and Disabilities",
        "event_subtitle":"The Expanding Landscape of Art and Disabilities",
        "event_type":"Conference \/ Symposium",
        "event_type_id":"5",
        "description":"*Note: The Institute for the Humanities will cover the registration fee for any faculty, staff or graduate students interested in attending a single day or all three days of the conference. Please contact the Institute staff at humin@umich.edu to coordinate the registration process.*\n\nHeld October 5-8, 2026, the Creating Community Conference brings together artists and professionals from progressive art studios* across the United States and beyond, along with professionals active in disability arts, rights, and theory, to discuss best practices, advocacy, and the evolving landscape of art and disability. This annual event, a Creative Growth initiative launched in Oakland, CA in 2019, aims to foster dialogue and collaboration around the importance of inclusive creative spaces for artists with developmental disabilities and mental health differences.\n\nThis year's conference will be hosted in Detroit and Ann Arbor Michigan, and is locally organized and led by the Progressive Art Studio Collective (PASC), with support from the University of Michigan Institute for the Humanities, and Library Street Collective. National administration and strategic support is being provided by Creative Growth, in collaboration with the Progressive Art Studio Alliance (PASA).\n\nCCC7 invites both internal (studio staff and artists) and external (general public) audiences to engage with the art and practice of progressive art studios. The conference covers a range of topics from hands-on studio practice, exhibiting, collecting and representing artists with disabilities, self-taught art, outsider art, disability studies, mental-health, radical pedagogy and more, expanding the conversation on platforming the creative production of marginalized communities, opening up the art world to disabled artists, and the transformative power of art.\n\nTuesday, October 6, 2026: First Full Conference Day\nLocation: The Shepherd, 1265 Parkview St, Detroit, MI 48214\n\n9:00-9:10AM: Opening Remarks, Go over symposium schedule\n9:10-10:30AM: Icebreaker\n10:30-11:15AM: New Studio Presentations: How We Got Here     \n11:15-11:30AM: Break\n11:30AM-12:15PM: ABLE, Trusts and Managing Funding for Artists with Disabilities\n12:15-1:00PM: Lunch (provided)\n1:00-1:30PM: Blackness and Disability: Intersections and Insights.\n1:30-2:00PM: Studio Facilitation Presentation 1: Somewhere Between Knowing and Not Knowing. Facilitating Conditions for Creativity.\n2:00-2:30PM: Studio Facilitation Presentation 3: Building Community with Disability Drawing Club\n2:30-2:45PM: Break\n2:45-3:15PM: Studio Facilitation Presentation 4: Tools of the Trade: Adaptive Practices and Creative Community\n3:15-3:45PM: Finding Connection Through Art: Independent Learning, Mixed Media, and Neurodiverse Creativity\n3:45-4:15PM: History in the Making: Academic Partnerships with Progressive Art Studios\n4:20-4:50PM: TBD Drawing Workshop\n6:30-9:00PM: PAS Short Film night. films by artists from PAS  (Open to the General Public)\n\nView the full schedule and register at https:\/\/myumi.ch\/qwVRX.",
        "occurrence_notes":null,
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        "location_name":"The Shepard, 1265 Parkview St., Detroit",
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        "tags":["Disability Studies","Humanities","Michigan Arts Festival","Visual Arts"],
        "website":"https:\/\/www.instagram.com\/umichhumanities\/",
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