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        "datetime_modified":"20260918T003206",
        "datetime_start":"20260923T113000",
        "datetime_end":"20260923T130000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"11:30:00",
        "time_end":"13:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"From Master\u2019s to Doctorate: A Guide to PhD and Other Doctoral Applications",
        "occurrence_title":"",
        "combined_title":"From Master\u2019s to Doctorate: A Guide to PhD and Other Doctoral Applications",
        "event_subtitle":"",
        "event_type":"Careers \/ Jobs",
        "event_type_id":"2",
        "description":"Are you a current Master\u2019s student or recent alum considering a PhD or another doctorate? Do you want to learn how to effectively present your research experience and academic potential to admissions committees? This workshop will guide you through the essential components of a successful doctoral application. We will review different types of doctoral programs, typical application timelines, application documents, and additional factors to consider when looking for and applying for a doctoralprogram. We will also reflect on if a doctorate is the right choice for your career goals. You will have the opportunity to ask your questions and learn more about how to best utilize University Career Center and Rackham resources to get support for this academic transition. Whether you are just considering the idea of pursuing a doctoral degree or you have already started preparing for it, this session will provide the tools you need fora successful application.This event is intended to be interactive and therefore a recording will not be available.\u00a0Brought to you by the University Career Center, in partnership with Rackham Graduate School.\u00a0Register on Sessions: https:\/\/sessions.studentlife.umich.edu\/track\/event\/session\/110416\u00a0#UCC",
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                "group_id":"1140",
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        "datetime_modified":"20260911T131259",
        "datetime_start":"20260923T120000",
        "datetime_end":"20260923T160000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"12:00:00",
        "time_end":"16:00:00",
        "time_zone":"America\/Detroit",
        "event_title":"\u201cWho Counts? A History of Voting in America\u201d",
        "occurrence_title":"",
        "combined_title":"\u201cWho Counts? A History of Voting in America\u201d",
        "event_subtitle":"",
        "event_type":"Exhibition",
        "event_type_id":"7",
        "description":"Changes over the course of the nineteenth century in how Americans voted, from voice vote to public ballot box to private voting booth, also saw changes in the material culture that surrounded voting. Ballots and ballot boxes, campaign pins and ribbons, blank lists and pre-printed party tickets, lanterns and banners\u2013the creative forces of the American print industry filled the country\u2019s cities and small towns with the ephemera of electioneering.\n\nAs you look at the items in this exhibit, think about what they tell us about how Americans in the past felt about voting, and about how voting felt. How did Election Days feel when they were full of parades and music and public drinking? What was it like to vote when everyone around you knew who you voted for? And, most of all, who counted as a voter, and who did the counting?\n\nOn view September 11-December 22, weekdays from 12-4 pm.",
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                "guid":"152024-21912641@events.umich.edu",
        "permalink":"http:\/\/events.umich.edu\/event\/152024",
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        "location_name":"William Clements Library",
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        "tags":["american culture","William L Clements","Tour","Library","libraries","In Person","history","Exhibition","Exhibit","Event","Americana","american history"],
        "website":"https:\/\/clements.umich.edu\/exhibit\/who-counts\/",
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    {
        "datetime_modified":"20260824T181519",
        "datetime_start":"20260923T120000",
        "datetime_end":"20260923T170000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
        "occurrence_title":"",
        "combined_title":"Cosmo Whyte: Under the Quiet, Beyond the Eye",
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        "event_type":"Exhibition",
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        "description":"\n\nCurated by Srimoyee Mitra\n\nStamps Gallery kicks off the fall 2026 semester with an ambitious mid-career survey of interdisciplinary artist Cosmo Whyte. Born and raised in Jamaica, Whyte completed a BFA from Bennington College and earned an MFA from the University of Michigan. He is currently a faculty member at the School of the Arts and Architecture, UCLA.\n\nThis exhibition brings together two central concerns that animate Whyte\u2019s artistic practice: the archive, both personal and public, as a site of disturbance; and migration as a lived experience of refuge, refusal, and reinvention. In Whyte\u2019s work, the archive is never static or neutral. Rather, it is a contested space where official histories encounter memory, inheritance, and the fragments of stories carried across generations. His practice moves within this charged interstitial terrain, between what has been recorded and what has been remembered, between institutional knowledge and embodied experience. Whyte invites the viewer to consider the fluidity of geographic borders and layered cultural identities that have persisted despite societal unrest caused by racial and socio-economic hierarchies across generations. In an era of intensified border politics and renewed debates over national identity, Whyte\u2019s work offers a timely meditation on memory, movement, and belonging.\n\nPresented with support from the U-M Institute for Humanities, the U-M LSA Center for Latin American and Caribbean Studies, and the U-M Library.",
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        "location_name":"Stamps Gallery, 201 South Division Street Ann Arbor, Michigan 48104",
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        "tags":["Art"],
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    {
        "datetime_modified":"20260915T094520",
        "datetime_start":"20260923T120000",
        "datetime_end":"20260923T130000",
        "has_end_time":1,
        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
        "time_start":"12:00:00",
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        "time_zone":"America\/Detroit",
        "event_title":"DAAS Faculty Forum 2026-2027",
        "occurrence_title":"",
        "combined_title":"DAAS Faculty Forum 2026-2027: Fall Schedule",
        "event_subtitle":"Fall Schedule",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Faculty members of the Department of Afroamerican and African Studies discuss their projects, research, and publications to share their work and interests. The DAAS Faculty Forum will be held monthly on Wednesdays at noon.\n\nFall 2026 Schedule:\n\nSeptember 23: Jonathan A. G\u00f3mez, Assistant Professor of Music, Department of Musicology\n\n\u201cTheorizing Black Musical Tribute Work\u201d\n\n\u201cIn this talk, I present the beginnings of what I am theorizing as \u2018Black musical tribute work,\u2019 a musical process of paying tribute to a Black musician, living or deceased, through musical performance. I engage specifically with the play of similarity and difference in covering the works of the artist to whom tribute is paid, especially the semiotic capacities of such musical activity. I look to the 2005 album So Amazing: An All-Star Tribute to Luther Vandross as a case study.\u201d\n\nJonathan A. G\u00f3mez is a musicologist studying Black American musics of the 20th and 21st centuries, particularly popular musics. His work is situated at the intersection of music studies and Black studies, with interests in music analysis and semiotics via linguistic anthropology. He is also a jazz saxophonist, and can be heard on pianist Roberto Magris\u2019 album Live in Miami @ the WDNA Jazz Gallery (2017), as well as on several tracks of Geo Trio\u2019s We Made an Album! (2019). G\u00f3mez holds a Ph.D. in music with a secondary field in African and African American studies from Harvard University, an M.A. in musicology from Michigan State University, and a B.M. in studio music and jazz from the University of Miami\u2019s Frost School of Music. Prior to U-M, G\u00f3mez taught in USC\u2019s Thornton School of Music.\n\nOctober 21: Justine Davis, Assistant Professor of Afroamerican and African Studies; Assistant Professor of Political Science \n\nNovember 18: Martin Murray, Adjunct Professor of Afroamerican and African Studies; Professor of Urban and Regional Planning, Alfred Taubman College of Architecture and Urban Planning",
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        "tags":["African Studies","African Language","African Diaspora","african and afroamerican studies","african and african american studies","AEM Featured"],
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        "date_start":"2026-09-23",
        "date_end":"2026-09-23",
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        "time_zone":"America\/Detroit",
        "event_title":"DAAS Faculty Forum with Jonathan A. Gomez , Assistant Professor of Music, Department of Musicology",
        "occurrence_title":"",
        "combined_title":"DAAS Faculty Forum with Jonathan A. Gomez , Assistant Professor of Music, Department of Musicology: \"Theorizing Black Musical Tribute Work\u201d",
        "event_subtitle":"\"Theorizing Black Musical Tribute Work\u201d",
        "event_type":"Lecture \/ Discussion",
        "event_type_id":"13",
        "description":"Abstract: \n\n\nIn this talk, I present the beginnings of what I am theorizing as \u201cBlack musical tribute work,\u201d a musical process of paying tribute to a Black musician, living or deceased, through musical performance. To accomplish this task, I engage specifically with the play of similarity and difference in covering the works of the artist to whom tribute is paid, especially the semiotic capacities of such musical activity. Here, I build on my previous work on \"musical qualia of Blackness\u201d (G\u00f3mez 2024) and musical metapragmatics of Blackness (G\u00f3mez 2026) to consider how attention to what linguistic anthropologist Michael Silverstein calls ethnometapragmatic indexicality and \u201cindexical order\u201d (Silverstein 2003), facilitates the musical process Black musicians paying tribute to one another through musical sound and practice. Finally, I argue that such tributes enable a kind of \u201cmetapragmatics of presence\u201d (Nakassis 2017) for Black musicians and listeners.\n\n \n\nTo demonstrate this method, I look to the 2005 album, So Amazing: An All-star Tribute to Luther Vandross, as a case study. Vandross\u2019s position as an understudied yet widely-beloved figure in Black musical history makes him, and the tribute work done for him, an ideal place to begin thinking through this process.  While Vandross is my chosen example here, my hope is that this method will prove useful to a far wider range of artists, time periods, and genres in Black American musical history.",
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        "tags":["Music","African Diaspora","african and afroamerican studies","african and african american studies"],
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