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        "event_title":"Virtual Infosession with Third Bridge! (November 6th)",
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        "event_type":"Careers \/ Jobs",
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        "description":"Curious about early career opportunities at Third Bridge? Join Campus Recruiter Danielle Ford on Thursday, November6th at 11 am CT for a Virtual Informational as I introduce you to Third Bridge and our entry-level associate roles in New York, Los Angeles, Dallas, London, and Munich!",
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    {
        "datetime_modified":"20251015T121513",
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        "event_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
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        "combined_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
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        "event_type":"Exhibition",
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        "description":"Phase 1 Opening Reception: September 18, 6:30\u2009\u2013\u20098:30 p.m.\nFrom September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist\u2019s vision of the sacred. McKenna draws from the language of quilting, organizing her photos of mushrooms, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists, Midwestern women attentive to the nuances of place, weave personal imagery into collective meaning. Together, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols, denoting a capitalist world, filled with tender moments and connections, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms, lichen, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail, the work honors Ohio\u2019s yard art traditions. Like other local expressions, from chainsaw-carved bears to the front porch goose, it fosters a shared sense of pride of place, and community.\nArtist Statements\/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness, humor, beauty, pain, and joy that coexist within these spaces. The landscapes I create\u2014whether photographic or collage-based\u2014are imbued with a visceral connection to the physical environments I\u2019ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core, my work explores the underworld of human experience, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism, the mysticism of my Irish Catholic upbringing, and the profound solitude that fuels my process. The resulting images are landscapes of seeking, filled with the pain, glory, and quiet resistance of life.\nAmelia Burns is a photographer, collage artist, curator and educator exploring the cultural and physical landscapes of the U.S., capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website \/ Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor, playful misuse, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens, she explores the space where necessity meets excess, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics, generating tension between utility and ornament. Growing up in a perpetually unfinished home\u2014a place of sawdust, chop saws, and improvisation\u2014instilled in her a respect for visible labor, inventive problem-solving, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries, stereotypes and associationsmisuse, misapplyallow for variable arrangementsrepeat, reiterate, reuseconsider the subversive possibilities of the excessive, fantastic, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp; Design in 2012 and later completed her MFA at Stamps School of Art &amp; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio, where she serves as Exhibitions Director at The Dairy Barn Arts Center, hunts for mushrooms with her toddler, and makes quilts. Website \/ Instagram",
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        "event_title":"Self-Assessment to Guide Career Exploration",
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        "event_title":"Crystal Wilkinson, Author Talk",
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        "combined_title":"Crystal Wilkinson, Author Talk: Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks",
        "event_subtitle":"Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks",
        "event_type":"Presentation",
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        "description":"Join us for a special presentation with Crystal Wilkinson, award-winning author and former Kentucky Poet Laureate, as she shares from her newest work Praisesong for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks. \r\n\r\nBlending memoir, family history, and recipes, Wilkinson celebrates the enduring role of Black women in sustaining families, preserving heritage, and uplifting community through food, storytelling, and cultural traditions.\r\n\r\nThis event is presented by the Women of Color in the Academy Project (WOCAP), with co-sponsorship from the STAMPS Desis Lab, the Institute for the Humanities and the Institute for Research on Women & Gender",
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        "event_title":"CJS Noon Lecture Series | Japan's Mountain in Nepal: The First Ascent of Manaslu and Reconciliation with Postwar Asia",
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        "combined_title":"CJS Noon Lecture Series | Japan's Mountain in Nepal: The First Ascent of Manaslu and Reconciliation with Postwar Asia: Miriam Kingsberg Kadia, Professor of History, University of Colorado Boulder",
        "event_subtitle":"Miriam Kingsberg Kadia, Professor of History, University of Colorado Boulder",
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        "description":"Please note: This lecture will be held in person in Weiser Hall (10th Floor) and virtually on Zoom. The webinar is free and open to the public, but registration is required. Once you've registered, joining information will be sent to your email. Register for the Zoom webinar at: https:\/\/myumi.ch\/mRJD4\r\n   \r\n   Historians have represented Japan\u2019s first ascent of Manaslu (8,163 meters) in the Nepalese Himalayas in 1956 as a vestige of militarism after defeat in World War II and occupation by the United States and its allies. This talk, by contrast, illuminates the significance of the triumph in elaborating peaceful postwar modes of engagement with Asia: knowledge production, imperial diplomacy, and humanitarianism.\r\n   \r\n   Miriam Kingsberg Kadia is a professor of history at the University of Colorado Boulder. She is the author of *Moral Nation: Modern Japan and Narcotics in Global History* (UC Press, 2014) and *Into the Field: Human Scientists of Transwar Japan* (Stanford, 2020), and the coeditor of *Drugs and the Politics of Consumption in Japan* (Brill, 2023). Her current research is on the history of high-altitude mountaineering during the Cold War.\r\n   \r\n   This lecture is made possible with the generous support of the U.S. Department of Education Title VI grant.\r\n\r\nIf there is anything we can do to make this event accessible to you, please contact us at cjsevents@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.",
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        "tags":["Japanese Studies","japan","History","Asian Languages And Cultures"],
        "website":"https:\/\/myumi.ch\/mRJD4",
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