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        "event_title":"Generative AI Tutorial: How To Use GenAI for Coding",
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        "combined_title":"Generative AI Tutorial: How To Use GenAI for Coding: Seth Temple",
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        "tags":["Academic Technology At Michigan","Discussion","Free","Genai","Generative Ai","Workshop"],
        "website":"https:\/\/midas.umich.edu\/events\/generative-ai-for-coding\/",
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        "event_title":"Generative AI Tutorials: How To Use GenAI for Coding",
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        "event_title":"Resume Lab",
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        "description":"*RSVP required to attend. Click \"Join Event\" here:\u00a0https:\/\/umich.joinhandshake.com\/edu\/events\/185210Just getting started building a resume? Have a draft but not sure how to make it better? Want to learn about resources available to revise your resume? Wherever you\u2019re at Resume Lab is a great next step for you.\u00a0Get real-time, personalized support in a small group setting by checking out the Resume Lab.\u00a0We will discuss and educate you on\u2026- Design and format- Writing a great bullet point- Targeting your resume for specific internships\/jobs\u00a0If you're a Graduate Student or Recent Grad, please make a 1:1 appointment instead of attendingthe Lab because this event is designed for undergraduates.\u00a0Note: This event's information is shown in Handshake as well as on the Happening @ Michigan calendar so that it will be seen by a larger number of U-M Students.",
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        "event_title":"Untold Stories, Part II: A Stamps Faculty Exhibition",
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        "description":"Exhibition Dates: September 12 - December 13Opening Reception: September 18, 6:30-8:30 p.m.\nUntold Stories: Part II is the second in a series of three exhibitions featuring the work of faculty members from the Stamps School of Art &amp; Design. Organized thematically, Part II explores timely and resonant themes related to the freedom of expression, movement, and civic rights. Drawing on personal narratives and public archives, the artists offer inspiring ways of storytelling that make latent ideas visible and experiential - expanding the boundaries of their artistic research.\nUntold Stories: Part II is curated by Srimoyee Mitra, and features work by Stamps faculty Ebitenyefa Baralaye, Annica Cuppetelli, Quinn A. Hunter, Carol Jacobsen, Andy Kirshner, Rebekah Modrak, and Ricky Weaver.",
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        "event_title":"Fore-Site (Phase 1): The Stamps Gallery Pillar Project",
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        "description":"Phase 1 Opening Reception: September 18, 6:30\u2009\u2013\u20098:30 p.m.\nFrom September 2025 through August 2026, Stamps Gallery is partnering in a curatorial collaboration with two Ypsilanti-based, artist-run project spaces led by Stamps alumni: C.Y.N.K. Studios, directed by Sally Clegg (Lecturer III and Student Exhibition Coordinator, MFA \u201920) and Abhishek Narula (MFA \u201920); and Sometimes Space, directed by Nathan Byrne (Lecturer I, MFA \u201921). Each space hosts dozens of artists annually for exhibitions, performances, and events, fostering experimental work and building community. For this project, Byrne, Clegg, and Narula have been commissioned to reimagine the pillars on Division Street that flank the gallery. In response, they've curated six artists to create new work for the pillars over three cycles:\nPhase 1 (September 12 - December 12) artists: Amelia Burns (Cranbrook MFA '23) and Erin McKenna (MFA '20)Phase 2 (January 12 - April 12) artists: Sally Clegg (MFA '20) and Kim Karlsrud (MFA '20)Phase 3 (May 12 - August 12) artists: Abhishek Narula (MFA '20) and Nathan Byrne (MFA '21)\nPhase 1 Curatorial Statement\nCurated by Sometimes Space: Amelia Burns (entry pillar)Curated by CYNK Studios: Erin McKenna (courtyard pillar)\nArtists Amelia Burns and Erin McKenna reimagine the Division Street pillars through digital collages rooted in memory, landscape and shared environments. Burns arranges fragments of her own photographs into airy compositions where these pictorial remnants become enshrined by the artist\u2019s vision of the sacred. McKenna draws from the language of quilting, organizing her photos of mushrooms, moss and lichen into vibrant geometric patterns which echo Ohio textile traditions. Both artists, Midwestern women attentive to the nuances of place, weave personal imagery into collective meaning. Together, their works create spaces of reverence and connection.\nAmelia Burns: GODSPROMISESRISINGHIGHGODSPROMISESRISINGHIGH contains fragments of photographs I have made over years in various locations in the United States. Each fragment holds personal meaning for me. The exalted pieces of environments float together and create a visual smorgasbord of symbols, denoting a capitalist world, filled with tender moments and connections, where all objects are made holy.\nErin McKenna: Mushroom TrailMushroom Trail reimagines the Ohio Star quilt block through a collage of photographs of mushrooms, lichen, and moss gathered during walks in my Appalachian forest home. I created small blocks of repeating patterns to build texture and color. Inspired by the Barn Quilt Trail, the work honors Ohio\u2019s yard art traditions. Like other local expressions, from chainsaw-carved bears to the front porch goose, it fosters a shared sense of pride of place, and community.\nArtist Statements\/Bios\nAmelia BurnsThrough my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. My work speaks to the loneliness, humor, beauty, pain, and joy that coexist within these spaces. The landscapes I create\u2014whether photographic or collage-based\u2014are imbued with a visceral connection to the physical environments I\u2019ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.\nAt its core, my work explores the underworld of human experience, grappling with the visceral tension between authenticity and artifice in contemporary Americana. It reflects the disgusting horror of capitalism, the mysticism of my Irish Catholic upbringing, and the profound solitude that fuels my process. The resulting images are landscapes of seeking, filled with the pain, glory, and quiet resistance of life.\nAmelia Burns is a photographer, collage artist, curator and educator exploring the cultural and physical landscapes of the U.S., capturing the nuances of shared environments. She earned her BFA in Photography from Pratt Institute in 2005 and later completed her MFA at Cranbrook Academy of Art in 2023. Website \/ Instagram\nErin McKenna Erin McKenna is an interdisciplinary artist with a background in sculpture. Her practice embraces humor, playful misuse, and celebration as strategies to dismantle stereotypes and complicate binaries of construction and embellishment. With a feminist lens, she explores the space where necessity meets excess, highlighting the subversive potential of both. Her sculptures often pair gritty building materials with tactile fabrics, generating tension between utility and ornament. Growing up in a perpetually unfinished home\u2014a place of sawdust, chop saws, and improvisation\u2014instilled in her a respect for visible labor, inventive problem-solving, and imperfection. Her process follows personal rules:\nno hierarchy of materialssubvert expected usecomplicate binaries, stereotypes and associationsmisuse, misapplyallow for variable arrangementsrepeat, reiterate, reuseconsider the subversive possibilities of the excessive, fantastic, and necessaryalways let the labor be visible\nMcKenna earned her BFA from Columbus College of Art &amp; Design in 2012 and later completed her MFA at Stamps School of Art &amp; Design at the University of Michigan. She recently moved back to the forest she calls home in Southeastern Ohio, where she serves as Exhibitions Director at The Dairy Barn Arts Center, hunts for mushrooms with her toddler, and makes quilts. Website \/ Instagram",
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        "event_title":"Arts and Resistance: A Visual Arts Methods Workshop",
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        "combined_title":"Arts and Resistance: A Visual Arts Methods Workshop",
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        "event_type":"Workshop \/ Seminar",
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        "description":"How can visual arts engage personal testimonies to reach new audiences? Join us for a methods workshop led by Ice in the Heartland artist, Carolina Jones Ortiz on creating interview-based representational art. Jones Ortiz shares how she created artworks using community interviews and public health research to bring the issues of mass deportation to new audiences. Participants will practice applying the GIRA method (Graphic, Interview-based, Representational, Acompa\u00f1mento) to texts from the current deportation crisis. All materials provided.\r\n\r\nThis event is sponsored by the Institute for Research on Women and Gender (IRWG), LSA's Women's and Gender Studies, the Ginsberg Center, the Department of American Culture, Latina\/o Studies, and the School of Public Health's Health Behavior and Health Equity.",
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        "tags":["Activism","advocacy"],
        "website":"http:\/\/myumi.ch\/8qQmD",
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